Berthon Paul (26 results)

Condition: Very Good. : Le Bibliobus N° 36 CE2 - Histoires policières es un libro de texto para estudiantes de CE2 (Cours Élémentaire 2ème année) en Francia. Este libro forma parte de una colección que busca construir una cultura literaria en los estudiantes a través de la lectura de obras integrales. Este volumen en particular se centra en historias policiacas e incluye cuatro obras completas de literatura juvenil, cada una ilustrada y anotada para facilitar la comprensión. Las historias incluidas son 'Qui a volé le sac de Madame Choumpette ?' de Christine Berthon, 'Les doigts rouges' de Marc Villard, 'Sale temps pour l'inspecteur' de Jean-Louis Fonteneau y Olivier Schwartz, y 'Le secret de Cyprien' de Paul Thiès. EAN: 9782011181282 Tipo: Libros Categoría: Infantil y Juvenil|Educación Título: Le Bibliobus N° 36 CE2 - Histoires policières Autor: Christine Berthon| Marc Villard| Jean-Louis Fonteneau| Olivier Schwartz| Paul Thiès Editorial: Hachette Education - France Idioma: fr Páginas: 128 Formato: tapa blanda Año de publicación: 2013.…

Loose Leaf. Condition: New. Reproduction. Original title: Portrait of Paul Kruger German: Porträt von Paul Kruger French: Portrait de Paul Kruger Spanish: Retrato de Paul Kruger High-quality fine-art reproduction based on an original work from the Rijksmuseum. Creation period: 19th century (1896). Professionally printed on premium fine-art paper (Photo Matt Fibre) in size A5. The motif is printed with a white border (museum-style presentation). No. …

Loose Leaf. Condition: New. Reproduction. Original title: Portrait of Wilhelmina, Queen of the Netherlands German: Porträt von Wilhelmina, Königin der Niederlande French: Portrait de Wilhelmina, Reine des Pays-Bas Spanish: Retrato de Wilhelmina, Reina de Holanda High-quality fine-art reproduction based on an original work from the Rijksmuseum. Creation period: 20th century (1901). Professionally printed on premium fine-art paper (Photo Matt Fibre) in size A5. The motif is printed with a white border (museum-style presentation). No.…

Loose Leaf. Condition: New. Reproduction. Original title: Portrait of Queen Wilhelmina in costumes German: Porträt der Königin Wilhelmina in Kostümen French: Portrait de la reine Wilhelmina en costumes Spanish: Retrato de la reina Wilhelmina con trajes High-quality fine-art reproduction based on an original work from the Rijksmuseum. Creation period: 19th century (1898). Professionally printed on premium fine-art paper (Photo Matt Fibre) in size A5. The motif is printed with a white border (museum-style presentation). No.…

Loose Leaf. Condition: New. Reproduction. Original title: Poster for Le livre de Magda by Armand Silvestre German: Plakat für Le livre de Magda von Armand Silvestre French: Affiche pour Le livre de Magda d'Armand Silvestre Spanish: Cartel para Le livre de Magda de Armand Silvestre High-quality fine-art reproduction based on an original work from the Rijksmuseum. Creation period: 19th century (1898). Professionally printed on premium fine-art paper (Photo Matt Fibre) in size A5. The motif is printed with a white border (museum-style presentation). No.…

Loose Leaf. Condition: New. Reproduction. Original title: Iris German: Iris French: Iris Spanish: Iris High-quality fine-art reproduction based on an original work from the Rijksmuseum. Creation period: 19th century (1882). Professionally printed on premium fine-art paper (Photo Matt Fibre) in size A5. The motif is printed with a white border (museum-style presentation). No.…

Hardcover. Condition: Near Fine. Dust Jacket Condition: Near Fine. First Edition. publisher's red cloth; lettering in gilt on spine; black pictorial dust jacket; lettering in white on spine; 144 pages[ illustrations throughout; Eugene Berthon and Paul Berthon were both exponents of "fin de siecle" design in France and evocatively depicted ART NOUVEAU women; of the 120 illustrations, 65 are in full colour. Berthon, Paul and Grasset, Eugene (illustrator). …

Softcover. Condition: Very Good. First edition. Very good in wrappers. Paperback. Book has front cover loose, but included. Light wear of cover edges and spine ends, a very few page corners creased, light indents bottom foredges. Pages still bound and clean. 24 plates with 8 in color.

