Bernhart Peter (61 results)

Hardback. Condition: Fine. Dust Jacket Condition: Fine. First Editiion. Book.

Condition: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Condition: good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

388 pp.; 15.5 x 21 cm.; sewn bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Anthology of critical texts on Robert Ryman written from 1967 on, edited by Vittorio Colaizzi and Karsten Schubert. Includes contributions by Volker Adolphs, Laura Arici, Dore Ashton, Kenneth Baker, Neal Benezra, Bruce Boice, Yve-Alain Bois, Christian Bonnefoi, Daniel Buren, Dan Cameron, John Canaday, David Carrier, Jean Clay, Douglas Crimp, Jean-Pierre Criqui, Arthur Danto, Jan Dibbets, Willis Domingo, Thierry de Duve, Jeremy Gilbert-Rolfe, Marcia Hafif, Ellen Handy, Gerrit Henry, Suzanne Hudson, Robert Hughes, Steven L. Kaplan, Klaus Kertess, Joseph Kosuth, Hilton Kramer, Donald Kuspit, Lucy R. Lippard, Ellen Lubell, Joseph Marioni, Thomas McEvilley, Catherine Millet, Lynda Morris, Jeff Perrone, Robert Pincus-Witten, Ernesto Pujol, Carter Ratcliff, Urs Raussmüller, Barbara Reise, Meyer Raphael Rubinstein, Daniel Wiener, Amy Baker Sandback, Christel Sauer, Peter Schjeldahl, Christoph Schreier, Bernhart Schwenk, Lee Siegel, Franklin Sirmans, Roberta Smith, Naomi Spector, Robert Storr, Walter Thompson, Jeffrey Weiss, Christopher S. Wood, and John Yau. "This volume is an indispensable anthology of critical texts on a central figure of Minimalism, Conceptual Art and more specifically, Monochrome Painting. Alongside contemporaries such as Carl Andre and Donald Judd, Robert Ryman''s radical painting has fundamentally shifted the definitions and boundaries of art. Spanning four decades, this book charts the gradual evolution of consensus about the meaning of his painting. The most significant essays and exhibition reviews have been collated into one volume, including texts written by some of the most influential art historians and critics. . Some essays appear here in English for the first time. With an introductory essay by Vittorio Colaizzi." -- publisher''s statement. Includes contributions by Volker Adolphs, Laura Arici, Dore Ashton, Kenneth Baker, Neal Benezra, Bruce Boice, Yve-Alain Bois, Christian Bonnefoi, Daniel Buren, Dan Cameron, John Canaday, David Carrier, Jean Clay, Douglas Crimp, Jean-Pierre Criqui, Arthur Danto, Jan Dibbets, Willis Domingo, Thierry de Duve, Jeremy Gilbert-Rolfe, Marcia Hafif, Ellen Handy, Gerrit Henry, Suzanne Hudson, Robert Hughes, Steven L. Kaplan, Klaus Kertess, Joseph Kosuth, Hilton Kramer, Donald Kuspit, Lucy R. Lippard, Ellen Lubell, Joseph Marioni, Thomas McEvilley, Catherine Millet, Lynda Morris, Jeff Perrone, Robert Pincus-Witten, Ernesto Pujol, Carter Ratcliff, Urs Raussmüller, Barbara Reise, Meyer Raphael Rubinstein, Daniel Wiener, Amy Baker Sandback, Christel Sauer, Peter Schjeldahl, Christoph Schreier, Bernhart Schwenk, Lee Siegel, Franklin Sirmans, Roberta Smith, Naomi Spector, Robert Storr, Walter Thompson, Jeffrey Weiss, Christopher S. Wood, and John Yau. NEW. Fine. New, as issued, in publisher-issued shrink wrap. Due to large size and weight additional shipping charges will be required for international orders. …

Hardcover. Condition: Sehr gut. Prachtbildband mit beeindruckenden Fotografien und informativen Texten. 528 Seiten, Schutzumschlag, Leinen, sauberes Exemplar.

