Braddock Alan (62 results)

Condition: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condition: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Hard Cover. Condition: Very Good. Dust Jacket Condition: Very Good. 291pp. black cloth hardback, silver lettering on spine, DJ, VG,no names or markings in text, b&w and color illustrations, chapter notes and references, selected bibliography, index, reviews Eakins' paintings with subjects of diverse ethnic, foreign and rarcial cultures and compares his acceptance to 20th century emphasis on anthropology and diversity.

Hardcover. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

Hardcover. Condition: Good. Connecting readers with great books since 1972! Used textbooks may not include companion materials such as access codes, etc. May have some wear or writing/highlighting. We ship orders daily and Customer Service is our top priority!

hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. First Edition. Unread. No markings in book. Binding is fine. DJ is fine. B&W images as well as 10 color images. 291pp.

Hardcover. Condition: VG+. Hardback in Very Good+ condition with Very Good+ dust jacket. 7 X 1 X 10 inches. 304 pages. Quick shipping, excellent customer service. All books carefully packaged in boxes and ship with tracking information.

Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. 1st Edition. Hardcover in Dust Jacket with only minor reading wear; book is clean, unmarked. In stock. Ships from MN, USA. Heavy book; orders from outside the United States will require additional shipping charges.

Hardcover. Condition: Near Fine. Dust Jacket Condition: Near Fine. First Edition. Near Fine copy of the First Edition with a touch of shelfwear; dust jacket Near Fine. 'Thomas Eakins and the Cultures of Modernity is the first book to situate Philadelphia's greatest realist painter in relation to the historical discourse of cultural difference. In this study Alan C. Braddock reveals that modern anthropological perceptions of 'culture,' which many art historians attribute to Eakins, did not become current until after the artist's death in 1916. Braddock finds in the work of Thomas Eakins a lifelong engagement with aesthetic and social currents that extended well beyond his native city of Philadelphia, indicating the persistence of a worldly sensibility long after he had concluded his formative studies in Europe during the 1860s. Braddock shows how Eakins developed a localized cosmopolitanism all his own, based in Philadelphia but tapped into a global field of visual production.' - Publisher.

Condition: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condition: very_good. Book is in very good condition and may include minimal underlining highlighting. The book can also include "From the library of" labels. May not contain miscellaneous items toys, dvds, etc. . We offer 100% money back guarantee and 24 7 customer service.

paperback. Condition: Good. Connecting readers with great books since 1972! Used textbooks may not include companion materials such as access codes, etc. May have some wear or writing/highlighting. We ship orders daily and Customer Service is our top priority!

Hardcover. Condition: Fine. Dust Jacket Condition: Fine. 1st. Cloth, x, 291 pages, illustrations (some colour); 26 cm. Tight, clean copy. Dust jacket protected in a mylar cover. A fine copy of the first printing. *** "Thomas Eakins and the Cultures of Modernity is the first book to situate Philadelphia's greatest realist painter in relation to the historical discourse of cultural difference. In this study Alan C. Braddock reveals that modern anthropological perceptions of 'culture,' which many art historians attribute to Eakins, did not become current until after the artist's death in 1916. Braddock finds in the work of Thomas Eakins a lifelong engagement with aesthetic and social currents that extended well beyond his native city of Philadelphia, indicating the persistence of a worldly sensibility long after he had concluded his formative studies in Europe during the 1860s. Braddock shows how Eakins developed a localized cosmopolitanism all his own, based in Philadelphia but tapped into a global field of visual production." - Publisher. *** CONTENTS: Introduction: "This current confusion": Thomas Eakins before cultures; "Amongst strangers": studies in character abroad; "What kind of people are there": local color, cosmopolitanism, and the limits of civic realism; "To learn their ways that I might paint some": cowboys, Indians, and evolutionary aesthetics; Coda: "Distinctly American art": Thomas Eakins, national genius; Notes; Selected bibliography; List of illustrations; Index. Size: 4to. Collectible.

Hardcover. Size: 7.25"x10.25", 291pp., 10 colour plates and numerous b&w illustrations. As new, clean, tight and bright condition, with bright and crisp dust jacket which is now in a clear protective mylar sleeve.

Condition: very_good. Fast Free Shipping â" Very Good condition book with a firm cover and clean pages. Shows normal use and some light wear or limited notes markings. A solid, nice copy to enjoy.

Paperback. Condition: Acceptable. Acceptable - This is a significantly damaged book. It should be considered a reading copy only. Please order this book only if you are interested in the content and not the condition. May be ex-library. PAPERBACK Standard-sized.