Couverture rigide. Condition: Bon. [Revue La Plume, Collectif dont] Paul Berthon, Louis Le Cardonnel, Jacques des Gachons, Paul Vérola, Félix Malterre, Adolphe Retté, etc., La Plume - n°171 du 1er juin 1896. Paris, 1896. In-8, paginé 337 à 368. Fameuse revue Fin-de-Siècle publiant essentiellement de l'inédit, ici avec la couverture d'Eugène Grasset. Il existe une version de ce numéro ayant un troisième cahier et s'arrêtant à la page 386 (enrichi aussi d'un portrait). Toutefois, la page 368 montre bien que le numéro a d'abord été publié ainsi, avant d'être enrichi d'un troisième cahier (paru avec le n°172, 1er fascicule Rops). Broché. [VII].…

Couverture rigide. Condition: Bon. [Revue La Plume, Collectif dont] Paul Berthon, Louis Le Cardonnel, Jacques des Gachons, Paul Vérola, Félix Malterre, Adolphe Retté, etc., La Plume - n°171 du 1er juin 1896. Paris, 1896. In-8, paginé 337 à 368. Fameuse revue Fin-de-Siècle publiant essentiellement de l'inédit, ici avec la couverture d'Eugène Grasset. Il existe une version de ce numéro ayant un troisième cahier et s'arrêtant à la page 386 (enrichi aussi d'un portrait). Toutefois, la page 368 montre bien que le numéro a d'abord été publié ainsi, avant d'être enrichi d'un troisième cahier (paru avec le n°172, 1er fascicule Rops). Broché. [VI].…

Couverture rigide. Condition: Bon. [Revue La Plume, Collectif dont] Paul Berthon, Louis Le Cardonnel, Jacques des Gachons, Paul Vérola, Félix Malterre, Adolphe Retté, etc., La Plume - n°171 du 1er juin 1896. Paris, 1896. In-8, paginé 337 à 386. Fameuse revue Fin-de-Siècle publiant essentiellement de l'inédit, ici avec la couverture d'Eugène Grasset. Portrait de Joannès Gravier en hors-texte (compris dans la pagination). Il existe une version de ce numéro ayant deux cahiers sur trois et s'arrêtant donc à la page 368 sans manque au moment de la publication (le second cahier montre bien que la fin était d'abord à ce niveau). Le troisième cahier, avec le portrait, a été ajouté après (il avait été publié avec le n°172). Broché. Couvertures détachées. [VIII].…

Couverture rigide. Condition: Bon. [Revue La Plume, Collectif dont] Paul Berthon, Louis Le Cardonnel, Jacques des Gachons, Paul Vérola, Félix Malterre, Adolphe Retté, etc., La Plume - n°171 du 1er juin 1896. Paris, 1896. In-8, paginé 337 à 386. Fameuse revue Fin-de-Siècle publiant essentiellement de l'inédit, ici avec la couverture d'Eugène Grasset. Portrait de Joannès Gravier en hors-texte (compris dans la pagination). Il existe une version de ce numéro ayant deux cahiers sur trois et s'arrêtant donc à la page 368 sans manque au moment de la publication (le second cahier montre bien que la fin était d'abord à ce niveau). Le troisième cahier, avec le portrait, a été ajouté après (il avait été publié avec le n°172). Broché. [IX].…