Soft cover. Condition: Very Good. 2011 Rodopi paperback edition. Light reading wear else very good condition. From the cover: The main section of this volume of essays addresses the topic of 'Performativity in Literature and Music', a subject of high contemporary relevance since a substantial part of recent reflections in the humanities are concerned with the performance aspect of cultural activities, particularly in the arts. This decisive reorientation of scholarly interests in the arts, trendily called the 'performative turn', has yielded significant contributions to an increasingly refined understanding of artistic processes from an up-to-date perspective, and specifically what has been called the 'crisis of the work concept' has sharpened our awareness of the need of finding the 'proper' object of such scholarly investigations, which, as in most traditional studies, cannot be exclusively the written documents of our cultural heritage, but additionally, and essentially so, their actualizations in performance situations. This volume for the first time offers a set of careful case studies from a wide range of artistic genres (narrative fiction, poetry, opera, instrumental music, songs, jazz) and historical phases (from Elizabethan verse to 21st-century HD opera performances) which give detailed insight into consequences of addressing issues of performativity in the field of word and music studies. Closely examined examples range, in music, from the romantic reception of Bach and the opera singer Maria Malibran through Mahler and Schoenberg to Brigitte Fassbaender, Philip Glass and Charles Mingus, and, in literature, from Sidney through Yeats and Celan to Katherine Mansfield, Alejo Carpentier and Toni Morrison. In addition, the volume contains a smaller section on 'Surveying the Field' of word and music studies which includes an essay of general reflection on interart relationships and an attempt at identifying new features of the 'musicalization of fiction'. This collection of essays will be relevant to students and scholars from a wide variety of fields: performance studies, intermediality studies, art theory, musicology, voice studies, literary criticism, and philosophy. Contents: Performativity in Literature and Music Performativity and the Musical Work of Art by Tobias Janz Text vs. Act: The Bearbeitungsfrage and the 'Romantic Baroque' by David Francis Urrows The Act of Performance as Mahlerian Topic by Robert Samuels Politics, Music and Irony in Alejo Carpentier's Novel La consagracion de la primavera (The Rite of Spring) by Katia Chornik Musical Performativity in the Fiction of Katherine Mansfield by Delia da Sousa Correa Rhythmical Ambivalence of Poetry Performance: The Case of Elizabethan Verse by Walter Bernhart 'Music will keep out temporary ideas': W. B. Yeats's Radio Performances by Adrian Paterson 'The Invisible' / 'The Inaudible': Aspects of Performativity in Celan and Leibowitz by Axel Englund Romantic Opera and the Virtuoso by Simon Williams Sexing Song: Brigitte Fassbaender's Winterreise by Lawrence Kramer Vocal Embodiment and Performing Language in Waiting for the Barbarians: Philip Glass's Adaptation of J. M. Coetzee's Novel by Michael Halliwell Operatic Hyperreality in the Twenty-First Century: Performance Documentation in High-Definition Quality by Bernhard Kuhn Jazz Novels and the Textualization of Musical Performance by Emily Petermann Charles Mingus and Performative Composing by Mario Dunkel Wittgenstein and Schoenberg on Performativity of Music as Method for Philosophy by Katrin Eggers Surveying the Field Seeing Words and Music as a Painter Might: The Interart Aesthetic by Peter Dayan Milan Kundera's Polyphonic Novels and the Poetics of Divestment by David Mosley.…

Hardcover. Condition: Fine. Dust Jacket Condition: No Jacket as Issued. First Edition. 96 pgs. Illustrated endpapers. Colour plates. Text in German and English. Catalogue of exhibitions held in Munich and Hanover, Germany, between May 8th and September 12, 2004. A fine, unmarked copy.

213 S. Zeitschrift der Copernicus-Vereinigung zur Pflege der Heimatkunde und Geschichte Westpreußens Nr. 13. Textbeiträge, 17 Abbildungen. Guter Zustand.

