Auguste Donnay (28 results)

Couverture souple. Condition: Bon. Auguste DONNAY, Armand RASSENFOSSE, Léon DEFRECHEUX, Adrien DE WITTE (illustrator). Nicolas DEFRECHEUX OEUVRES COMPLETES - EDITION DU CENTENAIRE Etude préface d'Oscar Pecqueur, texte établi par les soins de Charles Defrecheux et Jean Haust 1925, Liège, Edition Société de littérature wallonne Format : In-8 (23,5 x 15,5 cm), broché sous couverture illustrée, 258 pages illustré de gravures en en-têtes par Auguste DONNAY, Armand RASSENFOSSE et Léon DEFRECHEUX, portraits par Adrien DE WITTE Etat : papier jauni, ouvrage en partie non coupé, bon exemplaire poids : 980g.

66pp.avec dessins inédits d'Auguste Donnay, br.orig., 18cm., dans la série "Les cahiers de la 'Revue Sincère'" nr.14, bel état.

Couverture souple. Condition: Bon. Edition originale. In-8° broché, paginé de 61 à 120.

Original Farblithographie aus dem Werk "Les Maitres de l'Affiche" von 1899. Blatt-Maße: ca. 39 x 30 cm. gut erhalten. || Original first edition lithograph out of "Les Maitres de l'Affiche" from 1899. With the blind embossed stamp designed by J. Cheret. in good condition. || Lithographie originale en couleurs de l'ouvrage "Les Maîtres de l'Affiche" de 1899. || "Les Maitres de l'Affiche" was published by Imprimerie Chaix, under the direction of Jules Cheret between the years 1896 and 1900, as a monthly subscription. It features designs by artists such as: Alphonse Mucha, Henri de Toulouse-Lautrec, Theophile-Alexandre Steinlen, Bonnard, Forain, Eugene Grasset, Georges Meunier, Louis Rhead, Dudley Hardy, etc. Special issues included plates with original designes by renowed artists. Among the most sought-after posters from the series are "Job" by A. Mucha which helped establish Mucha as a creator of beautiful Art Nouveau popular images, and has been used widely all over the world, in various variants - and "Moulin Rouge" by Toulouse Lautrec. With more than one thousand poster designs, Jules Cheret was considered the father of poster art. Many of the posters from Les Maitres de l'Affiche have been designed by Charet himself. In 1866, he opened his own print shop in Paris and from 1881 on, he operated as part of the Chaix Imprimerie which published "Les Maitres de l'Affiche". This work was created during La Belle Epoque in France, a great time for advertising and part of the French Great Poster Movement which started at the end of the 19th century. At that time, the streets of all large cities in the world were full of large-format, colorful, lively poster images. Advertising posters began to be regarded as works of art, and published as fine prints. Imprimerie Chaix played a great part in popularizing poster designs, as well as in keeping record of the artistic movement as a whole. || // Wir, das Antiquariat Steffen Völkel, kaufen und verkaufen alte Bücher, Handschriften, Zeichnungen, Autographen, Grafiken und Fotografien. Wir sind stets am Ankauf von kompletten Bibliotheken, Sammlungen und Nachlässen interessiert. Sprache: Französisch.

Original Farblithographie von 1896. Blatt-Maße: ca. 31 x 22 cm. gut erhalten. // Original color lithograph from 1896. // Wir, das Antiquariat Steffen Völkel, kaufen und verkaufen alte Bücher, Handschriften, Zeichnungen, Autographen, Grafiken und Fotografien. Wir sind stets am Ankauf von kompletten Bibliotheken, Sammlungen und Nachlässen interessiert. Sprache: Französisch Gewicht in Gramm: 20.

