Bairon (24 results)

Condition: New.

Condition: As New. Unread book in perfect condition.

Tapa blanda. Condition: Nuevo.

Condition: New.

Condition: As New. Unread book in perfect condition.

Tapa Blanda. Condition: New. 40 gr. Libro.

Paperback. Condition: Brand New. 78 pages. Italian language. 11.00x8.50x0.20 inches. In Stock.

Soft cover. Condition: Good. This book comes with CD-ROM. In Spanish and English.

Paperback. Condition: Brand New. 218 pages. Spanish language. 8.50x5.51x0.55 inches. In Stock.

Condition: New. Dust Jacket Condition: Nuevo.

Rústica con broches. Condition: Buen estado. Sin fecha de edición. Catálogo ilustrado en color. [Libro en Español / Book in Spanish] 4to.

Condition: New.

Tapa Blanda. Condition: New. Apresenta CD-ROM com 1358 páginas de hipertexto abordando relações entre hipermídia, Psicanálise e História da Cultura.São 137 animações em 3D, trabalhadas conceitualmente; 123 transições de telas onde a ênfase é dada aos conceitos básicos; 42 minutos de áudio distribuídos em locuções, trilhas e efeitos; 47 vídeos produzidos ou transformados para a estrutura conceitual. O livro conta a história e metodologia dessa produção, além de apresentar os conceitos teóricos desenvolvidos. Edição bilíngüe português-inglês. Prólogo: Lucia Santaella. Requisito mínimo: Windows 95 ou Windows 98. 147 Páginas. 190 gr. Libro.

Taschenbuch. Condition: Neu. Pradera marina y macroepifauna móvil en la Bahía Triganá, Colombia | Estructura y distribución de una pradera de Thalassia testudinum y macroepifauna móvil en la Bahía Triganá, Colombia | John Bairon Ospina Hoyos (u. a.) | Taschenbuch | 72 S. | Spanisch | 2012 | Editorial Académica Española | EAN 9783659017223 | Verantwortliche Person für die EU: BoD - Books on Demand, In de Tarpen 42, 22848 Norderstedt, info[at]bod[dot]de | Anbieter: preigu.

Encuadernación de tapa blanda. Condition: Excelente. 1ª Edición. BAIRON- GUMIER MAIER- SCHIAVI. Centro Cultural Recoleta, Buenos Aires, 2000, catálogo de la muestra colectiva . tres artistas consagrados, reproducciones color a plena página, muy buen estado. Elba Bairon (1947), Gumier Maier (1953) y Cristina Schiavi (1954) resumen una de las líneas dominantes del arte surgido en la década del noventa en Buenos Aires. Aunque ésta es la primera muestra que presentan como trío, los tres se conocen hace tres lustros y Gumier, como curador de la Galería del Centro Cultural Rojas, convocó a las otras dos artistas a realizar exposiciones en aquel espacio, durante la década pasada, formando parte del núcleo estético que irradió el Rojas. Ese núcleo fue explicitado fundamentalmente en la muestra El Tao del Arte (Centro Recoleta, 1997), con la que Gumier cerró su etapa curatorial en el Rojas y donde participaron, entre varios otros, estos mismos tres artistas. Finalmente, a modo de antecedente más inmediato de la actual reunión, se puede tomar la muestra que presentaron Bairon, Schiavi y Ariadna Pastorini, curada por Gumier Maier, en julio de 1998, en el Centro Cultural Parque de España, en Rosario. Los tres artistas resaltan la cualidad de lo decorativo como centro de su interés. En sus obras las nociones de forma, color, valor, tamaño, escala, proporción, textura, resultan componentes que se juegan con equilibrio y simetrías. El resultado es una sensación general armónica, donde se subraya el sentido de unidad y pertenencia a través de un patrón común que, con sus bemoles, remite a cierta serenidad compositiva. Biografía de cada artista .Gumier Maier presenta sus cada vez más barrocos pistoletes y plantillas en gran escala. Transformadas en objetos, estas piezas también van tomando distancia de las paredes y conteniendo complejas combinaciones y multiplicaciones formales, así como el color va integrando complicadas y sutiles secuencias. "Creo --dice-- que intento recuperar el misterio que experimentaba en mi infancia frente al mundo, mirándolo todo en busca de sentidos: muebles, espejos, manteles estampados. Sólo después de mucho tiempo pude reconocer esas resonancias en mis ornamentaciones. Pero a la vez siempre aparece algo inesperado, que me desconcierta y que no me atrevo a desechar. No se trata de algo concreto como un color, sino más bien de la sensación de que no llego a descifrar lo que hago." documento . EST ART 2 arrdan Y ML.

Two volumes. 467 pp; (XXIV), 497. Original printed wrappers (lacks one back wrapper). Loose, wrappers to vol. 2 detached. Second edition.

Hardcover. Condition: As New. Mos. -Pravda- 1981. Pp. 2000. Edited with notes, comments on Russian theater and Bairon's contribution by R. Usmanovoi.

