Biederman Charles (124 results)

paperback. Condition: Good. Connecting readers with great books since 1972! Used textbooks may not include companion materials such as access codes, etc. May have some wear or writing/highlighting. We ship orders daily and Customer Service is our top priority!

Oversize Paperback. Condition: Near Fine. No Jacket. 1st Edition.

Soft cover. Condition: Very Good. 1st Edition. 8.5 X 11 inches, 146 pages. Paperback Very Good. Slightly worn cover. No names or marks. Light crease to back cover. Illustrated with art reproductions and 20 pages of color reproductions, mostly of Biederman's art pieces.

No Binding. Condition: Good. Postcard in Good condition, with writing on reverse. Cards are sent in stiff mailers. Postcard.

Soft cover. Condition: Very Good. 146 pages.

Hardcover. Condition: Fair. 5. The item might be beaten up but readable. May contain markings or highlighting, as well as stains, bent corners, or any other major defect, but the text is not obscured in any way.

Hardcover. Condition: Fair. 5. The item might be beaten up but readable. May contain markings or highlighting, as well as stains, bent corners, or any other major defect, but the text is not obscured in any way.

paperback. Condition: Good.

Softcover staple bound, 8 pages, good condition; pen writing on front cover; museum library stamp to first page; no other internal marks.

Hardcover. Condition: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Condition: acceptable. Used - Acceptable: All pages and the cover are intact, but shrink wrap, dust covers, or boxed set case may be missing. Pages may include limited notes, highlighting, or minor water damage but the text is readable. Item may be missing bundled media.

paperback. Condition: Acceptable. With cracked hinges and page indentations This is a damaged book. May be ex-library, water-damaged, or spine creased/broken. Acceptable, Reading copy only, with writing/markings and heavy wear. Oversized.

hardcover. Condition: Good. Normal wear from daily use. May include markings or highlighting.

Condition: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

paperback. Condition: Good. PAPERBACK - Minor cover wear - clean unmarked text - tight binding. ** WE SHIP DAILY (Mon-Fri) ** Free Tracking Information.

Softcover staple bound, 16 pages, very good condition; light scuffs to covers; no internal marks.

Soft cover. Condition: Good. New York: Grace Borgenicht Gallery, 1989.Slim stapled exhibition catalogue. 10 pages. Sticker to front cover; otherwise almost like new.

Oversize Paperback. Condition: Very Good+. No Jacket.

Soft Cover. Condition: Fine. First Edition; First Printing. Single sheet of heavy card stock folded five times to make an 12 page exhibition catalog with 11 full page color plates. Published on the occasion of the exhibition at Menconi + Schoelkopf, New York, September 20 - October 6, 2017. ; Tight, clean and crisp. In excellent condition. No inscriptions. Not ex-library. As New. ; 8vo 8" - 9" tall.

Hardcover. Condition: Near Fine. Dust Jacket Condition: Near Fine. 1st Edition. Couple small scuffs to front panel of jacket.

Hardcover. Octavo. Hardcover. Bound in black cloth with illustrated jacket. xxi, 262 pages, illustrations, facsimiles ; 23 cm. "Lucid guide to many of the greatest ideas of the twentieth century. The revolutions in both art and science have never been discussed more engagingly."--Jacket. VG. Light wear around the edges of jacket. Minor foxing to end papers.

Softcover, 40 pages, as new condition; clean and crisp; no internal marks. Foreign shipping may be extra.

Soft cover. Condition: Fine. No Jacket. Menconi + Schoelkopf, New York, 2015. Fine. (BP - Art).

Paperback. Condition: Good. Stated First Edition. Published 1951. Good gently used copy. Previous owner's stamps on first and title page. Occasaional pencil markings. Scarce! Ships from Dinkytown in Minneapolis, Minnesota.

Condition: Fine/Near Fine. 1st. 8vo. 262pp.

Soft cover. Condition: Near Fine. trade paperback in near fine condition.