Couverture souple. Condition: Bon. Lithographie originale en couleurs signée dans la planche, timbre sec de l'éditeur dessiné par Alexandre Charpentier (1856-1909). Planche : 400 x 310 mm. Publiée mensuellement entre mai 1897 et avril 1899, L'estampe moderne fut fondée par l'éditeur Henri Piazza et par Charles Masson, futur directeur du musée de Luxembourg. Accompagnés de l'imprimeur Champenois, ces messieurs se donnèrent pour but de rendre accessible à tous l'art de l'estampe. Chaque livraison (il y en aura 24 au total) comportait 4 chromolithographies originales de format 31 x 41 cm, ornées en marge du timbre sec de la revue (Lugt L.2790), soit un total de 100 estampes, incluant celles offertes en prime aux abonnés, pour un tirage limité à 2000 exemplaires en édition courante sur vélin et 150 épreuves sur papier Japon. Ce fut là l'une des publications illustrées les plus emblématiques dans laquelle tous les plus grands illustrateurs de la fin du XIXème siècle furent représentés (y compris les femmes) avec des estampes inédites, réservées uniquement pour l'ouvrage et couvrant les courants artistiques majeurs de l'époque : Symbolisme, Art Nouveau, Préraphaélites, Orientalistes et Belle Epoque. L'illustration de la couverture fut confiée à l'artiste tchécoslovaque Alfons Mucha. Petits accrocs en marges.

Condition: en trés bon état. Lucien LEFÈVRE paris Imprimerie Chaix 1897 Une Affichette Publicitaire [Fac-similé réduit de l'affiche originale], lithographiée en couleurs, format : 40 x 29 cm, Signé en bas à gauche : monogramme AD pour DONNAY Auguste, Timbre sec dans le coin inférieur droit : "Les Maîtres de l'affiche // Imprimerie Chaix", 1897 [Paris] : Les Maîtres de l'Affiche Editeur, en trés bon état Édition : [Fac-similé réduit de l'affiche originale], Note : Source : Affiche originale de l'imprimerie de : Lithographie JASPAR Frères Liège. SUPERBE . en trés bon état (very good condition).

Soft cover. Condition: Good. No Jacket. Auguste Donnay (illustrator). 1st Edition. First edition. Small octavo. Illustrated with 12 sepia vignettes by Auguste Donnay. Original tan pictorial wrappers, wallet edges (chips; cover taped at fold). With contributions by Gide, Emile Verharen, Henri de Regnier, Robert de Souza, Andre Fontainas, Gustave Kahn and others. Good. 97 pages. Printed by Charles Renaudie.

Soft cover. Condition: Poor. Auguste Donnay (illustrator). beaucoup des taches inscription Description and photos on demand.

Brussel, Meddens, [1967]. 24,5 x 18 cm. Gebonden. Hardcover. Frontispice in kleur. 16 pag. tekst, gevolgd door 24 afbeeldingen in z/w. [Art / international artist [Buitenlandse Kunstenaars] ].

Condition: Very Good. Liège: Aug. Bénard, 1895. First Edition. Small octavo; publisher's pictorial red and tan pictorial wrappers; 243pp.; black and white portrait frontispiece, 32 vignettes printed in tan and orange. Expert restoration to top upper cover edge and lower corner, endpapers a bit toned, else Very Good. Blue slip signed by the author laid in. The collected poetry and prose of one of the leading men of letters in the Wallonian dialect of the 19th century. Illustrated by two of the principal illustrators at the Bénard press, where they would galvanize the movement towards commercial avant-garde art at the end of the 19th and beginning of the 20th centuries.

A very nice copy of this collection of designs by Donnay for Mockel. First edition. No text. Cream soft covers with are effectively a portfolio, with glassine protection (the latter a little darkened). Front cover is also the title. 16 pages, loose in the portfolio. Pages fractionally darkened, but overall in excellent condition. This work, of unknown limitation, accompanied the book of children's tales by Mockel. (The designs also appeared in the book). The limitation is unknown, but there was also a limited edition of 20 copies on Japon (which was sewn into the cover). This copy has never been sewn and was clearly intended to be loose in folds). 225 by 150mm (8¾ by 6 inches). Only one library holding (The Belgium state library). Conforms to WorldCat / FirstSearch OCLC: 1400545846. Albert Mockel was a significant Belgian poet, who came to represent the Symbolist movement. It was he who established the name "Wallonie" through his writing and he was an early Walloon activist. Auguste Donnay was a Belgian painter, illustrator, lithographer and poster artist. He was a lecturer at the Royal Academy of Fine Arts in Liege. Hiis early work was firmly Art Nouveau. Here he hovers between Nouveau and Deco. He suffered from chronic depression throughout his life, and committed suicide in 1921. .

