Published by Bompiani, 1999
ISBN 10: 8845243036 ISBN 13: 9788845243035
Seller: Better World Books, Mishawaka, IN, U.S.A.
Condition: Good. 1. ed. Bompiani. Used book that is in clean, average condition without any missing pages.
More buying choices from other sellers on AbeBooks
Used offers from US$ 6.98
Also find Softcover First Edition
Published by Rizzoli, New York, 2000
ISBN 10: 0847821951 ISBN 13: 9780847821952
Hardcover. Black cloth, black & color illus. dust jacket. 703 pp., 700+ bw & color plates; weighs 8 lbs. "Examines the inspirational interactions between Renaissance artists, musicians, and intellectuals in Venice and in northern Europe, and how the distinctive styles of each area had a lasting effect on the other. . Traces the early contacts between Venice and Germany, Belgium, and the Netherlands; the experience of foreign artists working in the Veneto; the tastes of collectors and patrons in both northern and Venetian art; developments in landscape, genre, and figure painting; and the activities of the giants of the Venice Renaissance -- such as Titian and Bellini -- and thier northern counterparts, most notably Durer." (dj) With 24 illustrated essays and more than 700 illustrations. A terrific abeit weighy resource. Contents as follows: Venice : where North meets South / Bernard Aikema, Beverly Louise Brown -- The Renaissance : a European phenomenon / Enrico Castelnuovo -- Venice and the Low countries : commercial contacts and intellectual inspirations / Peter Stabel -- Venice and Germany : commercial contacts and intellectual inspirations / Bernd Roeck -- The artistic heritage of the North : Venice and Europe in the fifteenth century / Giovanna Nepi Scirè -- Working abroad : northern artists in the Venetian ambient / Louisa C. Matthew -- Across the Alps and to the Lagoon : northern artists in Venice during the sixteenth century / Caterina Limentani Virdis -- The Fondaco dei Tedeschi / Giandomenico Romanelli -- The lure of the North : Netherlandish art in Venetian collections / Bernard Aikema -- North and South : painting techniques in Renaissance Venice / Jill Dunkerton -- Genre and meaning : crosscurrents between Venice and the North / Beverly Louise Brown -- Crossing the Alps : portraiture in Renaissance Venice / Rona Goffen -- Flemish and Dutch artists in Venetian workshops : the case of Jacopo Tintoretto / Bert W. Meijer -- Mantegna and the role of prints : a prototype for artistic innovation in the North and South / Konrad Oberhuber -- Northern prints and printmaking in late sixteenth-century Venice / Gert Jan van der Sman -- Venice and Augsburg : architecture and sculpture in the sixteenth century / Bruno Bushart -- Prelude / Giovanna Nepi Scirè -- Early Venetian Renaissance painting and the Ars Nova of the Low Countries / Bernard Aikema, Beverly Louise Brown -- Venice and Dürer / Fritz Koreny -- Crosscurrents with Germany : the spread of the Venetian Renaissance / Bernard Aikema, Andrew John Martin -- From hell to paradise : landscape and figure in early sixteenth-century Venice / Beverly Louise Brown -- Titian and the North / Bert W. Meijer -- Low life and landscape : minor picutra in late sixteenth-century Venice / Stefania Mason -- Augsburg, Prague and Venice at the end of the century / Andrew John Martin. VG- (Slight wear to edges of dj; page edges are beginning to tan lightly, otherwise clean.).
Published by Rizzoli, 2000
ISBN 10: 0847821951 ISBN 13: 9780847821952
Seller: Riverby Books (DC Inventory), Fredericksburg, VA, U.S.A.
hardcover. Condition: Very Good. Hardcover with dust jacket in over all very good condition. Dust jacket is clean and glossy with slight wear along the head of the spine. Black cloth over boards with gold lettering on spine. Pages are crisp and glossy. 703 pages. Please contact us with questions or if you would like to see photographs. We ship every day from a real neighborhood bookstore. This description is written by an actual person, who is holding the book in front of them to make sure it?s properly described.
More buying choices from other sellers on AbeBooks
New offers from US$ 116.08
Used offers from US$ 43.49
Also find Hardcover
Published by Thames & Hudson, 1999, 1999
Fine large format hardback, 12"x9", in a very good dustjacket. Illustrated, 703.
Published by Bompiani, Milan, 1999
ISBN 10: 8845243044 ISBN 13: 9788845243042
First Edition
Paperback. Condition: Very good. First Edition. Oversized softcover, 11 3/4 x 8 1/4 inches, over 700 pp. printed in four columns, with hundreds of reproduced artworks, many in full color. Spine has a crease, covers with a few corner creases, signs of use. Priority and International orders will require additional postage cost. English text. "After the Palazzo Grassi's exceptional exhibition on Renaissance architecture, it was a logical choice that a major event for 1999 should be an exhibition on the painting of the same period. This time the choice fell specifically to the art of Venice.This exhibition marks the first time that masterpieces of Netherlandish, German, and Venitian painting have been assembled under one roof, where, at the same time, they can be seen within the context of the cultural exchange brought forth through that extraordinary vehicle of communication - the graphic arts." - Giovanna Melandri.This volume features glorious works of art with critical commentary.
