Cholmondeley David (28 results)

Paperback. Condition: New.

Condition: As New. Unread book in perfect condition.

HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Condition: New.

Hardcover. Condition: Very Good. No Jacket. Missing dust jacket; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. Light wear to hinges and corners, otherwise an attractive copy. Tight binding and unmarked pages. Dust jacket showing light rubbing. Now protected in archival cover.

hardcover. Condition: As New. Skira Rizzoli; New York, 2014. Hardcover. A Near Fine, red cloth binding with gilt lettering on front board and spine, binding firm, interior and extremities tidy, mild spine edge wear, some scattered foxing top text block edge, in a Near Fine, trace handling/scuff marks to panels, mild edge/corner wear, Dust wrapper. A nice, clean and unmarked copy. 4to[quarto or approx. 11.5 x 13.5 inches], 296pp., appendices, color and b&w illustrations. We pack securely and ship daily with delivery confirmation on every book. The picture on the listing page is of the actual book for sale. Additional Scan(s) are available for any item, please inquire.Please note: Oversized books/sets MAY require additional postage then what is quoted for 2.2lb book.…

Hardcover. Condition: new. Hardcover. James Turrell is widely acknowledged as one of the most important artists working today. From the mid 1960s onwards his principal concern has been the way we apprehend light and space. His study of mathematics and perceptual psychology, as well as his Quaker upbringing and background as a pilot, inform his practice. His first exhibition in 1967 of 'projection pieces' used high-intensity light projectors to give the illusion of a solid geometrical object, often seemingly floating in space. From these investigations of light, Turrell went on to begin his series of 'Skyspaces'. These are enclosed viewing chambers that affect our perception of the sky. Since then he has continued to create works using light as his medium. Perhaps his most celebrated works are his 'Ganzfeld' chambers, whole spaces immersed in light; as well as his more recent 'Tall Glass' series, which resemble windows of slowly changing colour. Meanwhile, Turrell continues work on a monumental project at Roden Crater, an extinct volcano in Arizona.Here he has created a series of viewing chambers, tunnels and apertures to heighten our sense of the heavens and earth in one of the most ambitious artistic endeavours of modern times. In summer/autumn 2015, Houghton Hall, Norfolk, hosted an ambitious and significant exhibition of James Turrell's light pieces, many collected by the Marquess of Cholmondeley, owner of Houghton, who has long been an admirer of his work. This publication has been produced to document and to accompany the exhibition - a project devoted to James Turrell's work has been a long-held ambition of Lord Cholmondeley. He first discovered Turrell's work twenty years ago, and in 2000 invited him to Houghton to install a 'Skyspace' amongst the trees on the west side of the house. Soon afterwards, a rusty water tank was removed from an eighteenth-century folly in the park to make way for his atmospheric interior space, 'St Elmo's Breath'. The exhibition was centred around works from the Houghton collection, which also includes projections, a 'Tall Glass', holograms and prints.The exhibition was complemented by further loans to help illustrate the broad spectrum of Turrell's work; and a unique, site-specific installation was created especially for Houghton - 'The Illumination'- lighting the whole west facade of the house that could be viewed from dusk. LightScape follows three highly acclaimed exhibitions by Turrell in 2013/14 at the Guggenheim, New York, the Los Angeles County Museum of Art and the Museum of Fine Arts, Houston. The National Museum of Australia, Canberra has also hosted a major retrospective of his work which closed just as the exhibition at Houghton Hall opened. The publication includes a foreword by David Cholmondeley, a text by Peter Murray, and an interview with the artist by Hiram C. Butler. Designed by Peter B. Willberg and printed in Italy, this hardback, cloth-covered publication is essential reading for all admirers of Turrell's oeuvre. James Turrell is one of the most prominent artists working today. Since the 1960s his primary concern has been the apprehension of light and space. In summer/autumn 2015, Houghton Hall, Norfolk, hosted an ambitious exhibition of his work. The book includes a foreword by David Cholmondeley, a text by Peter Murray, and an interview by Hiram C Butler. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Hardcover. Condition: New.