Condition: Good. Color lithograph. 41 x 31 cm (sheet). artist's name and date printed in lower right of image 'A. Donnay '97', with the blindstamp of L'Estampe Moderne (Lugt 2790), printed by L'Imprimerie Champenois, edited by Charles Masson and H. Piazza, with the original tissue paper guard. Very Good, lightly toned along margin edges, lower right sheet corner creased.

Pas de couverture. Imprimerie Champenois pour CH. Masson H. Piazza | Paris (Février) 1898 | 23.50 x 34.50 cm | une feuille | Rare lithographie originale, exécutée par Auguste Donnay pour L'Estampe Moderne, série numéro 10 publiée en février 1898. Une des50 épreuves de grand luxe tirées sur Chine à grandes marges, signature de l'artiste et date dans la planche, timbre à sec de l'éditeur représentant un profil d'enfant en marge inférieure, contrecollée sur un feuillet de papier vélin avec au dos le tampon numéroté du tirage de luxe, pâles rousseurs marginales. Lithographie inspirée d'un poème de José Maria de Heredia. Magnifique publication mensuelle française éditée entre mai 1897 et avril 1899,L'Estampe modernese constitue de chromolithographies inédites qui, contrairement à d'autres revues commeLesMaîtres de l'Afficheet tel qu'il est stipulé sur les serpentes, ont été réalisées spécialement par chaque artiste pour la revue. Ce sont ainsi 100 estampes qui paraissent au total, couvrant les courants artistiques majeurs de la fin du XIXème siècle: Symbolisme, Art Nouveau, Préraphaélites, Orientalistes et Belle Epoque. Chaque livraison de quatre estampes est tirée à 2000 exemplaires vendus 3,50F et 100 sur papier Japon proposés à 10F. Henri Piazza prévoit également un tirage confidentiel de très grand luxe: 50 exemplaires sur Japon à grandes marges et 50 en noir sur Chine au prix considérable de 30F. Cette estampe d'un beau format est superbement imprimée sur l'un des plus prestigieux papiers: le Chine. «Malgré toutes ses qualités, le papier de Chine, trop inconsistant, doit sa réputation, non pas à sa propre beauté, mais bien à ses affinités particulières avec l'encre d'impression. Son tissu, lisse et mou tout ensemble, est plus apte qu'aucun autre à recevoir un beau tirage. Cette propriété fait rechercher le papier de Chine pour le tirage des gravures.» (Anatole France). L'intérêt des collectionneurs français pour les affiches artistiques s'amplifie au début des années 1890. Octave Uzanne, pour qualifier cette fièvre invente le terme d'«affichomanie». L'affiche, à l'origine populaire et placardée dans les rues de la capitale, devient alors objet d'art et son support éphémère se fait précieux et voué à la conservation. Piazza décide de soustraire l'affiche à sa vocation publicitaire et de l'élever au rang d'uvre d'art à part entière au même titre que le livre illustré de luxe. Il compose ainsi une collection prestigieuse d'uvres entièrement originales, par les artistes européens les plus en vue du moment: Georges de Feure, Eugène Grasset, Henri Detouche, Emile Berchmans, Louis Rhead, Gaston de Latenay, Lucien Lévy-Dhurmer, Gustave-Max Stevens, Charles Doudelet, Hans Christiansen, Henri Fantin-Latour, Steinlen, Ibels, Engels, Willette, Henri Meunier, Evenepoël, Bellery-Desfontaines, Charles Léandre, etc. Bel exemplaire dans le style Art Nouveau. | [ENGLISH DESCRIPTION FOLLOWS] Rare original lithograph, executed by Auguste Donnay for L'Estampe Moderne, series number 10 published in February 1898. One of 50 deluxe proofs printed on China paper with wide margins, artist's signature and date in the plate, publisher's dry stamp representing a child's profile in the lower margin, mounted on a sheet of laid paper with the numbered stamp of the deluxe edition on the verso, pale marginal foxing. Lithograph inspired by a poem by José Maria de Heredia. Magnificent French monthly publication issued between May 1897 and April 1899, L'Estampe Moderne consists of original chromolithographs which, unlike other periodicals such as Les Maîtres de l'Affiche and as stipulated on the tissue guards, were created specially by each artist for the review. Thus 100 prints appeared in total, covering the major artistic movements of the late 19th century: Symbolism, Art Nouveau, Pre-Raphaelites, Orientalists and Belle Epoque. Each issue of four prints was printed in 2000 copies sold at 3.50F and 100 on Japan paper offered at 10F. Henri Piazza also planned.

