Chen Morris Raz (51 results)

- Softcover
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- Softcover
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- Softcover
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Paperback. Condition: Brand New. reprint edition. 264 pages. 9.00x6.00x0.73 inches. In Stock.

- Hardcover
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- Softcover
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Condition: New. pp. 352 Figures.

- Softcover
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- Softcover
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- Softcover
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More images- Hardcover
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Condition: Sehr gut. XI, 247 S. : Mit wenigen Abb.; Sauberes Exemplar ohne Einträge. Sprache: Englisch Gewicht in Gramm: 700 Gr.-8°, Org.-Leinen (OHNE Schutzumschlag!).

- Softcover
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Paperback. Condition: Brand New. reprint edition. 333 pages. 9.00x6.25x1.00 inches. In Stock.

- Hardcover
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hardcover. Condition: Good. Connecting readers with great books since 1972! Used textbooks may not include companion materials such as access codes, etc. May have some wear or writing/highlighting. We ship orders daily and Customer Service is our top priority.
More images- Hardcover
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Hardcover. Condition: Very good. Dust Jacket Condition: Very good. Great condition. Jacket spine is sunned but readability is not impacted. Binding is tight. Inside is clean and unmarked.

- Hardcover
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- Hardcover
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Language: English
Published by Springer 2012
Series: International Archives of the History of Ideas Archives internationales d'histoire des idées, Book 16 of 111. Book 16 of 111 - International Archives of the History of Ideas Archives internationales d'histoire des idées
- Hardcover
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- Hardcover
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Language: English
Published by Pennsylvania State University Press, University Park 2016
- Hardcover
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Hardcover. Condition: new. Hardcover. In Measuring Shadows, Raz Chen-Morris demonstrates that a close study of Keplers Optics is essential to understanding his astronomical work and his scientific epistemology. He explores Keplers radical break from scientific and epistemological traditions and shows how the seventeenth-century…astronomer posited new ways to view scientific truth and knowledge. Chen-Morris reveals how Keplers ideas about the formation of images on the retina and the geometrics of the camera obscura, as well as his astronomical observations, advanced the argument that physical reality could only be described through artificially produced shadows, reflections, and refractions.Breaking from medieval and Renaissance traditions that insisted upon direct sensory perception, Kepler advocated for instruments as mediators between the eye and physical reality, and for mathematical language to describe motion. It was only through this kind of knowledge, he argued, that observation could produce certainty about the heavens. Not only was this conception of visibility crucial to advancing the early modern understanding of vision and the retina, but it affected how people during that period approached and understood the world around them. Focusing on the astronomer Johannes Kepler's 1604 treatise on optics, explores Keplers radical break from scientific and epistemological traditions and shows how he posited new ways to view scientific truth and knowledge in the early modern period. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

- Hardcover
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Condition: New. . . 2016. Hardcover. . . . .

- Hardcover
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- Hardcover
Seller: Revaluation Books, Exeter, , United KingdomRevaluation Books
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Hardcover. Condition: Brand New. 247 pages. 9.50x6.50x1.00 inches. In Stock.

Language: English
Published by Springer 2014
Series: International Archives of the History of Ideas Archives internationales d'histoire des idées, Book 16 of 111. Book 16 of 111 - International Archives of the History of Ideas Archives internationales d'histoire des idées
- Softcover
Seller: GreatBookPrices, Columbia, MD, U.S.A.GreatBookPrices
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- Hardcover
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Condition: New. . . 2016. Hardcover. . . . . Books ship from the US and Ireland.

Language: English
Published by Springer 2014
Series: International Archives of the History of Ideas Archives internationales d'histoire des idées, Book 16 of 111. Book 16 of 111 - International Archives of the History of Ideas Archives internationales d'histoire des idées
- Softcover
Seller: Ria Christie Collections, Uxbridge, United KingdomRia Christie Collections
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Condition: New. In.

Language: English
Published by Springer 2012
Series: International Archives of the History of Ideas Archives internationales d'histoire des idées, Book 16 of 111. Book 16 of 111 - International Archives of the History of Ideas Archives internationales d'histoire des idées
- Hardcover
Seller: Ria Christie Collections, Uxbridge, United KingdomRia Christie Collections
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Language: English
Published by Springer 2012
Series: International Archives of the History of Ideas Archives internationales d'histoire des idées, Book 16 of 111. Book 16 of 111 - International Archives of the History of Ideas Archives internationales d'histoire des idées
- Hardcover
Seller: GreatBookPrices, Columbia, MD, U.S.A.GreatBookPrices
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Language: English
Published by Springer 2012
Series: International Archives of the History of Ideas Archives internationales d'histoire des idées, Book 16 of 111. Book 16 of 111 - International Archives of the History of Ideas Archives internationales d'histoire des idées
- Hardcover
Seller: Books Puddle, New York, NY, U.S.A.Books Puddle
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Condition: New. pp. 320.
More imagesLanguage: English
Published by Springer 2014
Series: International Archives of the History of Ideas Archives internationales d'histoire des idées, Book 16 of 111. Book 16 of 111 - International Archives of the History of Ideas Archives internationales d'histoire des idées
- Softcover
Seller: preigu, Osnabrück, Germanypreigu
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Taschenbuch. Condition: Neu. Science in the Age of Baroque | Ofer Gal (u. a.) | Taschenbuch | vi | Englisch | 2014 | Springer | EAN 9789400795136 | Verantwortliche Person für die EU: Springer Verlag GmbH, Tiergartenstr. 17, 69121 Heidelberg, juergen[dot]hartmann[at]springer[dot]com | Anbieter: preigu.

