Bann Philip (30 results)

Condition: Good. Good condition. A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains.

Softcover, 70 pages; poor condition; moderate rubbing, stains and edgewear to covers; tear at top of spine and small crease to upper left corner of pages; half of the pages are loose from spine; no internal marks. As is. Foreign shipping may be extra.

Paperback. Condition: Very Good. First Edition. First edition, first printing. Includes essays on Julio Le Parc and Ludwig Hirschfeld-Mack, a poem by Charles Tomlinson, and more. Text and images are unmarked; pages are bright, though the page edges are a little age toned. Stapled binding is tight and square. Covers show some light edge wear.…

Hardcover. Condition: Good. No Dust Jacket. First Edition. Hardcover. An ex-library copy bound in heavy red library cloth, with the usual ex-libris markings. Photo-illustrated. A clean/unmarked copy within. Thus, a sound hardcover reading/reference copy. No dust jacket. Book.

Condition: New. pp. 238.

Soft cover. Condition: Very good. No jacket. Top inner corners of front and back covers are creased. Inside is clean and unmarked.

Soft cover. Condition: Good. No jacket. Cover is lightly worn along edges. Half centimeter vertical tear from bottom edge of front cover. Cover and pages are lightly tanned, but otherwise clean and unmarked.

Condition: New. pp. 238.

Softcover. Condition: Good. First Edition. First edition. Photographic wrappers with title to front cover and spine. Some wear and creasing to covers, and mild marking t top of front cover. Internally clean and well illustrated.

4to. 70 pp. Paperback. Black and white illustrations throughout. Slight smudge on front cover. Otherwise a good copy. Good copy.

Condition: Good. 240 x 240 mm. 32pp. Printed black and white, stapled. Issue no. 7 of Form magazine. The most significant British magazine of the 1960s concentrating on pure abstraction and through this art theory, avant-garde magazines et al. This issue includes features on Kinetic Art in Czechoslovakia and Kinetic Film, Cinema and Semiology, New American Photography and Great Little Magazines. Contributors include Alice Andrews, Robert W. Fchter, Roger Mertin, Reginald Heron, Thomas F. barrow, Joel Meyerowitz, Simon Cutts, Peter Wollen, Jan Slavik. Condition: Spotting, handling and wear to covers and some pages. As seen, first four pages have heavy crease top right corner. No tears or writing. reference copy only. Good.…

Condition: very good. Stephen Gray, John Barrell, Nick Humphrey, Mark Lushington (eds), GRANTA Vol. 68 No. 1231, GRANTA, Cambridge, 1963. 218 x 280. Printed blue and black on white, orange and pink stock. The Modern Art Issue features an Essay on Kinetic Art and Frank Malina by Reg Gadney (cover design also features Galaxy by Malina), alongside 'Notes on Alberto Giacometti' by Stephen Bann, 'Pop Art' by Robert Harvey, 'The Importance of Ben Nicholoson' by Charles Harrison, 'Annie and Child' by Jules Lubbock. The issue also features poems from Thomas Clark, John Roe and Jeremy Hilton. Condition: very good.…

Card covers, stapled spine. Condition: Good in wraps. First Edition. 25 x 25cm 32pp good card-covered magazine, some slight browning to wrappers, a slight crease at corner of rear wrapper. Contents include: 'The Kinetic Film 'Volumes'' by Jan Slavik, 'cinema and Semilogy: Some Points of Contact' by Peter Wollen and 'New American Photography, The Authentic Vision' by Mike Weaver.…