Pas de couverture. Imprimerie Champenois pour CH. Masson H. Piazza | Paris (Février) 1898 | 23.50 x 34.50 cm | une feuille et une serpente | Rare lithographie originale imprimée en couleurs, exécutée par Auguste Donnay pour L'Estampe Moderne, série numéro 10 publiée en février 1898. Une des50 épreuves de grand luxe tirées sur Japon à grandes marges, signature de l'artiste et date dans la planche, timbre à sec de l'éditeur représentant un profil d'enfant en marge inférieure, tampon numéroté du tirage de luxe au dos ; gravure précédée d'une serpente légendée du nom de l'artiste, du titre et d'un poème; serpente vierge. Lithographie inspirée d'un poème de José Maria de Heredia, reproduit sur la serpente de l'estampe. Magnifique publication mensuelle française éditée entre mai 1897 et avril 1899, L'Estampe moderne se constitue de chromolithographies inédites qui, contrairement à d'autres revues comme Les Maîtres de l'Affiche et tel qu'il est stipulé sur les serpentes, ont été réalisées spécialement par chaque artiste pour la revue. Ce sont ainsi 100 estampes qui paraissent au total, couvrant les courants artistiques majeurs de la fin du XIXème siècle: Symbolisme, Art Nouveau, Préraphaélites, Orientalistes et Belle Epoque. Chaque livraison de quatre estampes est tirée à 2000 exemplaires vendus 3,50F et 100 sur papier Japon proposés à 10F. Henri Piazza prévoit également un tirage confidentiel de très grand luxe: 50 exemplaires sur Japon à grandes marges et 50 en noir sur Chine au prix considérable de 30F. Cette estampe d'un beau format est superbement imprimée sur le plus prestigieux des papiers: le Japon. Epais, soyeux, satiné et nacré, il contribue à faire de chaque page une uvre à part entière. Sa qualité d'absorption de l'encre et son affinité avec les couleurs en font également le support idéal de ces très belles lithographies. L'intérêt des collectionneurs français pour les affiches artistiques s'amplifie au début des années 1890. Octave Uzanne, pour qualifier cette fièvre invente le terme d'«affichomanie». L'affiche, à l'origine populaire et placardée dans les rues de la capitale, devient alors objet d'art et son support éphémère se fait précieux et voué à la conservation. Piazza décide de soustraire l'affiche à sa vocation publicitaire et de l'élever au rang d'uvre d'art à part entière au même titre que le livre illustré de luxe. Il compose ainsi une collection prestigieuse d'uvres entièrement originales, par les artistes européens les plus en vue du moment: Georges de Feure, Eugène Grasset, Henri Detouche, Emile Berchmans, Louis Rhead, Gaston de Latenay, Lucien Lévy-Dhurmer, Gustave-Max Stevens, Charles Doudelet, Hans Christiansen, Henri Fantin-Latour, Steinlen, Ibels, Engels, Willette, Henri Meunier, Evenepoël, Bellery-Desfontaines, Charles Léandre, etc. Bel exemplaire dans le style Art Nouveau. | [ENGLISH DESCRIPTION FOLLOWS] Rare original lithograph printed in colors, executed by Auguste Donnay for L'Estampe Moderne, series number 10 published in February 1898. One of 50 deluxe proofs printed on Japan paper with wide margins, artist's signature and date in the plate, publisher's dry stamp representing a child's profile in the lower margin, numbered stamp of the deluxe edition on the verso; engraving preceded by a tissue guard inscribed with the artist's name, title and a poem; blank tissue guard. Lithograph inspired by a poem by José Maria de Heredia, reproduced on the tissue guard of the print. Magnificent French monthly publication issued between May 1897 and April 1899, L'Estampe Moderne consists of original chromolithographs which, unlike other periodicals such as Les Maîtres de l'Affiche and as stipulated on the tissue guards, were created specially by each artist for the review. Thus 100 prints appeared in total, covering the major artistic movements of the late 19th century: Symbolism, Art Nouveau, Pre-Raphaelites, Orientalists and Belle Epoque. Each issue of four prints was printed in 2000 copies sold at 3.50F and 100.