Language: English
Published by Pennsylvania State University Press Jan 2016 2016
- Hardcover
Seller: AHA-BUCH GmbH, Einbeck, GermanyAHA-BUCH GmbH
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Buch. Condition: Neu. Neuware - 'In Measuring Shadows, Raz Chen-Morris demonstrates that a close study of Kepler¿s Optics is essential to understanding his astronomical work and his scientific epistemology. He explores Kepler¿s radical break from scientific and epistemological traditions and shows how the seventeenth-century ast…ronomer posited new ways to view scientific truth and knowledge. Chen-Morris reveals how Kepler¿s ideas about the formation of images on the retina and the geometrics of the camera obscura, as well as his astronomical observations, advanced the argument that physical reality could only be described through artificially produced shadows, reflections, and refractions.Breaking from medieval and Renaissance traditions that insisted upon direct sensory perception, Kepler advocated for instruments as mediators between the eye and physical reality, and for mathematical language to describe motion. It was only through this kind of knowledge, he argued, that observation could produce certainty about the heavens. Not only was this conception of visibility crucial to advancing the early modern understanding of vision and the retina, but it affected how people during that period approached and understood the world around them.

Language: English
Published by Springer, Springer Netherlands 2012
Series: International Archives of the History of Ideas Archives internationales d'histoire des idées, Book 16 of 111. Book 16 of 111 - International Archives of the History of Ideas Archives internationales d'histoire des idées
- Hardcover
Seller: AHA-BUCH GmbH, Einbeck, GermanyAHA-BUCH GmbH
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US$ 184.75
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Buch. Condition: Neu. Druck auf Anfrage Neuware - Printed after ordering - This volume examines the New Science of the 17th century in the context of Baroque culture, analysing its emergence as an integral part of the high culture of the period. The collected essays explore themes common to the new practices of knowledge product…ion and the rapidly changing culture surrounding them, as well as the obsessions, anxieties and aspirations they share, such as the foundations of order, the power and peril of mediation and the conflation of the natural and the artificial. The essays also take on the historiographical issues involved: the characterization of culture in general and culture of knowledge in particular; the use of generalizations like 'Baroque' and the status of such categories; and the role of these in untangling the historical complexities of the tumultuous 17th century. The canonical protagonists of the 'Scientific Revolution' are considered, and so are some obscure and suppressed figures: Galileo side by side with Scheiner;Torricelli together with Kircher; Newton as well as Scilla. The coupling of Baroque and Science defies both the still-triumphalist historiographies of the Scientific Revolution and the slight embarrassment that the Baroque represents for most cultural-national histories of Western Europe. It signals a methodological interest in tensions and dilemmas rather than self-affirming narratives of success and failure, and provides an opportunity for reflective critique of our historical categories which is valuable in its own right.

Language: English
Published by Springer, Springer Netherlands 2014
Series: International Archives of the History of Ideas Archives internationales d'histoire des idées, Book 16 of 111. Book 16 of 111 - International Archives of the History of Ideas Archives internationales d'histoire des idées
- Softcover
Seller: AHA-BUCH GmbH, Einbeck, GermanyAHA-BUCH GmbH
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Taschenbuch. Condition: Neu. Druck auf Anfrage Neuware - Printed after ordering - This volume examines the New Science of the 17th century in the context of Baroque culture, analysing its emergence as an integral part of the high culture of the period. The collected essays explore themes common to the new practices of knowledge…production and the rapidly changing culture surrounding them, as well as the obsessions, anxieties and aspirations they share, such as the foundations of order, the power and peril of mediation and the conflation of the natural and the artificial. The essays also take on the historiographical issues involved: the characterization of culture in general and culture of knowledge in particular; the use of generalizations like 'Baroque' and the status of such categories; and the role of these in untangling the historical complexities of the tumultuous 17th century. The canonical protagonists of the 'Scientific Revolution' are considered, and so are some obscure and suppressed figures: Galileo side by side with Scheiner;Torricelli together with Kircher; Newton as well as Scilla. The coupling of Baroque and Science defies both the still-triumphalist historiographies of the Scientific Revolution and the slight embarrassment that the Baroque represents for most cultural-national histories of Western Europe. It signals a methodological interest in tensions and dilemmas rather than self-affirming narratives of success and failure, and provides an opportunity for reflective critique of our historical categories which is valuable in its own right.