Hardcover. Condition: Very Good. 2021 Brill hardcover edition. Light reading wear else very good condition. From the cover: Incompletion is an essential condition of cultural history from the oldest extant works of art, which are partially erased by time, to the most recent ones, which have yet to be finished. The idea of the fragment became particularly important to Romantic art and continued to hold relevance for various strands of modernist and contemporary aesthetics. The fourteen essays in this volume, based on the 2017 Stockholm conference of the International Association for Word and Music Studies (WMA), for the first time address incompletion in a wide range of literary and musical texts, from Baudelaire and Flaubert through Tolstoy and Henry James to Bachmann, Jelinek and Janet Frame, from Nietzsche and Chopin through Russolo and Puccini to Rihm and Kurtág. Two further essays deal with topical general issues in the field of word and music studies. Contents PART 1 Arts of Incompletion: Fragments in Words and Music SECTION 1 Musical Philosophy of Incompletion 1. Philosophy at the Keyboard: Nietzsche's Music Box - Lawrence Kramer 2. Infinity in an Instant: The Paradox of Timeless Fragments in the Work of Gyorgy Kurtág - Ruth Jacobs SECTION 2 Fragments and Artistic Innovation 3. Drumming Out Art: Nielsen, Huelsenbeck, and Improvised Interruption - Peter Dayan 4. Russolo's 'Il risveglio di una città': A Fragment for an Aesthetics of Noise - Laura Vattano SECTION 3 Fragmentariness as a Creative Force 5. The Fragmentary and the Musical: Baudelaire's Bits and Pieces - Margaret Miner 6. Variations on the Theme of Dying: Ingeborg Bachmann and the Music of This World - Axel Englund 7. A Fragment of the Whole: Musical and Literary Incompletion in Kirsty Gunn's Book The Big Music - Christin Hoene 8. Skizzen's Sketches, Els's Tweets: Streams of Incompletion in Two Musicalized Novels - Ivan Delazari SECTION 4 Lyric Fragments in Narratives 9. Singing Words and Sticky Music: Fragmentary Lyrics and Acts of Violence - Beate Schirrmacher 10. Fragmented Music, Fragmented Minds: Janet Frame's Faces in the Water (1961) - Delia da Sousa Correa 11. Otto Dresel's 'Loose the sail, rest the oar': A Study (In)completion - David Francis Urrows SECTION 5 Opera and Fragmentation 12. Operatic Fragments in Fiction and Film - Michael Halliwell 13. The Challenges of Completing a Plurimedial Fragment: Text, Music, and Scene in Berio/Pountney's Ending of the Opera Turandot - Bernhard Kuhn 14. Fragment and Flow: On Wolfgang Rihm's Dionysus Opera - Erik Wallrup PART 2 Word and Music Studies: Surveying the Field 15. Sound Studies and Musical Hermeneutics: Bridging the Interdisciplinary Gap - Rolf J. Goebel 16. 'Make It Old': Retro Forms in Western Literature and Music since the Eighteenth Century - Werner Wolf.…

