Chagall Artists (14 results)

93 photographs including 37 plates in color. Fine and bright gold boards in near fine pictorial dustjacket with crisp bright text throughout. Profusely illustrated with portraits of each painter in color including in their workshop with their work.

PAPERBACK BLACK. Condition: Fair. CIRCA 1960 black and white illustrations DATE PUBLISHED: 1960 EDITION: 16.

Vintage bi-fold catalog brochure for the January 3-28, 1950 exhibition at Perls Galleries, New York. 6 x 9.25 inches, Bi-fold. Light rubbing, else Near Fine.

Condition: Good. Folio. Original wraps. 28 x 37.7cm.pp. 85--92. Lists and illustrates print editions, Affiches & DLM.

Condition: Good. Folio. Original wraps. 28 x 37.7cm.pp. 101--112. Lists and illustrates print editions, Affiches & DLM.

SOFTCOVER. Condition: Fine. Dust Jacket Condition: Very Good. 1st Edition. Large heavy 4to. in colour printed stiff glossy card covers with printed transparent plastic dust jacket, 196pp on various types of paper, colour plates, etc . [CONDITION: A well preserved FINE very clean and tight unmarked copy (page-block edges slightly tanned) in a torn but tape repaired VERY GOOD Dust Jacket ] . . . We always ship in STRONG PROTECTIVE CARD PARCELS.

Condition: Good. Folio. Original wraps. 28 x 37.7cm.pp. 1-19. Lists and illustrates print editions, Affiches & DLM.

Condition: Good. Fold out flyer, 14.5 x 20 cm. 6 pages. Reproduces all the prints in the portfolio with bibliographical description in German. Edition of 150 with most prints signed and numbered. Bill, Calder, Capogrossi, Chagall (M. 475), Dix, Dorazio, Ernst, Hajdu, Hartung, Lam, Masson, Miró (D. 1027), Nay, Poliakoff (S. 78), Santomaso, Soulages, Tanning, Tàpies, Tobey, Vieira da Silva, Wotruba, Zadkine.

Condition: Good. 8vo. 16 x 24cm. Original boards. and linen spine.One of 400 numbered copies.OCLC Number / Unique Identifier:1166045:[xii], 250 pages, 4 unnumbered leaves of plates : illustrations, portraits .Der Querschnitt, 1921-31The magazine 'Der Querschnitt' was launched by Alfred Flechtheim. It captured the zeitgeist and combined contemporary art, literature, sport and more. Initially it was published by the Verlag der Galerie Flechtheim and from 1923 by the Querschnitt-Verlag. In 1924 it switched to Propyläen-Verlag. The number of issues varied from year to year. During the first four years a year book was also published in addition. After the April issue 1931, the editor and publisher Hermann von Wedderkop left 'Der Querschnitt'. The issues that followed had no connection whatsoever with Alfred Flechtheim.

Condition: Good. Small foliio. 26.5 x 36cm. Original wraps. with design by Pierre Bonnard.Very good. Verve's October - December 1938 features it's first theme - The Orient, and covers the art of the Middle East and East Asia. The cover was designed by Pierre Bonnard and the original issuing box by Chagall. The content features color lithographs by the artists Marc Chagall ("Spring"), Joan Miro ("Summer"), Abe Rattner ("Autumn"), and Paul Klee ("Winter"), all printed by Mourlot.Heliogravures and color process images include the reproduced works of Hindu artists (including gilt detailing), Pierre Bonnard, Henri Matisse, and many others. Photography includes works by Gaetan Fouquet, Rogi Andre, Schneider-Lengyel, and many others. Text includes works by Rabindranath Tagore, Roger Caillois, Henri Michaux, Chinese poets, and others.