Erste Auflage. 24,4 x 24,4 cm. 29, 32, 32, 32, 32, 32, 32, 36 S. Klammergeheftete, illustrierte OBroschur. Rücken etwas stärker nachgedunkelt. Hefte minimalst angestaubt, etwas lichtspurig und insgesamt leicht nachgedunkelt, Heft 10 etwas stärker nachgedunkelt. Sonst gute Exemplare. Durchgehend mit schwarz-weißen Abbildungen versehen. Wichtigstes britisches kunst- und designtheoretisches Avantgarde-Magazin der sechziger Jahre, herausgegeben von Philip Steadman. Vorliegend ein Konvolut von acht Heften (No. 3 bis No. 10) aus den Jahren 1966 bis 1969. Zum Inhalt: Nummer 3 enthält u. a. Gedichte von Ian Hamilton Finlay, Ernst Jandl, Paul de Vree und Kenneth Robinson. Artikel über und von Charles Biederman sowie von El Lissitzky. Great Little Magazines Nr. 3: "G" mit Werken von Kurt Schwitters, Theo van Doesburg, Mies van der Rohe und Miklós Bandi. Nummer 4 enthält: Zur Ausstellung "Brighton Concrete Poetry Exhibition" (organisiert von den Herausgebern von Form), Notizen, Karte und vollständige Besprechung, Black Mountain College, Albers "Graphic Tectonics", "Was ist Kentetismus?2, zwei Essays von Charles Biederman, Gedichte von Anselm Hollo. Rezension der Zeitschrift "Mecano" in Great Little Magazines Nr. 4 (darin Diskussion über Van Doesburg) - inklusive Übersetzung eines Textes von Van Doesburg. Nummer 5: enthält Hans Jaffes - De Stijl und Architektur, Artikel über Bernard Lassus und Raul Hausmann sowie, in der Black Mountain-Serie, John A. Rice, George Zabriskie und Entwürfe für Hochschulgebäude von Walter Gropius und Marcel Breuer. Great Little Magazines Nr. 5 "RAY" mit Arbeiten von Sidney Hunt, I. K. Bonset (Theo Van Doesburg) und Kurt Schwitters. Nummer 6: enthält Essays über russische inoffizielle Kunst und über das Werk von László Moholy-Nagy; Artikel von John Evarts und Jean Charlot über das Black Mountain College; Gedichte von David Chaloner. Great Little Magazines Nr. 6 "De Stijl" (Teil 1). Nummer 7: (März 1968) enthält Artikel über Kinetische Kunst in der Tschechoslowakei, Kino und Semiologie von Peter Wollen, neue amerikanische Fotografie, Abraham Moles über Vasarely. Flugplätze von Simon Cutts. Great Little Magazines Nr.6 "De Stijl" (Autorenindex Teil 2). Nummer 8 enthält Essays über Russische Ausstellungen 1904 bis 1922, Xanti Schawinskys - Spektodrama und ein Beitrag über Pierre Albert-Birot mit Übersetzungen von Barbara Wright aus "Grabinoulor". Great Little Magazines Nr. 7 "SIC" mit Beiträgen von Apollinaire, Tristan Tzara und Pierre Albert-Birot. Nummer 9: enthält Artikel von Hans Richter, Joost Baljeu und H. H. Stuckenschmidt. Anmerkungen zum Theater am Black Mountain College (1948-1952) von Mark Hedden. "Theo van Doesburg ist von heute" von Maurice Agis und Peter Jones. Rubrik "Große kleine Zeitschriften" Nr. 8: "Kulchur" mit Werken von Robert Indiana. Nr. 10 enthält Texte über die Ästhetik von Ian Hamilton Finlay von Simon Cutts. Kunst in der Krise von Charles Biederman, Strukturalismus und Literaturkritik von Gerard Genette. Texte in englischer Sprache.…

Condition: Near Fine. 1st Edition. Square quarto, 32 pages, illustrated in black and white. Illustrated wrappers. - First edition. Contents: In Memory of Marcel Duchamp by Hans Richter; New books: De Stijl reprint; The Fourth Dimension in Neoplasticism by Joost Baljeu; Theo van Doesburg is of Today by Maurice Agis and Peter Jones; Notes on Theater at Black Mountain College (1948-1952) by Mark Hedden; Step by Step by Hans Richter; Total Theatre by H. H. Stuckenschmidt. Great Little Magazines, No.17: 'Kulchur' (index) - 'Kulchur': a note by Lita Hornick 'Kulchur' + 'Kulchur' by Beverley Cromwell.…

