Brigitte Salmen (177 results)

Condition: good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

Hardcover. Condition: Near Fine. Dust Jacket Condition: Very Good. Art Writing. This is a clean, unmarked copy with a shelf worn dust jacket but otherwise undamaged.

Hardcover. Condition: Brand New. 01 edition. 79 pages. 8.25x5.75x0.50 inches. In Stock.

Hardcover. Condition: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condition: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Condition: New. In English.

Condition: acceptable. Ausreichend/Acceptable: Exemplar mit vollständigem Text und sämtlichen Abbildungen oder Karten. Schmutztitel oder Vorsatz können fehlen. Einband bzw. Schutzumschlag weisen unter Umständen starke Gebrauchsspuren auf. / Describes a book or dust jacket that has the complete text pages (including those with maps or plates) but may lack endpapers, half-title, etc. (which must be noted). Binding, dust jacket (if any), etc may also be worn.…

Condition: good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

Condition: New.

Condition: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Softcover. Condition: Neu. Ohne Schutzumschlag. 1. Auflage. 127 pages with many coloured illustrations.

Condition: As New. Unread book in perfect condition.

Hardcover. Condition: New. 1st Edition. New book.

Hardcover. Condition: Fine. Dust Jacket Condition: Fine. 1st. Cloth, 256 pages, illustrations (some colour); 29 cm. Published on the occasion of the exhibition of the same name held at the Solomon R. Guggenheim Museum, New York, May 20 to August 10, 2005; and other venues. Firm binding, clean inside copy. Dust jacket protected in a mylar cover. OVERSIZE! Additional shipping charges may be requested for international & priority orders. A large-format coffee-table book. Profusely illustrated. *** "A talented artist who studied in Munich, Berlin, and Paris, Hilla Rebay embraced the idea of non-representational art as both a style and an aesthetic philosophy. At age 22 she began to exhibit and was introduced to the influential and avant-garde gallery Der Sturm in Berlin, where she was drawn to modern giants such as Marc Chagall, Vasily Kandinsky, and Paul Klee. When Rebay moved to America in 1927, she was commissioned by Solomon R. Guggenheim to paint his portrait, and from that point she began her mission to enlighten him with the art she so fervently supported. Rebay introduced Guggenheim to artists such as Kandinsky, and in 1937, he established the Solomon R. Guggenheim foundation for the magnificent collection he had purchased, based on Rebay's advice. In 1939, he and Rebay started the Museum of Non-objective painting, which, in 1959 opened as today's Guggenheim Museum in New York City. This catalogue, which accompanies the exhibition Art of Tomorrow: Hilla Rebay and Solomon R. Guggenheim, shows Rebay not only as a director and curator, but also as a prolific artist--her early abstract watercolors, drawings, abstract and figurative collages, and large-scale non-objective paintings are featured here. Also included are early masterpieces by Rebay's artist colleagues and friends Arp, Bauer, Kandinsky, Richter, and others. Not only a testament to Rebay's artistic and curatorial prowess, this book also gives touching insight into the extraordinary collaboration between her and Solomon R. Guggenheim, which resulted in one of the world's finest collections of early 20th century modernism." - Publisher. *** CONTENTS: Hilla Rebay, 1910s; The path to non-objective art, by Brigitte Salmen; Hilla Rebay's friends and colleagues; Rereading the correspondence: Rebay and Kandinsky, by Vivian Endicott Barnett; Hill Rebay, 1920s-1960s; Rhythmic delight: a quest for non-objectivity, by Karole Vail; Art of tomorrow: the museum of non-objective painting; The art of tomorrow, by Jo-Anne Birnie Danzker; The music of the spheres, by Robert Rosenblum; I will make you world famous, by Roland von Rebay; Hilla Rebay chronology. Size: 4to. Collectible.…

29,5 x 21 cm ; kart. . Condition: Gut. 64 S. ; Großformatige Paperbackausgabe, 64 Seiten mit zahlreichen Abbildungen. Gutes Exemplar. hw1704 ISBN: 3932276027.

HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Buch. Condition: Neu. Neuware -Sie war nicht nur eine begabte Malerin sondern auch eine kluge Freidenkerin und Gastgeberin: im Schwabinger Salon von Marianne von Werefkin versammelten sich Anfang des 20. Jahrhunderts namhafte Künstler wie Wassily Kandinsky, Gabriele Münter, Alfred Kubin, Adolf Erbslöh, Erma Bossi, Franz Marc und August Macke.Nach einer längeren Malpause zugunsten der Förderung ihres Lebensgefährten Alexej Jawlensky kehrte Werefkin 1906 zu ihrer eigenen Kunst zurück und schuf in neuer, expressiver Weise faszinierende Werke. Die aus einer russischen Adelsfamilie stammende Künstlerin war maßgebliche Wegbereiterin und Mitbegründerin der »Neuen Künstlervereinigung München«, aus der sich der Kreis des »Blauen Reiters« entwickelte. Neben den frühen Arbeiten der Künstlerin aus Russland und den expressionistischen Bildern, die aus ihren Aufenthalten im Murnauer Land resultierten, würdigt die Werefkin-Spezialistin Brigitte Salmen auch das weniger bekannte Spätwerk der Malerin, das in Ascona, ihrem Schweizer Exil entstand. 80 pp. Englisch.…

Buch. Condition: Neu. Neuware -Sie war nicht nur eine begabte Malerin sondern auch eine kluge Freidenkerin und Gastgeberin: im Schwabinger Salon von Marianne von Werefkin versammelten sich Anfang des 20. Jahrhunderts namhafte Künstler wie Wassily Kandinsky, Gabriele Münter, Alfred Kubin, Adolf Erbslöh, Erma Bossi, Franz Marc und August Macke.Nach einer längeren Malpause zugunsten der Förderung ihres Lebensgefährten Alexej Jawlensky kehrte Werefkin 1906 zu ihrer eigenen Kunst zurück und schuf in neuer, expressiver Weise faszinierende Werke. Die aus einer russischen Adelsfamilie stammende Künstlerin war maßgebliche Wegbereiterin und Mitbegründerin der »Neuen Künstlervereinigung München«, aus der sich der Kreis des »Blauen Reiters« entwickelte. Neben den frühen Arbeiten der Künstlerin aus Russland und den expressionistischen Bildern, die aus ihren Aufenthalten im Murnauer Land resultierten, würdigt die Werefkin-Spezialistin Brigitte Salmen auch das weniger bekannte Spätwerk der Malerin, das in Ascona, ihrem Schweizer Exil entstand. 80 pp. Englisch.…

Condition: good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

Condition: New.

Condition: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

120 S. : überw. Ill. ; 30 cm . Orig.-Kart. (gut erhalten).

Paperback. Green and color illustrated wraps with purple and black lettering; 256 pp.; richly illustrated. Text in German. Good (Wraps and textblock have edgewear/scuffing/smudging; pages are lightly toned around the edges; interior is clean; binding is solid.).

Condition: Gut. Auflage: o. A... 208 Seiten, bebildert. Insgesamt in gutem Zustand, SU und Einbanddeckel mit z. Teil tieferen Kratzspuren. SU zusätzlich mit Knickspuren. ISBN: 9783363006681 Der Versand ins Ausland ist gegen Zahlung der Portokosten möglich. Bitte nehmen Sie Kontakt mit uns auf. Sprache: Deutsch Gewicht in Gramm: 1250 Gebundene Ausgabe mit Schutzumschlag. …

paperback. Condition: Gut. 96 Seiten; Murnau - 2. Auf. 2003 : Elisabeth Tworek - tb - 9-28-2-L3 HM-DYQA-PRCV Sprache: Deutsch Gewicht in Gramm: 1.

Condition: new.

Hardcover. Condition: new. Hardcover. James Loeb (1867 - 1933), the son of a German - Jewish banker in New York, followed his artistic and art historical inclinations and used his tremendous financial wealth for the purpose of cultural and social philanthropism. This publication examines the patron's life and work and outlines his scholarly achievements.Classical scholar, art collector, and philanthropist - James Loeb is one of the impressive personal ities of the twentieth century. Coming from a well - off family, he lived for his artistic interests and owned an outstanding collection of Greek, Etruscan, and Roman artworks, which nowadays is kept in the State Collection of Antiquities in Munich. He is th e founder of the Loeb Classical Library and provided extensive support for educational and social institutions. In this publication, renowned German and American authors for the first time take a comprehensive look at the life and work of the collector and patron who was active in Munich and Murnau. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Cloth. Condition: New. No Jacket, As Issued. 79 pages. Small format hardcover. Texts in English. Still in the publisher's original shrinkwrap, so the binding is tight, the edges and corners on the boards sharp, and interior presumably clean and free of markings. Bound in illustrated paper covered boards and issued without a dustjacket. Translated from the original German.…

Friedrich August von Kaulbach - Max Beckmann Gewicht in Gramm: 550 geringe äußere Gebrauchsspuren, innen sauber.