Charles Harbutt (68 results)

Paperback. Condition: Very Good. Dec, 1967, pp. 739-797, Profusely Illus with Color Photos, Extracted from orig vol, begins with title page, trimmed & stapled, thus is like a pamphlet, VG.

Paperback. Condition: Very Good. Dec, 1967, pp. 739-797, Profusely Illus witj Color Photos, Orig Yellow Color Illus Paperback (Entire Issue), VG & Crisp (Orig Lge Color FoldOut Map Supplement "Lands of the Bible Today" laid in).

Soft cover. Condition: Very Good. 1st Edition. London: Coo Press, Ltd., 1975. (11.75 x 8.25 in, 29.7 x 21 cm) 34pp. First edition. Very good in silver printed and photographically illustrated wrappers (moderate creasing, upper corner bumped with folds, plates mostly unaffected. Please see image for illustration of condition). Contains the article Stieglitz - Weston Correspondence, compiled by Ferdinand Reyher, which first appeared in Photo Notes Spring 1948, a publication of the Photo League, NY. Sudek photographs of 'The birthplace of Janacek'. Charles Harbutt: Major Portfolio.

Condition: Muy bueno. : Este libro es una recopilación del trabajo del fotógrafo Charles Harbutt, publicado por Ediciones Orbis como parte de la colección 'Los Grandes Fotógrafos'. El libro presenta una selección de fotografías de Harbutt, mostrando su estilo único y su contribución al mundo de la fotografía. EAN: 9788475309200 Tipo: Libros Categoría: Arte y Cultura Título: Charles Harbutt Autor: Charles Harbutt Formato: tapa dura.

First Edition. First edition. Softcover. October 1975. Includes images by Charles Harbutt, Colin Curwood, and Josef Sudek. Also features an article on correspondence between Stieglitz and Edward Weston. A near fine copy in stapled wrappers with some very minor wear.

Condition: vg. ISBN: 0262580268 Paperback. Clean, square copy. Unmarked throughout. Pages bright, binding tight.

Soft cover. Condition: Fine. A fine fresh copy in glossy wraps.

Soft cover. Condition: Good.

Paperback. Condition: Good. This book has light yellowish spotting to the bottom 2 inches of the front cover, a gentle overall uneven aging to the covers and pages, mild rubbing and surface scratching to both covers, foxing and light smudging to the edges of the textblock, and a slightly shifted spine, otherwise this book is in good condition with crisp, unmarked pages, a tight binding, and attractive, glossy photos throughout.

First Edition. First edition. Softcover. March 1966. 30 pages. The highlight of this issue is a Arthur Goldsmith reviewing a Dorothea Lange exhibition that includes several of her images along with the front cover. Also includes an article with images by Charles Harbutt taken in Bengal in East Pakistan. A near fine copy in stapled wrappers with printed mailing label to the rear cover. a terrific issue.

First Edition. First edition. Softcover. Includes images by Francis Frith, James Mudd, Harold Riley, Andre Kertesz, Russell Lee, Charles Harbutt, Eugene Atget and others. Also inclues a talk between Colin Ford and Kertesz. A near fine copy in wrappers.

First Edition. First edition. Softcover. 22 pages. The highlight of this issue is a portfolio of 9 (with the cover) black and white images by Charles Harbutt. A clean very near fine copy in stapled wrappers.

Softcover. Condition: Very Good. Very Good paperback about 8¼x11¾ inches with minor cover wear. 48 pages, unmarked. Contributors: John Claridge, Manuel Alvarez Bravo, Satyajit Ray, Charles Harbutt, John Thomson, Sir William J. Newton, et al. ; OVR79; 4to 11" - 13" tall; 48 pages.

paperback. Condition: Very Good. Oversized softcover. Covers are clean and glossy. No date on title page. Copyright page dated 1986. 93 pages. Pages are clean and bright with B&W photographs printed throughout. A very nice copy. This is an oversized book, so extra shipping will be necessary for priority or international shipping. We ship every day from a real neighborhood bookstore. This description is written by an actual person, who is holding the book in front of them to make sure it?s properly described. Please contact us with questions or if you would like to see photographs.

First Edition. First edition. Softcover. Features long portfolios of the photographs by Grey Villet and Charles Harbutt. Also features reviews of several photography shows including a Frederick Sommer and Eliot Erwitt show. A clean near fine copy in photo illustrated wrappers.

Soft cover. Condition: Fine. 1st Edition. A fine fresh copy in wraps, essentially as new.

Soft cover. Condition: Very Good. 1st Edition. Includes works by Charles Harbutt ; Colin Curwood ; Josef Sudek. Paginated pages 325-360, illustrations. Slight shelf wear to edges, no inscriptions. Photographs available on request. All books dispatched same or next working day in robust packaging.

First Edition. First edition. Softcover. Includes black and white images by each photographer along with biographical information as well. A clean near fine copy in wrappers. Uncommon.

paperback. Condition: very good. First printing. Oversize softcover. 185pp. Small sticker on front free endpaper. This catalogue is printed in the form of a Festschrift is dedicated to Andre' Kertesz on the occasion of his 90th birthday. It is a tribute to his life's work as a photographer.

SOFTCOVER. Condition: Fine. 1st Edition. Square 4to in stiff card covers, unpaginated, approx. 24pp on stiff paper, large b/ photos etc . [CONDITION: Covers a little tanned and faintly dusty else FINE, an otherwise well preserved clean and tight copy ] . To see more of our Photo books type DbbPHOTO in the Keywords search box . . We always ship in STRONG PROTECTIVE CARD PARCELS.

Paperback. Condition: Good. 25.5 x 22.5 cm. Some edge rubbing to covers. Uncommon exhibition catalogue. Black and white photography by Kertész & Harbutt. Glued binding feels a bit weak, but holding.

