Cannon Michael Editor (28 results)

Hardcover. Condition: Very Good.

hardcover. Condition: New.

Hardcover. Condition: New.

hardcover. It's new!! ships within 24 hours.

Faux Brown Leather. Condition: Fine - as New. Dust Jacket Condition: No Jacket as Expected. First Printing w/#1 in Line. 187 pages. Indexed. Frontis photo & other photos; maps, illustrations, etc. A fine copy with no wear or markings. Size: 4to - over 9¾" - 12" Tall.

Hardcover. Condition: Brand New. 200 pages. 7.95x6.50x1.10 inches. In Stock.

Paperback. Condition: Brand New. 296 pages. 5.50x0.65x8.50 inches. In Stock.

Paperback. Condition: Brand New. 296 pages. 5.50x0.65x8.50 inches. In Stock.

Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. Very good copy. This heavy book may require a freight adjustment.

8vo. 225pp. b/w ills. Original boards in dustwrapper. Very good copy. . First edition.

Cloth. Condition: Near Fine. Dust Jacket Condition: Near Fine. 1st Edition. Near Fine In A Like Jacket Pp 100 Illustrated Throughout.

Hardcover. Condition: Brand New. 1st edition. 992 pages. 9.25x6.50x1.75 inches. In Stock.

Hardcover. Condition: Near Fine. Dust Jacket Condition: Near Fine. 1st Edition. Previous owner's signature ffep. Some B&W photographs. 26 x 19 cm. 570 pp.

Hardcover. Condition: Near Fine. Dust Jacket Condition: Near Fine. 1st Edition. Some B&W photographs. 26 x 19 cm. 570 pp.

"Sales/posting to the USA suspended". Ex-library hard cover (NO dust jacket), large octavo, xii/365-803pp. Library markings - sticker at base of spine; stamp and pencilled classificatiomn number top left of imprint page; stamp and sticker top of rear fep; card pocket on rear pastedow. Board edges a little worn; a good copy.n.

hardcover. Condition: New. In shrink wrap. Looks like an interesting title!

xx+670pp. Large 8vo. Original full leather in chipped dustwrapper. Light moisture staining to foredge. Illustrated endpapers, 5 fold-outs (11 colour illusts., 2 b/w. illusts. and 1 map), numerous b/w. illustrations throughout text, index; a very good copy. . First edition, the de luxe issue in full leather.

633 pp including index, illustrated end papers, colour plates, b&w photographic and line illustrations, very good copy in boards with dustjacket. Foundation Series.

4to; pp. (iv), 100; 40 colour plates, select bibliography; dustjacket, a very good copy. . First Edition.

4to; pp. (iv), 100; 40 colour plates, select bibliography; dustjacket, name on ffe, otherwise a near fine copy. . First Edition.

100 pp, quarto, tinted end-papers, numerous coloured plates, fine copy in like illustrated d/j. With John Calaby book-plate on front paste-down.

670 pp, illustrated end papers, folding colour plates, tables, maps, architectural drawings, b&w photographic illustrations, engravings, line drawings, fine copy in like, illustrated d/j. Foundation Series.

570 pp including index, large octavo, pictorial end-papers, b&w plates and illustrations, top and end edges foxed, else very fine copy in de-luxe full morocco, with like d/j. Foundation Series. Limited issue.

Hardcover. Condition: Near Fine. Dust Jacket Condition: VG+. Volume 1: Beginnings of Permanent Government;1981; 570 pages. Volume 2A: The Aborigines of Port Phillip 1835-1839; 1982; 361 pages. Volume 2B: Aborigines and Protectors 1838-1839; 1983; pages 365-803. Volume 3: The Early Development of Melbbourne; 1984; 670 pages. All pages are in very good, clean condition. Many illustrations. Previous owner's name on the reverse of the ffep in volume 2A and his embossed stamp on the endpapers of the other volumes. Illustrated endpapers. Grey cloth with gilt titles on the spines. Corners not bumped. Yellow DJs with illustrations and white titles. Spines a little faded. Very light wear on the corners. VG+/VG+ **very heavy - may require extra postage**. Book.

