Burri Alberto, First Edition (24 results)

Tapa Blanda Con Solapa. Condition: Excelente. En Castellano. Profusamente ilustrado. Fotografía a toda página----El precio de los gastos de envío está calculado para libros con un peso máximo de1 kg superando el kg los gastos de envió serán mayores, - Los pedidos fuera de la península: Baleares ,Canarias, Ceuta y Melilla tienen un coste adicional, consúltenos antes de realizar su pedido, los libros usados pueden tener o no firma del anterior propietario---------- Size: 21X27-cm. Recopilatorio.

Paperback. Condition: Near Fine. Dust Jacket Condition: Near Fine. First Edition. 4to. Near Fine in Near Fine dust jacket. Slight wear to wraps. Slight wear and rubbing to jacket.

BOX packed with padding! Size: 10.5" x 9". Pages: not written on, clean, bright, odor free, fine edges. Cover: near fine edge, a few darks spots near back bottom corner. See Photos! Ships from California. Ships same or next day (weekdays and Saturdays)! ABOUT: Combustione: Alberto Burri and America (2010) Lisa Melandri, Michael Duncan, Elsa Longhauser, with works by Alberto Burri Exhibition Catalogue ? Santa Monica Museum of Art, Sept. 11-Dec. 18, 2010 This catalogue documents a focused exhibition exploring Alberto Burri's "Combustione" (Combustion) works and their deep, often under?recognized connection to American postwar art. Rather than a broad retrospective, the book concentrates on the period when Burri's experiments with burning, melting, and transforming materials resonated with?and influenced?American avant?garde movements. Scope and Purpose The volume positions Burri not simply as an Italian postwar master but as a transatlantic figure, whose innovations in material destruction and transformation paralleled developments in American art from the 1950s through the 1970s. It argues that Burri's combustions anticipated or intersected with: - Abstract Expressionism - Neo?Dada and assemblage - Process art and material?based practices - The California art scene's interest in industrial materials The catalogue serves both as an art?historical study and as a visual record of the exhibition. Key Themes 1. Material as Event Burri's combustions?burned plastics, charred wood, melted industrial compounds?are presented as acts, not just objects. The essays emphasize: - The tension between destruction and creation - The transformation of humble materials into painterly surfaces - The performative dimension of burning as a technique 2. Burri's Dialogue with America 3. Historical and Cultural Context 4. Exhibition Plates and Documentation.

Soft Cover. Condition: As New. First Edition; First Printing. As New. Tight, clean and crisp. Appears unread and looks New. No inscriptions. No remainder mark. Not ex-library. In excellent condition. As New. ; 26 full page color plates plus many text illustrations. Foreword by Elsa Longhauser. With essays by Lisa Melandri and Michael Duncan. Published on the occasion of the exhibition at the Santa Monica Museum of Art, September 11 - December 18, 2010. ; As New. ; 10 X 8.90 X 0.40 inches; 63 pages.

VG near fine copy. softcover . a clean and bright copy no inscriptions. From the personal collection of a dealer/collector. First Edition.

Soft cover. Condition: Very Good. 1st Edition. Softcover exhibition catalogue in stiff black wraps. With color photo illustrations. Unpaginated. Clean, internally unmarked, well bound. Published on the occasion of a 2013 exhibition of the same name at Luxembourg & Dayan, New York. With essay by Antonio Sapone. "Nero cellotex" is a cycle of 10 paintings by Italian matterist painter Alberto Burri, which he considered "among the most important testimonies to his artistic will". Cellotex, a "poor, indestructible" material consisting of glue and particleboard, was essential to postwar building reconstruction. The painting cycle sees Burri's most elemental use of this material. Near indiscernible shelfwear to book, pages bright and crisp. Scarce edition in excellent condition.

Paperback. Condition: Near Fine. 1st. [86] pages, illustrations; 22 cm. Text in Italian/Testo in italiano. Near fine. Firm binding, clean inside copy. Light shelfwear to wraps, age toning. Size: 8vo. Collectible.

First Edition. First edition. Softcover. Exhibition catalog for a show that ran October 26 through December 8, 2017 at Casa Italiana Zerilli-Marimò, New York University. Text in English. Features a contributino by Bruno Cora. Includes numerous color and black and white illustrations and biographical information. A clean very near fine copy in French style wrappers. Uncommon.