Original Farblithographie aus dem Werk "Les Maitres de l'Affiche" von 1900. Blatt-Maße: ca. 39 x 30 cm. gut erhalten. || Original first edition lithograph out of "Les Maitres de l'Affiche" from 1900. With the blind embossed stamp designed by J. Cheret. in good condition. || Lithographie originale en couleurs de l'ouvrage "Les Maîtres de l'Affiche" de 1900. || "Les Maitres de l'Affiche" was published by Imprimerie Chaix, under the direction of Jules Cheret between the years 1896 and 1900, as a monthly subscription. It features designs by artists such as: Alphonse Mucha, Henri de Toulouse-Lautrec, Theophile-Alexandre Steinlen, Bonnard, Forain, Eugene Grasset, Georges Meunier, Louis Rhead, Dudley Hardy, etc. Special issues included plates with original designes by renowed artists. Among the most sought-after posters from the series are "Job" by A. Mucha which helped establish Mucha as a creator of beautiful Art Nouveau popular images, and has been used widely all over the world, in various variants - and "Moulin Rouge" by Toulouse Lautrec. With more than one thousand poster designs, Jules Cheret was considered the father of poster art. Many of the posters from Les Maitres de l'Affiche have been designed by Charet himself. In 1866, he opened his own print shop in Paris and from 1881 on, he operated as part of the Chaix Imprimerie which published "Les Maitres de l'Affiche". This work was created during La Belle Epoque in France, a great time for advertising and part of the French Great Poster Movement which started at the end of the 19th century. At that time, the streets of all large cities in the world were full of large-format, colorful, lively poster images. Advertising posters began to be regarded as works of art, and published as fine prints. Imprimerie Chaix played a great part in popularizing poster designs, as well as in keeping record of the artistic movement as a whole. Original Farblithographie aus dem Werk "Les Maitres de l'Affiche" von ca. 1896. Blatt-Maße: ca. 39 x 30 cm. gut erhalten. || Original first edition lithograph out of "Les Maitres de l'Affiche" from c. 1896. With the blind embossed stamp designed by J. Cheret. in good condition. || Lithographie originale en couleurs de l'ouvrage "Les Maîtres de l'Affiche" de environ 1896. || "Les Maitres de l'Affiche" was published by Imprimerie Chaix, under the direction of Jules Cheret between the years 1896 and 1900, as a monthly subscription. It features designs by artists such as: Alphonse Mucha, Henri de Toulouse-Lautrec, Theophile-Alexandre Steinlen, Bonnard, Forain, Eugene Grasset, Georges Meunier, Louis Rhead, Dudley Hardy, etc. Special issues included plates with original designes by renowed artists. Among the most sought-after posters from the series are "Job" by A. Mucha which helped establish Mucha as a creator of beautiful Art Nouveau popular images, and has been used widely all over the world, in various variants - and "Moulin Rouge" by Toulouse Lautrec. With more than one thousand poster designs, Jules Cheret was considered the father of poster art. Many of the posters from Les Maitres de l'Affiche have been designed by Charet himself. In 1866, he opened his own print shop in Paris and from 1881 on, he operated as part of the Chaix Imprimerie which published "Les Maitres de l'Affiche". This work was created during La Belle Epoque in France, a great time for advertising and part of the French Great Poster Movement which started at the end of the 19th century. At that time, the streets of all large cities in the world were full of large-format, colorful, lively poster images. Advertising posters began to be regarded as works of art, and published as fine prints. Imprimerie Chaix played a great part in popularizing poster designs, as well as in keeping record of the artistic movement as a whole. // Wir, das Antiquariat Steffen Völkel, kaufen und verkaufen alte Bücher, Handschriften, Zeichnungen, Autographen, Grafiken und Fotografien. Wir sind stets am Ankauf von kompletten Bibliotheken, Sammlungen und Nachlässen interessiert. Sprache: Französisch Gewicht in Gramm: 25.…

boards. Condition: Some foxing. Good. 22x14cm, Later (recent) binder's blind boards with original cover wrappers of two items bound-in. This is a single volume containing 3 books & pamphlets concerning French legal history, taxation; & jurisprudence, ca. 1879-1926, bound together. Includes: 1) Paul Fournier "La question des Fausses décrétales" [Paris, Larose & Forcel, 1887, 39 pages]; 2) O. Berthon "Réflexions sur l'impot et sur les autres ressources de l'état" [Paris, Guillaumin et Cie, 1879, 95 pages]; 3) Félix Senn "Les origines de la notion de jurisprudence" [Paris, Leon Tenin, 1926, 54 pages ; some page browning, name inked on title-page].…

A COMPLETE PROOF SET ON CHINESE PAPER, before all letters, of all of the relief prints executed for the July issue--the ninth of twelve published--of L'Image, a groundbreaking artistic and literary journal. Numerous wood-engravings and woodcuts including A FINE PROOF ON CHINE OF LABOUREUR'S "AU LUXEMBOURG" (Laboureur I, 572), his first important print. Laboureur was 19 when this issue came out, and its publication marked his being recognized as a consequential artist. This copy, exceptionally, includes A "FUME" (early proof) OF THE WOOD-ENGRAVING AFTER THOMAS LAWRENCE, SIGNED IN PENCIL BY BELTRAND AND JUSTIFIED "Fumé nº 1". Folio. Printed wraps illustrated iwth art nouveau wood engravings after Berthon and De Feure. Stitching loose, else FINE AND BRIGHT. Ray 321 and 321A.…

