Beudert Monique (38 results)

Condition: Good. Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.

Condition: Good. . Good. All orders guaranteed and ship within 24 hours. Before placing your order for please contact us for confirmation on the book's binding. Check out our other listings to add to your order for discounted shipping.

Hardcover. Condition: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Condition: Good. Good condition. Very Good dust jacket. A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains. NOT AVAILABLE FOR SHIPMENT OUTSIDE OF THE UNITED STATES.

paperback. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Softcover, 104 pages; as new condition; clean and crisp; no internal marks. Foreign shipping may be extra.

hardcover. Condition: Very Good. Dust Jacket Condition: Good. No obvious markings on pages. Binding still tight. Moderate surface and edge-wear on dust jacket, including creases, chips/tears along edges, and cosmetic scratches. Published 1995. Hardcover. (1h).

Condition: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condition: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,550grams, ISBN:9781854372475.

hardcover. Condition: Very Good. With very good dust jacket. Very Good hardcover with light shelfwear - NICE! Oversized.

Condition: Fair. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In fair condition, suitable as a study copy. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,1600grams, ISBN:9781854372048. …

First Edition. Near fine copy in the original stiff-card wrappers; edges very slightly dust-dulled and toned. Remains particularly and surprisingly well-preserved; tight, bright, clean and especially sharp-cornered. Physical description; 104 p. : col. ill. ; 28 cm. Notes; Catalogue of an exhibition held Tate Gallery, London, 24 February - 26 April 1998. Roni Horn, Thicket No. 2, 1990 is reproduced on the front cover displaying the words: "Tiger, Tiger". "Tiger, Tiger" is displayed in large type on front cover which is reproduction of: Roni Horn, Thicket No. 2, 1990. Subjects; De Botton, Janet Wolfson Art collections-Exhibitions. Art, Modern-20th century. 1 Kg.…

paperback. Condition: Very Good. **PAPERBACK**.

First Edition. Near fine copy in the original stiff-card wrappers; edges very slightly dust-dulled and toned. Remains particularly and surprisingly well-preserved; tight, bright, clean and especially sharp-cornered. Physical description; 104 p. : col. ill. ; 28 cm. Notes; Catalogue of an exhibition held Tate Gallery, London, 24 February - 26 April 1998. Roni Horn, Thicket No. 2, 1990 is reproduced on the front cover displaying the words: "Tiger, Tiger". "Tiger, Tiger" is displayed in large type on front cover which is reproduction of: Roni Horn, Thicket No. 2, 1990. Subjects; De Botton, Janet Wolfson Art collections-Exhibitions. Art, Modern-20th century. 1 Kg.…

Paperback. Condition: Very Good. NEW EU 3 EURO CHARGE FOR IMPORTS IS INCLUDED IN OUR SHIPPING PRICE. ALL ITEMS ARE DISPATCHED FROM THE UK, ALL OVERSEAS ORDERS SENT BY TRACKABLE AIR MAIL. IF YOU ARE LOCATED OUTSIDE THE UK PLEASE ASK US FOR A POSTAGE QUOTE FOR MULTI VOLUME SETS BEFORE ORDERING.

paperback. Condition: Very Good. Paperback in very good condition, with no notable faults. Published for the exhibition at the Tate, 24 February - 26 April 1998. TS. Used.

4to. Original pictorial card covers (softback) (Fine). Pp. 104, illus with coloured and b&w plates (no inscriptions).

Softcover, 284 pages; good condition: crease to spine; gallery sticker taped around bottom of spine; gallery stamp and pencil writing on first page; no other internal marks. Foreign shipping may be extra.

Condition: Very Good. Faint scratches to cover with scuffs to edges. Scuffs to textblock. Contents very good.

Paperback. Condition: Very Good. Paperback art exhibition catalogue with french flaps. Published to accompany an exhibition of the gift of 60 works of contemporary art by de Botten to the Tate Gallery. With an introduction by Monique Beudert, this catalogue also includes interviews with nine of the artists represented in the de Botton gift. Light scores to rear cover. No other notable flaws. AD. Used.…

Paperback. Condition: Very Good. Paperback art exhibition catalogue with french flaps. Published to accompany an exhibition of the gift of 60 works of contemporary art by de Botten to the Tate Gallery. With an introduction by Monique Beudert, this catalogue also includes interviews with nine of the artists represented in the de Botton gift. Mark to spine head. No other notable flaws. AD. Used.…

Paperback. Condition: Very Good. 1854372475. 1998, bright clean copy, name front end paper.