Paperback. Condition: very good. Book. 245 x 245 mm, 32 pp. in stapled, printed wraps. Special issue of the groundbreaking art, architecture and literary magazine FORM, which was edited by influential Cambridge academics of the period, and was noteworthy for republishing and translating avant-garde texts. This particular issue is dedicated to the 'Brighton Festival Exhibition of Concrete Poetry'. Features a map and index of the works exhibited (the exhibition was directed by FORM editor Stephen Bann), as well as a translation of 'The first years of Concrete Poetry' by Eugen Gomringer. This issue also includes: an essay by Lewis Shelley on the avant-garde Black Mountain College (the first in a series); an essay by Joseph Albers entitles 'My courses at the Hochschule fur Gestaltung at Ulm', and an essay on 'Albers' 'Graphic Tectonics' by Irving Finkelstein'; 'What is Kinetism?' by Lev Nusberg - translated from his manifesto; 'Symmetry: Nature and the Plane' and 'A Non-Aristotelian Creative Reality' by Charles Biederman; poetry by Anselm Hollo, and a section on 'Great Little Magazines', with this particular issue focused on 'Mecano', which was edited by Theo von Doesburg. Reprinted from 'Mecano' here is 'Two Men' by Kurt Schwitters, 'Towards a Constructive Poetry' by I.K. Bonset (aka Theo von Doesburg) and 'Manifesto on the Lawfulness of Sound' by Raoul Hausman (translated by Richard Taylor'. Ref: Allen, Artist's Magazines, MIT Press, 2011. p. 261 Condition: crease to front cover as seen, minor toning to covers, internally near fine. Overall very good.…

Paperback. Condition: Near fine. Book. 265 x 210 mm, 70 pp., invisible bound printed wraps - with a front cover image of Alexander Schoffer's Chronus sculpture. Printed by the Highbury Press, London; typographical design by Philip Steadman. Features: an essay by Frank Popper entitled 'Kinetic Art - Yesterday, Today and Tomorrow', extensively illustrated with works by Vasarely, Tomasello, Tinguely, Kosice, Von Graevenitz, Alexander Calder, Kenneth Martin, Nino Calos, John Healey, Sandu Darie, Frank Malina and Agam; text by Stephen Bann entitled 'Colour Music'; an essay by Reg Gadney entitled 'Aspects of Kinetic Art and Emotion', with 'lumidyne' works by Frank Malina featured alongside the text, as well as 'Spatiodynamic' works by Nicolas Schoffer, and works by Joel Stein, GRAV, Andree Dantu and Martha Boto. The final essay by Stephen Bann is entitled 'Unity and Diversity in Kinetic Art', which focusses on the work of GRAV, Vardanega, Agam, Carlos Cruz-Diez, Auguste Herbin, Victor Vasarely and Francois Morellet. Condition: Near fine. …

VG bright copy in slightly dusty creased publishers wrappers. 32pp. Illustrated throughout. Elusive.

First edition. Square small quarto. 32 pages. Wrappers. Illustrated. Includes ''Le Parc and The Group Problem'' by Frank Popper, ''A Little Night Music'' by Charles Tomlinson, an article on Structuralism by Gillo Dorfles, William Carlos Williams on Emanuel Romano, etc.Slight creasing at edges. Very good indeed. Scarce.…

Condition: Near Fine. 1st Edition. Square quarto, 32 pages, illustrated throughout in black and white. Illustrated wrappers. Wrappers slightly soiled. - First edition. Summary: Black Mountain College: The Founding of the College, Lewis Shelley; The Hochschule at Ulm by Josef Albers; Albers' 'Graphic Tectonics,' by Irving Finkelstein; Brighton Festival Exhibition of Concrete Poetry Exhibition notes and map; The Early Days of Concrete Poetry by Eugen Gomringer; What is Kinetism?, by Lev Nusberg; Symmetry, Nature and the Plane + A Non-Aristotelian Creative Reality by Charles Biedermann; The Coherences by Anselm Hollo; Great Little Magazines: No. 4. Mécano: Two Men Kurt Schwitters; Towards a Constructive Poetry by I.K. Bonset + Manifesto on the Lawfulness of Sound by Raoul Hausmann.…

Soft cover. Condition: Very Good. 1st Edition. Superb copy of a well done and thorough magazine on kinetic art and concrete poetry. One page dog-eared else excellent with slightest handling and shelfwear.

