Beijing School (21 results)

Condition: Good. Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.

Paperback. Condition: Good.

Paperback. Condition: Good.

paperback. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

paperback. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

Condition: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condition: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condition: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condition: Good. Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.

Trade Paperback. Condition: New. The rural, remote, and wild territories we call 'countryside', or the 98% of the earth's surface not occupied by cities, make up the front line where today's most powerful forces--climate and ecological devastation, migration, tech, demographic lurches--are playing out. Increasingly under a 'Cartesian' regime--gridded, mechanized, and optimized for maximal production--these sites are changing beyond recognition. In his latest publication, Rem Koolhaas explores the rapid and often hidden transformations underway across the Earth's vast non-urban areas.Countryside, A Report gathers travelogue essays exploring territories marked by global forces and experimentation at the edge of our consciousness: a test site near Fukushima, where the robots that will maintain Japan's infrastructure and agriculture are tested; a greenhouse city in the Netherlands that may be the origin for the cosmology of today's countryside; the rapidly thawing permafrost of Central Siberia, a region wrestling with the possibility of relocation; refugees populating dying villages in the German countryside and intersecting with climate change activists; habituated mountain gorillas confronting humans on 'their' territory in Uganda; the American Midwest, where industrial-scale farming operations are coming to grips with regenerative agriculture; and Chinese villages transformed into all-in-one factory, e-commerce stores, and fulfillment centers.This book is the official companion to the Guggenheim Museum exhibition Countryside, The Future. The exhibition and book mark a new area of investigation for architect and urbanist Rem Koolhaas, who launched his career with two city-centric entities: The Office for Metropolitan Architecture (1975) and Delirious New York (1978). It's designed by Irma Boom, who drew inspiration for the book's pocket-sized concept, as well as its innovative typography and layout, from her research in the Vatican library.The book brings together collaborative research by AMO, Koolhaas, and students at the Harvard Graduate School of Design; the Central Academy of Fine Arts, Beijing; Wageningen University in the Netherlands; and the University of Nairobi. Contributors also include Samir Bantal, Janna Bystrykh, Troy Conrad Therrien, Lenora Ditzler, Clemens Driessen, Alexandra Kharitonova, Keigo Kobayashi, Niklas Maak, Etta Madete, Federico Martelli, Ingo Niermann, Dr. Linda Nkatha Gichuyia, Kayoko Ota, Stephan Petermann, and Anne M. Schneider. From animals to robotization, climate change to migration, Rem Koolhaas presents a new collaborative project exploring how countryside everywhere is transforming beyond recognition. The official companion to the highly anticipated exhibition at New York's Guggenheim Museum, this pocketbook gathers in-depth essays spanning from Fukushima to the. BEAUTIFUL COPY!!!

Trade Paperback. Condition: New. The rural, remote, and wild territories we call 'countryside', or the 98% of the earth's surface not occupied by cities, make up the front line where today's most powerful forces--climate and ecological devastation, migration, tech, demographic lurches--are playing out. Increasingly under a 'Cartesian' regime--gridded, mechanized, and optimized for maximal production--these sites are changing beyond recognition. In his latest publication, Rem Koolhaas explores the rapid and often hidden transformations underway across the Earth's vast non-urban areas.Countryside, A Report gathers travelogue essays exploring territories marked by global forces and experimentation at the edge of our consciousness: a test site near Fukushima, where the robots that will maintain Japan's infrastructure and agriculture are tested; a greenhouse city in the Netherlands that may be the origin for the cosmology of today's countryside; the rapidly thawing permafrost of Central Siberia, a region wrestling with the possibility of relocation; refugees populating dying villages in the German countryside and intersecting with climate change activists; habituated mountain gorillas confronting humans on 'their' territory in Uganda; the American Midwest, where industrial-scale farming operations are coming to grips with regenerative agriculture; and Chinese villages transformed into all-in-one factory, e-commerce stores, and fulfillment centers.This book is the official companion to the Guggenheim Museum exhibition Countryside, The Future. The exhibition and book mark a new area of investigation for architect and urbanist Rem Koolhaas, who launched his career with two city-centric entities: The Office for Metropolitan Architecture (1975) and Delirious New York (1978). It's designed by Irma Boom, who drew inspiration for the book's pocket-sized concept, as well as its innovative typography and layout, from her research in the Vatican library.The book brings together collaborative research by AMO, Koolhaas, and students at the Harvard Graduate School of Design; the Central Academy of Fine Arts, Beijing; Wageningen University in the Netherlands; and the University of Nairobi. Contributors also include Samir Bantal, Janna Bystrykh, Troy Conrad Therrien, Lenora Ditzler, Clemens Driessen, Alexandra Kharitonova, Keigo Kobayashi, Niklas Maak, Etta Madete, Federico Martelli, Ingo Niermann, Dr. Linda Nkatha Gichuyia, Kayoko Ota, Stephan Petermann, and Anne M. Schneider. From animals to robotization, climate change to migration, Rem Koolhaas presents a new collaborative project exploring how countryside everywhere is transforming beyond recognition. The official companion to the highly anticipated exhibition at New York's Guggenheim Museum, this pocketbook gathers in-depth essays spanning from Fukushima to the.