Folio. (560 x 382 mm). [6 leaves]. Wrapper with titles &c. and six original lithographs each in a single colour on large sheets of Japon Imperiale with large margins, each numbered beneath and with the stamp of Maison Gerschel. Loose as issued in original publisher's tan wove printed paper wrapper, pictorial titles with decoration, list of plates &c. by Berthon to front cover in red, loose in later blue card portfolio with cloth tie. An excellent, complete and unsophisticated copy of Paul Berthon's rare portfolio 'Les Six Vierges'. From the edition limited to 200 copies, with this one of 100 'souscrits par la Maison Gerschel & portant sa marque'. The complete set of the 6 lithographic portraits by Paul Berthon printed in different colours. This set has an extra state of the first of the prints, 'La Fille aux Houx', on different paper and signed in pencil. The prints are titled as follows: I. La Fille aux Houx; II. La Femme aux Aiglents; III. La Vierge aux Lys; IV. La Florentine; V. Sainte Philomène; VI. Dame aux Hortensias. …

Softcover. Condition: Befriedigend. Äußerlich unschöne unbeschnittene Broschur auf recht hozschliffhaltigem und daher sehr empfindlichem Papier, Graphiken auf besserem Papier, 80 Seiten.

Softcover. Condition: Befriedigend. Äußerlich unschöne unbeschnittene Broschur auf recht hozschliffhaltigem und daher sehr empfindlichem Papier, Graphiken auf besserem Papier, 80 Seiten.

Softcover. Condition: Gut. Äußerlich unschöne unbeschnittene Broschur auf recht hozschliffhaltigem und daher sehr empfindlichem Papier, Graphiken auf besserem Papier, 80 Seiten.

Softcover. Condition: Gut. Äußerlich unschöne unbeschnittene Broschur auf recht hozschliffhaltigem und daher sehr empfindlichem Papier, Graphiken auf besserem Papier, 80 Seiten.

Softcover. Condition: Gut. Äußerlich unschöne unbeschnittene Broschur auf recht hozschliffhaltigem und daher sehr empfindlichem Papier, Graphiken auf besserem Papier, 80 Seiten.

Softcover. Condition: Gut. Unbeschnittene Broschur, 70 Seiten, beigegeben Heft 9 der Zeitschrift.

Leatherbound. Condition: NEW. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. Leatherbound edition. Condition: New. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. Pages: 136. A perfect gift for your loved ones. Reprinted from 1911 edition. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. IF YOU WISH TO ORDER PARTICULAR VOLUME OR ALL THE VOLUMES YOU CAN CONTACT US. Resized as per current standards. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Language: French Pages: 136.…

Bastien- Lepage, Jules (After) SARAH BERNHARDT. Photo-engraving by Goupil, circa 1900. A high quality reproduction of the painting by Bastien-LePage. 9 1/2 x 7 1/2 inhes, framed to 19 x 16 inches. Very good condition. Berthon, Paul (illustrator).

Condition: Poor. Six Original Prints by Paul Berthon (The Six Virgins). E. Gerschel, Produits pour la Lithographie, ed. 1902. Lithograph. Album size: 380 x 565 mm; Arwas (Berthon and Grasset), pp. 124-125. Suite of fours plates in an illustrated folded folder from the edition, worn (stains at the bottom). Broken folds, dusting, and short tears at the bottom of some leaves. Full margins.…

24 x 13 inches (visible sheet), matted and framed. Offered here is a stunning original lithograph by Paul Berthon (1872-1934), "The Violin Maiden," printed lithographically in wonderful earth colors of ochre, light blue, yellow and blue-gray; artist titled and dated (18)97 upper right, further signed and numbered "37/100" to lower margin, visible sheet dimensions 63 x 33 cm. Near fine. Paul Berthon, noted French artist who produced striking posters and lithographs at the Turn of the Century. He studied as a painter in Villefranche-sur-SaÙne before moving to Paris, and later enrolled at the Ecole Normale d'Enseignement de Dessin, receiving lessons in painting from Luc-Olivier Merson and lessons in decorative arts from EugËne Grasset. Signed.…