LeatherBound. Condition: New. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. LeatherBound edition. Condition: New. Reprinted from 1927 edition. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. A perfect gift for your loved ones. Pages: 158 NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Pages: 158 Zilberman, A,Aleksandrov, N. N. Lord Bairon.

Byron's Turkish poem in Pushkin's Russia --- First edition of the first Russian translation of Byron's poem in verse, by a leading poet of the dawn of Russia's Golden Age of literature and poetry. A fine, uncut copy in its original printed wrappers. Rare outside Russia: in the West we located only four copies in public institutions, at the Universities of East Anglia and North Carolina, in Harvard (the Diaghilev-Lifar copy) and the Bayerische Staatsbibliothek. Only an electronic copy at the LoC and no copy traced on the market in recent decades. Byron wrote The Bride of Abydos, the second of his six so-called "Eastern poems", at the end of 1813, when he was 26. The main character of the poem, Selim, is a typical Byronic hero, ill-fated, yet bold. The story revolves around his tragic love for his half-sister Zuleika, for whose sake he defies his father, a Turkish Pasha, and becomes a pirate. The poem explores the British cultural taboos of the time through the themes and the setting of the Orient. First translations of Byron's (other) works into Russian appeared in 1821. Most notable of those early translations was Vasilii Zhukovskii's version of The Prisoner of Chillon, which came out in 1822. Russian literati often translated Byron from the more common French: Pushkin's friend, the Decembrist's wife Elena Raevskaia authored some unpublished translations and helped Pushkin to understand Byron's original texts. The first Russian translation of The Bride of Abydos in prose was made by Mikhail Kachenovskii; it appeared in the magazine Vestnik Evropy in 1821. It is after Byron's death in 1824 that Ivan Kozlov (1779-1840) translated the poem in verse; by that time Kozlov, 20 years older than a rising Pushkin, was already recognised as a major Russian poet, especially thanks to his magnum opus, the Byronic poem Chernets, or a Tale of Kiev (1825). It worth noting that Kozlov dedicated his translation to the newly enthroned Empress Aleksandra Feodorovna, wife of Nicholas I: this would indicate the recognition of Byron as a literary phenomenon by the Russian public, and the importance of this publication has been underlined by major Russian scholars, including Zhirmunskii, who mentioned Kozlov's translation in his seminal work Byron and Pushkin (p. 332). Kozlov had a deep emotional connection with Byron: in 1821, he became blind, which made him empathise with Byron's literary persona as a sufferer and an outcast. Kozlov was fascinated with Byron's support of the independence movement in Greece and mourned the death of the poet "as if it was the death of his own child" (Trush, p. 20). In 1824 he wrote an epic poem, Byron, presenting the English author as a heroic fighter for freedom; this rather political poem, dedicated to Pushkin, remained excluded from 19th-century collections of Kozlov's poems until 1892 for censorship reasons. Kozlov played host to a distinguished literary salon, attended by Zhukovskii and Pushkin. To the latter he sent a copy of Chernets; Pushkin liked it and replied in the form of a poem: "Pevets! Kogda pered toboi." (Belinskii, p. 5). "Of course we can read Byron in the original and in German or French but the translation of a foreign work into our own language interprets it for us in a special way" (review of Kozlov's translation by the prominent literary critic Nikolai Polevoi in 1826, in Russian Writers on Translation, p. 18). "Kozlov was one of the first Russians to come under the influence of Byron and to translate him into Russian. Kozlov's narrative poems had an important influence on Lermontov and his poetic technique on the poets of the school of "pure art" such as Fet" (Terras, p. 234). Provenance: Physical description:Octavo (22 14 cm). Title with censor's imprimatur to verso, [viii] translator's dedication and dedicatory poem, and 92 pp. Original publisher's printed wrappers, kept in a late 20th-c. marbled paper dustjacket and slipcase. Condition:Spine restored; minor spotting or foxing, a few corners and three closed tears restored, an attractive example. Bibliography:Smirdin 6767; Smirnov-Sok. 767; Belinskii, Vissarion. Collected poems of Ivan Kozlov, St Petersburg, 1840; Trush K.A. Ocherk literaturnoy deyatelnosti I.I. Kozlova (17791840), 1899 ; Nikolai Polevoi (1826), in Russian Writers on Translation: An Anthology, ed. Brian James Baer, Natalia Olshanskaya, Routledge, 2013; Zhirmusky, V.M., Byron and Pushkin (1978); Terras, Victor, Handbook of Russian Literature, Yale University Press, 1990; The Reception of Byron in Europe, ed. Richard Cardwell, Bloomsbury, 2005.

