Benson Will (63 results)

Condition: Fair. [ No Hassle 30 Day Returns ][ Ships Daily ] [ Underlining/Highlighting: NONE ] [ Writing: NONE ] [ Edition: reprint ] Publisher: Fountainhead Press and The Uni Pub Date: 1/1/2009 Binding: paperback Pages: 309 reprint edition.

Soft cover. Condition: New. Dust Jacket Condition: As New. First Edition. First printing; Book. Book.

Mass Market Paperback. Condition: Very Good to Very Good+. Additional Writers: Samuel Blas, Edgar Allan Poe, Howard Wandrei, H.H. Munro (Saki), H.L. Gold, H.G. Wells, Ambrose Bierce, Wilbur Daniel Steele (illustrator). First Edition. ----------vintage paperback. An excellent 364-page first edition paperback original horror anthology. Spine and cover creases, edgewear, a solid VG to VG+ copy.

Paperback. Condition: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Trade Paperback. Condition: Fair - Cash. Heavier wear to the cover, corners, and edges. There is soiling to the cover and pages, with heavy creases and tearing. In protective plastic sheet. Pages are chipping. The corners have some heavy rubbing. Stock photos may not look exactly like the book.

Paperback. Condition: Very Good +. PANELS No. 1 edited by John Benson. Works by Will Eisner, Jules Feiffer and Bill Griffith in this issue. 34 pages, paper with stiff cover. Black and white reproductions. 11" x 8 1/2". Very good plus condition.

Paperback. Condition: new. Paperback. Intervenesin contemporary debates about the relationship between literature and field recordingA field recording is any audio recording made outside of the studio. Such recordings have lately become important to contemporary musicians, sound artists and environmentalists. However, less attention has been given to the relation of sound, as manifested in the theory and practice of the field recording, to writing. The 11 essays collected here take the recent explosion of interest in field recording as the point of departure for an investigation of the sounded field in music and its relationship to literature and writing. Including seminal pieces on field thinking by John Berger and Lisa Robertson, Writing the Field Recording analyses contemporary text scores, histories, composer statements, critical literature, poetry and nature writing in the context of sound studies. Drawing on expertise from a range of backgrounds, including composers, musicians, poets and critics, the collection presents an inter-disciplinary exploration of the various registers in which the field recording is written, such as the essayistic, the creatively exploratory, the experimental and the philosophical alongside critical reflections on artistic practice.Key FeaturesFocuses on sound in relation to poetry, poetics and nature / landscape writingIncludes contributions from published poets Lisa Robertson, Carol Watts and Jonathan SkinnerIncludes the classic essay, 'Field', by John BergerAccompanying sound recordings made accessible via the Resources tab on the Edinburgh University Press website The 11 essays collected here take the recent explosion of interest in field recording as the point of departure for an investigation of the sounded field in music and its relationship to literature and writing. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Condition: New. Intervenes in contemporary debates about the relationship between literature and field recordingA field recording is any audio recording made outside of the studio. Such recordings have lately become important to contemporary musicians, sound artists and environmentalists. However, less attention has been given to the relation of sound, as manifested in the theory and practice of the field recording, to writing. The 11 essays collected here take the recent explosion of interest in field recording as the point of departure for an investigation of the sounded field in music and its relationship to literature and writing. Including seminal pieces on field thinking by John Berger and Lisa Robertson, Writing the Field Recording analyses contemporary text scores, histories, composer statements, critical literature, poetry and nature writing in the context of sound studies. Drawing on expertise from a range of backgrounds, including composers, musicians, poets and critics, the collection presents an inter-disciplinary exploration of the various registers in which the field recording is written, such as the essayistic, the creatively exploratory, the experimental and the philosophical alongside critical reflections on artistic practice.Key FeaturesFocuses on sound in relation to poetry, poetics and nature / landscape writingIncludes contributions from published poets Lisa Robertson, Carol Watts and Jonathan SkinnerIncludes the classic essay, 'Field', by John BergerAccompanying sound recordings made accessible via the Resources tab on the Edinburgh University Press website.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Condition: new.

Condition: New.

Hardcover. Condition: Used; Good. ***Simply Brit*** Welcome to our online used book store, where affordability meets great quality. Dive into a world of captivating reads without breaking the bank. We take pride in offering a wide selection of used books, from classics to hidden gems, ensuring there is something for every literary palate. All orders are shipped within 24 hours and our lightning fast-delivery within 48 hours coupled with our prompt customer service ensures a smooth journey from ordering to delivery. Discover the joy of reading with us, your trusted source for affordable books that do not compromise on quality.