Paperback. Condition: Brand New. poc edition. 351 pages. 6.25x4.00x1.00 inches. In Stock.

Paperback. Condition: Brand New. In Stock.

Kartoniert / Broschiert. Condition: New.

Condition: Sehr gut. Zustand: Sehr gut | Seiten: 273 | Sprache: Englisch | Produktart: Bücher | Keine Beschreibung verfügbar.

Hardcover. Condition: Brand New. In Stock.

Condition: New. Dong Liu earned his BEng (Hons) degree in electronic engineering with first-class honors from The Hong Kong Polytechnic University in 2014, BEng in microelectronics from Sun Yat-sen University in Guangzhou, China, in 2014, and PhD in electrical en.

Gebunden. Condition: New.

Condition: New. Wei Wang received her B.Eng degree in Electrical Engineering and Automation from Beihang University (BUAA) in 2005, MSc degree in Radio Frequency Communication Systems with Distinction from University of Southampton (UK) in 2006 and Ph.D.

Beijing No. 76 Middle School (illustrator). Original vintage propaganda poster for the Chinese Army - The people's militia is the root of victory - Bingmin shi shengli zhi ben (åµæ°'æ èå ä æ ). Powerful image featuring three Chinese Army soldiers wearing uniforms from different battalions and holding rifle guns, standing firmly in front of a crowd of people, all of them looking to their left with the Chinese writing below in large red letters. Design by the Beijing No. 76 Middle School collective work. Horizontal. Good condition, creases and folds, tears on the right margin. Size: 76x106.5cm.

Woodcut ovoid roundel (60 x 75 mm), contemporarily trimmed to just outside neatline and contemporarily mounted to a larger sheet of paper (in excellent condition). One of the earliest printed views of what is today Beijing: an unrecorded bird's eye prospect over 'Cambalu', or Khanbaliq (on the site of modern Beijing), the capital of China during the Yuan Dynasty (1271-1368). The Yuan Dynasty was founded by the legendary Mongol warrior Kublai Khan, who after conquering China proclaimed his new capital at Khanbaliq, although the city would not be completed until 1293. During the succeeding Ming Dynasty (1368-1644), Khanbaliq was transformed into what is known as Beijing. Interestingly, as seen in the view, the walled rectangular form of the old city of Beijing is already evident in the design of Khanbaliq. Marco Polo visited Khanbaliq, but his description of its location was vague. For over two centuries thereafter Europeans were confused as to not only the location of "Cambaluc", but they even sometimes confused its identify with "Cathay" (China), thinking that it was the name for the entire country. This confusion was cleared up by the Jesuit Matteo Ricci during his first visit to Beijing in 1598, when he definitively identified Khanbaliq as the precursor to the modern Chinese capital. The present work is one of a series of 26 woodcut roundels of views and maps that were found together as collection. Charming, mysterious and apparently unique, in the absence of any accompanying documentation we are left to make educated guesses about their genesis. By all appearances they seem to be late 16th or early 17th century Flemish or Dutch woodcuts, probably proofs for vignettes to adorn the sides of an unrealized copper-engraved wall map (or maps). Indeed, this period saw the beginnings of the "carte à figures" wall maps that became all the rage during the 17th century, and which occupied an iconic place in the art world of the Low Countries. In the fluid and fast-paced environment of the large European print shops, it was common for artists to experiment with designs for copperplate maps by making woodcut proofs, as carving into wood was much quicker and cheaper. Only if the design was accepted for publication was it engraved into copper (an expensive and demanding process). The views within the roundels were generally predicated on the most authoritative recent sources. Many of the views are based on those published within the first four volumes of Braun & Hogenberg's "Civitates Orbis Terrarum" (6 vols., 1572-1618), the first great "town book", featuring bird's eye views of cities in Europe, Asia, Africa and America. Inspired by Ortelius's ground-breaking world atlas "Theatrum Orbis Terraum" (1570), which featured all of the world's known regions in detail, this monumental endeavour featured 546 views and maps of cities. The views from the "Civitates" are imbued with profound historical importance as, in many cases, they are the first accurate and detailed views of many great cities and towns, and were the most popular and influential images of these urban centres available to Europeans during the late 16th and much of the 17th centuries. Other fantastic sources include Jan van Linschoten's "Itinerario" (Amsterdam, 1596), one of the most consequential books ever written, responsible for breaking the Portuguese monopoly on European trade in South and East Asia. Likewise, other views were borrowed from important and pioneering 16th century prints and manuscripts. The unknown maker of the set of roundels to which the present view belongs likely intended for them to serve as proofs for the vignettes adorning the sides of an intended "carte à figures" wall map (or more likely maps). The creation of such woodcut proofs was commonplace, although very few examples survive to this day, as most were destroyed once their incidental use had transpired. In any event, these woodcut roundels are a fascinating insight into the operations of a large cartographic workshop in the late 16th century.