Hardcover. Condition: Fine. Dust Jacket Condition: Near Fine. First edition. Text by Mitchel Levitas. Heavily illustrated from black and white photographs by Magnum photographers. Fine in a gently rubbed, near fine dust jacket.

PB. B&W illustrations (illustrator). unpaginated Faint (hard to see) fold/bump top of front cover. very good, wraps (softcover) faint bump top of front cover.

In 4°, bross., pp. non indicate (62), quasi tutte di ill. fotog. in nero e in colore. Collana I grandi fotografi, serie nera.

Paperback. Condition: Very Good. First Edition. 8 x 9 inches. [119] pp. Very Good. Some toning and light dust soiling to wraps, small scar to rear wrap where sticker was removed.

Brossura. Con fotografie b/n. A cura di Joe Cuomo e Attilio Comlobo.Prima edizione. I grandi fotografi Numero di tavole: pp.61 altezza 0 larghezza 0 Esemplare in buone condizioni. Macchie di polvere alla copertina. Tagli con piccole macchie di polvere. Pagine leggermente ingiallite ai bordi.

Paperback. Unpaginated, 95 b&w photos, lightly-worn and soiled first edition trade paperback in white wraps with film-strip image on cover. Robert Frank-esque photos leaning more to the Surreal. Divided into three sections, The World, The Flesh, & The Devil. Harbutt was political in his work and was invited to Cuba by the Castro Underground.

Softcover. VG+ mild rubbing and soiling to covers, internally fine.

Hardcover. Condition: Very good. Dust Jacket Condition: Good. Presumed First Edition, First printing. 30 cm, 192, illus. DJ has edgewear, soiling, and some creasing. The contents are: Foreword, The American Dream, Streak of Violence, The Deep Roots of Poverty, Battle of Equality, The Unwanted War, Confrontation, The Political Response, and The Quality of American Life. Magnum photographers with work in this book include Eve Arnold, Cornell Capa, Bruce Davidson, Elliott Erwitt, Burt Glinn, Philip Jones Griffiths, Charles Harbutt, Danny Lyon, Constantine Manos, Don McCullin, Wayne Miller, Dennis Stock, and Burk Uzzle. Also included is work by Mary Ellen Mark and Hiroji Kubota. 192 pages; profusely illustrated with b&w gravure plates; 8.5 x 12 inches. Out of Print. A great collection of photographs describing the state of the nation in the 1960s. Includes mini-photo-essays by Lyon, McCullin, Griffiths, Manos, Erwitt and Harbutt. Mitchel R. Levitas was a journalist who won the prestigious George Polk Award in his 20s for a series on labor racketeering and held leading newsroom positions at The New York Times for decades. A native New Yorker, he joined the newspaper in 1965 as a writer and editor with The New York Times Magazine. He retired 37 years later, in 2002, as editorial director of book development, a post in which he inaugurated volumes of the best writing by Times reporters and anthologies of Times reportage on great historical events. He wrote the text for "America in Crisis" (1969), a book of Magnum photo agency photographs chronicling the tumultuous 1960s. Magnum Photos is a co-operative owned and run by its member photographers, who undergo a rigorous process of self-selection in order to become full members. The photographers meet once a year, during the last weekend in June, in New York, Paris or London, to discuss Magnum's affairs. The following text on Magnum's history is by Fred Ritchin, taken from the book Magnum Photos, published by Nathan in the Collection Photo Poche, 1997,and extracted from the Magnum website: Two years after the apocalypse that was called the Second World War. Two years after the apocalypse that was called the Second World War ended, Magnum Photos was founded. The world's most prestigious photographic agency was formed by four photographers - Robert Capa, Henri Cartier-Bresson, George Rodger and David "Chim" Seymour - who had been very much scarred by the conflict and were motivated both by a sense of relief that the world had somehow survived and the curiosity to see what was still there. They created Magnum in 1947 to reflect their independent natures as both people and photographers - the idiosyncratic mix of reporter and artist that continues to define Magnum, emphasizing not only what is seen but also the way one sees it. These four formed Magnum to allow them and the fine photographers who would follow the ability to work outside the formulas of magazine journalism. The agency, initially based in Paris and New York and more recently adding offices in London and Tokyo, departed from conventional practice in two fairly radical ways. It was founded as a co-operative in which the staff, including co-founders Maria Eisner and Rita Vandivert, would support rather than direct the photographers. Copyright would be held by the authors of the imagery, not by the magazines that published the work. This meant that a photographer could decide to cover a famine somewhere, publish the pictures in "Life" magazine, and the agency could then sell the photographs to magazines in other countries, such as Paris Match and Picture Post, giving the photographers the means to work on projects that particularly inspired them even without an assignment. Within five years of its founding, Magnum had also added to its roster talented young photographers such as Eve Arnold, Burt Glinn, Erich Hartmann, Erich Lessing, Marc Riboud, Dennis Stock and Kryn Taconis. Riboud soon followed Cartier-Bresson with his own pioneering work in China, the first of many trips in what has become a lifelong interest. Arnold took a memorable series of pictures of the Black Muslims and of Marilyn Monroe. Taconis covered the Algerian war for independence. Soon others such as Rene Burri, Cornell Capa (Robert's younger brother), Elliott Erwitt and Inge Morath would join. The agency was growing. But there was a feeling that it was heading in some wrong directions. In a memorable 1962 memo addressed to "All Photographers" Cartier-Bresson, attempted to remind the photographers of their place in the world.

First Edition. First edition. Softcover. Features an essay by Andy Grundberg. An interesting pairing of these two photographers. Includes numerous black and white images, a checklist, and bibliography A close to near fine copy in wrappers with some minor wear. Internally a clean copy.