Camondo (23 results)

Paperback. Condition: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Softcover. Condition: Très bon. Ancien livre de bibliothèque avec équipements. Edition 2000. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Very good. Former library book. Edition 2000. Ammareal gives back up to 15% of this item's net price to charity organizations.

Condition: AS NEW. Etat de NEUF / AS NEW condition 2858165386 9782858165384 1057A 1.

Condition: 3. BROCHE.

Article (3 pages. 9 photos) paru dans l'Illustration. Numéro complet.

Broché. Condition: Bon état. in-8 Description :58 pp. Couverture légèrement salie. Langue : Français Nb de volumes : 1.

Condition: Neuf.

Couverture souple. Condition: Très bon. Edition originale. In-8° , broché , 217 pages.

Broché. Condition: Bon état. in-8 Description :149 pp. Collection "Savoirs". Couverture salie. Langue : Français Nb de volumes : 1.

Couverture souple. Condition: Comme neuf. Edition originale. Paris , 2017. 1 Volume/1. -- Comme Neuf - Broché cousu , Couverture illustrée. Format in-4°( 27 x 19 cm )( 640 gr ). ------- 272 pages très illustrées. ************************* Présentation éditeur : "" Nissim de Camondo a presque 22 ans lorsqu il répond à l appel sous les drapeaux en août 1914. Jour après jour, mois après mois, trois années durant, Nissim de Camondo écrit à ses proches pour leur raconter son combat. On le suit du front belge à la Lorraine, en passant par Verdun, le Chemin des Dames et la Somme. À l enthousiasme de ses débuts, comme cavalier au 3e régiment de hussards, succède, en 1915, la prise de conscience de l immense cruauté de cette guerre. En 1916, il passe dans l aviation en qualité d observateur à l escadrille 33. Il survole dès lors les lignes ennemies, réalise un nombre considérable de missions photographiques et devient pilote. Il meurt en combat aérien le 5 septembre 1917. Nous livrons ici dans son intégralité la correspondance de Nissim de Camondo à son père. Elle est complétée de son journal de campagne ainsi que de lettres adressées à d autres destinataires et choisies en fonction de leur intérêt. Révélatrice de la personnalité et du courage du jeune combattant, cette correspondance dévoile aussi son affection pour les siens."" ****************************.

Condition: Très bon. Merci, votre achat aide à financer des programmes de lutte contre l'illettrisme.

Paperback. Condition: Good. on plain soft covers from union centrale- FAST Despatch by First Class Royal Mail.

Condition: Good. Envoi rapide  proche du neuf. in8. 1983. Broché. 125 pages. Good.