Published by Bompiani, 1999
ISBN 10: 8845243044 ISBN 13: 9788845243042
Softcover. Color illus. wraps. 703 pp. 210 bw & color plates. Accompanied an exhibition held at the Palazzo Grassi in Venice; Beautifully illustrated and full of extensive annotations; Heavy. VG- (Spine creased; A few areas of light soiling around page edges; Otherwise very clean and tight).
Published by Mailand, Bompiani, 1999
Seller: Antiquariat Thomas Nonnenmacher, Freiburg, Germany
4°, Softcover/Paperback. Condition: Gut. 703 Seiten. Schnitt leicht angeschmutzt, Knickspuren am Rücken. Ansonsten gut erhalten. Sprache: Italienisch Gewicht in Gramm: 5000.
Publication Date: 1999
Seller: Graham York Rare Books ABA ILAB, Honiton, United Kingdom
Condition: Very good. 1999, London, Thames and Hudson, 4to, pp704, colour and black and white illustrations, black cloth in dustwrapper. This is a very heavy book and will incur extra postage.
Published by Bompiani., Milan, 1999
Seller: antiquariat volapük, Berlin, Germany
ill. OBr. 703 S. Good copy. English edition. Pictures on demand.
Published by Bompiani, 1999
Seller: Francis Edwards ABA ILAB, Hay on Wye, United Kingdom
4to. 703pp. + [i]. Profusely illus. throughout in colour and b/w. Italian text. From the Library of Professor David Davies University College London, good in d/w. lightly faded to spine. Professor David Davies (19372022). David Davies joined the History of Art Department in UCL in 1967, one of its earliest staff members. A specialist in Spanish painting, in particular in the works of Velázquez and El Greco, on whom he published and curated exhibitions, he taught there for more than three decades until his retirement in 2001. Additional postage may be necessary US$35.
Published by Rizzoli, New York, 2000
Seller: Midway Book Store (ABAA), St. Paul, MN, U.S.A.
Hardcover. First American Edition. 30.5 x 22 cm. Quarto. 703pp, 700 black and white and color plates. Massive work. Black cloth in dust jacket. Some shelf wear to the jacket. Very Good in Very Good dust jacket.
Published by Thames & Hudson, Limited, 2000
ISBN 10: 0500019800 ISBN 13: 9780500019801
Seller: Better World Books, Mishawaka, IN, U.S.A.
Condition: Very Good. Used book that is in excellent condition. May show signs of wear or have minor defects.
More buying choices from other sellers on AbeBooks
New offers from US$ 106.26
Used offers from US$ 62.24
1 vol in-4 broché ( couverture illustrée ) - Editions Bompiani - 1999 - 702 pages - Illustrations en couleurs hors texte Bon état.
Published by Rizzoli, New York, 2000
ISBN 10: 0847821951 ISBN 13: 9780847821952
Hardcover. Black cloth boards with gilt lettering on spine. Glossy, color-illustrated dust jacket with white lettering. 703 pp. Profusely illustrated, mainly in color. Shipping weight is 9 pounds. Renaissance Venice and the North examines the interactions between Renaissance artists, musicians, and intellectuals in Venice and in northern Europe, and how the distinctive styles of each area had a lasting effect on the other. Published to coincide with an exhibition at the Palazzo Grassi in Venice, this catalogue contains the most recent scholarship on the dialogue between Venetian and northern artists that produced an abundance of art during the period.-Amazon. VG-/VG- front cover has a couple of divots, dust jacket has light wear to corners and edges, and some rubbing/scuffing.
Published by BOMPIANI, 1999
Seller: Libreria Rita Vittadello, CAMPOSAMPIERO, PD, Italy
N. PAG. 703 - BROSSURA ILL. - OTTIMO - KG.3.5.
Published by Bompiani, Vienna, 1999
ISBN 10: 8845243036 ISBN 13: 9788845243035
First Edition
Soft cover. Condition: Fine. 1st Edition. Il Rinascimento a Venezia: E la pittura del Nord ai tempi di Bellini, Du?rer, Tiziano (Italian Edition) softcover en carton, 300 x 210 mm, 703 pp, avec beaucoup d'illustrations en couleur et n/b, en bon etat.
Published by Mailand. Bompiani., 1999
Seller: Antiquariat Querido - Frank Hermann, Düsseldorf, NRW, Germany
Erste Auflage. 30 x 21 cm. 703 S. Illustrierter OKarton. Einbandkanten mit kleinen Bereibungen, etwas angestaubt. Gutes Exemplar. Umfangeicher Katalog zur Ausstellung im Palazzo Grassi durchgehend mit Abbildungen versehen. Text in englischer Sprache. Sprache: englisch.
Published by Rizzoli International, New York, 2000
Seller: Lorne Bair Rare Books, ABAA, Winchester, VA, U.S.A.