Softcover. Condition: Near Fine. First Edition. No. 10. Oblong small quarto. 36pp. Illustrated, with a cover image by Rodchenko. Stapled self-wrappers. Light general wear and first few leaves with a small area of creasing and a tiny tear in the bottom margin, just about near fine. Prints "Structuralism & Literary Criticism" by Gerard Genette; "The Aesthetic of Ian Hamilton Finlay" by Simon Cutts; poems by Jiri Valoch and R. C. Kenedy; "Art in Crisis" by Charles Biederman; "Skullshapes" by Charles Tomlinson; and material regarding the little magazine *LEF*. Steadman designed and published 10 issues of *Form* between 1966 and 1969. His purpose, as stated in the first issue, was "to publish and provoke discussion of the relations of form to structure in the work of art, and correspondences between the arts. Emphasis is to be placed in particular on the fields of kinetic art and concrete poetry.".…

Condition: Very Good+. 240 x 240 mm. 32pp. Printed black and white, stapled. Issue no. 7 of Form magazine. The most significant British magazine of the 1960s concentrating on pure abstraction and through this art theory, avant-garde magazines et al. This issue includes features on Kinetic Art in Czechoslovakia and Kinetic Film, Cinema and Semiology, New American Photography and Great Little Magazines. Contributors include Alice Andrews, Robert W. Fchter, Roger Mertin, Reginald Heron, Thomas F. barrow, Joel Meyerowitz, Simon Cutts, Peter Wollen, Jan Slavik. Condition: Some light toning to covers, Internally and overall Very Good+.…

Paperback. Condition: Near fine. Book. 265 x 210 mm, 64 pp. in printed stapled wraps. Front cover image ('Portrait of Andree Dantu by Richard Hardwick: three phases of a Dantu polaroid light mobile') in colour, contents illustrated with both colour and b/w images. Three issues of Image (usually a 'careers' magazine for young graduates) were effectively taken over by important Cambridge academics of the day, all with a specific interest in concrete poetry and kinetic art: Philip Steadman, Stephen Bann and Reg Gadney. The issues of Image dedicated to kinetic and concrete poetry were particularly noteworthy for their commitment to translation and reprinting 'lost' texts, an imaginative use of layout and photography, and enlightening academic essays on their given subjects. This particular issue is entirely dedicated to kinetic art and concrete poetry (as the title suggests), and the editorial (which is idiosyncratically placed in the middle of the publication) reads: 'This issue of IMAGE is largely devoted to Kinetic Art: art, that is, incorporating real movement as opposed to the painted or static illusion of movement.' It is illustrated with a photograph of the editors and contributors - Stephen Bann, Reg Gadney, Frank Popper, Phil Steadman and Citroen - strolling through Paris. The issue features an essay by the concrete poetry specialist Stephen Bann, entitled 'Communication and Structure in Concrete Poetry', which comes with a reprinted letter from Ian Hamilton Finlay to Pierre Garnier, dated September 17th 1963. Translated by Bann are extracts from 'Manifesto for a new poetry, visual and phonic' by the concrete poet Pierre Garnier: 'The word is an element. / The word is a material. / The word is an object.' Also included in this section is a manifesto by Eugen Gomringer, entitled 'from line to consideration', and translated by Mike Weaver. It was 'first printed in augenblick no 2 agis verlag baden-baden 1954'. Works by Augusto de Campos, Ronaldo Azeredo, Decio Pignatari and Haraldo de Campos are also reprinted here. The second academic essay featured is a text by Mike Weaver entitled 'Concrete and Kinetic: the poem as Functional Object', which is illustrated with reproduced typestracts by Dom Sylvester Houedard. Also featured is a text by the editor Philip Steadman, entitled 'Colour Music and the Art of Lumia, and an essay by Reg Gadney entitled 'An Introduction: Kinetic Art', which is illustrated with images of works by Alexander Calder and Alexander Schoffer's Chronus sculptures. There are artist profiles of Frank Malina (by Reg Gadney); Gregoria Vardanega (by Stephen Bann); Martha Boto (by R.G); J-M. Cruxent (by S.B); Andree Dantu (by R.G); Knud Hvidberg and William Soya (by R.G); Nino Calos (by R.G). Condition: near fine (contents fine minor rubbing to covers).…