Leather Bound. Condition: New. Language: French. {Size: 14.60 x 22.86 cms} Presenting an Exquisite Leather-Bound Edition, expertly crafted with Original Natural Leather that gracefully adorns the spine and corners. The allure continues with Golden Leaf Printing that adds a touch of elegance, while Hand Embossing on the rounded spine lends an artistic flair. This masterpiece has been meticulously reprinted in 2019, utilizing the invaluable guidance of the original edition published many years ago in 1921. The contents of this book are presented in classic black and white. Its durability is ensured through a meticulous sewing binding technique, enhancing its longevity. Imprinted on top-tier quality paper. A team of professionals has expertly processed each page, delicately preserving its content without alteration. Due to the vintage nature of these books, every page has been manually restored for legibility. However, in certain instances, occasional blurriness, missing segments, or faint black spots might persist. We sincerely hope for your understanding of the challenges we faced with these books. Recognizing their significance for readers seeking insight into our historical treasure, we've diligently restored and reissued them. Our intention is to offer this valuable resource once again. We eagerly await your feedback, hoping that you'll find it appealing and will generously share your thoughts and recommendations. Lang: - French, Pages:- 62, Print on Demand. If it is a multi-volume set, then it is only a single volume. We are specialised in Customisation of books, if you wish to opt different color leather binding, you may contact us. This service is chargeable. Product Disclaimer: Kindly be informed that, owing to the inherent nature of leather as a natural material, minor discolorations or textural variations may be perceptible. Explore the FOLIO EDITION (12x19 Inches): Available Upon Request. 62.

0. Loose print, published by ''Le Musée du Livre''. Bruxelles, imprimée par l'Imprimerie J.E. Goossens, dessin reporté directement sur pierre. 1917, format papier 29,5 x 21,5 cm, format du litho 240 x 182 mm. Published by 'Le Musée du Livre' in 1917 as their print number 410 (Planche 410). With a protective serpente which bears a printed caption and a number (410). - avec la serpente. Bel état.

Pas de couverture. Condition: Très bon. Donnay Auguste (illustrator). Édition limitée. Planche N°59, format 29 x 40 cm (toutes marges). Chromolithographie d'époque avec le timbre à sec de l'Imprimerie Chaix (Lugt 1777c). Notre exemplaire est une des très rares épreuves imprimées sur papier Japon, toutes petites traces de punaisage sur chaque extrémité de la marge (Our plate is one of the few copies printed on Japanese paper. Original plate in good condition). LES MAITRES DE L'AFFICHE, prestigieuse publication d'art, éditée par l'atelier de lithographie Chaix, dont la parution s'étala de décembre 1895 à novembre 1900. Chaque livraison comportait 4 planches de reproduction en chromolithographie d'une remarquable qualité d'impression des plus belles affiches illustrées des grands artistes français et étrangers (auxquelles il faut ajouter 16 planches de lithographies originales données en prime aux abonnés). Lors de l'Exposition universelle de 1889, fut organisée la première exposition rétrospective dévolue à l'affiche, celle-ci devait valider la reconnaissance officielle d'appartenance de l'affiche au monde de l'art. Jules Chéret (1836-1932) y sera sacré '' Maître de l'affiche '', c'est aussi à cette date que Seurat commencera à collectionner les affiches de Chéret. Bel exemplaire ( Photographies sur demande / We can send pictures of this book on simple request ).

