Carlo Labruzzi (13 results)

Soft cover. Condition: Very Good. 1st Edition. Exhibition catalogue: 12 June - 13 July 2012. 1st printing (2012). 82pp. VG+ copy.

rilegato. Condition: Fine. 0. 47x37, cartella, mz. pelle in custodia, con tit. in oro al piatto e al dorso, ill. in n. appl. ai piatto della custodia; testi in carte sciolte nn, presentazione di Fabrizio Sarzani, elenco delle stampe, colophon, n. 24 stampe sciolte. In italiano, inglese e francese. Minime abrasioni alla testa del dorso e ai margini della custodia, bruniture e segni del tempo; interni e stampe in ottimo stato ***Books dated over 70 years old are not exportable, please do not order.***. Book.

SOFTCOVER. Condition: As New. 1st Edition. Large landscape 4to. in colour printed stiff card covers, 82pp on stiff art paper, 39 fully described and illustrated pen & ink sketches and watercolours . [CONDITION: A well preserved AS NEW unmarked copy ] . To see more of our Art Monographs etc type DbbARTIST in the Keywords search box . . We always ship in STRONG PROTECTIVE CARD PARCELS.

Hardcover. Condition: Very Good. 1st Edition. Folio (365x460mm) - Portfolio containing 24 B/w Prints of Via Appia by Carlo Labruzzi (1748-1817) Italian painter, designer and etcher. First edition, text in Italianlanguage, printed on Ventura paper. Original half-leather Portfolio, gilded title and author guide on spine and slipcase. One of the prints has a slight tear otherwise in Very good ä.

Hardcover. Condition: Near Fine. Dust Jacket Condition: Very Good+. Folio in cloth with dust jacket. 587 pp. NF/VG+. Very light wear/toning to dust jacket, now in a brand new Brodart clear protective sleeve. Book is in excellent condition with minimal wear. Interior is pristine. No writing or markings of any kind. Ships well-packed in a box. Heavy oversized book: international orders will require an additional shipping charge.

Condition: Buone. Condizioni dell'esterno: Discrete con difetti, strappi macchie Condizioni dell'interno: Discrete con Difetti, bruniture.

LeatheBound. Condition: New. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. Leatherbound edition. Condition: New. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. Pages: 78. A perfect gift for your loved ones. Reprinted from 1794 edition. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. IF YOU WISH TO ORDER PARTICULAR VOLUME OR ALL THE VOLUMES YOU CAN CONTACT US. Resized as per current standards. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Language: Latin Pages: 78.

Roma, Edizioni dell' Elefante, 1967. In folio obl. (cm. 46x63), pp. XVI e tavv. 24 a fogli sciolti con didascalie in italiano-inglese (traduzione di Denys and Sybille Haynes), leg. cart. edit., custodia (guasta). "Edizione non venale (riservata per il Gruppo Finmeccanica) stampata in Roma dalla Litografia Chiovini sotto la direzione artistica di Enzo e Grazia Crea".

Album en vélin avec lacets. édition originale. Ces deux rares séries d'estampes (20 planches pour la 1ère série, 13 pour la seconde) ont été montées dans un album. Les gravures ne sont que légèrement collées aux angles. Quelques rousseurs. 14 x 20 et 16 x 10.

LeatheBound. Condition: New. Leatherbound edition. Condition: New. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. A perfect gift for your loved ones. Reprinted from 1794 edition. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. IF YOU WISH TO ORDER PARTICULAR VOLUME OR ALL THE VOLUMES YOU CAN CONTACT US. Resized as per current standards. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Pages: 78 Language: Latin Pages: 78.

