Carle Pierre (41 results)

Condition: As New. Unread book in perfect condition.

Condition: New.

Paperback. Condition: New.

Condition: New.

Condition: New.

Couverture rigide. Condition: Très bon. « Par des textes d'époque, cet ouvrage aborde le problème de l'adaptation de nos ancêtres au nouveau milieu géo-climatique canadien, face aux froidures, entre autres, en tirant profit de l'expérience des Premières Nations et des Inuit.» Étiquettes vierges en début et fin de volume. Dernière page de garde manquante.…

Trade Paperback. Condition: Good. 246pp., index, biblio., notes. Light wear, previous owner's name inside front. Size: 8vo - over 7¾" - 9¾" tall. Book.

Condition: New.

Condition: New.

Condition: New. In.

Condition: New.

Condition: As New. Unread book in perfect condition.

in-8, f.t., portrait en frontispice gravé par Maurin Ainé, titre, 369 pp. ; Reliure: demi basane, dos orné, plats frottés.

Condition: New. KlappentextrnrnThis scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have.

Taschenbuch. Condition: Neu. Neuware - This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.…

Condition: New.

Hardcover. Condition: New.

Hardcover. Condition: Very Good. First THUS. French language collection of poetry by Pierre de Ronsard has color illustrations by Roger Carle, printed by Daniel Jacomet. #946/995 printed on Rives Vellum paper. Bound in green leather and vellum, the leather is worn at the edges and on the raised bands and edges of the spine, some light scratches. Endpapers toned, some offset from the page decorations. Gorgeous illustrations by Roger Carle (1907-1975.) Pierre de Ronsard (1524 ? 1585) was a French poet known in his generation as a "prince of poets". All orders packed with care, most dust jackets protected by Brodart sleeve, independent bookseller since 2011.…

Paperback. Condition: New.

soft cover. Condition: fine. first edition. Grand in-quarto broché, couverture rouge carmin imprimée. Cette revue ne se présente jamais en raison de sa grande fragilité dans un tel état excellent de conservation. L'Art vivant est une revue artistique publiée bimensuellement à partir de 1925. La parution est mensuelle de 1931 à 1934 et irrégulière de 1935 à 1939, éditée par Les Nouvelles littéraires et associée aux éditions Larousse. Le premier numéro est publié le 1er janvier 1925. Les titres et sous-titres alors indiqués sont Revue bimensuelle des amateurs et des artistes. L'art vivant. Arts décoratifs et appliqués. Peinture. Le livre. Sculpture. Les arts de la femme. Les directeurs fondateurs sont Jacques Guenne (qui dirige la revue jusqu'à sa disparition en 1939) et Maurice Martin du Gard. Le rédacteur en chef est Florent Fels jusqu'en septembre 1930. La revue a accueilli, notamment, dans ses colonnes Georges Charensol et Georges Rivière. Elle disparaît en juillet 1939 après 234 numéros. - - - - - - Large paperback quarto, printed carmine red cover. This journal never comes due to its great fragility in such an excellent state of preservation. L'Art vivant is an artistic magazine published bimonthly from 1925. The publication is monthly from 1931 to 1934 and irregular from 1935 to 1939, published by Les Nouvelles littéraires and associated with Larousse editions. The first issue was published on January 1, 1925. The titles and subtitles then indicated are Bimonthly magazine for amateurs and artists. Living art. Decorative and applied arts. Paint. The book. Sculpture. The arts of women. The founding directors are Jacques Guenne (who directed the journal until its disappearance in 1939) and Maurice Martin du Gard. The editor-in-chief is Florent Fels until September 1930. The review has welcomed, in particular, in its columns Georges Charensol and Georges Rivière. It disappeared in July 1939 after 234 issues. - - - - - Gran libro en rústica en cuarto, tapa impresa en rojo carmín. Esta revista nunca llega por su gran fragilidad en tan excelente estado de conservación. L'Art vivant es una revista artística publicada bimensualmente desde 1925. La publicación es mensual desde 1931 hasta 1934 e irregular desde 1935 hasta 1939, editada por Les Nouvelles littéraires y asociada a las ediciones Larousse. El primer número se publicó el 1 de enero de 1925. Los títulos y subtítulos que se indican a continuación son Revista bimestral para aficionados y artistas. Arte vivo. Artes decorativas y aplicadas. Pintar. El libro. Escultura. Las artes de la mujer. Los directores fundadores son Jacques Guenne (quien dirigió la revista hasta su desaparición en 1939) y Maurice Martin du Gard. El redactor jefe es Florent Fels hasta septiembre de 1930. La revista ha acogido, en particular, en sus columnas a Georges Charensol y Georges Rivière. Desapareció en julio de 1939 tras 234 números. - - - - Großes Taschenbuch im Quarto-Format, bedruckter karminroter Einband. Dieses Journal kommt aufgrund seiner großen Fragilität nie in einem so hervorragenden Erhaltungszustand. L'Art vivant ist eine Kunstzeitschrift, die ab 1925 alle zwei Monate erscheint. Die Veröffentlichung erscheint monatlich von 1931 bis 1934 und unregelmäßig von 1935 bis 1939. Sie wird von Les Nouvelles littéraires herausgegeben und ist mit den Larousse-Ausgaben verbunden. Die erste Ausgabe erschien am 1. Januar 1925. Die damals angegebenen Titel und Untertitel lauten Zweimonatliche Zeitschrift für Amateure und Künstler. Lebendige Kunst. Dekorative und angewandte Kunst. Malen. Das Buch. Skulptur. Die Künste der Frauen. Die Gründungsdirektoren sind Jacques Guenne (der die Zeitschrift bis zu ihrem Verschwinden im Jahr 1939 leitete) und Maurice Martin du Gard. Chefredakteur war bis September 1930 Florent Fels. Die Rezension begrüßte in ihren Kolumnen insbesondere Georges Charensol und Georges Rivière. Es verschwand im Juli 1939 nach 234 Ausgaben.…

