Chunchen Wang (29 results)

Paperback. Condition: Very Good. Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE Standard-sized.

paperback. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

Paperback. Condition: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD PAPERBACK Standard-sized.

Paperback. Condition: Very Good. First Edition. A very good copy (slight wear).

Hardcover. Condition: VG. used hardcover copy in illustrated boards, no jacket, as issued. light shelfwear, corners perhaps slightly bumped. pages and binding are clean, straight and tight. there are no marks to the text or other serious flaws.

Paperback. Condition: Acceptable. Acceptable - This is a significantly damaged book. It should be considered a reading copy only. Please order this book only if you are interested in the content and not the condition. May be ex-library. PAPERBACK Standard-sized.

Hardcover. Condition: Very Good. clean, tight, unmarked, .could be signed by the author .but I cannot interpret.pictures upon request.will require additional overseas or priority shipping.

Hard cover. Condition: Very good. 294 p. Shelf wear to cover.

Softcover, 114 pages; in English and Chinese; as new condition; clean and crisp; no internal marks. Foreign shipping may be extra.

Condition: New. pp. 168.

Condition: New. 155.

Softcover, 194 pages; in English and Chinese; very good condition; light rubbing to silver covers; no internal marks. Foreign shipping may be extra.

Taschenbuch. Condition: Neu. Druck auf Anfrage Neuware - Printed after ordering - This interdisciplinary study promotes the thesis that some contemporary Chinese ink artists succeed in using principles of traditional Chinese aesthetics to convey the union of self with nature, others and the universe. The investigation is a case study of the writings and paintings of Jizi, an ink-wash artist in Beijing, who combines images of icy mountains, Tibetan landscapes, cosmic vistas, and enclosures of personal existence. Jizi's success in expressing the unification of these dimensions is confirmed by developing and applying an interpretation of Jing Hao's classic description of the authentic image, which resonates with the vitality of nature. To find words for resonance with visible nature, the inquiry extends to such writers as Li Zehou, Arthur Danto and Maurice Merleau-Ponty. In short, an account of authenticity in Chinese ink painting is offered experimentally as a means for assessing whether contemporary Chinese artworks are expressive of Chinese philosophy and culture. The text includes stylistic comparisons with artists such as E.C. Escher, Guo Xi, Jia Youfu, Liu Guosong, Rene Magritte, Piet Mondrian, and Xu Bing. The result is an appreciation of the healing influence of Chinese ink art in a global culture that is vibrant, complex, diverse and affirming of the present.In this rigorous, far-reaching, and original analysis of contemporary ink art painting, Brubaker and Wang focus our attention on the work of one independent painter, Jizi, whose work exemplifies an uncanny marriage between ink art and contemporary concerns. In the central chapters, Brubaker persuasively argues that in this work Jizi captures principles essential to traditional Chinese aesthetics articulated in terms of wholeness, emptiness, and visibility that enable the works to express the unification of the self with nature and the universe as a whole. It does this through forms that are innovative and part of artistic practices and discourses that are becoming increasingly global.Mary Wiseman,The City University of New YorkThis important publication focuses on the evocative ink wash paintings of an artist who has, over the course of decades, demonstrated an unwavering commitment to exploring the technical, formal, philosophical and experiential dimensions of his chosen medium. The essays, commentaries and critical reflections collected in this volume present unique perspectives on Jizi's practice, significantly contributing to the growing body of scholarship on the continuing vitality of the ink wash tradition in the global contemporary.Dr. Wenny Teo, The Courtauld Institute of ArtThroughan in-depth study of theink paintingpractice ofcontemporary ChineseartistJizi,the authorsdiscoverChinese ink painting's philosophical perspectives,cosmicfoundations, and contemporarypossibilities. They also uncovereda way toenter into the artist's rich and profound spiritual world;throughJiazi'sexpansive visual patterning and refined spiritual imagery, heactivatesalong and great culturaltradition.Yu Yang, Central Academy of Fine Arts.