Couverture souple. Condition: Très bon. Edition originale. Grand in-quarto broché, couverture rouge carmin imprimée. Cette revue ne se présente jamais en raison de sa grande fragilité dans un tel état excellent de conservation. L'Art vivant est une revue artistique publiée bimensuellement à partir de 1925. La parution est mensuelle de 1931 à 1934 et irrégulière de 1935 à 1939, éditée par Les Nouvelles littéraires et associée aux éditions Larousse. Le premier numéro est publié le 1er janvier 1925. Les titres et sous-titres alors indiqués sont Revue bimensuelle des amateurs et des artistes. L'art vivant. Arts décoratifs et appliqués. Peinture. Le livre. Sculpture. Les arts de la femme. Les directeurs fondateurs sont Jacques Guenne (qui dirige la revue jusqu'à sa disparition en 1939) et Maurice Martin du Gard. Le rédacteur en chef est Florent Fels jusqu'en septembre 1930. La revue a accueilli, notamment, dans ses colonnes Georges Charensol et Georges Rivière. Elle disparaît en juillet 1939 après 234 numéros. - - - - - - Large paperback quarto, printed carmine red cover. This journal never comes due to its great fragility in such an excellent state of preservation. L'Art vivant is an artistic magazine published bimonthly from 1925. The publication is monthly from 1931 to 1934 and irregular from 1935 to 1939, published by Les Nouvelles littéraires and associated with Larousse editions. The first issue was published on January 1, 1925. The titles and subtitles then indicated are Bimonthly magazine for amateurs and artists. Living art. Decorative and applied arts. Paint. The book. Sculpture. The arts of women. The founding directors are Jacques Guenne (who directed the journal until its disappearance in 1939) and Maurice Martin du Gard. The editor-in-chief is Florent Fels until September 1930. The review has welcomed, in particular, in its columns Georges Charensol and Georges Rivière. It disappeared in July 1939 after 234 issues. - - - - - Gran libro en rústica en cuarto, tapa impresa en rojo carmín. Esta revista nunca llega por su gran fragilidad en tan excelente estado de conservación. L'Art vivant es una revista artística publicada bimensualmente desde 1925. La publicación es mensual desde 1931 hasta 1934 e irregular desde 1935 hasta 1939, editada por Les Nouvelles littéraires y asociada a las ediciones Larousse. El primer número se publicó el 1 de enero de 1925. Los títulos y subtítulos que se indican a continuación son Revista bimestral para aficionados y artistas. Arte vivo. Artes decorativas y aplicadas. Pintar. El libro. Escultura. Las artes de la mujer. Los directores fundadores son Jacques Guenne (quien dirigió la revista hasta su desaparición en 1939) y Maurice Martin du Gard. El redactor jefe es Florent Fels hasta septiembre de 1930. La revista ha acogido, en particular, en sus columnas a Georges Charensol y Georges Rivière. Desapareció en julio de 1939 tras 234 números. - - - - Großes Taschenbuch im Quarto-Format, bedruckter karminroter Einband. Dieses Journal kommt aufgrund seiner großen Fragilität nie in einem so hervorragenden Erhaltungszustand. L'Art vivant ist eine Kunstzeitschrift, die ab 1925 alle zwei Monate erscheint. Die Veröffentlichung erscheint monatlich von 1931 bis 1934 und unregelmäßig von 1935 bis 1939. Sie wird von Les Nouvelles littéraires herausgegeben und ist mit den Larousse-Ausgaben verbunden. Die erste Ausgabe erschien am 1. Januar 1925. Die damals angegebenen Titel und Untertitel lauten Zweimonatliche Zeitschrift für Amateure und Künstler. Lebendige Kunst. Dekorative und angewandte Kunst. Malen. Das Buch. Skulptur. Die Künste der Frauen. Die Gründungsdirektoren sind Jacques Guenne (der die Zeitschrift bis zu ihrem Verschwinden im Jahr 1939 leitete) und Maurice Martin du Gard. Chefredakteur war bis September 1930 Florent Fels. Die Rezension begrüßte in ihren Kolumnen insbesondere Georges Charensol und Georges Rivière. Es verschwand im Juli 1939 nach 234 Ausgaben.

Condition: bon. Paris, 2009, in-8 cart. (160 pages). Illustré. bon.

PARIS, Union Centrale des Arts décoratifs - Sans date (1935) - In-8 - broché (Petites taches en couverture) - Frontispice comte de Camondo - Photographie de Nissim de Camondo - historique de la famille Camondo - 200 pages, y compris Index + 16 pages de photographies - très frais intérieurement - Envoi rapide et soigné - Livres.

[Paris], Arts décoratifs, [2007]. 319 pp. Col. & b./w. ills. Orig. hardcover (paper-covered boards), d./j. 4to. Published under the direction of Marie-Noël de Gary. Photographs by Jean-Marie del Moral. - - Located on the edge of Parc Monceau in Paris, and featuring a garden designed by Achille Duchêne, the private mansion of Count Moïse de Camondo was built between 1911 and 1914 by the architect René Sergent. To house his exceptional collection of 18th-century furniture, paintings, carpets, porcelain, and silverware, Moïse de Camondo gave his mansion the appearance of an 18th-century residence. In honor of his son Nissim, who died during the First World War, he bequeathed his collections to the French State and entrusted their upkeep to the Musée des Arts Décoratifs. This book is the first to comprehensively explore the elements that make this museum an exceptional place: the history of the family, the collector's tastes, and the life, workings, and fate of the house. It is illustrated with photographs taken in natural light that reveal, throughout the day and seasons, the unique characteristics of each room and the works of art it contains.

