Bengston Jim (21 results)

paperback. Condition: Good.

Paperback. Condition: Very Good. 1st. 99 pages, all illustrations; 23 x 31 cm. Firm binding, clean inside copy. Top right corner lightly bumped. Stated First Printing. *** Photographs by Jim Bengston (b. 1942). Size: Oblong.

Soft cover. Condition: Near Fine. No Jacket. 1st Edition. First edition 1978, first printing stated. Self -Published by Author. Softcover without DJ as issued. Condition near fine, square tight and clean book, corners not bumped but very slightly creased, no edgewear, spine not creased, small tear at the foot of the spine, no names, no underlinings, no highlights, no bent page corners, not a reminder. Oblong 4to, 99 pages, illustrated throughout with b/w photographs.…

256; 29.7 x 22.8 cm.; sewn bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; Exhibition catalogue published in conjunction with show held at the Museum of Contemporary Art, Los Angeles, December 6, 1992 - March 7, 1993. Traveled to the Museum of Contemporary Art, Chicago, April 3 - June 20, 1993 and the Whitney Museum of American Art, New York, July 16 - October 3, 1993. Edited by Russell Ferguson. Texts by David Deitcher, Stephen C. Foster, Dick Hebdige, Linda Norden, Kenneth E. Silver and John Yau. Artists include Billy Al Bengston, Jim Dine, Jean Follett, Joe Goode, Grace Hartigan, Jess, Robert Indiana, Jasper Johns, Allan Kaprow, , Roy Lichtenstein, Claes Oldenburg, Mel Ramos, Robert Rauschenberg, James Rosenquist, Edward Ruscha, Peter Saul, Wayne Thiebaud, Cy Twombly, Andy Warhol. Includes index, bibliography and artists' exhibition histories. Very Good / Fine. Very light rubbing of covers and subtle yellowing of page edges from age, otherwise Fine. Due to large size and weight additional shipping charges may be required for international orders.…

Softcover, staple-bound 24 pages; in English and Norwegian; fair condition: crease to upper right corner of front cover and first few pages; ex-museum library copy with ugly black marker lines on upper right corner of front cover; library stamp on 1st page; no other internal marks. As is; reference copy.…

Hardcover. Norsk Form/Messel Forlag, 1995. 152 s., ill. Overs.: Sean Martin. ISBN 82-452-0008-5 Hvilken betydning hadde designprogrammet for Lillehammer-OLs store suksess? Det skulle bygges en positiv holdning til arrangementet, så design- og arki-turprogrammet skapte et bilde av lekene som publikum kunne identifisere bådeseg og Norge med. LOOCs designprogram er det mest omfattende og kanskje mestnytenkte designarbeid gjennomført her i landet noensinne. Bidragsyterne er Lars Elton (red.), Arne Martin Klausen og Petter T. Moshus. Gjennomill. med fargefotos fra lekene. Paralelltekst på engelsk. Kvartformat: 24,5x22,8 cm. These are USED books. Please only purchase if you are happy with that. Images & Editions We use stock images and database descriptions based on the ISBN. The image shown may NOT be the actual book cover you will receive. Covers, editions, printings, and publishers may differ. If you need a specific cover, edition, or printing, please contact us before purchasing. What "Used" Means Because these books are pre-owned: Colouring books may be coloured in Textbooks may have answers filled in, highlighting, notes, or underlining Workbooks may have writing inside Access codes, download codes, CDs, DVDs, or online content are usually missing or already used Books that originally came with toys, inserts, maps, cards, or bonus items will usually NOT include them Pages may be folded, marked, or show normal signs of use If you are buying a book for anything other than reading (e.g. colouring, study use, collecting, gifts, specific covers, bonus items, or digital access), used books may not be suitable. Condition All books are listed as Used - Good Books are clean and readable but not new Some books may have: Writing, highlighting, or markings Folded pages or minor wear A small warehouse or inventory sticker on the spine Original retailer stickers (we do not remove them) Our Process We purchase books by the pallet and scan thousands at a time. For this reason, we cannot photograph or individually inspect every book. Acknowledgement By purchasing, you acknowledge that: You understand the book is used You accept the condition and limitations described above Stock images and descriptions may not exactly match the item received Thank you for supporting Oak Books and helping give books a second life. Bengston, Jim (illustrator).…

