Chloe Bennett (33 results)

Paperback. Condition: As New. No Jacket. Pages are clean and are not marred by notes or folds of any kind. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condition: Very Good. Shipped within 24 hours from our UK warehouse. Clean, undamaged book with no damage to pages and minimal wear to the cover. Spine still tight, in very good condition. Remember if you are not happy, you are covered by our 100% money back guarantee.

1st edition. Near fine paperback copy; wrapper edges very slightly dulled. Remains particularly well-preserved overall; tight, bright, clean and especially sharp-cornered. Physical description: xcvi, (inc. [96] p.): col. ill., ports.; 19 x 25 cm. Notes: Includes bibliographical references (p. xcvi). Subjects: Ipswich Borough Museums and Galleries (Ipswich, England). Painting, British Public collections Great Britain; Catalogues. Painting, British Public collections England Cumbria; Catalogues. Landscape painting, British Public collections Great Britain; Catalogues. Genre: Biography. Catalogue. Illustrated. 3 Kg.

Condition: New. In.

1st edition. Near fine paperback copy; wrapper edges very slightly dulled. Remains particularly well-preserved overall; tight, bright, clean and especially sharp-cornered. Physical description: xcvi, (inc. [96] p.): col. ill., ports.; 19 x 25 cm. Notes: Includes bibliographical references (p. xcvi). Subjects: Ipswich Borough Museums and Galleries (Ipswich, England). Painting, British Public collections Great Britain; Catalogues. Painting, British Public collections England Cumbria; Catalogues. Landscape painting, British Public collections Great Britain; Catalogues. Genre: Biography. Catalogue. Illustrated. 1 Kg.

Condition: New. In.

Soft cover. Condition: Very Good. No Jacket. 1st Edition. Illustrated guide to the lives and activities of painters who worked in Suffolk from 1750 to 1930, featuring the work of 30 artists and illustrated with colour reproductions of all the works listed. Slight creasing to corners, otherwise very good copy with no inscriptions. Size: 7.5" Tall x 9.75" Wide. Book.

Paperback. Condition: Brand New. 216 pages. 7.81x5.06x0.49 inches. In Stock.

Paperback. Condition: Good. 96 pages. cover worn and scratched.

Condition: Good. 1991. First Edition. 43 pages. Signed by the author. Paperback book with pictorial cover. Colour illustrations. Pages remain bright and clean. Binding remains firm. Paper cover has mild edge-wear with light rubbing and creasing.

Condition: New. In.

Paperback. Condition: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Condition: Good. 2014. First Edition. 137 pages. Signed by the author. Paperback book with pictorial cover. Colour illustrations. Flat signed by author to title page. Pages remain bright and clean with minimal tanning and foxing. Binding remains firm. Paper cover has mild edge-wear with light rubbing and creasing. Some light marking and tanning.

Paperback. Condition: New.

Soft Cover. Condition: Very Good. Paperback. 21cm x 21cm. 137pp. Illus. Slightest wear to covers. Previous owner's private label to title page. A very pleasing copy. (ar32).

paperback. Condition: Very Good. As new.

Soft cover. Condition: Very Good. No faults.

PAP. Condition: New. New Book. Shipped from UK. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

Paperback. Condition: Near Fine. 210 x 210 mm. 137 pp. Pictorial card covers. French flaps. Slight scuff to bottom rear corner of spine. A bright, attractive copy. Spine not creased. With the re-emergence of over five hundred works at a Christies sale in 2008, it has been possible to re-appraise George James Rowe's achievements, as well as reconsider his position among the Suffolk artists who followed in the footsteps of Gainsborough and Constable, particularly Thomas Churchyard. Copiously illustrated in b&w and colour. Includes a section on identifying the work of George James Rowe (including sample signatures), appendices (Rowe family tree; Cook family tree; list of pictures submitted to exhibitions; 1836 catalogue; Rowe chronology), end-notes and bibliographical references, and index. Book.

