Axel Andreasen (9 results)

Paperback. Condition: Good. good condition, pages are clean and free of markings, light wear to corners and edges, has dust jacket where applicable, ships same or next business day.

Med forord af Emil Marott. Privat udgivelse, København 1976. A4-format. 110 sider. Orig. smukt halvlærredsbind med håndmalet overtrækspapir af Jacob Lund. * Trykt i 110 eksemplarer.** Med dedikation til bogbinder Henning Jensen fra Axel Andreasen.

Eget forlag, København 1973. 80 sider. Illustrationer i s/h og farve. Orig. grønt hellærredsbind. * Trykt i 200 eksemplarer.

Forord Emil Marott. Privattryk (Axel Andreassen), København 1982. 4°. 249 sider. Orig. smukt halvlærredsbind med håndmalet overtrækspapir af Jacob Lund. Forpermen lidt gulnet. * Oplag 150 eksemplarer. Med aftrykte anmeldelser af P.H.-udgivelser.

Eget forlag, København 1973. 80 sider. Illustrationer i s/h og farve. Orig. grønt hellærredsbind. Pæn. * Trykt i 200 eksemplarer.

Med forord af Emil Marott. Privat udgivelse, København 1979. A4-format. 102 sider. Orig. smukt halvlærredsbind med håndmalet overtrækspapir af Jacob Lund. * Trykt i 100 eksemplarer.** Olga Svendsen (1883-1942) var en af sin tids største danske revy-sangerinder, kendt for ørehængere som "Nyboders Pris".*** Med dedikation fra Axel Andreasen til bogbinder Henning Jensen.…

Med forord af Emil Marott. Privat udgivelse, København 1976. A4-format. 63 sider. Orig. smukt halvlærredsbind med håndmalet overtrækspapir af Jacob Lund. * Trykt i 75 eksemplarer.** Holger "Gissemand" Pedersen (1888-1930) var en af Danmarks helt store revykomikere. Heldigvis levede han længe nok, til at en del af hans præstationer blev fasthold på plade.*** Med dedikation fra Axel Andreasen til bogbinder Henning Jensen. …

No Binding. Condition: Poster is in fine to very fine condition with short creases and minor tears along the left margin. Colors are rich and the poster presents well. It is not linen backed but can be for an additional cost. | Issued during the golden age of intercontinental air travel, this striking poster promoted Scandinavian Airlines System's expanding network to Africa. Rather than emphasizing cities, monuments, or tourist attractions, the design relies almost entirely on atmosphere, presenting the continent through a dramatic nocturnal landscape dominated by a solitary African elephant beneath a crescent moon while an SAS airliner quietly passes overhead. | The poster embraces the clean, restrained aesthetic that made SAS advertising among the most distinctive of the postwar era. Deep greens and blacks dominate the composition, broken only by the brilliant white silhouette of the aircraft crossing the night sky. The elephant is rendered with broad, painterly brushstrokes rather than photographic precision, lending the image a timeless quality that suggests the grandeur and mystery of the African wilderness. Rather than functioning as a conventional travel advertisement, the poster invites the viewer to imagine the experience of reaching one of the world's most distant and captivating destinations. | By the late 1950s, SAS had established itself as one of Europe's leading international airlines, pioneering efficient transpolar routes while steadily expanding service into Africa and Asia. Advertising played an important role in shaping the airline's identity, emphasizing elegance, reliability, and adventure instead of schedules and fares. Posters such as this were intended to inspire travel, presenting long-distance flights as sophisticated experiences that connected Scandinavia with some of the world's most remarkable landscapes. | Printed in Denmark by Offset Axel Andreasen & Sønner, this poster exemplifies the high standard of Scandinavian commercial printing during the mid-twentieth century. Its combination of bold modern design, restrained typography, and evocative imagery has made it one of the more desirable SAS travel posters, appealing equally to collectors of aviation memorabilia, African travel advertising, and mid-century graphic design. | Size: 39.25 x 24.25 inches.…

Forord Emil Marott. Privattryk (Axel Andreassen), København 1982. 4°. 249 sider. Orig. smukt halvlærredsbind med håndmalet overtrækspapir af Jacob Lund. * Oplag 150 eksemplarer. Med aftrykte anmeldelser af P.H.-udgivelser.