Original-Pappband. Condition: Sehr gut. 4 Original-Pappband de 174 pp.

No Binding. Condition: Very Good. Original autograph letter signed (ALS) by P.pon "[We hereby declare that Ms. L. Cassinelli occupied our house located in Pera Rue, Hodja Ali No 19. On December 1, 1887, and left him on September 30, 1899. That during all time, he did not pay me the tax. P. pon de la succession de feu le Comte A. de Camondo. [i.e. On behalf of the succession of Count A[braham Salomon] Camondo, (1781-1873)]. Probably it's signed by his advocate of Moise de Camondo. Recipient is not defined. Letter indicates one of Camondo family's houses in Pera, Constantinople. 26,5x21 cm. Completely in French. 14 lines. On a paper watermarked "William Brown & Co., London". William Brown and Co. were located in London in this 'St. Mary Axe, and 40 to 41, Old Broad Street, London, E.C.' address according to Grace's guide to British industrial industry; they worked on 'Lithographic and Letterpress Printers'. 1887 Registered as a Limited Company. Count Moïse de Camondo, (1860-1935), was an Ottoman Empire-born French banker and art collector. He was a member of the prominent Camondo family. As a child, Camondo moved with his family from their home in Constantinople, Ottoman Empire, to Paris around 1869, where he grew up and continued the career of his father, Nissim de Camondo (1830-1889), as a banker. He was born into a Sephardic Jewish family that owned one of the largest banks in the Ottoman Empire, established in France since 1869. Starting in 1911, he completely rebuilt the family's Parisian mansion on the Parc Monceau in order to house his collection of 18th-century French furniture and artwork. Working closely with the architect René Sergent, he created a palatial home conforming to certain 18th-century traditions, even planning the room dimensions to match exactly the objects in his collection. The entryway is inspired by the Petit Trianon of Versailles. The home includes a kosher kitchen with separate sections for meat and dairy. The dining room includes a beautifully-carved green marble fountain in the shape of a shell, with a dolphin spigot for the ritual washing of hands before eating a meal. Some highlights of his collection include a French silver service that had been ordered by Russian Empress Catherine the Great, a set of Buffon porcelain (with exact reproductions of ornithological drawings) from the Sèvres manufacturer, and perhaps the only existing complete set of Gobelin royal tapestry sketches. He married Irène Cahen d'Anvers, daughter of Louis Cahen d'Anvers, in 1891. They separated in August 1897 after her affair with de Camondo's stable master, Count Charles Sampieri, whom she would later marry and divorce. The children, Nissim and Beatrice, remained with de Camondo. The mansion was completed in 1914, but his son did not reside there very long, as he rejoined the French Army to fight in The Great War. It had been de Camondo's great hope that his son, whom he adored, would take over the family empire. Following Nissim's death in 1917, de Camondo closed all banking activities. He largely withdrew from society and devoted himself primarily to his collection and to hosting dinners for a club of gourmets at regular intervals. Camondo died in 1935, and the museum opened the following year. He donated the home to Paris's Decorative Arts society as a museum (Musée Nissim de Camondo) in honor of the loss of his son Nissim in World War I. In addition to the collection, the meticulously-restored service areas, elevator, and woodwork of the mansion are noteworthy. During the German occupation of France during World War II, his daughter Béatrice, his son-of-law Léon Reinach, and their children (Fanny and Bertrand) were deported from France and died in the Auschwitz concentration camp. As a result, the de Camondo family died out. Signed by Author(s).