Couverture souple. Condition: bon. R320157064: 1972. In-8. Broché. Etat d'usage, Tâchée, Dos satisfaisant, Intérieur frais. 206 pages - couverture contrepliée. . . . Classification Dewey : 971-Canada.

Couverture souple. Condition: Bon état. In-8 broché, couverture rempliée, non coupé, 237 pp. Bandeaux en deux tons et nombreuses aquarelles hors-texte. Lég. fendillé en pied mais bon exemplaire. Tiré à 950 exemplaires sur vélin de Rives. in-8°.

Plena Piel Época. Condition: Bien. 23 x 17 cm. 239 pp. y 11 láminas a todo color. Texto ornado y a dos tintas. Encuadernación firmada por Bayard, de Lyon, a plena piel con relieve (encuadernación un poco tocada, interior perfecto. Conserva la cubierta original ilustrada). Nuestro ejemplar de los únicos 15 en papel Annam de Rives, nº15. Y en nuestro ejemplar un dibujo a tinta original del artista, firmado y dedicado. 239 pp. et 11 planches en couleurs. Texte orné et en deux encres. Reliure signée par Bayard, Lyon, plein cuir avec gaufrage (reliure un peu touchée, intérieur parfait. La couverture originale illustrée est conservée). Notre exemplaire du seul 15 sur papier Annam de Rives, n° 15. Et dans notre exemplaire, un dessin original à l'encre de l'artiste, signé et dédicacé. Roger Carle (illustrator).…

~ Réédition circa 1860 augmentée du texte de Pierre Zaccone et avec quelques articles écrits par d'autres auteurs. L'édition originale au titre « Les rues de Paris. Paris ancien et moderne, Origines histoire, monuments, costumes, moeurs, chroniques et traditions » a vu le jour à Paris : Kugelmann, 1844 en 2 tomes sous la direction de Louis Lurine ~ Dessins de Jules David, Gavarni, Daumier, Français, Baron, Célestin Nanteuil, Schlésinger, Marckl, J.-A. Beaucé, Demoraine, Lemercier, Rossigneux, Godefroy, Beaumont, Girardet, Varin, etc. Le plan de Paris annoncé dans le titre n'a jamais été publié ~ Demi cuir de l'époque, dos lisse, titre et décoration dorés au dos, tranches rognées ~ 397+[7]p ~ 28x18x3cm. ~ Nom de l'auteur frotté au dos, lég. déchirures du papier de la couverture aux coins, rares et très minces rousseurs. Très bon exemplaire tout de même ~ LANGUAGE: Français / Additional images available/// We accept PayPal & EU bank transfer in EUROS //. …

