Brunskill Ann (10 results)

Hardcover. Condition: Good. 1st Edition. First edition. Limited to 120 copies (this is no 84). Hardback, cloth spine with printed paper covered boards. 30.5 × 21.5cm, unpaginated. Each page with loose tissue guard. Signed by both Helena Atlee and Ann Brunskill to the limitation page. A rather charming story taken from an old Tuscan folk tale. Illustrated with coloured wood block engravings by Ann Brunskill who also founded The Worlds End Press. Condition: This copy is in good plus condition, though lacking the slipcase. Slight dirtying to the rear board and a little faded to the spine. Signed by Author(s).…

Hardcover. Condition: Very Good. 1st Edition. First edition. Limited to 300 copies (this is no 13). Hardback, cloth spine with printed paper covered boards. 22 × 15cm, 42pp. Signed by Ann Brunskill to the limitation page. (This copy from the library of British artist Erica Macdonald, with Ann Brunskill's invoice to her for two copies loosely inserted). A simple tale in which a thief takes a fairy's pair of magic boots and is made to return them. The author founded The Worlds End Press. Ann Brunskill (1923-2018), was a printmaker, publisher, painter, and etcher. She studied at the Chelsea School of Art & Design (1959-62). She established her own printing label, The World's End Press, using a Lion platen press to create her own books. Her artwork consisted of etching, woodcutting, painting and construction. She added more colour to her printing process for books by using woodblocks painted with watercolour and printed in a Japanese method. She also worked with digital images. She has exhibited at the Victoria & Albert Museum and the British Crafts Centre in London. Her work can be found in the V&A, National Library of Australia, Government Art Collection, The British Library, and the Bibliotheque Nationale, Paris. Condition: This copy is in very good condition, with a little bumping to the corners. Signed by Author(s).…

No Binding. Condition: Very Good. This is a signed artist's proof etching by Ann Brunskill, featuring a cat on a sofa. The cat sits with its back to the artist, its tail gently hanging down over the front of the sofa. The colours in browns and reds. The sheet measures 62 × 45cms. The plate mark (image) measures 41 × 29cms. It is unframed. Undated, late 20th century. Signed by Ann Brunskill lower right, and titled by the artist lower left. Ann Brunskill (1923-2018), was a printmaker, publisher, painter, and etcher. She studied at the Chelsea School of Art & Design (1959-62). She established her own printing label, The World's End Press, using a Lion platen press to create her own books. Her artwork consisted of etching, woodcutting, painting and construction. She added more colour to her printing process for books by using woodblocks painted with watercolour and printed in a Japanese method. She also worked with digital images. She has exhibited at the Victoria & Albert Museum and the British Crafts Centre in London. Her work can be found in the V&A, National Library of Australia, Government Art Collection, The British Library, and the Bibliotheque Nationale, Paris. Condition: The etching is in very good condition, with some light crinkling to the edges and margins. It will be sent in a postal tube. Signed by Illustrator(s).…

First Edition. 31 x 22 cm No. 45 of an edition of 120 copies, set in Bembo 12 point, printed on a Lion hand press, signed in pencil by the illustrater and translator. Decorated boards, fine copy, in clothbound slipcase.

First edition. Hardcover. Quarto-size. Original illustrated pictorial boards, as issued, in a black cloth slipcase. Fine. A traditional Tuscan tale, translated by Attlee, well-told in a spare style. With wonderful hand-coloured wood block illustrations by British artist, Ann Brunskill (a printmaker, in the "livre d'artiste" style, who originated The Worlds End Press in 1971). Printed in a small edition (this being #91 of 120 copies) set in Bembo 24 point, printed on a Lion Hand Press. Signed by the artist on the limitation page. …

21 x 18cm. A complete set of 13 loose illustrated cards with biographies of participating craftspeople including musical instrument makers, jewellery designers, book-binders, etc. Produced to accompany Man-made, a residency at the Victoria and Albert Museum from 29th to 31st December 1976. Each card illustrates an object in the Museum selected by one of the participants, relating it to their own work. Also includes tri-fold event guide (designed by Michael Martin and printed by The Soman-Wherry Press, Norwich, for the V&A), listing the artists: lutemaker Stephen Gottlieb, book-binder Adrian Pasotti, wood engraver John Lawrence, etcher and hand-made book designer Ann Brunskill, calligrapher Ann Hechle, glyptic artist Nik Lambrinides, jeweller Matthew Tomalin, potter Ray Silverman, tapestry weaver Archie Brennan, ecclesiastical embroiderer Jennifer Boyd-Carpenter, handweaver and spinner Barbara Mullins, lace-makers Kathleen Riley, Margaret Susans (and students), and embroiderer Diana Springall. Also includes other Victoria & Albert event brochures: Linda Parry's 'William Morris: Designs for Printed Textiles' (1978) and Jean Hamilton's 'Twentieth Century Wallpaper' (c.1978). Good condition.…

No Binding. Condition: Good. This is an original piece of box art by Ann Brunskill, titled Spring, and created in 1991. It is initialled and titled to the support, the background of the box has been initialled and there are two labels to the reverse. It consists of a painted box, green on the outside, with two doors attached by string that open up to reveal a wooden tree, and hanging from the top of the box, suspended by string, are the sun and the moon. There is a painted background of a hilly landscape against a blue sky, and on the inside of the right hand door, a figure in striped top and straw hat looks out. The box sits on wooden support. Dimensions: The wooden base is 43cm long, and the box measures 22cm long, 15.5cm high, and has a depth of 4cm. There are two corks to the reverse as buffers. Ann Brunskill (1923-2018), was a printmaker, publisher, painter, and etcher. She studied at the Chelsea School of Art & Design (1959-62). She established her own printing label, The World's End Press, using a Lion platen press to create her own books. Her artwork consisted of etching, woodcutting, painting and construction. She added more colour to her printing process for books by using woodblocks painted with watercolour and printed in a Japanese method. She also worked with digital images. She has exhibited at the Victoria & Albert Museum and the British Crafts Centre in London. Her work can be found in the V&A, National Library of Australia, Government Art Collection, The British Library, and the Bibliotheque Nationale, Paris. Condition: Good condition. The doors hand a little loosely when not fully opened or closed, and there is a little light wear to the contents. Slight water stain to the wooden base but the whole remaining an attractive piece. Signed by Illustrator(s).…

1st edition. Hardcover. Green morocco spine and decorative blue boards, a little wear at the corners, stiff card pages very clean. Woodcuts throughout by Ann Brunskill. Limited edition of 100 copies, this no 20 signed and numbered by the artist. Very scarce.

Hardcover. Condition: Very Good. First Edition. Look Back, by Ann Brunskill. Hardcover (no jacket, as issued). Limited to 150 copies, this signed, dedicated and hand-numbered 22/150 by Brunskill at rear. Excellent condition, with no notable faults; text and images are clear. TS. Signed by Author. Used. …

French Text by Guillaume de Lorris. Etchings by Ann Brunskill. Folio, publisher's full white vellum by Bert Set, in slipcase. First edition; No. 5 of 75 copies, signed by Ann Brunskill; and one of 25 with seven original etchings. A few slight marks to the vellum; boards very slightly bowed; light spotting and use to slipcase.…