L-a-1 Sprache: Deutsch Gewicht in Gramm: 2000.

Donnay, Auguste (French, 1862-1921). CHANT D'ENSEMBLE - PLATE 59 FROM LES MAITRES DE L'AFFICHE. Color lithograph after the original poster, 1897. 15 1/2 x 11 1/4 inches. With the publisher's blindstamp, lower right. In very good condition.

Ville de Liege. 21 & 28 Juillet 1895. Concours International de Chan d'Ensemble. Les Maitres de l'Affiche Plancha 59.Paris, Imprimerie Chaix, 1897, litografía original de 40 x 29 cm. (Impreso entre 1895 y 1900, Les Maitres de l'Affiche fue una serie litografiada de 256 láminas que reproducían los mejores carteles estadounidenses y europeos de la época. Fue publicada bajo la dirección artística de Jules Chere Grabados varios.

A-L-1 Sprache: Deutsch Gewicht in Gramm: 2000.

OH Sprache: Deutsch Gewicht in Gramm: 2000.

Leather Bound. Condition: New. Language: French. Language: French. Presenting an Exquisite Leather-Bound Edition, expertly crafted with Original Natural Leather that gracefully adorns the spine and corners. The allure continues with Golden Leaf Printing that adds a touch of elegance, while Hand Embossing on the rounded spine lends an artistic flair. This masterpiece has been meticulously reprinted in 2024, utilizing the invaluable guidance of the original edition published many years ago in 1896. The contents of this book are presented in classic black and white. Its durability is ensured through a meticulous sewing binding technique, enhancing its longevity. Imprinted on top-tier quality paper. A team of professionals has expertly processed each page, delicately preserving its content without alteration. Due to the vintage nature of these books, every page has been manually restored for legibility. However, in certain instances, occasional blurriness, missing segments, or faint black spots might persist. We sincerely hope for your understanding of the challenges we faced with these books. Recognizing their significance for readers seeking insight into our historical treasure, we've diligently restored and reissued them. Our intention is to offer this valuable resource once again. We eagerly await your feedback, hoping that you'll find it appealing and will generously share your thoughts and recommendations. Lang: - French, Pages: - 160, Print on Demand. If it is a multi-volume set, then it is only a single volume. We are specialised in Customisation of books, if you wish to opt different color leather binding, you may contact us. This service is chargeable. Product Disclaimer: Kindly be informed that, owing to the inherent nature of leather as a natural material, minor discolorations or textural variations may be perceptible. Explore the FOLIO EDITION (12x19 Inches): Available Upon Request. 160 160.

. Illustrateur : DONNAY (Auguste). (illustrator). Paris, Mercure de France, 1895, in-16, broché, couverture illustrée en noir d'un portrait féminin, 97 pp. Texte d'André GIDE, Emile VERHAEREN, Henri de REGNIER, Albert MOCKEL, SAINT-POL ROUX. Bandeaux tirés en sépia d'Auguste DONNAY. Usures à la couverture, dos fragile. Livres.