Condition: Good. Your purchase helps support Sri Lankan Children's Charity 'The Rainbow Centre'. Ex-library, so some stamps and wear, but in good overall condition. Our donations to The Rainbow Centre have helped provide an education and a safe haven to hundreds of children who live in appalling conditions.

gebunden. Condition: Neu. Neu -Dieses Buch unternimmt erstmals den Versuch, Thomas Eakins (1844-1916), den großen amerikanischen Maler des Realismus aus Philadelphia, in Bezug zu setzen zum historischen Diskurs über die kulturelle Differenz. Der Autor zeigt auf, dass Eakins noch nicht einem modernen anthropologischen Begriff von Kultur folgte, sondern dass seine realistischen Porträts von spanischen Straßenkünstlern, Amerikanern mit afrikanischen Wurzeln und südeuropäischen Immigranten noch eine vormoderne Weltsicht reflektieren. Er erforscht EakinsĞ Versuche, kulturelle Diversität ins Bild zu setzen in einer Zeit, die von Massenimmigration, Orientalismus, Tourismus, kommerziellem Verlagswesen und internationaler Verbreitung ethnografischer Objekte geprägt war. Dieses Buch beleuchtet die amerikanische Kunst am Vorabend des Kulturkonzepts von Franz Boas und anderen modernen Anthropologen. (Text engl.) 291 pp. Englisch.

Hardcover. Condition: Good. HARDCOVER Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized.

Gr.-8°, Leinen. Condition: Wie neu. 291 S., zahlr. Abb. SU., gebraucht: sehr guter Zustand (fast wie neu). Sprache: Englisch Gewicht in Gramm: 878.

Hardcover. Condition: As New. Dust Jacket Included. 1st Edition. ISBN 0520255208. Hardback. First Printing. Near Fine Condition book in a Near Fine Condition Dustjacket. Tight, bright, attractive copy with no markings to the book. As new condition.

Condition: As New. Unread book in perfect condition.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Condition: new. Paperback. Issues of ecology - both as they appear in the works of nature writers and in the works of literary writers for whom place and the land are central issues - have long been of interest to literary critics, and have given rise over the last two decades to the now firmly established field of ecocriticism. The essays in this volume, written by art historians and literary critics, seek to bring the study of American art into the expanding discourse of ecocriticism. ""A Keener Perception"" offers a series of case studies on topics ranging from John White's watercolors of the Carolina landscape executed during Sir Walter Raleigh's 1585 Roanoke expedition to photographs by environmental activist Eliot Porter. Rather than merely resurrect past instances of ecologically attuned art, this volume features essays that resituate many canonical figures, such as Thomas Eakins, Aaron Douglas, and Isamu Noguchi, in an ecocritical light by which they have yet to be viewed. Studying such artists and artworks through an ecocritical lens not only provides a better understanding of these works and the American landscape, but also brings a new interpretive paradigm the field of art history - a field that many of these critics believe would do well to embrace environmental concerns as a vital area of research. In highlighting the work of scholars who bring ecological agendas to their study of American art, as well as providing models for literary scholars who might like to better incorporate the visual arts into their own scholarship and teaching, ""A Keener Perception"" is truly a landmark collection - timely, consequential, and controversial. Offers a series of case studies on topics ranging from John White's watercolors of the Carolina landscape executed during Sir Walter Raleigh's 1585 Roanoke expedition to photographs by environmental activist Eliot Porter. This title is suitable for literary scholars who might like to include the visual arts into their own scholarship and teaching. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Condition: New.

Softcover. Condition: VG. Color pictorial wraps. 298 pp. 51 bw illustrations.

Condition: As New. Unread book in perfect condition.

Condition: New.

Clean, unmarked copy with sharp corners, firm hinges with DJ in NF+ condition. BP/American Art.

Paperback. Condition: New. Issues of ecology - both as they appear in the works of nature writers and in the works of literary writers for whom place and the land are central issues - have long been of interest to literary critics, and have given rise over the last two decades to the now firmly established field of ecocriticism. The essays in this volume, written by art historians and literary critics, seek to bring the study of American art into the expanding discourse of ecocriticism. ""A Keener Perception"" offers a series of case studies on topics ranging from John White's watercolors of the Carolina landscape executed during Sir Walter Raleigh's 1585 Roanoke expedition to photographs by environmental activist Eliot Porter. Rather than merely resurrect past instances of ecologically attuned art, this volume features essays that resituate many canonical figures, such as Thomas Eakins, Aaron Douglas, and Isamu Noguchi, in an ecocritical light by which they have yet to be viewed. Studying such artists and artworks through an ecocritical lens not only provides a better understanding of these works and the American landscape, but also brings a new interpretive paradigm the field of art history - a field that many of these critics believe would do well to embrace environmental concerns as a vital area of research. In highlighting the work of scholars who bring ecological agendas to their study of American art, as well as providing models for literary scholars who might like to better incorporate the visual arts into their own scholarship and teaching, ""A Keener Perception"" is truly a landmark collection - timely, consequential, and controversial.