Hardcover. Condition: Very Good. 2022 Brill hardcover edition. Light reading wear else very good condition. From the cover: 'Making it old' has been a longstanding and currently particularly important counterpart to the predominant preoccupation, in Western art history, with 'making it new'. This interdisciplinary volume explores retro forms and styles, and their functions, in literature and music since the nineteenth century in a wide range of texts and musical genres from Goethe's Faust and Louis Spohr's Historical Symphony to Kurt Schwitters's Ursonate, Ezra Pound's Cantos, present-day opera and pop music. In addition, it contains an essay on a recent, innovative novelistic experimentation with the musicalization of fiction.The volume is of interest to scholars and students of literature, music and memory studies as well as to readers generally interested in nostalgia and cultural retro phenomena. Contents: SECTION 1 Historical Retro Forms and Styles 1. Then and Now: Forms and Functions of 'Retroization' in German Literature and Music of the 1830s - Frieder von Ammon 2. Kurt Schwitters's Ursonate: Does Sonata Form Make It Old? - Peter Dayan 3. Rubbra, Brahms, Handel: How Retro Can It Get? - David Francis Urrows 4. 'Per metamorfosi': Ezra Pound and Early Music - Adrian Paterson SECTION 2 Retro in Contemporary Opera 5. 'Es klang so alt, und war doch so neu': Retro Forms in The Aspern Papers, Great Scott and The Ghosts of Versailles - Michael Halliwell 6. Back to the Baroque Age: Salvatore Sciarrino's Ti vedo, ti sento, mi perdo (In attesa di Stradella) (2017) - Bernhard Kuhn SECTION 3 Retro in Contemporary Popular Music 7. Original Fado Revisited: Resurgence and Reinterpretation of Nineteenth-Century Poetics in Ana Moura's Song 'A Fadista' - Pénélope Patrix 8. 'Back in the days / When I'd wait to see the old bands play': Retro Styles and the Quest for Authenticity in Punk - Gerfried Ambrosch 9. Old Style in Post-Communist Hip Hop: the Russian Band Vasya Oblomov and the Bosnian-Herzegovinian Band Dubioza Kolektiv - Ingeborg Jandl PART 2 Word and Music Studies: Surveying the Field 10. Remix Aesthetics and the Musicalization of Sound in Matthew Herbert's The Music (2018) - Thomas Gurke.…

Nicolaus-Copernicus-Verlag, Münster/Westf., 1989. 160 Seiten mit zahlreichen Abbildungen, kartoniert (Name auf Vorsatz)--- - gutes Exemplar/Zeitschrift der Copernicus-Vereinigung zur Pflege der Heimatkunde und Geschichte Westpreußens e.V., Nr. 11 - 234 Gramm.

mit Schutzumschlag. 24,5 x 30,5 cm 523 S. Leineneinband. mit Fotos.

paperback. Condition: Gut. 288 Seiten; Das Buch ist in einem gutem Zustand.Seiten sind sauber ohne Markierungen.Wir bieten eine 100% Geld-zurà 1/4 ck-Garantie. H7-026 Sprache: Deutsch Gewicht in Gramm: 1.

8°. 436 pp., mit 49 Textabb. und Karten. Broschur. Kleineres Signaturschild auf Rücken. Stempel verso Titel. Sonst ordentlich. [Westpreußen (Geschichte) - ] [Siedlungsgeschichte; Kirchengeschichte; Deutscher Orden; Kriegsgeschichte] 800 gr.

Frankfurt/M 1990. Kl.-4°. 63 Seiten. OBroschur. Mit 14 Abb. = Schriften zur Sammlung des Museums für Moderne Kunst, Frankfurt am Main. Text dtsch., engl.

Hardcover. Condition: Sehr gut. Dust Jacket Condition: Sehr gut. 1. Auflage. Z : 208 Seiten, 276 Fotos Hardcover mit Schutzumschlag - Erste umfassende Monografie zum Werk Pier Paolo Pasolinis - mit informativen Textbeiträgen zu seinen Filmen, Schriften, seinem zeichnerischen und malerischen Oeuvre.

First Edition. First edition and first printing. Hardcover. Published in conjunction an exhibition that ran May 8 through July 4, 2004 at the Pinakothek der Moderne in Munich and July 9 through September 12, 2004 at Kestnergesellschaft in Hannover. Text in English and German. Features contributions by Bernhart Schwenk and Hilke Wagner. Includes numerous color and some black and white illustrations, a checklist and a list of previous exhibitions. A near fine copy in illustrated boards. No dust jacket as issued.…

160 Seiten. Mit Abbildungen. Originalbroschur. Sehr gutes Exemplar. 21x15 cm * Enthält u.a. Die Städte Kulm u. Elbing und ihre Dörfer im Mittelalter (Seite 6 bis 68); Die Entwicklung des Graudenzer allgemeinbildenden Schulwesens im 19. Jahrhundert (Seite 107 bis 144). Sprache: Deutsch.