8vo. (230 x 154 mm). [3 unnumbered leaves, one large and fold-out]. Title to front cover, verso and interior of folding flap with text 'Europe' by James Thrall Soby, page (also to interior of wrapper) with 'Catalogue' with artist, title and date of each work, leaf of white paper with the text 'America' by Nicola Calas recto, verso with blank leaf with notes here with numerous signatures (see below), following fold-out spread with monochrome reproduction photograph by George Platt Lynes of the participating artists (see also below), recto and verso also with the text 'America' concluding on the inner rear wrapper. Original publisher's pale yellow printed wrappers with folding flap, titles to front cover in green, later green board slipcase. [PROVENANCE: Margaret and Alfred Barr; acquired from Barr's estate by Thomas Walther; private collection Berlin]. Margaret and Alfred Barr's presentation copy of the catalogue for the exhibition they had done so much to enable, signed by all of the participating artists and by the gallerist Pierre Matisse. Pierre Matisse's presentation is in black ink to the foot of the blank 'Notes' leaf bearing the signatures of the participating artists: 'THIS IS A SPECIALLY SIGNED COPY FOR MARGARET AND ALFRED BARR / Pierre Matisse / NEW YORK MARCH 3d 1942'. The copy is signed in various colour inks by all of the participants: Marc Chagall (blue ink), Pavel Tchelitchew (turquoise), Ossip Zadkine (red), Eugene Berman (purple), Yves Tanguy (umber), Fernad Léger (red), Max Ernst (blue), André Masson (red), André Breton (turquoise), Amedée Ozenfant (blue), Kurt Seligmann (umber), Piet Mondrian (blue / black), Roberto Matta Echaurren (sepia) and Jacques Lipchitz (green). It is significant that Margaret Scholari Barr, known as Marga, is listed first in the presentation by Pierre Matisse, as from 1940 she had taken charge of the ongoing operations to help artists and writers fleeing Europe. Each individual required 'a visa from the State Department, an affidavit of financial support, an affidavit of moral sponsorship vouching that he or she was in imminent danger and would not be inimical to U.S. interests, biographical sketches and letters of reference proving identities and the above, and at least $400 for ocean passage'. In conjunction with Curt Valentin (himself a beneficiary of the Barrs' help), Kay Sage (she married Yves Tanguy, another beneficiary in 1940), Kay Boyle and the Emergency Rescue Committee. Although no exact list of all of those who benefited from the help of the Barrs and the ERC remains extant, the majority of those who exhibited in 'Artists in Exile' did and the present catalogue represents a remarkable testament to their work, their efforts and their humanity. The exhibition - perhaps an unlikely one given the range of participants and their differing outlooks, temperaments and sympathies - was held at Pierre Matisse, 41 East 57th Street, New York from 3rd - 28th March, 1942; each of the artists contributed one work undertaken after their arrival in the US, those by Masson and Lipchitz were courtesy of the Buchholz Gallery. 'Pierre Matisse did not run after publicity, but there were times when publicity ran after him. That is what happened in March 1942 when the Pierre Matisse Gallery in New York opened a show called 'Artists in Exile'. The title came fraught with pathos. So did the timing . The word 'exile' had sharp teeth . As he wrote to his father . 'I stayed in town to hang the exiles' show today, instead of tomorrow. I took this precaution because all the exhibitors are right here in town. You know what they are like. They'd insist on giving me advice, and making sure that their own painting had a very goood place . They number fourteen in all, and I got them together for a group photograph. As most of them didn't speak to one another when they were in France, I was afraid there would be trouble when they were all thrown together . '. (Pierre Matisse quoted by John Russell). 'In no s.

Condition: Good. 4to. Original pictorial boards. 26.5 x 35.5 cm. (10½ x 14"). French edition.153, [1] p. With 27 lithographs, many in color, 5 of them double-page; plus numerous reproductions of drawings, paintings, photographs, miniatures, etc.;boards with color illustration by Georges Braque on front cover.Major double-issue of Verve, 27 lithographs by or after Georges Braque (1); Henri Matisse (3, 1 of them double-page); Henri Laurens (2); Alberto Giacometti (2); André Masson (3, 1 of them double-page); Fernand Léger (3, 1 of them double-page); Joan Miro (3, 1 of them double-page); Borès (2); Gromaire (1); and Marc Chagall (7, 1 of them double-page). The lithographs printed by Mourlot.

Condition: Good. Folio. 385 x 288 mm. (15-1/8 x 11-3/8 inches). Sheets loose as issued in original cloth chemise and slipcase. One of 150 numbered portfolios on Johannot paper. With 14 original color etchings by Chagall ("Granada" Cramer, 51; Kornfeld, 121); Braque ( "Oiseaux" Vallier, 183); Max Ernst (Spies/Leppien, 85) Magnelli, Zadkine, Gilioli, Ubac, Bissière, Jacobsen, Fiorini, Bona, Dufour, Lepâtre, Vieillard.

Condition: Good. Folio. 39.5 x 30cm. Two Signature pages from "Regards sur Paris," presented by L'Académie Goncourt. Paris: André Sauret Editeur.