Soft cover. Condition: Good+. 1st Edition. Limited edition #91. Interior is very good. Images & text (French) clean & unmarked w/no rips. Binding tight. Covers are clean, but w/edge wear, bumping, & moderate creasing.

SOFTCOVER. Condition: As New. 1st Edition. Large heavy 4to. in colour printed stiff card covers, 165pp on thick glossy art paper, colour plates, illustrations in text, etc. Dual text in English and Italian . [CONDITION: A well preserved AS NEW unmarked copy (faint tanning to covers) ] . __To see more of our Art Monographs etc type DbbARTIST in the Keywords search box . . We always ship in STRONG PROTECTIVE CARD PARCELS.

Softcover. 28 x 23 cm. Brossura originale rossa con alette. 207 pagine con testo e alcune illustrazioni a colori a piena pagina. Una dedica sul frontespizio. Per il resto, una copia pulita e in buone condizioni // 28 x 23 cm. Rote Original-Klappenbroschur (Paperback). 207 Seiten mit Texten und, teils ganzseitigen Farbabbildungen. Eine Widmung auf dem Titelblatt. Ansonsten sauberes, gutes Exemplar. -- Bitte Portokosten außerhalb EU erfragen! / Please ask for postage costs outside EU! / S ' il vous plait demander des frais de port en dehors de l ' UE! // Bitte beachten Sie auch unsere Fotos! / Please also note our photos! / Veuillez noter nos photos -- Lesen Sie etwas Schönes auf einer Bank in der Frühlingssonne! Wir haben die passende Lektüre. -- Wir kaufen Ihre werthaltigen Bücher! KuPs.

Card covers, stapled spine. Condition: Very good in wraps. First Edition. 19 x 23cm 8pp card covered exhibition catalogue, some minor marks to wrappers. Includes an Introduction by Herbert Read with single page black and white reproductions.

Originalbroschur. 28cm. Condition: Wie neu. ERSTAUSGABE. Nicht paginierte Seiten. Mit zahlreichen dokumentarischen Abbildungen, teils in Farbe. SEHR schönes Exemplar der ERSTAUSGABE. Sprache: Deutsch Gewicht in Gramm: 600.

Couverture souple. Condition: Très bon. Edition originale. In-8° broché, 8vo. 2 pp. Soft Covers. Very Good. Black and White Plates. In French and English.

Hardcover. Condition: Very good plus. First Edition. Quarto. 11 3/4 x 10". 278pp. Incl. notes, bibliography and index. 95 pieces illustrated in color plus 149 illustrations within substantial text. Pictorial boards with cloth spine, issued without dust jacket. Bottom of spine bumped, making front endpaper a little loose, edge bump on rear cover, book still quite nice.

Soft cover. Condition: Very Good. Dust Jacket Condition: Fine. 1st Edition. 4° - 42pp - Color & B/w reproductions. Published as exhibition catalogue: ALberto Burri (1915-1995) Italian visual artist, painter, sculptor and physician based in Città di Castello. He is associated with the matterism of the European informal art movement and described his style as a polymaterialist. Original boards. In Very good condition.

Hardcover. Condition: Fine. 1st Edition. 4° - 135pp - Color & B/w photo-reproductions. BURRI Plastics - Alberto Burri (1915-1995) Italian visual artist, painter, sculptor, and physician based in Città di Castello. He is associated with the matterism of the European informal art movement and described his style as a polymaterialist. He had connections with Lucio Fontana's spatialism and, with Antoni Tàpies, an influence on the revival of the art of post-war assembly in the United States as in Europe. First edition, text in Italian by Bruno Corà. Original binding. In Fine condition.

Soft cover. Condition: Good. 1st Edition. 4° - 6,9 x 7,3. - 55 pp Color reproductions. Catalogue for the artist's exhibition, Palazzo Pubblico, Siena. Alberto Burri (1915-1995) Italian visual artist, painter, sculptor, and physician based in Città di Castello. He is associated with the matterism of the European informal art movement and described his style as a polymaterialist. On the cover:serigrafia. In Very good condition.

