Barbier Illustrations (12 results)

Couverture souple. Condition: Bon. Avenir et tradition collection , 1977. 1 volume broché(s) format In-8 bon.

Hardcover. Condition: As New. Dust Jacket Condition: Fine. Morris, Theodore (cover illustrations); Barbier, Rebecca (graphic design) (illustrator). 1st Edition. As new condition blue boards with silver spine lettering contained in a fine condition non price-clipped color illustrated dust jacket. Includes Acknowledgments; Preface; Epilogue; Glossary of Names and Terms; Resources for Readers; About the Author and List of Other Books by James D. Snyder. Illustrated with a section of black-and-white maps and black-and-white photographic frontispiece. Signed by the author with thin black ink on at the center of the blank first free front endpaper. "When Spanish settlers first arrived on the shores of La Florida in 1565, they would soon be immersed in one of the most dramatic struggles in human history. At first Florida seemed so inviting. A virgin tropical wilderness would be settled and cultivated to yield riches rivaling the bounty of gold and silver that treasure ships already brought back from Mexico and South America. At the same time, the peninsula might be inhabited by primative natives who would quickly accept Christiantiy and happily harvest a cornocopia of crops and husband food animals for the tables of Europe. No better man could King Philip II pick to lead the Enterprise of Florida than fearless, swashbuckling Pedro Menendez de Aviles. But he and his men soon found themselves confronting fierce and fearless native Americans who had been a proud kingdom longer than Spain itself. The Cross and the Mask chronicles the clash of religions, weapons and wills as a documentary novel faithful to actual dates and events. Through the eyes of the Spanish Menendez and the young Indian Lujo, we see two perspectives that led to death and devastation for both peoples." - from the inner front jacket flap. "A great read, with an almost uncanny ring of truth.and remarkably in sync with my sense of Indian-Spanish relations." - Robert S. Carr, Founder of Archaeological and Historical Conservancy, discoverer of the Miami Circle and author of Digging Miami. "The Cross and the Mask is a well-crafted story of ambition and intrigue, control and compromise, loyalty and determination during South Florida's volatile sixteenth century. Author Jim Snyder favors neither the invading Spaniards nor the indigenous Indian people, richly portraying both through well-researched descriptions and memorable characters. Their struggles, triumphs and failures will resonate with readers today in a world so rife with similar culture clashes." - William H. Marquardt, Ph.D., Curator of Archaeology, Florida Museum of Natural History and Director, Randell Research Center. Signed by Author(s).

Couverture rigide. Condition: Assez bon. Réédition de l'ouvrage "Légendes basques" paru à Paris à la Librairie Delagrave en 1931 ; Eusk-341.

Couverture souple. Illustrations de Jacques Marillier. (illustrator). Livre en français. Collection dirigée par Olivier Hussenot. Illustrations de Jacques Marillier. Jeux dramatiques pour la jeunesse. Broché. 72 pages. Théâtre. Livre.

Couverture rigide. Condition: Comme neuf. In-8, cartonnage couleurs. A l'état de neuf. Edition bilingue français-anglais. "Monsieur Mouche n'est ni un mari, ni un champion de boxe, ni un Président de la République. Nul ne sait comment il vit ni qui il est. En fait, nous savons seulement que Monsieur Mouche a réponse à tout. Ce qui fait que Monsieur Mouche a beau être chaque fois différent, il est toujours le même.".

Editions Les deux collines, Lyon - 1950 - In-8, broché - 283 pages - Envoi de l'autrice (dédicace) en première page de titre - Illustrations en N&B hors-texte Bon état - Légers frottements et plis sur la couverture.

Soft cover. Condition: Near Fine. No Jacket. Limited Edition. Signed on the title page by Erte (Romain de Tirtoff). Limited edition, number 1017 of 1500 copies. Folio-size exhibition catalogue held in Paris in 1929 at Hotel Jean Charpentier. Bound in paper wraps, stapled. Color plates and B&W illustrations. Text in French. Condition: mild toning to wraps; lower corner slightly bumped; else near fine.