LeatherBound. Condition: New. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. Leatherbound edition. Condition: New. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. Pages: 196. A perfect gift for your loved ones. Reprinted from 1922 edition. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. IF YOU WISH TO ORDER PARTICULAR VOLUME OR ALL THE VOLUMES YOU CAN CONTACT US. Resized as per current standards. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Language: French Pages: 196.

acknowledging receipt "of a registered letter containing 1,500 francs which you deliver to me in the name of Mister Jules Huret. Please, Madam, accept the assurance of my respectful sentiments.", 2 sides 8vo., no place, Saturday, October He was an art collector, with a noteworthy interest in the then "avant-garde" artists of the Impressionist and Post-Impressionist movements. He bequeathed his collection to The Louvre in 1908, for which a new suite of exhibition rooms were arranged on the second floor of the wing between the Pavillon Mollien and the Grande Galerie and opened in mid-1914. Transcription Samedi octobre 98 Madame, Je m'empresse de vous accuser réception d'un pli chargé contenant 1500 francs que vous voulez bien me remettre au nom de Monsieur Jules Huret. Veuillez Madame agréer l'assurance de mes sentiments bien respectueux. I de Camondo Translation Saturday October '98 Madam, I hasten to acknowledge receipt of a registered letter containing 1,500 francs which you deliver to me in the name of Mister Jules Huret. Please, Madam, accept the assurance of my respectful sentiments.

Leather Bound. Condition: New. Language: French. Language: French. Presenting an Exquisite Leather-Bound Edition, expertly crafted with Original Natural Leather that gracefully adorns the spine and corners. The allure continues with Golden Leaf Printing that adds a touch of elegance, while Hand Embossing on the rounded spine lends an artistic flair. This masterpiece has been meticulously reprinted in 2025, utilizing the invaluable guidance of the original edition published many years ago in 1922. The contents of this book are presented in classic black and white. Its durability is ensured through a meticulous sewing binding technique, enhancing its longevity. Imprinted on top-tier quality paper. A team of professionals has expertly processed each page, delicately preserving its content without alteration. Due to the vintage nature of these books, every page has been manually restored for legibility. However, in certain instances, occasional blurriness, missing segments, or faint black spots might persist. We sincerely hope for your understanding of the challenges we faced with these books. Recognizing their significance for readers seeking insight into our historical treasure, we've diligently restored and reissued them. Our intention is to offer this valuable resource once again. We eagerly await your feedback, hoping that you'll find it appealing and will generously share your thoughts and recommendations. Lang: - French, Pages:- 196, Print on Demand. If it is a multi-volume set, then it is only a single volume. We are specialised in Customisation of books, if you wish to opt different color leather binding, you may contact us. This service is chargeable. Product Disclaimer: Kindly be informed that, owing to the inherent nature of leather as a natural material, minor discolorations or textural variations may be perceptible. Explore the FOLIO EDITION (12x19 Inches): Available Upon Request. 196 196.

Leather Bound. Condition: New. Language: French. Language: French. Presenting an Exquisite Leather-Bound Edition, expertly crafted with Original Natural Leather that gracefully adorns the spine and corners. The allure continues with Golden Leaf Printing that adds a touch of elegance, while Hand Embossing on the rounded spine lends an artistic flair. This masterpiece has been meticulously reprinted in 2024, utilizing the invaluable guidance of the original edition published many years ago in 1906. The contents of this book are presented in classic black and white. Its durability is ensured through a meticulous sewing binding technique, enhancing its longevity. Imprinted on top-tier quality paper. A team of professionals has expertly processed each page, delicately preserving its content without alteration. Due to the vintage nature of these books, every page has been manually restored for legibility. However, in certain instances, occasional blurriness, missing segments, or faint black spots might persist. We sincerely hope for your understanding of the challenges we faced with these books. Recognizing their significance for readers seeking insight into our historical treasure, we've diligently restored and reissued them. Our intention is to offer this valuable resource once again. We eagerly await your feedback, hoping that you'll find it appealing and will generously share your thoughts and recommendations. Lang: - French, Pages: - 274, Print on Demand. If it is a multi-volume set, then it is only a single volume. We are specialised in Customisation of books, if you wish to opt different color leather binding, you may contact us. This service is chargeable. Product Disclaimer: Kindly be informed that, owing to the inherent nature of leather as a natural material, minor discolorations or textural variations may be perceptible. Explore the FOLIO EDITION (12x19 Inches): Available Upon Request. 274 274.