Condition: New. pp. 288.

Paperback. Condition: New. Intervenes in contemporary debates about the relationship between literature and field recordingA field recording is any audio recording made outside of the studio. Such recordings have lately become important to contemporary musicians, sound artists and environmentalists. However, less attention has been given to the relation of sound, as manifested in the theory and practice of the field recording, to writing. The 11 essays collected here take the recent explosion of interest in field recording as the point of departure for an investigation of the sounded field in music and its relationship to literature and writing. Including seminal pieces on field thinking by John Berger and Lisa Robertson, Writing the Field Recording analyses contemporary text scores, histories, composer statements, critical literature, poetry and nature writing in the context of sound studies. Drawing on expertise from a range of backgrounds, including composers, musicians, poets and critics, the collection presents an inter-disciplinary exploration of the various registers in which the field recording is written, such as the essayistic, the creatively exploratory, the experimental and the philosophical alongside critical reflections on artistic practice.Key FeaturesFocuses on sound in relation to poetry, poetics and nature / landscape writingIncludes contributions from published poets Lisa Robertson, Carol Watts and Jonathan SkinnerIncludes the classic essay, 'Field', by John BergerAccompanying sound recordings made accessible via the Resources tab on the Edinburgh University Press website.

Condition: As New. Unread book in perfect condition.

Paperback. Condition: New.

Hardcover. Condition: Very Good. No Jacket. Type: Book No Jacket.

Condition: New. 2019. Paperback. . . . . .

Condition: New. pp. 288.

Condition: New. pp. 288.

Condition: New. 2019. Paperback. . . . . . Books ship from the US and Ireland.

Paperback / softback. Condition: New. New copy - Usually dispatched within 4 working days.

Book, Hardcover. Condition: Used. Kingdom of Plants. These are USED books. Please only purchase if you are happy with that. Images & Editions We use stock images and database descriptions based on the ISBN. The image shown may NOT be the actual book cover you will receive. Covers, editions, printings, and publishers may differ. If you need a specific cover, edition, or printing, please contact us before purchasing. What ?Used? Means Because these books are pre-owned: Colouring books may be coloured in Textbooks may have answers filled in, highlighting, notes, or underlining Workbooks may have writing inside Access codes, download codes, CDs, DVDs, or online content are usually missing or already used Books that originally came with toys, inserts, maps, cards, or bonus items will usually NOT include them Pages may be folded, marked, or show normal signs of use If you are buying a book for anything other than reading (e.g. colouring, study use, collecting, gifts, specific covers, bonus items, or digital access), used books may not be suitable. Condition All books are listed as Used ? Good Books are clean and readable but not new Some books may have: Writing, highlighting, or markings Folded pages or minor wear A small warehouse or inventory sticker on the spine Original retailer stickers (we do not remove them) Our Process We purchase books by the pallet and scan thousands at a time. For this reason, we cannot photograph or individually inspect every book. Acknowledgement By purchasing, you acknowledge that: You understand the book is used You accept the condition and limitations described above Stock images and descriptions may not exactly match the item received Thank you for supporting Oak Books and helping give books a second life.

Condition: New.

Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. Contains, Illustrations (illustrator). 250x195x25mm+1025g . . 500g Postage Incorrect see below for 2kg . . Collins. London. 2012. . . . : Image is ALWAYS of the ACTUAL BOOK: Book and or Jacket may have names. dedications. marks. tears. foxing. browned pages. creasing and losses unless otherwise noted. . . Australia_Post_Zoned_International_Shipping_Rates_FOR_THIS_PARCEL . . AP-Zone1_NZ:_AU$37.60 . . AP-Zone3_Canada_USA:_AU$63.00 . . AP-Zone4_UK_Europe:_AU$70.60 . . Domestic_tracked_OR_registered_flat_rate_FOR_THIS_ITEM_Within_Australia:_AU$17.60.

Condition: As New. Unread book in perfect condition.

Paperback. Condition: Brand New. reprint edition. 279 pages. 9.25x6.25x0.75 inches. In Stock.

Hardcover. Condition: Very Good. Dust Jacket Included. First Edition. London, Collins, 2012. Quarto, 256 pages with numerous colour illustrations. Papered boards; an excellent copy with the dustwrapper slightly creased and marked. Published to accompany David Attenborough's series 'Kingdom of Plants 3D'. Foreword by Professor Stephen Hopper, Director, Royal Botanical Gardens, Kew.

Condition: New. The 11 essays collected here take the recent explosion of interest in field recording as the point of departure for an investigation of the sounded field in music and its relationship to literature and writing.&Uumlber den AutorS.