First Edition
First English Language Edition. Quarto (30.5cm x 22cm). Black cloth over boards (hardcover) with gold titling embossed on spine; pictorial dustjacket; 704pp; illus. Fine copy; appears new. Near Fine dustwrapper; slight shelf wear to extremities. Published in conjunction with the exhibition "Renaissance Venice and the North: Crosscurrents in the Time of Bellini, Dürer, and Titian" held at the Palazzo Grassi, Venice in 1999. 24 scholarly essays; over 700 color reproductions.
Published by Bompiani 1999, Italy, 1999
ISBN 10: 8845241629 ISBN 13: 9788845241628
Seller: Foster Books - Stephen Foster - ABA, ILAB, & PBFA, London, United Kingdom
Hard Cover. Condition: Good. Dust Jacket Condition: Good. ITALIAN TEXT 703 pp, illustrated in colour and b/w, Some wear to dustwrapper edges. Looks overall like a very good copy, but cracked rear hinge to spine 8845241629 4to.
Published by Rizzoli - New York, 1999
Seller: Au Beau Livre, Onex, Switzerland
Couverture rigide. Condition: Comme neuf. Dust Jacket Condition: Comme neuf. La Renaissance Venise et le Nord: Renaissance Venice and the North Crosscurrents in the Time of Bellini, Dürer, and Titian Edité par Bernard Aikema et Beverly Louise Brown Milan, Bompiani, Format 22 x 30,5 cm. - 704 pages - 1999 Cartonnage d'éditeur pleine toile noire - titre or imprimé à chaud au dos de l'exemplaire, sous jaquette illustrée à rabats Ce catalogue somptueux, entièrement digne des expositions éblouissantes qu'il accompagnait, parfois suggère comment l'interaction entre historiens et historiens de l'art a progressé ces dernières années, et comment les disciplines distinctes subsistent. Par exemple, il y a une discussion fascinante avec Brown, un éditeur de Venise, sur l'ambiguïté inhérente à toutes les représentations de la vie paysanne. Les scènes de fête, la danse et les aspects moins agréables de la surconsommation. Même le plus technique des essais historiques et artistiques sur le style et l'influence picturale dans ce volume doit répondre à ces grandes questions, parce que le thème de l'exposition était l'interaction entre l'Europe du Nord et l'Italie au cours des XVe et XVIe siècles. En conséquence, l'art et l'architecture sont devenus, à certains égards, simplement l'occasion d'examiner la façon dont les idées pourraient circuler sur de grandes distances, même à une époque de moyens notoirement lents et difficiles de la communication. Dans ce processus, l'hypothèse traditionnelle selon laquelle les influences dirigées essentiellement de l'Italie au nord sont devenus plus nuancée. Ainsi, s'il est vrai - comme le montre Bruno Bushart - que l'architecture vénitienne a été un modèle pour les nouveaux bâtiments à Augsburg, les Allemands ont adapté les prototypes du Sud de façon extensive pour les rendre presque méconnaissable. Et si la peinture flamande et artisans allemands ont emporté plus que ce qu'ils ont apporté à Venise, leur contribution est loin d'être négligeable, à partir de l'époque de Jan Van Eyck est encore visibles, comme le montre Bert Meijer, dans l'atelier du Tintoret. L'exposition elle-même était une ravissante affiche de l'élégance et de la puissance de la Renaissance et de l'art maniériste. Le regroupement des deux moitiés de la Scène de Vittore Carpaccio de chasse / Deux femmes vénitiennes, maintenant divisé entre Los Angeles et Venise, à lui seul vaut le prix d'entrée. Mais la plus grande leçon des uvres de cette exposition, soulignée par les essais du catalogue de ce volume, est l'importance d'un contexte à l'échelle européenne. Le réglage nous aide à comprendre l'art, et l'art nous permet de voir la période avec des yeux nouveaux. Ouvrage en parfait état Frais de port en supplément.
Published by Rizzoli, New York, 2000
ISBN 10: 0847821951 ISBN 13: 9780847821952
Seller: Midway Book Store (ABAA), St. Paul, MN, U.S.A.
Hardcover. Condition: fine/fine. First American edition. Quarto. 703pp. Exhibition catalogue. Over 700 brilliant reproductions in color and black and white. A fine copy in dust jacket. Jacket in a brodart protective wrapper. This book traces the early contacts between Venice and Germany, Belgium and the Netherlands.
Published by Bompiani, Milano, 1999
Seller: Chiemgauer Internet Antiquariat GbR, Altenmarkt, BAY, Germany
Originalbroschur. 28 cm. Condition: Wie neu. 703 Seiten. Mit zahlreichen farbigen Abbildungen. FRISCHES, SEHR schönes Exemplar der ERSTAUSGABE. OTTIMO stato. BEILIEGT: Ausführlicher FÜHRER durch die Ausstellung in ENGLISCH und DEUTSCH, 32 Seiten, mit zahlreichen farbigen Abbildungen. Sprache: Italienisch Gewicht in Gramm: 3300.
Published by (Milano). Bompiani. 1999., 1999
In-4°. 703 p. Avec de nombreuses illustrations en couleurs et en noir. Broché. Coins cornés. Sprache: italienisch.