Buch. Condition: Neu. Druck auf Anfrage Neuware - Printed after ordering - This interdisciplinary study promotes the thesis that some contemporary Chinese ink artists succeed in using principles of traditional Chinese aesthetics to convey the union of self with nature, others and the universe. The investigation is a case study of the writings and paintings of Jizi, an ink-wash artist in Beijing, who combines images of icy mountains, Tibetan landscapes, cosmic vistas, and enclosures of personal existence. Jizi's success in expressing the unification of these dimensions is confirmed by developing and applying an interpretation of Jing Hao's classic description of the authentic image, which resonates with the vitality of nature. To find words for resonance with visible nature, the inquiry extends to such writers as Li Zehou, Arthur Danto and Maurice Merleau-Ponty. In short, an account of authenticity in Chinese ink painting is offered experimentally as a means for assessing whether contemporary Chinese artworks are expressive of Chinese philosophy and culture. The text includes stylistic comparisons with artists such as E.C. Escher, Guo Xi, Jia Youfu, Liu Guosong, Rene Magritte, Piet Mondrian, and Xu Bing. The result is an appreciation of the healing influence of Chinese ink art in a global culture that is vibrant, complex, diverse and affirming of the present.In this rigorous, far-reaching, and original analysis of contemporary ink art painting, Brubaker and Wang focus our attention on the work of one independent painter, Jizi, whose work exemplifies an uncanny marriage between ink art and contemporary concerns. In the central chapters, Brubaker persuasively argues that in this work Jizi captures principles essential to traditional Chinese aesthetics articulated in terms of wholeness, emptiness, and visibility that enable the works to express the unification of the self with nature and the universe as a whole. It does this through forms that are innovative and part of artistic practices and discourses that are becoming increasingly global.Mary Wiseman,The City University of New YorkThis important publication focuses on the evocative ink wash paintings of an artist who has, over the course of decades, demonstrated an unwavering commitment to exploring the technical, formal, philosophical and experiential dimensions of his chosen medium. The essays, commentaries and critical reflections collected in this volume present unique perspectives on Jizi's practice, significantly contributing to the growing body of scholarship on the continuing vitality of the ink wash tradition in the global contemporary.Dr. Wenny Teo, The Courtauld Institute of ArtThroughan in-depth study of theink paintingpractice ofcontemporary ChineseartistJizi,the authorsdiscoverChinese ink painting's philosophical perspectives,cosmicfoundations, and contemporarypossibilities. They also uncovereda way toenter into the artist's rich and profound spiritual world;throughJiazi'sexpansive visual patterning and refined spiritual imagery, heactivatesalong and great culturaltradition.Yu Yang, Central Academy of Fine Arts.

Condition: Sehr gut. Zustand: Sehr gut | Sprache: Englisch | Produktart: Bücher | This interdisciplinary study promotes the thesis that some contemporary Chinese ink artists succeed in using principles of traditional Chinese aesthetics to convey the union of self with nature, others and the universe. The investigation is a case study of the writings and paintings of Jizi, an ink-wash artist in Beijing, who combines images of icy mountains, Tibetan landscapes, cosmic vistas, and enclosures of personal existence. Jizi¿s success in expressing the unification of these dimensions is confirmed by developing and applying an interpretation of Jing Haös classic description of the authentic image, which resonates with the vitality of nature. To find words for resonance with visible nature, the inquiry extends to such writers as Li Zehou, Arthur Danto and Maurice Merleau-Ponty. In short, an account of authenticity in Chinese ink painting is offered experimentally as a means for assessing whether contemporary Chinese artworks are expressive of Chinese philosophy and culture. The text includes stylistic comparisons with artists such as E.C. Escher, Guo Xi, Jia Youfu, Liu Guosong, Rene Magritte, Piet Mondrian, and Xu Bing. The result is an appreciation of the healing influence of Chinese ink art in a global culture that is vibrant, complex, diverse and affirming of the present. In this rigorous, far-reaching, and original analysis of contemporary ink art painting, Brubaker and Wang focus our attention on the work of one independent painter, Jizi, whose work exemplifies an uncanny marriage between ink art and contemporary concerns. In the central chapters, Brubaker persuasively argues that in this work Jizi captures principles essential to traditional Chinese aesthetics articulated in terms of wholeness, emptiness, and visibility that enable the works to express the unification of the self with nature and the universe as a whole. It does this through forms that are innovative and part of artistic practices and discourses that are becoming increasingly global. Mary Wiseman, The City University of New York This important publication focuses on the evocative ink wash paintings of an artist who has, over the course of decades, demonstrated an unwavering commitment to exploring the technical, formal, philosophical and experiential dimensions of his chosen medium. The essays, commentaries and critical reflections collected in this volume present unique perspectives on Jizi's practice, significantly contributing to the growing body of scholarship on the continuing vitality of the ink wash tradition in the global contemporary. Dr. Wenny Teo, The Courtauld Institute of Art Through an in-depth study of the ink painting practice of contemporary Chinese artist Jizi, the authors discover Chinese ink painting¿s philosophical perspectives, cosmic foundations, and contemporary possibilities. They also uncovered a way to enter into the artist¿s rich and profound spiritual world; through Jiazi¿s expansive visual patterning and refined spiritual imagery, he activates a long and great cultural tradition. Yu Yang, Central Academy of Fine Arts.