Softcover, 284 pages; very good condition except crease to spine; no internal marks. Foreign shipping may be extra.

Hardcover. Condition: Fine. Dust Jacket Condition: Fine. 1st. Cloth, 303 pages, illustrations (some colour); 31 cm. Firm binding, clean inside copy. Dust jacket protected in a mylar cover. OVERSIZE! Additional shipping charges may be requested for international & priority orders. A massive coffee-table book. Richly illustrated with colour plates. *** "The PaineWebber art collection, housed in the PaineWebber offices in Manhattan, is home to one of the greatest private collections of contemporary art. Never before publicly exhibited or published, this private collection offers a remarkable survey of international art of the past forty-five years. The collection is strikingly avant-garde and represents work in all media, including paintings, drawings, prints, photographs, and sculpture. While the collection includes a number of works by such well-established artists as Georg Baselitz, Louise Bourgeois, Jasper Johns, Anselm Kiefer, and Cy Twombly, there is also a strong focus on the artists of the 1980s-- Cindy Sherman, David Salle, and Francesco Clemente-- as well as on younger emerging artists, such as Gunther Forg, Guillermo Kuitca, Lorna Simpson, and Kiki Smith. While many corporate collections avoid controversial, emotional, or political art, the selection guided by Donald B. Marron, the businessman who pioneered the establishment of this museum-quality collection for PaineWebber, is remarkably free of such self-censorship with a daring vitality in the choice of works. This volume encompasses more than 350 works of art, many never before published. Each work is augmented by a companion text that serves to contextualize and explicate the work and the artist. In addition, there are several special commissions included by artists including Susan Rothenberg and Frank Stella. Photographs by noted artist Louise Lawler depict the installation of the art works as viewed every day by PaineWebber employees. PaineWebber's collection is in part founded on the idea that art should be as accessible as possible in everyday circumstances. The experience of working next to a Roy Lichtenstein painting or an Andy Warhol print is different from a brief museum visit, and in his essay, art critic Jack Flam analyzes how the lives of PaineWebber employees are affected by the regular, close proximity of the great art of the twentieth century. The PaineWebber Art Collection brings together this unprecedented collection into a distinguished catalogue of work, accessible to the public for the very first time. / Jack Flam is the former art critic for the Wall Street Journal and a noted authority on contemporary art. His previous books include Richard Diebenkorn: Ocean Park Paintings (Rizzoli/Gagosian Gallery). Monique Beudert and Jennifer Wells are, respectively, past and current curators of the PaineWebber collection. Donald B. Marron is chairman and CEO of PaineWebber. Mr. Marron is a past president and serves as a vice-chairman of the Board of Trustees of The Museum of Modern Art, New York." - Publisher. Size: 4to. Collectible.…

Oversized Hardcover. Condition: Fine. Dust Jacket Condition: Fine. Book and dust jacket in excellent, unmarked condition. International/expedited shipping will require additional postage due to bulk.

Hardcover. Condition: Near fine. Dust Jacket Condition: very good. 1st. Bound in the publisher's original cloth over boards, spine stamped in red. Dust jacket rubbed at the extremities, chipped at the heel.

Softcover. Condition: Very Good. Immediate dispatch from Somerset. Nice book in great condition. Pages in excellent condition. Images are beautiful bright and vivid. No notes or highlighting. See images. Fantastic book. About the book >.>.> The Froehlich Foundation collection, which this catalogue documents fully, was initiated in 1982 by Josef and Anna Froehlich. A visit to Documenta 7 in September of that year sparked their tran- sition from informed onlookers to active participants in art. The Froehlichs' reaction to seeing 'Friedenshase', 1982 (p. 2) a work by Josef Beuys in which a jewel-encrusted gold replica of Ivan the Terrible's crown was transformed into a golden hare - led to their close involvement with Beuys and eventually with a number of other German and American artists. Without being consciously aware of it, by inquiring about 'Friedenshase' the Froehlichs had taken the first step towards forming a collection which now numbers some 320 works. The collection includes the work of nine German and ten American artists, and is based on the principle of 'Sammlungs- bl?cke'. As a rule, each of these artists is represented by a group of works which has been rigo- rously selected to represent his.…

Tate Gallery Publishing, 1998. Paperback, 4to, 104pp, illust. Two dog-ears. A good copy. 1854372475.

hardcover. Condition: Like New. Like New. First Edition. Publisher: Rizzoli, New York, 1995. FINE hardcover book in FINE mylar-protected dust-jacket. First Edition, First Printing. As new. Pristine.

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