PAP. Condition: New. New Book. Shipped from UK. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

PAP. Condition: New. New Book. Delivered from our UK warehouse in 4 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

Taschenbuch. Condition: Neu. Druck auf Anfrage Neuware - Printed after ordering - For millennia, access to clean drinking water was a basic public utility. Yet, over the last few decades, a multi-billion-dollar industry successfully convinced consumers to pay a 2,000% markup for a product they could get from their kitchen sink for practically nothing. How did they achieve this impossible feat The Bottled Water Scam is arguably the greatest marketing heist in capitalist history. Beverage conglomerates didn't invent a new product; they manufactured fear and status. By plastering images of pristine glaciers on labels and funding campaigns that subtly undermined the safety of municipal tap water, they transformed a free public resource into a premium lifestyle accessory, despite the fact that much of the bottled water sold is simply filtered municipal water.This book unpacks the brilliant, deceptive branding strategies of the beverage industry. It explores the psychological levers of perceived purity, the devastating environmental cost of single-use plastics, and the logistics of shipping heavy water across the globe.Stop paying for marketing. Expose the psychological tricks that make you buy liquid plastic, understand the economics of the beverage cartel, and rethink the true value of your drinking water.

PAP. Condition: New. New Book. Delivered from our UK warehouse in 4 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

PAP. Condition: New. New Book. Shipped from UK. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

Taschenbuch. Condition: Neu. Liquid Plastic | The Marketing Heist That Convinced the World to Buy Tap [.] | Chloe Bennett | Taschenbuch | Englisch | epubli | EAN 9783565295722 | Verantwortliche Person für die EU: Neopubli GmbH (Imprint: epubli), Köpenicker Str. 154a, 10997 Berlin, produktsicherheit[at]epubli[dot]com | Anbieter: preigu.

Paperback. Condition: Good in wraps. First Edition. 21 x 30cm 88pp good paperback, minor crinkle at top front edge, a curl to right-hand corner, signed by the artist on the title page. With colour plus black and white reproductions demonstrating the outlook of the British artist and teacher who served as a camouflage designer during World War Two.

PAP. Condition: New. New Book. Delivered from our UK warehouse in 4 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

