Chokosai Eisho (7 results)

No Binding. Condition: Fine. Postcard in fine condition. Unmailed. Cards are sent in stiff mailers. Postcard.

No Binding. Condition: Fine. Postcard in fine condition. Unmailed. Cards are sent in stiff mailers. Postcard.

Condition: Gut. Front cover with a small image of the art print, 1 side text, 1 side with art print fixed to one side, back side blank. Leaflet slightly bumped at the lower edge in the fold, art print very good. Text in Japanese and English. - Oban Nishikie - (Important Art Object) Eishô was active as a follower of Hosoda (Chobunsai) Eishi during the Kansei era (1789-1800), when Utamaro's influence on print designing in Edo was at its peak. In this series of bust portraits of courtesans, Eisho, while he designed bold compositions to fill the entire format, maintained much of the aristocratic tone of his teacher. The courtesan Midorigi is depicted as a lovely young girl, stroking a china bull charm. The massed black hair, white skin and colorful textile patterns in red and purple are made to stand out forcefully against a ground of grey with a vine pattern reserved in white. As the title implies, there were issued a series of these portraits, which seem to have been extremely popular, judging from the number extant. Sprache: Englisch Gewicht in Gramm: 550 Leaflet 28,5*42 cm, Art print 25,5*39 cm.

Condition: Gut. Front cover with a small image of the art print, 1 side text, 1 side with art print fixed to one side, back side blank. Leaflet slightly bumped at the lower edge in the fold, art print very good. Text in Japanese and English. - Aiban Nishikie - (Important Art Object) In conceiving this design, Eisho used several familiar symbols to reinforce the mood of the Girls' Festival, including the dandelions decorating the cartouche in the upper left, as well as the handled reed basket of clams and the flowering peach branch. While retaining a preference for the delicate female type developed some years earlier by his teacher Eishi, Eisho also followed the tendency of his time to emphasize the decorative values of Japanese costume, rather than focus attention on the face. The upper part of the young girl's body is intentionally drawn rather small in comparison with the exaggerated proportions of the lower body, thus giving stability to the design. Judging from the style of the coiffure, drawn back close to the head, this print dates from the last years of the Kansei era (ca. 1800). Sprache: Englisch Gewicht in Gramm: 550 Leaflet 28,5*42 cm, Art print 22,4*32,3 cm.

Condition: Gut. Front cover with a small image of the art print, 1 side text, 1 side with art print fixed to one side, back side blank. Leaflet slightly bumped at the lower edge in the fold, art print very good. Text in Japanese and English. - Oban Nishikie - (Important Art Object) This print is one of a series entitled "Yukun Waka Sanjin" (Three Courtesan Goddesses of Waka Poetry) and is a parody on three famous medieval poets who became the patron deities of the Sumiyoshi, Tamatsushima, and Hitomaro shrines. One other print, portraying Hanaogi, is known. Eishd's half-length portraits show a strong influence of Utamaro, the dominant painter of beautiful women in the 1790's. But in his full-length portraits, such as this print of Hinazuru, Eisho followed more the style of his teacher Chobunsai Eishi. The faces of the women depicted in full length lack that coquettish charm of expression found in the half-length portraits. This composition of Hinazuru - knee raised, one hand grasping the collar of her outer robe, head slightly averted - is not only typical of the Eishi school but also presents a splendid tableau of femininity. Eisho worked for only three or four years, beginning about 1794. His last works may well be three or four illustrated books (kibyoshi'), published in 1798 or 1799. The portrait of Hinazuru is probably a work of about 1795. Sprache: Englisch Gewicht in Gramm: 550 Leaflet 28,5*42 cm, Art print 21,7*32,2 cm.

Condition: Fine. Title: Ukiyo-e Master Kitagawa Utagawa. Toribunsai Hideyuki Authors: Kitagawa Utama. Toribunsai Hideyuki. Toritakasai Eisho. Ichirakutei Eisui. etc. Quality: Perfect Publication time: 1975 Edition: Soft Cover Publisher: Shueisha Number: 143 pages Size: 29 x 22 cm 121 Product Description: Japanese Ukiyo-e Print Collection. Shueisha Publishing Ukiyo-e Entrepreneur Vol. 272 works by Hideyuki Tori Bunsai. Eisho Tori Takasai. Eisui Ichirakutei. etc. 64 of which are colored prints. monochrome illustrations for the rest of the works. explanations of illustrations attached after the calligraphy and chronology. original Japanese edition. Kitagawa Utamaro Kitagawa Utamaro (1753-1806) is one of the most famous ukiyo-e masters in Japan. Good picture beauty picture. Born in Edo (now Tokyo) as a farmer. graduated on September 20. 1806 in the same area. Original surname Kitagawa. childhood name Ichitaro. post-name Yusuke. Yuuki. Originally from Edo (now Tokyo). a farmer in the foothills of Mt. At the time of the Tenmei era. Juzaburo Ashiya. a publishing company. had a unique talent. and a self-styled personality that created a picture of a beautiful woman. At the age of 20. with the seal of Toyoaki Kitagawa on the cover of a book published elsewhere. and at the age of 29. Toyohaki changed to Utamaro. Since then. he has become the number one representative artist of ukiyo-e beauty paintings. Other creative activities positive value Edo civil cultural heyday. the important composition part of the Edo civil culture that the work was made. Hokusai Katsushika. Hiroshige Ando. one of the three major ukiyo-e artists. and others are the most popular Japanese woodcut artists in Europe. I draw pictures of everyday life and recreational women and women's half-length portraits. A well-known gynecologist with 10 bodies and a blue cherry blossom beauty. Return research nature. published illustration book Mushi (1788). In 1804. the wife of a military ruler was enraged by the government and imprisoned for 50 days. Chobunsai Eishi. 1756-1829. was a Japanese ukiyo-e artist in the early Edo period. Kanichi reached the cultural Japanese folk era work. and others were similar to the samurai-like Ukiseki Daishi. This is also a hand-drawn picture created by this outside. and it is actually a hand-drawn picture. The pure and elegant style of painting is the theme of the masses' mutual joy. beauty and scenery. A representative work for Nishikie-like creative rules. Aozakura Geisha Selection and Fresh Seven Komachi. Born in a wealthy samurai family. the Fujiwara clan. Eishi was a child of the shogunate. a child of the shogunate who pursued art. Other early works Ota is bijin-ga's portrait of a beautiful woman. similar in style to Kiyonaga and Utamaro. Other than that. he is the number one multi-professional painter. since 1801. he has abandoned the stamped design. and is responsible for the painting.

Softcover/Paperback. Condition: Gut. 30 Seiten Zustand: gut; kleine runder roter Sammlerstempel von Tadamasa Hayashi vorne und hinten im Buch, die Angaben sind dem Eintrag mit Bleistift auf der letzten Leerseite entnommen, Ja-4 Wenn das Buch einen Schutzumschlag hat, ist das ausdrücklich erwähnt. Rechnung mit ausgewiesener Mwst. ja Gewicht in Gramm: 240.