Beach David W (47 results)

Condition: Poor. Book is Poor condition. Good for reading, not pretty to look at! The pages and cover are soiled and/or yellowed, worn throughout.

Condition: good. The book is in good condition with all pages and cover intact, including the dust jacket if originally issued. The spine may show light wear. Pages may contain some notes or highlighting, and there might be a "From the library of" label. Boxed set packaging, shrink wrap, or included media like CDs may be missing.…

Soft cover. Condition: Very Good. 1st Edition. Nice clean copy.

Condition: New.

Condition: As New. Unread book in perfect condition.

Condition: As New. Unread book in perfect condition.

Hardcover. Condition: Very Good. Three-hole punched and placed in printed notebook; ex-corporate library; in very good condition. This is a heavy volume; extra shipping may be required for priority mail or international orders. Book.

Paperback. Condition: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Condition: New.

Condition: As New. Unread book in perfect condition.

Condition: new.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

, Softcover/Paperback. Condition: Gut. 240 Seiten Fresh and clean copy with some signs of wear. Frisches und sauberes Exemplar mit einigen Abnutzungserscheinungen. Contents: Preface - Schenkers Theories: A Pedagogical View - David Beach - Thematic Content: A Schenkerian View - John Rothgeb - Motive and Text in Four Schubert Songs - Carl Schachter - Aspects of motivic Elaboration int eh Opening Movement of Haydens Piano Sonato in C Minor - Roger Kamien - Schenkers Theory of Levels and Music Performance - Charles Burkhart - The Analysis of Pre-Baroque Music - Saul Novack - Heinrich Schenker and Historical Research: Monteverdis Madrigal oime, se tanto amate - Felix Salzer - Schenkerian Analysis adn Post Tonal Music - James Baker - Appendix: Two Articles by Ernst Oster - The Fantaisie Impromptu: A Tribute to Beethoven - The Dramatic Character of the Egmont Overture ISBN 9780300028034 Sprache: Englisch Gewicht in Gramm: 397.…

Condition: As New. Unread book in perfect condition.

Condition: New.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Condition: New. 2009. Paperback. . . . . .

Condition: New.

Paperback. Condition: New. Historical, theoretical and analytical studies of principally 19-20c topics, reflecting current musical research.This collection of nineteen essays, all by leaders in the field of music theory, reflects the rich diversity of topics and approaches currently being explored. The contributions fall within three principal areas of study that haveremained at the heart of the discipline. One is historical research, which includes efforts to trace the development of theoretical ideas and their philosophical bases. Representing this broad category are essays dealing with issues like Scriabin's mysticism, neoclassicism, modern aesthetics, and the development of the concept of pitch collection in twentieth-century theoretical writings. The second area embraces the theory and analysis of common-practicetonality and its associated repertoire (including chromatic and 'transitional' music). Within this category are several studies related directly to or derived from Schenkerian theory, covering repertoire from Bach through Schubert and Chopin to Gershwin. Complementing these articles are a study of a chromatic work by Liszt and an essay on Schoenberg's concept of tonality. The third broad category includes the large body of work associated with the theoryand analysis of post-tonal music. Representing this extensive area of inquiry are essays dealing with voice leading in atonal music and extending Allen Forte's theory of the set complex, and analytical studies dealing with works by Schoenberg and Webern. Adding to these contributions are articles that deal with works by composers less frequently discussed in the analytical literature, Milhaud and Peter Maxwell Davies, and an empirical study of aural cognition of atonal and tonal music. These essays, all by colleagues, friends, and students of Allen Forte are intended as a celebrationof his enormous contribution to the discipline of music theory. James Baker is Professor of Music at Brown University; David Beach is Dean of the Faculty of Music at the University of Toronto; Jonathan Bernard is Professor of Music at the University of Washington. …

Condition: As New. Unread book in perfect condition.

Paperback. Condition: New. Historical, theoretical and analytical studies of principally 19-20c topics, reflecting current musical research.This collection of nineteen essays, all by leaders in the field of music theory, reflects the rich diversity of topics and approaches currently being explored. The contributions fall within three principal areas of study that haveremained at the heart of the discipline. One is historical research, which includes efforts to trace the development of theoretical ideas and their philosophical bases. Representing this broad category are essays dealing with issues like Scriabin's mysticism, neoclassicism, modern aesthetics, and the development of the concept of pitch collection in twentieth-century theoretical writings. The second area embraces the theory and analysis of common-practicetonality and its associated repertoire (including chromatic and 'transitional' music). Within this category are several studies related directly to or derived from Schenkerian theory, covering repertoire from Bach through Schubert and Chopin to Gershwin. Complementing these articles are a study of a chromatic work by Liszt and an essay on Schoenberg's concept of tonality. The third broad category includes the large body of work associated with the theoryand analysis of post-tonal music. Representing this extensive area of inquiry are essays dealing with voice leading in atonal music and extending Allen Forte's theory of the set complex, and analytical studies dealing with works by Schoenberg and Webern. Adding to these contributions are articles that deal with works by composers less frequently discussed in the analytical literature, Milhaud and Peter Maxwell Davies, and an empirical study of aural cognition of atonal and tonal music. These essays, all by colleagues, friends, and students of Allen Forte are intended as a celebrationof his enormous contribution to the discipline of music theory. James Baker is Professor of Music at Brown University; David Beach is Dean of the Faculty of Music at the University of Toronto; Jonathan Bernard is Professor of Music at the University of Washington. …

Condition: New.

Condition: New.

Condition: New. In English.

Condition: New. 2009. Paperback. . . . . . Books ship from the US and Ireland.

Condition: As New. Unread book in perfect condition.

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Paperback / softback. Condition: New. New copy - Usually dispatched within 4 working days.

Condition: New.

Condition: New.