First Edition. First edition. Softcover. 20 pages. Exhibition catalog for a show that ran March 30 through May 2, 1965. Features acknowledgements by Biederman and an essay by Jan van der Marck. Includes 2 color, 16 black and white illustrations, a black and white photograph of Biederman, chronology, list of previous exhibitions, selected bibliography, and a checklist. A very good copy in stapled wrappers with some minor wear and from the library of the Marlborough Gallery with their marks. A nice copy with an interesting provenance.

Hardcover. Condition: Fine. Dust Jacket Condition: Fine. 1st. Cloth, 300 pages, illustrations (some colour); 32 cm. Firm binding, clean inside copy. Stated First Edition. Dust jacket protected in a mylar cover. OVERSIZE! Additional shipping charges may be requested for international & priority orders. A massive coffee-table book. Richly illustrated with colour plates. *** "Charles Joseph Biederman (1906-2004) was a highly influential and iconoclastic American artist and theoretician who influenced the modernist movement both abroad and in the United States. He was particularly drawn to the relationship between nature and art, and wrote extensively on the subject--it became the topic of fourteen books that he published. Deeply engaged in theories of art and nature and art and science, he maintained a nine-year correspondence, eventually published, with the British quantum physicist and philosopher David Bohm. Biederman, Midwesterner by birth, held nature as the ultimate root of art, but insisted upon a wholly abstract translation of the natural into visual elements of color, plane, and form. He worked extensively in the medium of sculptural reliefs created in painted metal to execute his vision of creating pure visual forms; these reliefs became his most sought-after work. Biederman's work is represented in distinguished collections across the United States and Western Europe, including The Museum of Modern Art, New York, The Metropolitan Museum of Art, New York, The Art Institute of Chicago, and the Tate, London, among many others. Susan C. Larsen is an art historian and former curator of the Permanent Collection at the Whitney Museum of American Art. This monograph was initiated and researched by Neil Juhl Larsen (1956-2006), a brilliant friend and trusted colleague of the artist." - Publisher. Size: Folio. Collectible.

5 vol. : vol.1: [4] pp. (brochure) ; vol. 2: [unpaginated] (envelope); vol. 3: [1] pp. (order form) ; vol 4: [unpaginated] (return envelope) ; vol. 5: [1] pp. (preview party invitation); 5 vol. : vol.1: 20.3 x 15.2 cm. (brochure) ; vol. 2: 20.8 x 16 cm. (envelope); vol. 3: 14 x 10.6 cm. (order form) ; vol 4: 11.5 x 15.8 cm. (return envelope) ; vol. 5: 10.6 x 14 cm. (preview party invitation); printed envelope; duotone; edition size unknown; unsigned and unnumbered; offset-printed Invitation to benefit exhibition "35 Artists Return to Artists Space," held at Artists Space, New York, December 4 - 24, 1981, and a preview party held December 3, 1981. Includes brochure, printed mailing envelope, preview party invitation card, ticket order form card, and return envelope. Artists include Auste, James Biederman, Jonathan Borofsky, Gary Bower, Troy Brauntuch, Farrell Brickhouse, Gary Burnley, Scott Burton, Cynthia Carlson, Charles Clough, R.M. Fischer, Hermine Ford, Don Gummer, Jack Goldstein, Mel Kendrick, Lois Lane, Tom Lawson, Robert Longo, Allan McCollum, Ree Morton, Matt Mullican, Judy Pfaff, Richard Prince, Judy Rifka, Walter Robinson, David Salle, Thomas Lanigan Schmidt, Barbara Schwartz, Cindy Sherman, Laurie Simmons, Charles Simonds, Jenny Snider, Donald Sultan, Anthony Thompson, and John Torreano. Invitation designed by Tara Collins. Very Good / Fine. Unmailed copy. Light yellowing of main envelope with light bumping of corners. Clean and unmarked.

paperback. Condition: Very Good. First Edition. Unread. No markings in book. Binding is fine. Evidence of previous price on front free page upper corner tip. 100pp.