Barkley Glenn (43 results)

Condition: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

First Edition. First edition. Softcover. 56 pages. Director's foreword by Brian Kennedy. Text by Deborah Hart and Glenn Barkley. Includes numerous color illustrations. A fine copy in French style wrappers. Signed and warmly inscribed by Peter Fay on the half title page. Uncommon as such. Signed.

Condition: New.

Hardback or Cased Book. Condition: New. Ceramics: An Atlas of Forms. Book.

Paperback. Condition: Good in wraps. First Edition. 21 x 26cm good paperback exhibition catalogue in a limited edition of 1,000 copies containing texts and colour reproductions.

Soft cover. Condition: Very Good. No Jacket. Aleks Danko: My Fellow Aus-tra-aliens. Barkley, Glenn & Lesley Harding. Published by Museum of Contemporary Art, Australia & Heide Museum of Modern Art. 2015. 176p. oversized trade paperback, covers lightly bumped/scuffed, binding tight, text clean/unmarked---30.00.…

Soft cover. Condition: Very Good. Dust Jacket Condition: No Jacket as Issued. Exhibition Publication. Minimal wear to covers. Spine not creased. Minor eraser rubbing to top corner of half-tile page, otherwise internally clean. 56pp Size: 240mm x 290mm. Book.

Condition: As New. Unread book in perfect condition.

Condition: New.

Hardcover. Condition: new. Hardcover. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Paperback. Condition: Very Good. 144 pages. Excellent conditon. Books listed here are not stored at the shop. Please contact us if you want to pick up a book from Newtown.

Paperback quarto, very good condition, colour & black & white & sepia (brown-tinted) photos & drawings, minor edgewear. 98 pp. Published for the exhibition "Avoiding Myth & Message: Australian Artists and the Literary World", Museum of Contemporary Art, Sydney 7 April - 12 July 2009, curated by Glenn Barkley. Also includes "The Reader", which reproduces a number of works by both artists and writers. All of these texts have in some way influenced the research and development of the exhibition. The Reader allows an insight into the curatorial process and features texts reproduced within the exhibition. (No 147 of a limited edition of 1000 copies. Contains 69 pages + 29 pages of The Reader, starting at the rear and printed upside down.).…

Hardback. Condition: New.

hardcover. Condition: Very Good. no dust jacket as issued No dust jacket. Very Good hardcover with light shelfwear - NICE! Standard-sized.

Hardcover. Condition: Fine. Photos of actual item. We have tried to use photos to highlight any known defects. Please examine and ask any questions before purchase and we will endeavour to answer as soon as possible (please be aware of time zone differences). NOTE: Camera shadows may create the illusion of stains. SHIPPING: We work with NZ Post who adjust rates according whichever is larger between size or weight, so from time to time we may request extra charges once the destination of the package is known. NOTE: Any extra charges requested will reflect the exact cost charged to us (i.e. the requested charge will only be to cover the exact shipping costs from New Zealand with nothing extra added by us).…

Hardcover. Condition: new. Hardcover. What can we learn about the Roman empire from an amphora made in 200 BC? How can a simple, unadorned cup made in 1945 tell us so much about history? And what will an artwork comprising a vast collection of clay spheres tell our descendants about the act of making?Once fired, clay has the strength to last for millennia. Practical uses aside, ceramic objects are a testament to the power and innovation of ancient and ongoing cultural traditions. A single piece can tell an invaluable story about its time, the people who made it, how it was collected or its role within a broader cultural network.Ceramics: An Atlas of Forms is a global cultural study through the lens of ceramics. Organised chronologically - from an Egyptian ceremonial jar made over 5000 years ago to works by 20th-century luminaries Lucie Rie and Bernard Leach, as well as First Nations artists from Australia and entirely unknown makers - this collection shares the stories of over 100 objects, honouring the artists who have left their mark on this timeless practice. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

4to. 240pp. Numerous colour illustrations. Original wrappers, a near fine copy. First edition. From the collection of Australian scholar and sculptor Noel Hutchison with gift inscription.

hardcover. Condition: New. Special order direct from the distributor.

Condition: New.

Condition: As New. Unread book in perfect condition.

Soft cover. Condition: Very Good. No Jacket. Corners and spine have been bumped but otherwise in excellent condition.

Pictorial Hardcover. Condition: Very Good. Dust Jacket Condition: No Jacket as Issued. Exhibition Publication. Light general wear to boards. Internally clean. Binding tight. 486pp Size: 220mm x 275mm. Book.

Hardback. Condition: New.

Soft Cover. First Edition. 8vo. original printed paper wraps, French flaps (a trifle rubbed); pp. 80, with illustrations. A fine copy.

Hardcover. Condition: new. Hardcover. What can we learn about the Roman empire from an amphora made in 200 BC? How can a simple, unadorned cup made in 1945 tell us so much about history? And what will an artwork comprising a vast collection of clay spheres tell our descendants about the act of making?Once fired, clay has the strength to last for millennia. Practical uses aside, ceramic objects are a testament to the power and innovation of ancient and ongoing cultural traditions. A single piece can tell an invaluable story about its time, the people who made it, how it was collected or its role within a broader cultural network.Ceramics: An Atlas of Forms is a global cultural study through the lens of ceramics. Organised chronologically - from an Egyptian ceremonial jar made over 5000 years ago to works by 20th-century luminaries Lucie Rie and Bernard Leach, as well as First Nations artists from Australia and entirely unknown makers - this collection shares the stories of over 100 objects, honouring the artists who have left their mark on this timeless practice. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.…

Hardcover without dustjacket as issued; 456 pages, very good condition; except 1-inch bump / crease to all pages and rear cover at upper right corner; no internal marks. Foreign shipping may be extra.

Hardcover. Condition: new. Hardcover. What can we learn about the Roman empire from an amphora made in 200 BC? How can a simple, unadorned cup made in 1945 tell us so much about history? And what will an artwork comprising a vast collection of clay spheres tell our descendants about the act of making?Once fired, clay has the strength to last for millennia. Practical uses aside, ceramic objects are a testament to the power and innovation of ancient and ongoing cultural traditions. A single piece can tell an invaluable story about its time, the people who made it, how it was collected or its role within a broader cultural network.Ceramics: An Atlas of Forms is a global cultural study through the lens of ceramics. Organised chronologically - from an Egyptian ceremonial jar made over 5000 years ago to works by 20th-century luminaries Lucie Rie and Bernard Leach, as well as First Nations artists from Australia and entirely unknown makers - this collection shares the stories of over 100 objects, honouring the artists who have left their mark on this timeless practice. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.…

Hardcover. Condition: Brand New. 320 pages. 11.10x8.70x1.30 inches. In Stock.

ill. OPappband. / Hardcover. 1st ed./ 750 ex. Catalogue of Exhibition Held at the Museum of Contemporary Art, Sydney, 8 March 2013 to 5 May 2013. (Sehr gut erhalten - NEU, ungelesen / in very good condition) Sprache: Englisch Gewicht in Gramm: 1200.

Hardback. Condition: New.