Condition: Good. 8vo. 193 pp. Soft cover. Very Good. Color plates. Features works by Xu Changchang, Wang Qingsong, Miao Xiaochun, Shi Tou + Mingming, et al. Text in English and Chinese.

Hardcover. Condition: Very Good. Dust Jacket Condition: No Dust Jacket. Some shelfwear, back cover scuffed.; 8vo; 291 pages.

Soft cover. Condition: New. 1st Edition. 48 pages, illustrations : 29 cm. 2024 Brunei Gallery (SOAS, London) exhibition. Catalogue for the exhibition ; 'Strange Wonders : Jizi and the Pioneers of Contemporary Ink from China.' Strange Wonders is taken from a poem written in the 14th century by the ink painter Ni Zan (1301-1374). The term evokes the mysterious awe that nature elicits in the individual in the Chinese landscape tradition, echoed by European romanticism and the related emergence of modernism in the 19th and 20th centuries. It could also refer to subconscious states of mind explored by the surrealist movement in the early to mid-twentieth century, when artists such as Leonora Carrington painted fantastical imagery evoking dreamlike worlds whereby outright order and rationality are left behind and inner desires unleashed. The subtitle Dreams, Desires and Daoism explores the idea of the inner self through the resonation of Chinese Daoist thought to contemporary ink practices and aesthetics. As such, it gives a discursive grounding to Chinese artistic forms within a transnational cultural context. In the words of John Hay, desires in the ink tradition can be read in the textural surface and depth of the works and hang on the threads of multi-layered cultural allusions . The enigmatic quality of modern and contemporary ink works can be read within these discursive and art historical legacies. As hybrid forms woven from a variety of cultural threads in the modern period, they can be read in dialogue with a Chinese cultural legacy that consists of a syncretic tradition of Confucianist-Buddhist-Daoist thought reaching back more than two thousand years.

Catalogo 55' International Art Exhibition La Biennale di Venezia, Pavilion of the People^sRepublic of China, 55' Esposizione Internazionale d'Arte La Biennale di Venezia, Padiglione della Repubblica Popolare Cinese, 2013, testo inglese / italiano, brossura, copertina con alette, formato 23x27, pagine 207, illustrato con tavole a colori nel testo e fuori testo, allegato pieghevole mostra, ottime condizioni - 42000 9782894204191 2.

Soft cover. Condition: New. Cataloue of exhibition held August 8-September 6, 2012 at Zhong yang mei shu xue yuan Mei shu guan. Description: 437 pages : illustrations, some colour ; 24 cm 1 DVD-ROM (4 3/4 in.). Text in Chinese and English. DVD-ROM has its own title = CAFAM Future.

Gilt decorated hard cover. First edition. Illustrated in black, white and color. Important reference work. Very scarce in this condition. Fine copy in shrink wrap.

Taschenbuch. Condition: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -This interdisciplinary study promotes the thesis that some contemporary Chinese ink artists succeed in using principles of traditional Chinese aesthetics to convey the union of self with nature, others and the universe. The investigation is a case study of the writings and paintings of Jizi, an ink-wash artist in Beijing, who combines images of icy mountains, Tibetan landscapes, cosmic vistas, and enclosures of personal existence. Jizi's success in expressing the unification of these dimensions is confirmed by developing and applying an interpretation of Jing Hao's classic description of the authentic image, which resonates with the vitality of nature. To find words for resonance with visible nature, the inquiry extends to such writers as Li Zehou, Arthur Danto and Maurice Merleau-Ponty. In short, an account of authenticity in Chinese ink painting is offered experimentally as a means for assessing whether contemporary Chinese artworks are expressive of Chinese philosophy and culture. The text includes stylistic comparisons with artists such as E.C. Escher, Guo Xi, Jia Youfu, Liu Guosong, Rene Magritte, Piet Mondrian, and Xu Bing. The result is an appreciation of the healing influence of Chinese ink art in a global culture that is vibrant, complex, diverse and affirming of the present.In this rigorous, far-reaching, and original analysis of contemporary ink art painting, Brubaker and Wang focus our attention on the work of one independent painter, Jizi, whose work exemplifies an uncanny marriage between ink art and contemporary concerns. In the central chapters, Brubaker persuasively argues that in this work Jizi captures principles essential to traditional Chinese aesthetics articulated in terms of wholeness, emptiness, and visibility that enable the works to express the unification of the self with nature and the universe as a whole. It does this through forms that are innovative and part of artistic practices and discourses that are becoming increasingly global.Mary Wiseman,The City University of New YorkThis important publication focuses on the evocative ink wash paintings of an artist who has, over the course of decades, demonstrated an unwavering commitment to exploring the technical, formal, philosophical and experiential dimensions of his chosen medium. The essays, commentaries and critical reflections collected in this volume present unique perspectives on Jizi's practice, significantly contributing to the growing body of scholarship on the continuing vitality of the ink wash tradition in the global contemporary.Dr. Wenny Teo, The Courtauld Institute of ArtThroughan in-depth study of theink paintingpractice ofcontemporary ChineseartistJizi,the authorsdiscoverChinese ink painting's philosophical perspectives,cosmicfoundations, and contemporarypossibilities. They also uncovereda way toenter into the artist's rich and profound spiritual world;throughJiazi'sexpansive visual patterning and refined spiritual imagery, heactivatesalong and great culturaltradition.Yu Yang, Central Academy of Fine Arts 168 pp. Englisch.