Leather Bound. Condition: New. Language: French. Language: French. Presenting an Exquisite Leather-Bound Edition, expertly crafted with Original Natural Leather that gracefully adorns the spine and corners. The allure continues with Golden Leaf Printing that adds a touch of elegance, while Hand Embossing on the rounded spine lends an artistic flair. This masterpiece has been meticulously reprinted in 2024, utilizing the invaluable guidance of the original edition published many years ago in 1897. The contents of this book are presented in classic black and white. Its durability is ensured through a meticulous sewing binding technique, enhancing its longevity. Imprinted on top-tier quality paper. A team of professionals has expertly processed each page, delicately preserving its content without alteration. Due to the vintage nature of these books, every page has been manually restored for legibility. However, in certain instances, occasional blurriness, missing segments, or faint black spots might persist. We sincerely hope for your understanding of the challenges we faced with these books. Recognizing their significance for readers seeking insight into our historical treasure, we've diligently restored and reissued them. Our intention is to offer this valuable resource once again. We eagerly await your feedback, hoping that you'll find it appealing and will generously share your thoughts and recommendations. Lang: - French, Pages: : - 240, Print on Demand. If it is a multi-volume set, then it is only a single volume. We are specialised in Customisation of books, if you wish to opt different color leather binding, you may contact us. This service is chargeable. Product Disclaimer: Kindly be informed that, owing to the inherent nature of leather as a natural material, minor discolorations or textural variations may be perceptible. Explore the FOLIO EDITION (12x19 Inches): Available Upon Request. 240 240.

Full Leather Bound. Condition: NEW. Language: French. {Size: 14.60 x 22.86 cms} A Unique Premium Leather-Bound book for elite readers/collectors of old rare books. An Original Leather is being used for binding this book with Golden Leaf Printing and designing on Spine, front and Back of the book with edge gilding. WE HAVE MULTIPLE OPTIONS IN COLOR OF LEATHER RED, GREEN, BLUE, MAGENTA, TAN, PURPLE DEEP BROWN, BLACK AND WITH DIFFERENT COLOR LABELS. YOU MAY CHOOSE ANY COLOR OF YOUR CHOICE AND MAIL US. This service is chargeable. Original edition was published in [1921] and this unique edition is Reprinted in 2019 with the help of original edition. Black & white printing on high quality natural shade paper with sewing binding for longer life, professionally processed without changing its contents. As these are old books, we processed each page manually on computer and make them readable. We give our best to give you the best book but in some cases we have to adjust few pages which are blur or missing or black spots. If it is multi volume set, then it is only single volume. We hope that you understand these issues in these old treasure. This is an important book for the readers who want to know more about our old treasure. Our dedicated team is trying to bring these rare books back to the shelves. We are also giving service of printing the hard-to-find books which are not listed in our store. Hope you will like it and give your comments and suggestions. Lang: - French, Pages 62, Print on Demand. Product Disclaimer: Please be aware that because leather is a natural material, slight discoloration or change in texture may be visible. {FOLIO EDITION (Size 12x19 Inches) IS ALSO AVAILABLE ON REQUEST}. 62.

Leather Bound. Condition: New. Presenting an Exquisite Leather-Bound Edition, expertly crafted with Original Natural Leather that gracefully adorns the spine and corners. The allure continues with Golden Leaf Printing that adds a touch of elegance, while Hand Embossing on the rounded spine lends an artistic flair. This masterpiece has been meticulously reprinted in 2025, utilizing the invaluable guidance of the original edition published many years ago in 1801-2000. The contents of this book are presented in classic black and white. Its durability is ensured through a meticulous sewing binding technique, enhancing its longevity. Imprinted on top-tier quality paper. A team of professionals has expertly processed each page, delicately preserving its content without alteration. Due to the vintage nature of these books, every page has been manually restored for legibility. However, in certain instances, occasional blurriness, missing segments, or faint black spots might persist. We sincerely hope for your understanding of the challenges we faced with these books. Recognizing their significance for readers seeking insight into our historical treasure, we've diligently restored and reissued them. Our intention is to offer this valuable resource once again. We eagerly await your feedback, hoping that you'll find it appealing and will generously share your thoughts and recommendations. Pages:- 286, Print on Demand. If it is a multi-volume set, then it is only a single volume. We are specialised in Customisation of books, if you wish to opt different color leather binding, you may contact us. This service is chargeable. Product Disclaimer: Kindly be informed that, owing to the inherent nature of leather as a natural material, minor discolorations or textural variations may be perceptible. Explore the FOLIO EDITION (12x19 Inches): Available Upon Request. 286 286.