Leatherbound Hardcover. Condition: Fine. George Barbier (illustrator). The rarest and most erotic work by George Barbier: Scarce reprint of the 1929 'uncensored' edition: LES CHANSONS DE BILITIS. Seul texte véritable et complet. (2020, no. 9 of 69 copies) --- --- --- --- Caceres, Spain, Javier Martin Santos, 2020, no. 9 of 69 copies, one of only 13 copies, where the metallic inks were hand-painted with a very fine brush. Text in FRENCH. --- --- --- The following description of the 1929 original corresponds to the data for the reprint : The book with George Barbier's tamed illustrations was first published in 1922. This new 2020 print, with more explicit texts and bolder Barbier illustrations, is based on a copy of the 1929 edition in the Bibliothèque Nationale de France (reference RES G YA-18). Only 25 copies were printed of the 1929 edition for the 'Les Amis de Bilitis' in Mytylène, Greece, (Pierre Loüys- George Barbier : LES CHANSONS DE BILITIS. Seul texte véritable et complet. Imprimé à Mitylène pour les amis de Bilitis, 1929. Small 4to. 9.75 x 7.5 inches (24.6x19cm). pp. (iv), 56, (i), (i). Wood-engraved color frontispiece, printed title page in various colors with color wood-engraved vignette and Louÿs text in three sections ('Bucoliques en Pamphylie', 'Elegies à Lesbos' and 'Epigrammes dans lIle de Chypre'), leaf with justification and 'achevé d'imprimer'; illustrated with 60 wood-engraved illustrations by Pierre Bouchet after George Barbier, 54 in color, seven full-page, 24 decorating the text, the remainder culs-de-lampes or vignettes), as well as numerous head- and tail-pieces and initial letters, verse numbering in gilt in Roman numerals, text in capitals ruled throughout and two additional wood-engravings for the wrappers. (There is currently one copy of the 1929 edition being offered by a French bookseller for EURO 24,000.00.) --- --- --- This 2020 edition has in addition to the 1929 edition also the 2-page menu for '18. Novembre 1929' and "Chansons de Bilitis Inedites'. It is bound in full crushed morocco with front board ruled in gilt and vertical decoration down the middle, the wrappers with gilt illustrations are bound in, marbled endpapers. Matching morocco-edged, marbled board slipcase. --- --- --- Included is a 12-page prospectus for the reprint in Spanish and French. --- --- --- Javier Martin Santos has published several books from the 1920s by Francois Louis Schmied and George Barbier in very well done very limited editions. He also published editions of two books by Schmied that were not published during his lifetime: "Chansons de Tanger." The book with the original illustrations (tempera) is in the Bibliothèque Nationale de France (reference RES G YA-18). The second on is Vol de Nuit by Saint-Exupéry. F.-L. Schmied began the illustrations shortly before his death, leaving the work unfinished. His son Théo continued it in 1947, completing the illustrations but not the edition. They produced 38 pages distributed as follows: 20 full-page illustrations, 10 smaller illustrations, most with typographic design, one sheet with the decorated initial "L," one illustration for the end, three pencil portraits, one of them of Saint-Exupéry, based on the photograph that appears in the January 1932 issue of the magazine l'Aérophile, and three sheets with typographic design. For the design of this edition, Santos followed these pages. Five full-page illustrations are signed by F.-L. Schmied, who also created the initial and two pages with typographic layout; the rest of the illustrations are by Théo, as can be seen from the difference in style. --- --- --- Bilitis First published in Paris in 1894, this purports to be translations of poems by a woman named Bilitis, a contemporary and acquaintance of Sappho. This caused a sensation, not only because finding an intact cache of poems from a completely unknown Greek poet circa 600 B.C. would be a miracle, but because of its open and sensitive exploration of lesbian eroticism. Actually Bilitis never existed. The poems were a clever forgery by Pi.

Hardcover. Condition: Fine. No Jacket. Special Edition. Rare! No. XX of XXV (20 of 25) hors-commerce copies (not for sale through regular channels). Large quarto volume bound in full gray morocco by Sangorski & Sutcliffe, with gilt border, decoration and lettering; two raised bands on spine; top edge gilt. Marbled endpapers. Contains a watercolor enhanced black ink drawing by Barbier and signed "Aux amis Marty (Andre Edouard Marty)/ bien cordial souvenir de/ George Barbier 1928". The tipped-in frontispiece illustration is an etched portrait of Barbier by Charles Martin. Also, there are 25 mounted color plates of costume designs by Barbier, having been colored through the use of stencils heightened with gold & silver embellishments. The color plates for various plays & ballets are dated from 1918 to 1922, and each has a descriptive tissue guard. Text is in French. Condition: very slight scuffs to corners of front cover; minor toning to pages; else fine condition. Pages: 24 plus 25 plates. Signed by Illustrator(s).

Condition: 1850-1900. Le Barbier de Séville Illustrations pour Piano par Wilhelm Krüger Paris, Léon Grus Editeur L. G. 2496 XIXe siècle 1863 12 pages 33.4 x 26.3 cm Très bon état 036946 Piano solo.

No Binding. Condition: Good. 26 x 17,5 cm - 12 pages + 12 illustrations: pochoirs by Barbier - sous feuilles dans une chemise avec sur la première page un très beau pochoir, deuxième pochoir sur la page de titre et illustration en noir et blanc en haut de la première page du texte - il y a une petite tache sur la première page de la chemise et la dernière page est un peu ondulée - les pochoirs sont dans une très bonne condition - le tout dans une boîte de maroquin rouge foncé avec illustrateuret titre estampés en or, plus encadrement estampé en or - e"x libris à l'intérieur de la boîte - en tout bel exemplaire.

In-4 (254 x 190 mm). Reliure demi-maroquin à coins, dos à faux-nerfs, tranche sup. dorée, couvertures conservées, couvertures illustrées, dos légèrement éclairci, 1 coin frotté, épidermure au second plat, très bel état. Tirage à 1126 exemplaires numérotés, 1 des 1100 ex. sur vélin pur fil Lafuma. Très bel exemplaire.