Paperback. Condition: Very Good +. Book. 265 x 210 mm, 36 pp. in printed stapled wraps. Winter/Spring 1966. Front cover image in colour, contents illustrated with both colour and b/w images. Three issues of Image (usually a 'careers' magazine for young graduates) were effectively taken over by important Cambridge academics of the day, all with a specific interest in concrete poetry and kinetic art: Philip Steadman, Stephen Bann and Reg Gadney. The issues of Image dedicated to kinetic and concrete poetry were particularly noteworthy for their commitment to translation and reprinting 'lost' texts, an imaginative use of layout and photography, and enlightening academic essays on their given subjects. Symbiotic of its artistic agenda, this issue brings together a comprehensive, edited selection of the writings of the Groupe Recherche d'art Visuel (Paris, 1960-65) - many of which had hitherto never been published in translation, and the majority of which were first published in ephemeral catalogues or leaflets. Edited and translated by Stephen Bann and Reg Gadney, their introduction to the manifesto-texts of the Groupe Recherche d'art Visuel reads: 'These writings are not a prescription for kinetic art, nor are they sufficient to define the position of the GRAV on the modern scene. They are the product of a radical reappraisal of the relationship between artist, work and spectator and as such they have a unique interest.' From 1960 is a text declaring the aims of the GRAV, entitled 'Act of Foundation'; from 1961: a statement made by GRAV on the occasion of an exhibition of kinetic art at the Museum of Modern Art in Stockholm ('We prefer to consider the artistic phenomenon as an exclusively visual experience on the level of physiology rather than of emotion'); from September 1961: a secondary manifesto entitled 'Enough of Mystification', from 1962: extracts from 'Individual Declarations' by the artists of GRAV; from 1962/3: an extract from a text by Le Parc, entitled 'On the Subject of Art-Spectacle', and a text distributed for the opening of the 3rd Paris Biennale in October 1963; also from 1963, a text entitled ''Instability'-The Labyrith' and a talk by Le Parc at Rimini Congress. A series of questionnaires, from Bann, Gadney and Ohio University, conducted in 1965 (and translated by Annette Kobak), is also included. This issue also features an essay by the art historian and Image contributing editor, Stephen Bann, entitled 'Kinetic Art and Poetry' (a particular attention is given to Ian Hamilton Finlay's kinetic poetry); together with a text by Frank Popper entitled 'Mueller's Machine 'M'', examining the work by Hans-Walter Mueller Machine M, that was shown at the Fourth Biennale of Paris, as well as photographs of Edina Ronay, young actress-daughter of Hungarian gourmet, Egon Ronay. Rare, our last copy. Condition: light wear to front cover, light soiling to left edge of cover and crease to bottom corner, internally fine. Overall: Very good+.…