Leather Bound. Condition: New. Language: Latin. Language: Latin. Presenting an Exquisite Leather-Bound Edition, expertly crafted with Original Natural Leather that gracefully adorns the spine and corners. The allure continues with Golden Leaf Printing that adds a touch of elegance, while Hand Embossing on the rounded spine lends an artistic flair. This masterpiece has been meticulously reprinted in 2024, utilizing the invaluable guidance of the original edition published many years ago in 1794. The contents of this book are presented in classic black and white. Its durability is ensured through a meticulous sewing binding technique, enhancing its longevity. Imprinted on top-tier quality paper. A team of professionals has expertly processed each page, delicately preserving its content without alteration. Due to the vintage nature of these books, every page has been manually restored for legibility. However, in certain instances, occasional blurriness, missing segments, or faint black spots might persist. We sincerely hope for your understanding of the challenges we faced with these books. Recognizing their significance for readers seeking insight into our historical treasure, we've diligently restored and reissued them. Our intention is to offer this valuable resource once again. We eagerly await your feedback, hoping that you'll find it appealing and will generously share your thoughts and recommendations. Lang: - Latin, Pages: - 78, Print on Demand. If it is a multi-volume set, then it is only a single volume. We are specialised in Customisation of books, if you wish to opt different color leather binding, you may contact us. This service is chargeable. Product Disclaimer: Kindly be informed that, owing to the inherent nature of leather as a natural material, minor discolorations or textural variations may be perceptible. Explore the FOLIO EDITION (12x19 Inches): Available Upon Request. 78 78.

Haynes, Denys and Sybille, trans. (illustrator). LABRUZZI, Carlo. VIA APPIA. Rome: Dell'elefanta, 1967. Large oblong folio. Portfolio (18 1/2 x 24 3/3 inches). xv pages, 24 plates, each with accompanying leaf of text. First edition. A series of twenty-four previously unpublished pen, ink and wash sketches by Carol Labruzzi of his journey down the Via Appia in 1789. With commentary by Giuseppe Lugli and an English translation by Deny and Sybille Haynes. Text i Italian and English. Very good.

Condition: guter Zustand. Feder in Braun, braun laviert, über Bleistift, mit brauner Feder umrandet, links signiert und datiert CLabruzzi 1796". 22,8:18,7 cm. Auf alten Sammlungsuntersatz mit grün laviertem Rand aufgezogen. Vergleichsliteratur: Ausst. Katalog: Carlo Labruzzi. The Grand Tour. Cur. by Sir Timothy Clifford. Simon C. Dickinson Ltd., London, 12 Juni - 13 July, 2012, Nr. 38, Venustempel in Bajae (Vergleich zur Signatur); Auktion Pandolfini Casa d'Aste, Florenz, 15.12.2014, Stampe e Disegni dal XVI al XX secolo, Nr. 56 Figure di Carlo Labruzzi. Aquatinta, 1788; Auktion Koller, Zürich, 18.09.2015, Zeichnungen des 15.-20. Jahrhunderts, Nr. 3418 Zwei Mönche im Gespräch. Zeichnung. Labruzzi war als Maler und Kupferstecher in Rom tätig. 1781 wurde er in die Academia di San Luca aufgenommen, seit 1814 war er deren Direktor. Er war vorwiegend als Landschaftsmaler tätig, Genreszenen sind eher selten. Darüber hinaus radierte er auch Ansichten römischer Altertümer für die Kunstverlage Frauenholz in Nürnberg und Dall'Armi in Rom. Labruzzi gehört zu den römischen Künstlern, die den Klassizismus vertreten. Er malte in erster Linie Landschaften mit historischer Staffage, doch als Zeichner und Radierer schuf er mehrere Folgen, die Einzelfiguren oder Gruppen von Landleuten bzw. Figuren der römischen Mythologie darstellen. Die National Gallery of Art, Washington, besitzt einige Radierungen in Rotdruck, die aus einer solchen Folge stammen. Wir vermuten, daß unsere Zeichnung, die voll signiert und datiert ist, bei Labruzzi selten anzutreffen, für einen Sammler angefertigt wurde, wobei sich Labruzzi auf eine dieser Radierungen bezieht.