Buch. Condition: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -This interdisciplinary study promotes the thesis that some contemporary Chinese ink artists succeed in using principles of traditional Chinese aesthetics to convey the union of self with nature, others and the universe. The investigation is a case study of the writings and paintings of Jizi, an ink-wash artist in Beijing, who combines images of icy mountains, Tibetan landscapes, cosmic vistas, and enclosures of personal existence. Jizi's success in expressing the unification of these dimensions is confirmed by developing and applying an interpretation of Jing Hao's classic description of the authentic image, which resonates with the vitality of nature. To find words for resonance with visible nature, the inquiry extends to such writers as Li Zehou, Arthur Danto and Maurice Merleau-Ponty. In short, an account of authenticity in Chinese ink painting is offered experimentally as a means for assessing whether contemporary Chinese artworks are expressive of Chinese philosophy and culture. The text includes stylistic comparisons with artists such as E.C. Escher, Guo Xi, Jia Youfu, Liu Guosong, Rene Magritte, Piet Mondrian, and Xu Bing. The result is an appreciation of the healing influence of Chinese ink art in a global culture that is vibrant, complex, diverse and affirming of the present.In this rigorous, far-reaching, and original analysis of contemporary ink art painting, Brubaker and Wang focus our attention on the work of one independent painter, Jizi, whose work exemplifies an uncanny marriage between ink art and contemporary concerns. In the central chapters, Brubaker persuasively argues that in this work Jizi captures principles essential to traditional Chinese aesthetics articulated in terms of wholeness, emptiness, and visibility that enable the works to express the unification of the self with nature and the universe as a whole. It does this through forms that are innovative and part of artistic practices and discourses that are becoming increasingly global.Mary Wiseman,The City University of New YorkThis important publication focuses on the evocative ink wash paintings of an artist who has, over the course of decades, demonstrated an unwavering commitment to exploring the technical, formal, philosophical and experiential dimensions of his chosen medium. The essays, commentaries and critical reflections collected in this volume present unique perspectives on Jizi's practice, significantly contributing to the growing body of scholarship on the continuing vitality of the ink wash tradition in the global contemporary.Dr. Wenny Teo, The Courtauld Institute of ArtThroughan in-depth study of theink paintingpractice ofcontemporary ChineseartistJizi,the authorsdiscoverChinese ink painting's philosophical perspectives,cosmicfoundations, and contemporarypossibilities. They also uncovereda way toenter into the artist's rich and profound spiritual world;throughJiazi'sexpansive visual patterning and refined spiritual imagery, heactivatesalong and great culturaltradition.Yu Yang, Central Academy of Fine Arts 168 pp. Englisch.

Condition: New. Print on Demand pp. 168.

Condition: New. Print on Demand 155.

Condition: New. PRINT ON DEMAND 155.

Condition: New. PRINT ON DEMAND pp. 168.

Condition: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. A&nbspcase study in the contemporary practice of Chinese ink paintingResolves not only the history of aesthetics issues but also the concern about authentic art criticismPresents a unique perspective on thinking about and understanding ink.

Condition: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. A&nbspcase study in the contemporary practice of Chinese ink paintingResolves not only the history of aesthetics issues but also the concern about authentic art criticismPresents a unique perspective on thinking about and understanding ink.