Condition: New.

Condition: New. . 2016. Hardcover. . . . .

Condition: As New. Unread book in perfect condition.

Hardcover. Condition: Brand New. 101 pages. 12.25x10.50x0.50 inches. In Stock.

Condition: New. . 2016. Hardcover. . . . . Books ship from the US and Ireland.

Hardcover. Condition: Used; Very Good. Ex-Library Copy **SHIPPED FROM UK** We believe you will be completely satisfied with our quick and reliable service. All orders are dispatched as swiftly as possible! Buy with confidence! Greener Books.

Hardback. Condition: New. New copy - Usually dispatched within 3 working days.

Hardback, 30.5x26.5cm, 102pp. Very good condition, in good dustwrapper (light wear and scuff marks; unevenly faded alongside spine). ISBN: 9780993288203.

Hard cover. Condition: Fine. Dust Jacket Condition: Fine. First edition. 11 1/2'' x 9 3/4''. 296pp. with index. Beautifully illustrated in color. Principal photography by Derry Moore. (illustrator).

Buch. Condition: Neu. Neuware - James Turrell is widely acknowledged as one of the most important artists working today. From the mid 1960s onwards his principal concern has been the way we apprehend light and space. His study of mathematics and perceptual psychology, as well as his Quaker upbringing and background as a pilot, inform his practice. His first exhibition in 1967 of ¿projection pieces¿ used high-intensity light projectors to give the illusion of a solid geometrical object, often seemingly floating in space. From these investigations of light, Turrell went on to begin his series of ¿Skyspaces¿. These are enclosed viewing chambers that affect our perception of the sky. Since then he has continued to create works using light as his medium. Perhaps his most celebrated works are his ¿Ganzfeld¿ chambers, whole spaces immersed in light; as well as his more recent ¿Tall Glass¿ series, which resemble windows of slowly changing colour. Meanwhile, Turrell continues work on a monumental project at Roden Crater, an extinct volcano in Arizona. Here he has created a series of viewing chambers, tunnels and apertures to heighten our sense of the heavens and earth in one of the most ambitious artistic endeavours of modern times. In summer/autumn 2015, Houghton Hall, Norfolk, hosted an ambitious and significant exhibition of James Turrell's light pieces, many collected by the Marquess of Cholmondeley, owner of Houghton, who has long been an admirer of his work. This publication has been produced to document and to accompany the exhibition ¿ a project devoted to James Turrell¿s work has been a long-held ambition of Lord Cholmondeley. He first discovered Turrell¿s work twenty years ago, and in 2000 invited him to Houghton to install a ¿Skyspace¿ amongst the trees on the west side of the house. Soon afterwards, a rusty water tank was removed from an eighteenth-century folly in the park to make way for his atmospheric interior space, ¿St Elmo¿s Breath¿. The exhibition was centred around works from the Houghton collection, which also includes projections, a ¿Tall Glass¿, holograms and prints. The exhibition was complemented by further loans to help illustrate the broad spectrum of Turrell¿s work; and a unique, site-specific installation was created especially for Houghton ¿ ¿The Illumination¿¿ lighting the whole west fa¿e of the house that could be viewed from dusk. LightScape follows three highly acclaimed exhibitions by Turrell in 2013/14 at the Guggenheim, New York, the Los Angeles County Museum of Art and the Museum of Fine Arts, Houston. The National Museum of Australia, Canberra has also hosted a major retrospective of his work which closed just as the exhibition at Houghton Hall opened. The publication includes a foreword by David Cholmondeley, a text by Peter Murray, and an interview with the artist by Hiram C. Butler. Designed by Peter B. Willberg and printed in Italy, this hardback, cloth-covered publication is essential reading for all admirers of Turrell¿s oeuvre.…

Hardcover. Condition: Near Fine. Dust Jacket Condition: Near Fine. 1st Edition. Short gift inscription in tiny print to half-title page o/w clean, unmarked copy with sharp corners, firm joints. DJ remains clean, shiny. BP/English Country Houses.

