Bartolozzi R a (23 results)

Condition: New. Idioma/Language: Español. *** Nota: Los envíos a España peninsular, Baleares y Canarias se realizan a través de mensajería urgente. No aceptamos pedidos con destino a Ceuta y Melilla.

Encuadernación de tapa blanda. Condition: Muy Bien. 25X30 CM. 219 PÁGINAS. PROFUSMAENTE ILUSTRADO CON LÁMINAS EN BLANCO Y NEGRO. ENCUADERNACIÓN EDITORIAL RÚSTICA CON SOLAPAS.

Edit. Gobierno de Navarra - Departamento de Educación y Cultura, Navarra, 1993, 3ª ed. corregida y aumentada, tela editorial con sobrecubierta ilustrada, 25x14 cm., 248 p. [733 g.], profusión de ilustraciones color en texto, papel estucado, ex libris en papel [incluye folleto desplegable y entrada al museo]. Muy buen estado. Arte, patrimonio, guías.

Tela (tapa dura tela). Condition: New. Dust Jacket Condition: Nuevo. 01. LIBRO.

Cartoné (tapa dura cartón). Condition: New. Dust Jacket Condition: Nuevo. 01. El Puente Romano de Alcántara, uno de los monumentos más importantesdel legado de Roma en la península ibérica, proyectado por Cayo JulioLacer entre los años 104 y 106 d. C., sigue generando, para su mejorconocimiento, nuevas investigaciones y debates sobre su conservación.En fechas recientes se ha redactado y aprobado el proyecto de un nuevo puente que liberará al romano del tráfico rodado, situado en susinmediaciones, y que ha traído a la actualidad el debate sobre lareciprocidad entre la obra pública y su entorno territorial, lapervivencia de sus valores o la relación entre elementos construidosen épocas diferentes. En consecuencia, se demuestra cómo sonnecesarias nuevas reflexiones para definir mejor el patrimonio de laObra Pública y sus tipologías, su extensión en el tiempo, su relacióna escala territorial y urbana con el paisaje, o sus niveles deprotección y rehabilitación. Coordinado por María del Mar LozanoBartolozzi. LIBRO.

Tapa dura. Condition: Nuevo.

Single Sheet Engraving. Condition: Very Good. No Jacket. William HAMILTON (illustrator). First Edition. ADELAIDE AND FONROSE AFTER THE PAINTING BY WILLIAM HAMILTON, ENGRAVED BY R. MARCUARD, A PUPIL OF BARTOLOZZI, IN 1785 FINE ENGRAVING , DISPATCHED MOUNTED AND READY TO FRAME, EXCELLENT CONDITION, IMPRESSIVE VIEW ,

Edit.Historia 16. 24.5x18. 47pags.Ilustrado.Ref.2908.

TAPA BLANDA. Condition: Bien. Arte CONSULTE NUESTRAS CONDICIONES Y GASTOS DE ENVÍO 1990 1ª EDICIÓN.

Cartoné. Condition: New. Dust Jacket Condition: Nuevo. 01. LIBRO.

TAPA DURA. Condition: Usado. Dust Jacket Condition: Bueno. TAPA BLANDA, 124 Pag. , BUEN ESTADO, NUEVO.

Taschenbuch. Condition: Neu. Liver Malignancies | Diagnostic and Interventional Radiology | C. Bartolozzi (u. a.) | Taschenbuch | Medical Radiology | xi | Englisch | 2012 | Springer | EAN 9783642636790 | Verantwortliche Person für die EU: Springer Verlag GmbH, Tiergartenstr. 17, 69121 Heidelberg, juergen[dot]hartmann[at]springer[dot]com | Anbieter: preigu.

1960 Sección Femenina, Madrid Publica la FET y la JONS. Autoras: Sofía Morales, Carmen Villasante e Isabel Cajide. Il. a dos col. 137 p. 24x17 cm. Enc. cartoné con lomo de tela Para ver o recibir fotografías de los libros puede ir a nuestra web o solicitarlas., ).

Condition: New. This is a Brand-new US Edition. This Item may be shipped from US or any other country as we have multiple locations worldwide.