in-4, broché, 138p. Bon état. Couverture de Roger Falck. Sommaire : DECOUVERTE DE L'OCEANIE ANCIENNE : La culture océanienne La réalité historique de l'Océanie par Madeleine Rousseau - L'art des Océaniens : Les Australiens par Cotfte Burland . Les Indonésiens, Mélanésiens, Polynésiens, Micronésiens et le Pacifique nord . La sculpture religieuse à Madagascar par Jacques Faublée. Notice historique sur Madagascar par R. Carle. Les Océaniens et la navigation. L'art océanien et les collections L'évolution du goût vers l'art océanien Olivier Le Corneur Les collections des musées allemands par le Dr Kuntz Dittmer Les poètes découvrent l'art océanien A propos de l'art des Noirs (1917) Note sur l'art Nègre (1917) Note sur la poésie Nègre (1918) Deux poèmes australiens traduits en 1917 Guillaume Apollinaire et Tristan Tzara. L'art océanien entre les deux guerres par Patrick O' Reilly . Les artistes et l'art océanien par Madeleine Rousseau . L'OCCIDENT DEVANT L'OCEANIE : Découverte des Mers du Sud par Jean-Paul Faivre Le mythe du Pacifique dans la littérature, dans le cinéma par Simone Jacquemont et Pierre Guilbaud L'OCEANIE DEVANT L'OCCIDENT Madeleine Rousseau.…

First Edition. First Editions, first discourse SIGNED by the primary author, "D. Camusat." Octavo (6 1/4 x 3 3/4 in.; 6 1/4 x 3 1/2 in.). vi, 196, (4); vi, 180, (4) pp., each with titlepage vignette, headpiece, initial. Vol. 1: full mottled calf with central inlaid medallions to upper and lower boards (inlays lost), raised bands, gilt decorated compartments, spine label lost, gilt rolled edges, marbled endpapers, all edges red, original green ribbon bookmark; Vol. 2: full mottled calf, raised bands, gilt decorated compartments, spine label, gilt rolled edges, all edges red, original green ribbon bookmark. This curious historical work on quacks, charlatans, and intellectual frauds presents evidence that they have always been with us, were with us at the time of this book's publication, correctly predicts that they will be with us now, and will be with us for as long as humans walk the earth. Lt.- mod. wear, otherwise internally crisp and clean Very Good copies. Barbier, A.A. Ouvrages anonymes I, col. 821-22; Blake, J. NLM 18th cent., p. 103; Quérard; II, p. 52.…

Folio. (405 x 292 mm). Half-title, title, list of plates with descriptive text (pp. 24) and 115 hand coloured engraved plates by Gatine and Schencker after designs by Carle Vernet, Bosio, Lante, Dutailly and others. A fine copy with full margins, with a sheet size measuring 392 x 275 mm (the copy cited by Carteret measures only 360 x 265 mm). Contemporary red calf-backed marbled boards, title gilt with elaborate gilt tooling to spine. One of the scarcest fashion and caricature suites with superb coloured plates. As well as caricaturing the excesses of contemporary fashion and society, the finely executed plates depict various public entertainers including the rope-dancing troupes of Forioso and Ravel, a magic lantern, two performing dog acts, two of Indian jugglers, two of acrobats, and four different aerial runways. 'Cet admirable recueil, un des plus beaux de son époque, est d'une grande rareté à toutes marges. On le rencontre souvent rogné en reliure du temps. Les principaux artistes qui y ont collaboré sont Carle Vernet, Lanté, Bosio, etc.; les compositions ont été gravées par Gatine et Schenker.' (Carteret). In this copy, plate 39 is in the first (1817) issue with the title: 'Les Titus et les Cache-Folies'. [Colas 2240; Carteret III, 99].…

Paris, Veuve Merge, 1727, Kl.-8°, VI, 180 S., einfacher Broschureinband (berieben und bestoßen, Innendeckel dreifach und Titelblatt einmal gestempelt) *Erstausgabe *François-Denis Camusat, né le 30 avril 1700 à Besançon et mort le 29 octobre 1732 à Amsterdam, est un historien de la littérature et de la presse et un éditeur français.…