Condition: gut. Beiträge zur Geschichte Westpreußens - Nr. 11 In deutscher Sprache. pages.

Condition: Sehr gut. 82 Seiten, 6 montierte Farbtafeln, 100 ganzseitige Bildtafeln Tadelloses Exemplar, Schutzumschlag mit leichten Gebrauchsspuren Sprache: Deutsch Gewicht in Gramm: 1200 4°, Original-Leinen mit Goldprägung u. illustr. Orig.-Schutzumschlag.

184 Seiten. Mit Abbildungen. Originalbroschur. 21x15 cm * Enthält: Gerhard OLHOFF "Die Bromberger Mühlen im Besitz der Preußischen Seehandlung (S.67 bis S. 98 mit 3 Abbildungen"; Stefan HARTMANN "Das Jahrmarktwesen im Regierungsbezirk Marienwerder in der ersten Hälfte des 19. Jahrhunderts" u.a.m. Sprache: Deutsch Gewicht in Gramm: 400. …

Wrappers. Condition: Fine Condition. 392 pp., 305 illustrations 227 in color. Text is in German only. Some scuffing and wear to the cover and edges. Foreword by Christopher Vitali, James D. Burke, Dieter Honisch, and Nicolas Serota. Catalogue of the paintings by Lothar Brauner and Andrea Bämreuther. Catalogue of the watercolors, drawings, and prints by Barbara Butts. Published on the occasion of the exhibition from the Haus der Kunst, Munich 4 May-21 July 1996, Nationalgalerie, Staatliche Museen zu Berlin 2 August-20 October 1996, The Saint Louis Art Museum, Saint Louis MO 14 November 1996-26 January 1997 and the Tate Gallery, London 20 February-4 May 1997. Pictorial wraps. Includes extensive bibliography and biography. …

Hardcover. Quarto. Hardcover. Color illustrated matte boards. No jacket, as issued. 93 pages : illustrations (some color) ; 33 cm. Published on the occasion of the exhibition held at the Pinakothek der Moderne, Munich, 8 May - 4 July 2004; Kestnergesellschaft, Hannover, 9 July - 12 Sept. 2004. VG+. Light touches of corner bumping, otherwise clean and unmarked. …

Couverture souple. Condition: Satisfaisant. ZEITSCHRIFT DER COPERNICUS-VEREINIGUNG ZUR PFLEGE DER HEIMATKUNDE UND GESCHICHTE WESTPREUSSENS e.V.

Nicolaus-Copernikus Verlag, Münster/Westfalen, 1985. 184 Seiten mit einigen Abbildungen, kartoniert (Stempel auf Titel und unterem Schnitt)--- - gutes Exemplar - 262 Gramm.

Nicolaus-Copernikus Verlag, Münster/Westfalen, 1987. 288 Seiten mit einigen Abbildungen, kartoniert (Stempel auf Vorsatz)--- - gutes Exemplar - 414 Gramm.

Nicolaus-Copernikus Verlag, Münster/Westfalen, 1983. 224 Seiten mit einigen Abbildungen, kartoniert (Stempel auf Vorsatz)--- - beiträge zur Geschichte Westpreußens, Band 8 - 262 Gramm.

Condition: Gut. 93 S., zahlr. Ill. Guter Gesamtzustand. Sprache: Deutsch Gewicht in Gramm: 800 4°(=30-35cm), Hardcover/Pappeinband.

Softcover. Condition: Sehr gut. (Beiträge zur Geschichte Westpreussens, 7); Kartoniert, 436 S. mit 53 Abbildungen; sehr gutes, sauberes Exemplar; 600 g.

Softcover, 96 pages; in German and English; as new condition, clean and crisp; no internal marks. Foreign shipping may be extra.