Condition: Brand New. New. US edition. Expediting shipping for all USA and Europe orders excluding PO Box. Excellent Customer Service.

Taschenbuch. Condition: Neu. Neuware.

Condition: Usado- bueno.

Condition: Usado- bueno.

Condition: Bueno. Sin paginar. 120 pag aprox. año 2005. Parlamento de la Rioja. grabados a todo color. en perfecto estado. Expurgado de biblioteca.

Encuadernación de tapa dura. Condition: Bien. Muba, 2018. Rustica con solapas, 30x25 cm., 283 pp. Abundantes ilustraciones. Buen estado de conservación. Incluye carta de la autora a Antonio Bonet Correa.

Hardcover. Condition: Good. 1st Edition. London: London: Printed for W. Tomkins. The Letterpress by T Bensley. The Type by V. Figgins., First Edition Thus. Full leather binding, worn scratched and marked but structurally sound, heavily gilt decorated to the spine and boards, gilt page edges and marbled end papers with inner gilt dentelles. Imperial folio. Worming to the base of the Lavinia and Her Mother full page plate. 21 engraved illustrations as per the list of engravings, an engraved frontispiece, five full-page engravings, ten head-and-tail pieces and five vignettes. Boards ruled in gilt tooling. Spine elaborately stamped and lettered in gilt. Gilt dentelles. All edges gilt. Marbled endpapers. [10, title, dedication, subscribers list and list of engravings, [1]-236pp. Provenance: signature of RJJ Cary, Torr Abbey to the dedication. Approximately 19 inches tall. Condition Report Externally Spine good condition 12 raised bands, gilt decoration and titles, worn and rubbed with very minor loss. Joints good condition rubbed and worn. Corners good condition bumped and worn. Boards good condition heavily gilt decorated, marked scratched and worn with some loss to the leather. Page edges good condition top edge a;; gilt, top darkened, some waviness. See above and photos. Internally Hinges good condition sound. Paste downs good condition marbled paper, gilt dentelles. End papers good condition marbled end papers. Title good condition lightly tanned, half title present. Pages good condition lightly tanned throughout, creased to page 188. Binding good condition worn but attractive. See photos. Publisher: see above. Publication Date: 1747 Binding: Hardback.

Original copper engraving (44 x 60 cm, overall sheet 55 x 68 cm). Tissue guard to verso. Very light foxing to outer margins, not affecting plate. From "A Collection of Prints . Illustrating the Dramatic Works of Shakespeare." published by Boydell, London, 1803. In 1789, the publisher John Boydell opened the Shakespeare Gallery, an exhibition space in London's Pall Mall showcasing paintings that exclusively represented scenes from Shakespeare's plays. The Gallery was a bid to revive 'history painting' (the practice of depicting scenes from the Bible, mythology or the classics) in contemporary British art, a genre thought to be of great public benefit because of its morally instructive messages. What better unifying theme for such a project than the works of Shakespeare, which had become so popular and so integral to British identity by the mid-18th century? The Gallery opened in May 1789 with 34 canvases by 18 British artists. By the next year there were 55 paintings and in 1796 the total was 84, along with dozens of 'Small Pictures'. Once the exhibition was mounted, reproductive engravings of the paintings produced by an in-house team of 46 printmakers were available to purchase, either as a large portfolio of 90 prints or as a luxurious illustrated edition of the plays. (The British Library).

No Binding. Condition: Very Good. Original engraved antique portrait of Edward, Prince of Wales only son of King Henry VIII in a fine gold frame. A single sheet near fine original antique engraving 8.5 inches by 11.5 inches Size (inside the frame 16.5 inches by 19 inches) one of a large series of engravings by Francesco Bartolozzi, an Italian Engraver (1727-1815) after the original drawings by Hans Holbien (1498-1554), official painter to King Henry VIII, which are now in the Collection of the Crown. The following inscription appears at the foot of the engraving:- Engraved by F. Bartolozzi R.A. Historical Engraver to His Majesty King Henry VIII. In His Majesty´s Collection. Published as the Act directs in January 1794 by I Chamberlaine.