The Rarely Seen Parisian Scene The Rise of the Post-Revolution French Middle Class Its Customs, Costumes, and Leisure Activities [BON GENRE, LE]. Observations sur les Modes et les Usages de Paris, pour Servir d'Explication aux 115 Caricatures Publiées Sous le Titre De Bon Genre, Depuis le Commencement du Dix-Neuvième Siècle. Paris: Chez L'Éditeur [Pierre de la Mésangère], 1827. Third edition, with eleven additional plates not found in the first edition of 1817. Large folio (14 7/8 x 10 7/8 in; 378 x 277 mm.). [4], 24 pp. of descriptive text, 115 hand-colored plates. Engraved by Georges-Jacques Gatine. Printed by Vassal et Essling. With a duplicate of plate no. 16 loosely inserted. Some light foxing which is mainly confined to the blank margins. Contemporary half crimson straight-grain morocco over marbled boards, smooth spine elaborately tooled and lettered in gilt. Some light wear to top and bottom of spine. An excellent example of one of the rarest suites of fashion and caricature. OCLC/KVK note only four copies of this edition in library holdings worldwide, no copies of the first edition and only two copies of the 1822 edition. One of the rarest suites of fashion and caricature, featuring superbly colored plates. In addition to satirizing the extravagances of contemporary fashion and society, the finely rendered illustrations portray a range of public entertainers-including the rope-dancing troupes of Forioso and Ravel, a magic lantern show, two performing dog acts, Indian jugglers, acrobats, and four distinct aerial runways. Le Bon Genre was one of the earliest series of prints to record the social trends and leisure activities of contemporary Parisians. It is the most important fashion portfolio of its time documenting, through its caricatures, the rise of the modern city of Paris and the emerging middle-class bourgeois, its fashions, recreations and dating customs. It also has fun at visitors' expense, particularly the English, whose customs and fashions the French found incomprehensible and unfashionable; the years of hostility between France and England did nothing to improve relations and the French lost few opportunities to ridicule the British. Le Bon Genre's popularity influenced most of the later fashion illustrators and journals, as well as the satirical albums so typical of mid-19th century France, and remains a key record of French social history. Overall, Le Bon Genre bears witness to the colorful post-Revolution period of Parisian society as it evolves into the early Republican era. Of particular interest is the descriptive text preceding the plates that details the content of each caricature. One is astonished and charmed by images of a trio enjoying a magic lantern show (#31); three women rapturously eating sorbets (#4); a trained and costumed dog act (#35); a circus balancing act (#91); a man who eats anything (#93); a huge amusement park slide (#97); and so many more enchanting engravings delicately and vividly hand-colored. "Le Bon Genre.was first published in 1817 and went through several editions. This is a record of English and French fashions since the beginning of the nineteenth century; the English fashions are more in the nature of caricatures, to show how badly Englishwomen dress as compared with the Parisiennes" (Vyvyan Holland, Hand Coloured Fashion Plates 1770 to 1899, p. 51). "The 'Bon Genre's' first edition, 104 plates, appeared in 1817. The 1822 edition included eleven additional plates; a third edition was published in 1827. Its illustrations are lively and witty statements of the life of Paris since the beginning of XIXc., with a text of explanatory paragraphs, rather than fashion plates" (Millia Davenport, The Book of Costume, II, p. 814). "Georges-Jacques Gatine was the leading costume engraver of his time. For many years he supplied plates for the Journal des dames. He engraved the 115 designs which make up Le bon genre , a lively mélange caricaturing people and scenes of contemporary interest" (Ray, The Art of the French Illustrated Book, p. 141). Le Bon Genre's publisher and editor, Pierre Joseph Antoine Le Bouc of Mésangère (1761-1830), better known by the name of Le Mésangère, was a fascinating character whose eclectic career covered a very wide period, from the French Revolution (1789) up to the Second Restoration (1815 -1830). First an eccleslastlc, philosopher and writer, then fashion journalist, he was, for more than thirty years, editor-in-chief of Le Journal des Dames, a periodical that had an enormous influence upon contemporary French standards of elegance and taste. Born in Anjou, 1761 to a middle-class family, Mésangère entered the order Congregation of the Brothers in 1784, and held the philosophie belles lettres Chair at the College de la Fleche. In hiding during the Terror (1793-1794), after Robesplerre's death (July 28, 1794) he began to be known as a writer for Parisian literary journals. He wrote Le Voyageur a Paris ou Tableau pittoresque et moral de cette capitale (1797) a book that gained a certain notoriety. In 1799 he became editor of Le Journal des Dames, a magazine founded two years earlier. It reigned supreme amongst the women's magazines of the epoch. With engraver Gatine executing the designs, Mésangère was the pre-eminent writer, editor, and publisher of works devoted to French women's fashion of his era. The contributing artists to Le Bon Genre included George Dutailly, François Joseph Bosio, Louis Marie Lante, Horace Vernet, and others, but it is Mésangère, the editor and publisher who guided them, and Gatine the engraver, who executed their designs, who were and remain the stars here. Colas 2240. Vicaire I, 839-842. Rahir 332. Davenport 2280A-2281.…

LeatherBound. Condition: New. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. LeatherBound edition. Condition: New. Reprinted from 1844 edition. Leather Binding on Spine and Corners with Golden leaf printing on spine. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. Pages: 315 As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Pages: 315 Language: French.…