Soft cover. Condition: Very Good. 1st Edition. 4° - Color plates. "Drawings, Temperas and Prints 1948 - 1976" - Exhibition at : Palazzo Ducale, Pesaro 25 September 1976.Text in Italian language. Original wrappers. Good condition.

Soft cover. Condition: Near Fine. 1st Edition. Exhibition catalog inscribed and signed by Burri and dated 1964 in New York. Inscribed and Signed by the Artist. Book.

S. l. (Roma), s. n. [Galleria 2RC], 1973-1982, Edizione originale. Dalla collezione di Giampiero Mughini. Esemplare numero 27 di 90 ben completo di tutte e dieci le litografie numerate e firmate a matita dall'artista, e delle firme autografe dell'artista e del poeta al colophon. In ottime condizioni di conservazione (lievi fioriture ad alcune carte e ai tagli). Rarissimo libro d'artista tirato in soli 105 esemplari numerati in due serie (1-90 e I-XV). Stando alla bibliografia pubblicata dalla Fondazione Burri, Alberto Burri ha collaborato pochissimo con l'editoria d'arte: solo sette i libri che possono vantare di contenere un suo intervento grafico diretto. Tra questi, sono solo due i libri d'artista veri e propri, ovvero quelle opere costruite con il comune partecipare di artista e poeta, non semplici edizioni di pregio con grafiche; entrambi sono stati realizzati con Emilio Villa. «Sappho» è il secondo e ultimo: pubblica una suite di 10 litografie originali nel formato 250 x 175 millimetri, realizzate a partire dai disegni eseguiti tra il 1973 e il '76: «unusually for Burri, they were decidedly figurative, with distant echoes of Dubuffet and outsider art» ("Print Quarterly" 22:4, p. 452). La realizzazione delle incisioni prese più di cinque anni: allo scopo di rendere alla perfezione i coloratissimi disegni di Burri, infatti, furono realizzate oltre duecento lastre per altrettanti passaggi di colore, precisamente registrati nella pagina tecnica che chiude il volume. -- Alternati alle litografie, frammenti dalla poetessa Saffo scelti e tradotti da Emilio Villa (con precisa indicazione del papiro di provenienza e della data originale di scoperta e pubblicazione): «Consegnamo [sic] così queste reliquie di liturgia saffica, in una speciale lettura a opera di Alberto Burri e di Emilio Villa», chiude la prefazione non firmata dell'editore Valter Rossi, titolare con la moglie della Galleria 2RC di Roma. Festanti, Archivio Emilio Villa: Inventario, p. 70 in 8° (260 x 183 mm), brossura muta con sovracoperta in pergamena albina ribattuta a tamburo; titolo in caratteri greci in scrittura calligrafica impresso in oro al piatto anteriore (ribadito in nero alla p. [3]); logo della galleria «2RC» impresso in oro al piede del dorso; pp. [56] comprese le litografie sciolte interfoliate, ciascuna protetta da bifolio in leggera carta velina. Edizione originale. Dalla collezione di Giampiero Mughini. Esemplare numero 27 di 90 ben completo di tutte e dieci le litografie numerate e firmate a matita dall'artista, e delle firme autografe dell'artista e del poeta al colophon. In ottime condizioni di conservazione (lievi fioriture ad alcune carte e ai tagli). brossura muta con sovracoperta in pergamena albina ribattuta a tamburo; titolo in caratteri greci in scrittura calligrafica impresso in oro al piatto anteriore (ribadito in nero alla p. [3]); logo della galleria «2RC» impresso in oro al piede del dorso;

senza rilegatura. Condition: ottimo. prima edizione. BURRI Alberto (Città di Castello 1915 - Nizza 1995), Roma, Galleria La Salita, 1958, 22,6x17,2 cm., invitation sheet folded in two parts (pp. [4]) with the list of the exhibited works and illustrated with a silk-screen printed color image. Invitation and catalog of the exhibition (Rome, Galleria La Salita, 12 March 1958 - opening).

senza rilegatura. Condition: buono. prima edizione. Alberto Burri Galleria La Tartaruga, 1967 Manifesto originale della mostra personale di Alberto Burri, Galleria La Tartaruga, Roma, dicembre 1967 Stampa offset cm. 100 x 70.