A colorful documentation of a vast sculptural project. Told in B?rd Breiviks own words and accompanied by photographic material by Jim Bengston; the shaping of the sculptures is traced from the first sketch to the completed version., Swedish/English, Year1981, Illust. B/W26, Illust. Color30, ISBN 9185552542, Code 0325. Hardbound, In Pristine Condition, Bio. Pages 56, Size 9öx12ö.…

Taschenbuch. Condition: Gut. 99 S. Einband berieben und Ecken leicht eingebogen, sonst gut erhalten. No shipping to other EU countries due to the EU Packaging and Packaging Waste Regulation (PPWR), which entered into force on August 12, 2026. Sprache: Englisch Gewicht in Gramm: 500.

Softcover, unpaginated; good condition, partially removed clear tape around bottom of spine; moderate rubbing to cover; ex-museum library copy with library stamps on first couple pages; no other internal marks. As is; fine reference copy. Foreign shipping may be extra.

Unbekannter Einband. Condition: Gut. 1978, 99 S., S. 1 mit Signatur (Druck oder Original?, habe keine Vergleichsmöglichkeit), beim Umschlag löst sich die Druckfolie seitlich (ca. 0,5 cm breit x 7 cm hoch, hinten 2x ganz klein), Ecken bestossen, sonst tadellos! Versand aus München 20131111 Sprache: Englisch. …

Wraps. Condition: Very Good. First Edition. Unpag. Oblong Folio. Scuffing to covers from shelf wear, clean within. Inscribed by Jim Bengston on the first free paper. Bengston, Jim (illustrator).

Paperback. Condition: Very Good. First Edition. Softcover in illustrated wraps, bright with general shelf scuffing and wear to edges. First paperback printing. SIGNED, dated, and inscribed "To Russ" by Jim Bengston on half-title page, dated 1989. Book is firm in binding, b&w full page photos, crisp interior. Photos taken between 1977 and 1985 at Portor, on the coast of Telemark, and in Oslo. Free of any markings, not ex-library. ; Oblong 4to 11" - 13" tall; 105 pages; Signed by Artist.…

[24] S. mit Foroabb. in sw Text englisch u. dänisch ; guter Zustand Sprache: Englisch Gewicht in Gramm: 500 22,5 x 28 cm, OKarton mit Klammerheftung.

1. Auflage. 22 x 28 cm. 24 unpaginierte S. Illustrierter OKarton. Umschlag an den Rändern etwas lichtrandig. Sonst gutes Exemplar. Mit 18 ganzseitigen s/w Wiedergaben von Fotoarbeiten, sowie einer Einführung des Fotografen und Robert Meyer in Dänisch und Englisch. Sprache: Englisch und Dänisch.

Quer-gr.-8°, 99 S., mit zahlreichen s/w Fotografien. Orig.-Karton. Erste Ausgabe.- Einband mit minimalen Randläsuren, Titel mit Stempeln und Notiz. Gutes Exemplar.

Softcover, 100 pages; very good condition, light rubbing to cover; no internal marks. Foreign shipping may be extra.