Hardcover. Condition: new. Hardcover. James Turrell is widely acknowledged as one of the most important artists working today. From the mid 1960s onwards his principal concern has been the way we apprehend light and space. His study of mathematics and perceptual psychology, as well as his Quaker upbringing and background as a pilot, inform his practice. His first exhibition in 1967 of 'projection pieces' used high-intensity light projectors to give the illusion of a solid geometrical object, often seemingly floating in space. From these investigations of light, Turrell went on to begin his series of 'Skyspaces'. These are enclosed viewing chambers that affect our perception of the sky. Since then he has continued to create works using light as his medium. Perhaps his most celebrated works are his 'Ganzfeld' chambers, whole spaces immersed in light; as well as his more recent 'Tall Glass' series, which resemble windows of slowly changing colour. Meanwhile, Turrell continues work on a monumental project at Roden Crater, an extinct volcano in Arizona.Here he has created a series of viewing chambers, tunnels and apertures to heighten our sense of the heavens and earth in one of the most ambitious artistic endeavours of modern times. In summer/autumn 2015, Houghton Hall, Norfolk, hosted an ambitious and significant exhibition of James Turrell's light pieces, many collected by the Marquess of Cholmondeley, owner of Houghton, who has long been an admirer of his work. This publication has been produced to document and to accompany the exhibition - a project devoted to James Turrell's work has been a long-held ambition of Lord Cholmondeley. He first discovered Turrell's work twenty years ago, and in 2000 invited him to Houghton to install a 'Skyspace' amongst the trees on the west side of the house. Soon afterwards, a rusty water tank was removed from an eighteenth-century folly in the park to make way for his atmospheric interior space, 'St Elmo's Breath'. The exhibition was centred around works from the Houghton collection, which also includes projections, a 'Tall Glass', holograms and prints.The exhibition was complemented by further loans to help illustrate the broad spectrum of Turrell's work; and a unique, site-specific installation was created especially for Houghton - 'The Illumination'- lighting the whole west facade of the house that could be viewed from dusk. LightScape follows three highly acclaimed exhibitions by Turrell in 2013/14 at the Guggenheim, New York, the Los Angeles County Museum of Art and the Museum of Fine Arts, Houston. The National Museum of Australia, Canberra has also hosted a major retrospective of his work which closed just as the exhibition at Houghton Hall opened. The publication includes a foreword by David Cholmondeley, a text by Peter Murray, and an interview with the artist by Hiram C. Butler. Designed by Peter B. Willberg and printed in Italy, this hardback, cloth-covered publication is essential reading for all admirers of Turrell's oeuvre. James Turrell is one of the most prominent artists working today. Since the 1960s his primary concern has been the apprehension of light and space. In summer/autumn 2015, Houghton Hall, Norfolk, hosted an ambitious exhibition of his work. The book includes a foreword by David Cholmondeley, a text by Peter Murray, and an interview by Hiram C Butler. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.…

Hardcover. Condition: As New. A Fine Book in a Fine Dust Jacket. Very Clean. No writing or tears. Solid Binding. Dust Jacket is bright and shiny.

Hardcover. Condition: new. New Copy. Customer Service Guaranteed.

Condition: New.

Hardcover. Condition: Very Good. Very Good. Dust Jacket may NOT BE INCLUDED.CDs may be missing. SHIPS FROM MULTIPLE LOCATIONS. book.

Hardcover. Condition: New. 10.5 X 0.5 X 12.25 inches; 102 pages.

First edition, first printing. Fine oblong format. Near fine in near fine, slightly faded, dustjacket.

First edition, 4to, 296 pp. Numerous illustrations. Cloth, d.w., a fine copy.