Taschenbuch. Condition: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -Thalassia testudinum es la especie más común y abundante en las praderas de pastos marinos del Caribe colombiano. Con el fin de analizar la estructura y composición de la pradera de Thalassia testudinum en la bahía Triganá (Golfo de Urabá) y de la macroepifauna móvil asociada, se muestrearon 18 puntos a lo largo de la franja externa (1-3 m de profundidad) y 18 puntos en la franja interna (3-4.6 m) de la pradera. En total se colectaron 879 individuos pertenecientes a 42 especies. Las especies más representativas fueron Cerithium cf. eburneum, Nassarius vibex, Neritina virginea (moluscos), Clibanarius cubensis y Clibanarius antillensis (crustáceos). De acuerdo con la prueba de Kruskal-Wallis se encontraron diferencias significativas en la cobertura de la pradera y en el peso seco en ambas franjas. Por su parte, de acuerdo a las correlaciones de Spearman la macroepifauna móvil no mostró preferencias por sitios específicos dentro de la pradera y en consecuencia, su distribución y abundancia no parecen estar sujetas a las diferencias estructurales de la pradera en ambas franjas. 72 pp. Spanisch.

Leather Bound. Condition: New. Language: Yiddish. Language: Yiddish. Presenting an Exquisite Leather-Bound Edition, expertly crafted with Original Natural Leather that gracefully adorns the spine and corners. The allure continues with Golden Leaf Printing that adds a touch of elegance, while Hand Embossing on the rounded spine lends an artistic flair. This masterpiece has been meticulously reprinted in 2024, utilizing the invaluable guidance of the original edition published many years ago in 1927. The contents of this book are presented in classic black and white. Its durability is ensured through a meticulous sewing binding technique, enhancing its longevity. Imprinted on top-tier quality paper. A team of professionals has expertly processed each page, delicately preserving its content without alteration. Due to the vintage nature of these books, every page has been manually restored for legibility. However, in certain instances, occasional blurriness, missing segments, or faint black spots might persist. We sincerely hope for your understanding of the challenges we faced with these books. Recognizing their significance for readers seeking insight into our historical treasure, we've diligently restored and reissued them. Our intention is to offer this valuable resource once again. We eagerly await your feedback, hoping that you'll find it appealing and will generously share your thoughts and recommendations. Lang: - Yiddish, Pages: - 158, Print on Demand. If it is a multi-volume set, then it is only a single volume. We are specialised in Customisation of books, if you wish to opt different color leather binding, you may contact us. This service is chargeable. Product Disclaimer: Kindly be informed that, owing to the inherent nature of leather as a natural material, minor discolorations or textural variations may be perceptible. Explore the FOLIO EDITION (12x19 Inches): Available Upon Request. 158 158.

Taschenbuch. Condition: Neu. This item is printed on demand - Print on Demand Titel. Neuware -Thalassia testudinum es la especie más común y abundante en las praderas de pastos marinos del Caribe colombiano. Con el fin de analizar la estructura y composición de la pradera de Thalassia testudinum en la bahía Triganá (Golfo de Urabá) y de la macroepifauna móvil asociada, se muestrearon 18 puntos a lo largo de la franja externa (1-3 m de profundidad) y 18 puntos en la franja interna (3-4.6 m) de la pradera. En total se colectaron 879 individuos pertenecientes a 42 especies. Las especies más representativas fueron Cerithium cf. eburneum, Nassarius vibex, Neritina virginea (moluscos), Clibanarius cubensis y Clibanarius antillensis (crustáceos). De acuerdo con la prueba de Kruskal-Wallis se encontraron diferencias significativas en la cobertura de la pradera y en el peso seco en ambas franjas. Por su parte, de acuerdo a las correlaciones de Spearman la macroepifauna móvil no mostró preferencias por sitios específicos dentro de la pradera y en consecuencia, su distribución y abundancia no parecen estar sujetas a las diferencias estructurales de la pradera en ambas franjas.VDM Verlag, Dudweiler Landstraße 99, 66123 Saarbrücken 72 pp. Spanisch.

Taschenbuch. Condition: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - Thalassia testudinum es la especie más común y abundante en las praderas de pastos marinos del Caribe colombiano. Con el fin de analizar la estructura y composición de la pradera de Thalassia testudinum en la bahía Triganá (Golfo de Urabá) y de la macroepifauna móvil asociada, se muestrearon 18 puntos a lo largo de la franja externa (1-3 m de profundidad) y 18 puntos en la franja interna (3-4.6 m) de la pradera. En total se colectaron 879 individuos pertenecientes a 42 especies. Las especies más representativas fueron Cerithium cf. eburneum, Nassarius vibex, Neritina virginea (moluscos), Clibanarius cubensis y Clibanarius antillensis (crustáceos). De acuerdo con la prueba de Kruskal-Wallis se encontraron diferencias significativas en la cobertura de la pradera y en el peso seco en ambas franjas. Por su parte, de acuerdo a las correlaciones de Spearman la macroepifauna móvil no mostró preferencias por sitios específicos dentro de la pradera y en consecuencia, su distribución y abundancia no parecen estar sujetas a las diferencias estructurales de la pradera en ambas franjas.

Capa Comum. Condition: New. WE CAN PROVIDE ANY BOOK FROM BRAZIL ! ---- All our books are Shipped with Fedex or the Brasilian Post for standard Shipment, Fedex or DHL for expedited shipment. ---- For more information, please contact us. ---- The book will be sent from Brazil. ----- This is a Print on Demand book (POD).