Condition: Very good. Presumed First Edition, First printing. The format is approximately 8,.75 inches by 9.25 inches. 112 pages. Illustrated cover. Profusely illustrated (many illustrations are in color). Minor cover wear and soiling noted. One page TLS on Heim stationery signed by Michael Bellamy relating to the catalogue and associated exhibition laid in. The gallery is recognized as being among the first commercial galleries to present scholarly exhibitions. In art history, "Old Master" (or "old master") refers to any painter of skill who worked in Europe before about 1800, or a painting by such an artist. An "old master print" is an original print (for example an engraving, woodcut, or etching) made by an artist in the same period. The term "old master drawing" is used in the same way. In theory, "Old Master" applies only to artists who were fully trained, were Masters of their local artists' guild, and worked independently, but in practice, paintings produced by pupils or workshops are often included in the scope of the term. Therefore, date rather than quality is the criterion for using the term. The Oxford English Dictionary defines the term as "A pre-eminent artist of the period before the modern; esp. a pre-eminent western European painter of the 13th to 18th centuries." The first quotation given is from 1696, in the diary of John Evelyn: "My L: Pembroke.shewed me divers rare Pictures of very many of the old & best Masters, especially that of M: Angelo.,& a large booke of the best drawings of the old Masters." The Dutch may have been the first to make use of such a term when oude meester mostly meant painters of the Dutch Golden Age of previous centuries. Heim Gallery London began in June 1966 with François Heim (from Galerie Heim, Paris, begun 1954) and Andrew S. Ciechanowiecki as partners. Ciechanowiecki served as director in London while Heim remained in France. The emphasis of the gallery was Old Master paintings, especially French of the 15th - 18th century, Italian paintings of all periods, and sculpture (marble, terracotta and bronze) from the Renaissance to the 19th century. The gallery was known for its scholarly exhibitions and catalogs. Between 1966 and 1989 the gallery presented exhibitions two to three times a year. The gallery did business with museums and individual clients in Europe and the United States. Ciechanowiecki helped build two significant private collections in the United States, the terracotta sculpture collection of Arthur Sackler (a portion of which is now at the National Gallery in Washington), and the Ian Ross collection of 19th century French sculpture. Heim Gallery also did business under other names: Old Masters (Paintings and Sculptures) Ltd. was created, apparently, as an internal device for tax purposes and had by 1986 as its sole directors, Ciechanowiecki and John Pomian, also sole directors of Heim Gallery at this time. The two entities existed concurrently in different premises. In October 1986, the Heim Gallery premises were leased to Richard Herner, owner of Swiftdene Ltd., and the corporate names exchanged: Herner was to use Heim Gallery, and Ciechanowiecki and John Pomian took on the name Swiftdene Ltd. Swiftdene and Old Masters shared premises at 67/68 Jermyn Street. At this point, Old Masters was still wholly owned by Ciechanowiecki and Pomian, with Swiftdene controlled by a Swiss company. Swiftdene ceased trading 30 September 1989 and its stock was purchased by Old Masters. Trade paperback [stiff card cover].

Hardcover. Condition: Near Fine. Eight volumes octavo, with numerous illustrations; original cloth or boards in dustjackets. A near-fine set of this important series, complete with the index volume.

Introduction by Michael Cannon. Pp. [vi]+214+[10](index, last blank), numerous illustrations (several full or double page), index; impl. 4to; navy boards, spine lettered in gilt, edges of boards slightly rubbed; within pictorial card slipcase, slightly foxed, edges lightly worn; top edges of leaves a trifle foxed; Heritage Publications, Melbourne, 1970. *Facsimile of issues 89-113 (January 17 to December 18, 1880). Includes Ned Kelly material, and coverage of the Melbourne International Exhibition.

Seven volumes in eight, totalling over 4,000 pages, with 56 coloured plates (8 folding), numerous black & white text illustrations (2 folding), pictorial endpapers Volumes 1-6, maps, addenda, indices; narrow cr. 4to; Volume 1 full brown leather, spine lettered in gilt, upper board lettered and decorated in blind, all other volumes in the standard issue grey cloth, spines lettered in gilt, a couple of tiny bruises to bottom edges Volumes 2A & 7; dust wrappers, backstrip of Volume 5 a trifle marked; security sticker on lower pastedown Volume 7; Victorian Government Printing Office/ Melbourne University Press, Melbourne, 1981-1998. Volume I first deluxe edition, others first trade edition. *A cumulative index was later published as Volume 8. The volumes are: 1. Beginnings of Permanent Government; 2A. Aborigines of Port Phillip, 1835-1839; 2B. Aborigines and Protectors 1838-1839; 3. The Early Development of Melbourne, 1836-1839; 4. Communications Trade and Transport, 1836-1839; 5. Surveyors' problems and achievements, 1836-1839; 6. The Crown, the land, and the squatter, 1835-1840. 7. Public Finance of Port Phillip 1836-1840.