72 pp.; 28 x 21.5 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show held in dual venues : "The Eighties" at MIT List Visual Arts Center, Cambridge, MA, December 19, 1987 - February 7, 1988 and "Pioneers" at Bank of Boston Gallery, Boston, MA, November 23, 1987 - January 15, 1988. Artists included at MIT: Judie Bamber, Nancy Burton, David Bunn, Barbara Carrasco, Brad Dunning, Tim Ebner, Nancy Evans, Michael Gonzalez, John L. Graham, Connie Hatch, Jim Isermann, Mike Kelley, Liz Larner, Daniel J. Martinez, Patrick Nagatani, Luciano Perna, Lari Pittman, Stephen Prina, Ernest Scott, Jim Shaw, Mitchell Syrop, Andrée Tracey, and Christopher Williams. Artists at Bank of Boston included: ASCO, Michael Asher, Billy Al Bengston, John Baldessari, Chris Burden, Edward Kienholz, Kenneth Price, Bruce Nauman, Allen Ruppersberg, Edward Ruscha, Betye Saar, and "Futura" an installation by Jim Isermann. Essays by Friis-Hansen, Dennis Cooper, Rita Valencia, Benjamin Weissman, and "a conversation between two Los Angeles art critics" by Christopher Knight and Howard Singerman. Illustrations, biographies, checklist, and selected general readings. Very Good. Light rubbing of covers and bumping of corners. Contents clean and unmarked.…

Soft cover. Condition: Very Good. 1st Edition. 100 pages, oblong softcover in thick wraps, 12" by 9". Signed and inscribed by the photographer on the front free endpaper, along with a taped exhibition announcement photo card inside the front cover, with a note by the photographer addressed to the book recipient. Superb privately printed book by photographer Jim Bengston, entirely comprised of full-page black and white photos of journeys through Sweden and America - images of families, interiors and landscapes with a dark, edgy ambience and odd angles. The work carries a definite 70's late hippie vibe, born out of curiosity with the strangeness of normality. Very cool book with solid photography throughout. In excellent condition save for minor edgewear. Signed by Author(s).…

46 Seiten auf kräftigerem Kunstdruckpapier, durchgehend - teils ganzseitig - fotografisch bebildert. - Fotogr. illustrierter Originalumschlag; 4to.(ca. 28 x 21 cm). ~~~ 1. AUFLAGE, GROSSFORMATGE BROSCHIERTE ORIGINALAUSGABE: >'EUROPEAN PHOTOGRAPHY' erschien erstmals 1980 als Vierteljahreszeitschrift in deutscher und englischer Sprache. Jede Ausgabe widmete sich einem Schwerpunktthema und berichtete darüber hinaus über internationale Fotoinitiativen, Ausstellungen und Buchveröffentlichungen. Dabei stützte sie sich auf ein internationales Netzwerk von Fotografen, Kritikern und Kuratoren. Eine Beschränkung auf europäische Themen gab es nur in den ersten Ausgaben; spätestens 1985, so Müller-Pohle, hatte sich der Titel der Zeitschrift ''vom Wörtlichen zum Metaphorischen gewandelt: Europa bedeutet Transnationalismus, Pluralismus, Vielfalt. Neben der Präsentation aktueller fotografischer Positionen war die Zeitschrift maßgeblich an der theoretischen und programmatischen Debatte über das Medium Fotografie beteiligt und hat diese nachhaltig mitgeprägt.<(Wikipedia). - Minimale äussere Lagerspur; SEHR GUTES EXEMPLAR. --- VIELE WEITERE AUSGABE ZWISCHEN #1 UND #50 (1980-1992) IM BESTAND. . . issn 01727028.…

99 S. sw-Fotos. Oktn Quer 4° (gering bestossen). KMEX Widmung des Fotografen auf Titel (signed, inscribed).

New York; Rapoport Printing Corporation, 1978. First edition. 23x30,5 cm. 99, (1 blank) pp. Original printed wrappers. Very fine. Bengston's first, self-published book, contains photos from Norway and USA. Inscribed in Norwegian on the title leaf to gallery owner Anders Tornberg: "17/4/82 / Til Anders! / Kjempe trivelig at kunne stille ut hos deg. / Hilsen, Jim". Bengtson exhibited at Anders Tornberg Gallery in 1982. From the library of Anders Tornberg Gallery in Lund, Sweden, and with a stamp confirming this on the last blank page.…