429 + pp.; 21.5 x 15.5 cm.; sewn bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; Summer 2000 issue of the biannual publication "Purple." Edited by Elein Fleiss and Olivier Zahm. Contents include: "Gaspard Yurkievich," Chikashi Suzuki; "Dorothee Perret," by Frederike Helwig; "Susan Cianciolo," by Marcelo Krasilcic; "Fredie Stevens," by Bianca Pilet; "Van Ommeslaeghe," by Camille Vivier; "Bernhard Willhelm," by Kenshu Shintsubo; "Comme des Garçons," by Torbjorn Rodland; "Summer '00," by Mark Borthwick Chloe Sevigny; "Jurgi Persoons," by Cris Moor; "helmut Lang," by Lodge Kerrigan; "Miu Miu," by Masafumi Sanaï; "Yab Yum," by Chikashi Suzuki; "Yohji Yamamoto," by Jork Weismann; "Bless," by Katja Rahlwes; "Raf Simons," by Armin Linke; "Bob Richardson," by Terry Richardson; "Suits & Coats," by Anders Edström; "J'Adore," by Wolfgang Tillmans; "Maru Alonso," by Sergio Guillen; "Lightning," by Maria Finn; "Patterns," by Blommers & Scchumm; "Nuit Noire," by Alex Antitch; "Pierre Vadi," by Sylvia Alberton; "Barry Le La," by Lewis Baltz; "Sture Johannesson," by Lars Bang Larsen; "Le Chevallier," by Olivier Bardin; "Isamu Noguchi," by Dike Blair; "Fabrice Gygi," by Lionel Bovier; "Diego Gutierrez," by Jen Budney; "Lisa Beck," by Jimi Dams; "Franz Ackermann," by Joshua Decter; "Gerard Fromanger," by Gilles Deleuze; "Alain Declercq," by Anaïd Demir; "Jenny Gage," by Edith Doove; "Uri Tzaig," by Theresa Duncan; "Arturo Herrera," by Nicolas Frank; "Miwa Yanagi," by D. Gonzalez-Foerster; "Yvette Brackman," by Michelle Grabner; "Blake Rayne," by Tim Griffin; "Stephen Prina," by David Grubbs; "Anne Daems," by Nakako Hayashi; "Andrea Zittel," by Karl Holmquist; "Jacques Monory," by Bernard Joisten; "Antonio Allegri da Correggio," by Herwig Kempinger; "Stanley Brouwn," by Pierre Leguillon; "Allen Ruppersberg," by Tan Lin; "Tony Feher," by John Lindell; "Rosemarie Trockel," by Stéphanie Moisdon; "Lawrence Alma-Tadema," by Peter Nadin; "Jeremy Deller," by Guillaume Nez; "John Tremblay," by Bob Nickas; "Olaf Breuning," by Michelle Nicol; "Richard Prince," by Glenn O'Brien; "Cerith Wyn Evans," by Hans Ulrich Obrist; "Vija Celmins," by Jeff Rian; "Bas Jan Ader," by Bennett Simpson; "Amy Sillman," by Michael Smith; "Daniel Pflumm," by Wolfgang Staehle; "Jack Goldstein," by Thomas Zummer; "Pierre Leguillon," by Captions; "Particles and Waves," by Laetitia Benat; "The Fish and the Fire," by Andreas Larsson; "Thinking of the Days," by Jin Osashi; "Superstition," by Henry Roy; "Horizontal Terminus," by Banu Cennetoglu; "Amendoin Japones," by Elein Fleiss; "The Most Ridiculous Moment," by Amy Fusselman; "Perfect Ten," by Peter Joseph; "Yours Truly," by Lauren Davis; "The Air Traffic Controller," by Adam J. Maynard; "I Look at Myself in the Mirror," by Edy Poppy; "The Tallest Man in the World," by Natasha Sho; "Saint-Omer," Arnaud Viviant; "General Idea;" "Streets of New York," by Mark Borthwick; "Bug Studio, Bangkok," by Dominique Gonzalez-Foerster; "Kew Gardens, London," by Frederike Helwig; "Excerpts from Forthcoming Book," by Armin Linke; "Habitat, 1998," by Klaus Sherubel; "Burger King, 1998," by Kaus Sherubel; "The Deep Galelry, Tokyo," by Chikashi Suzuki; "China Art Objects Gallery," by Amy Yao and "Jungle Science 2," Jean-Luc Vilmouth. Cover: Maria Finn. Very Good. Light yellowing and scratching of covers with dust soiling and rubbing of cover edges. Contents clean and unmarked. Due to large size and weight additional shipping charges will be required for international orders.

Condition: Gut. Clara Chloe Bennett (illustrator). Zustand: Gut | Sprache: Französisch | Produktart: Bücher | Keine Beschreibung verfügbar.

Taschenbuch. Condition: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -For millennia, access to clean drinking water was a basic public utility. Yet, over the last few decades, a multi-billion-dollar industry successfully convinced consumers to pay a 2,000% markup for a product they could get from their kitchen sink for practically nothing. How did they achieve this impossible feat The Bottled Water Scam is arguably the greatest marketing heist in capitalist history. Beverage conglomerates didn't invent a new product; they manufactured fear and status. By plastering images of pristine glaciers on labels and funding campaigns that subtly undermined the safety of municipal tap water, they transformed a free public resource into a premium lifestyle accessory, despite the fact that much of the bottled water sold is simply filtered municipal water.This book unpacks the brilliant, deceptive branding strategies of the beverage industry. It explores the psychological levers of perceived purity, the devastating environmental cost of single-use plastics, and the logistics of shipping heavy water across the globe.Stop paying for marketing. Expose the psychological tricks that make you buy liquid plastic, understand the economics of the beverage cartel, and rethink the true value of your drinking water. 144 pp. Englisch.