Paperback. Condition: Very Good + / Near Fine. 1st Edition. FORM MAGAZINE. Complete set: Issues 1-10. (Summer) 1966- (October )1969.The most significant British magazine of the 60s concentrating on pure abstraction and through this art theory, architecture, avant-garde magazines et al. Interest in FORM itself has grown in recent years: while studying for his Ph.D. the Portuguese architect Joaquim Moreno made a particular study of the magazine, contending that it is essentially a magazine about little magazines of the avant-garde. Moreno was part of the research group that produced 'Clip Stamp Fold' (M + M books, Princeton, 2011), which features interviews with Bann and Steadman. Issues often include a Great Little Magazines section. Each issue is about 9.5 inches square, illustrated, with 32pp (apart from one issue with 36pp). Number 1: Contents includes Film as Pure form by Theo Van Doesburg (first translation of 1929 essay), The Activity of Structuralism by Roland Barthes, Experimental Aesthetics by Carlyn Cumming, essay on Fernand Leger, Great Little Magazines No.1 : Secession with work by William Carlos Williams, Hans Arp Yvor Winters / Number 2: Contents includes Le Parc and The Group Problem by Frank Popper; A Little Night Music by Charles Tomlinson; Articles by Gillo Dorfles; Poem by Charles Tomlinson; William Carlos Williams on Emanuel Romano. Great Little Magazines No.2: Blues with work by Gertrude Stein, Sidney Hunt, Parker Tyler, Kenneth Rexroth, Charles Henri Ford./ Number 3: Contents includes Poems by Ian Hamilton Finlay, Ernst Jandl, Paul de Vree, Kenneth Robinson. Articles on and by Charles Biederman and 'The Electrical -Mechanical Spectacle' by El Lissitzky. Great Little Magazines No 3: 'G' with work by Kurt Schwitters, Theo van Doesburg, Mies van der Rohe, Miklos Bandi./ Number 4: Contents includes: Brighton Concrete Poetry Exhibition , notes, map & full review (exhibition organised by Form's editors), Black Mountain College, Albers 'Graphic Tectonics', 'What is Kentetism' ? Two essays by Charles Biederman, Poems by Anselm Hollo. Review of Mecano magazine in Great Little Magazines No.4 (therefore discussion of Van Doesburg) - which includes translation of Van Doesburg text. / Number 5: Contains Hans Jaffes - De Stijl and Architecture, features on Bernard Lassus and Raul Hausmann, and in the Black Mountain Series John A. Rice, George Zabriskie and designs for college buildings by Walter Gropius and Marcel Breuer. Great Little Magazines No.5 'RAY' with work by Sidney Hunt, I. K. Bonset ( Theo Van Doesburg) and Kurt Schwitters./ Number 6: The contents include essays on Russian unofficial art, and on the work of Laszlo Moholy Nagy; John Evarts and Jean Charlot writing on Black Mountain; and poems by David Chaloner. Great Little Magazines No.6 'De Stijl' (Part 1). / Number 7: March / 1968. Contents include Kinetic Art in Czechoslovakia, Cinema and Semiology, by Peter Wollen, new American Photography, Abraham Moles on Vasarely. Airfields by Simon Cutts. Great Little Magazines No.6 'De Stijl' (author index part 2). / Number 8: The contents include Russian Exhibitions 1904 to 1922, Xanti Schawinskys - Spectodrama, and a feature on Pierre Albert-Birot with Barbara Wrights translations from - Grabinoulor. Great Little Magazines No.7 'SIC' with work by Apollinaire, Tristan Tzara, Pierre Albert-Birot. / Number 9: Contents includes articles by Hans Richter, Joost Baljeu, H. H. Stuckenschmidt. 'Notes on Theatre at Black Mountain College (1948-1952)' by Mark Hedden. 'Theo van Doesburg is of Today' by Maurice Agis and Peter Jones. Great Little Magazines section No 8: 'Kulchur' with work by Robert Indiana./ Number 10: The Aesthetic of Ian Hamilton Finlay by Simon Cutts. Art in Crisis by Charles Biederman, Structuralism & Literary Criticism by Gerard Genette. Great Little Magazines : LEF by Richard Sherwood & articles from LEF by Brik, Arvatov, Mayokovsky. Together with printed letter from the editor, Philip Steadman, sent to contributors when the magazine finished & flier for Form subs.…

Condition: Near fine. 240 x 240 mm. 32pp. Printed black and white, stapled. Issue 8 of the most significant British magazine of the 60s concentrating on pure abstraction and through this art theory, avant-garde magazines et al. The contents include Russian Exhibitions 1904 to 1922, Xanti Schawinskys - Spectodrama, and a feature on Pierre Albert-Birot with Barbara Wrights translations from - Grabinoulor. Great Little Magazines No.7 'SIC' with work by Apollinaire, Tristan Tzara, Pierre Albert-Birot. Condition: minor toning and handling to covers, near fine.…

Condition: Very good +. Dust Jacket Condition: good. 240 x 240 mm. 32pp. Printed black and white, stapled. Issue 3 of the most significant British magazine of the 60s concentrating on pure abstraction and through this art theory, avant-garde magazines et al. This issue features 'G' with work by Kurt Schwitters, Theo van Doesburg, Mies van der Rohe, Miklos Bandi, Charles Biederman, Victor Pasmore, El Lissitzky, Ian Hamilton Finlay, Robert Binget, Ernst Jandl, Paul de Vree, Kenneth Robinson. Condition: minor toning to covers as seen, minor even toning to pages, no tears or writing, very good + with good only covers.…

First Edition. Two issues, softcovers. Two Quartos (29cm); stapled photographic paper wrappers; 21pp; 34pp; illustrations. Both issues lightly tanned with trivial surface wear; Very Good+. Magazine of verse and reviews, with contributions by Merryn Williams, Adrian Brink, Andie Mayer. [89021].

Condition: Fine. 240 x 240 mm. 32pp. Printed black and white, stapled. Issue 9 of the most significant British magazine of the 60s concentrating on pure abstraction and through this art theory, avant-garde magazines et al. Number 9: Contents includes articles by Hans Richter, Joost Baljeu, H. H. Stuckenschmidt. 'Notes on Theatre at Black Mountain College (1948-1952)' by Mark Hedden. 'Theo van Doesburg is of Today' by Maurice Agis and Peter Jones. Great Little Magazines section No 8: 'Kulchur' with work by Robert Indiana. Condition: fine. …