Claude Rouget (57 results)

Soft cover. Condition: Fine. Peter Lauck & Bernard Lamotte (illustrator). NO DATE = Circa 1948 ?? Set of 2 Loose Color Art PRINTS From the CAPEHART COLLECTION - Portfolio- (1) Peter Lauck interprets the jazz-and-pathos contrast of George Gershwin's "Rhapsody in Blue". (2) "An interpretation of "La Marseillaise" the French national anthem. the authorship of which is attributed to Claude Joseph Rouget de I'Isle.; Bernard Lamotte art; >> Minor creasing to upper left corner of each print. Size: 8 1/2" x 13 1/4". Book.

Condition: NUOVO. Udine, Pizzicato Verlag- Edizioni Musicali cm.23x31, pp.4, brossura con cop.fig.a col. P 295 E.

Disbound. Condition: VG+. British Reprint Edition. Written in 1792. This edition is undated but certainly from the 1890s. Piano music with lyrics and lead line. 1 score (2 leaves, 2pp pages music). With English and French Words. Black & white front cover with fancy type. 34 cm. Completely unmarked - no stamps. A disbound copy but the pages remain connected. Pic available. We use both the Canada Post and the United States Postal Service and offer very competitive postal charges - based on actual costs, no overcharging. Size: 10" by 13.5". Book.

@ Blurb / Notka wydawnicza: Warszawa: Naklad F. Grabczewskiego i I. Rzepeckiego, [ca 1925]; @ Size of the book block / Wymiar bloku: 21 cm; @ Series / Seria: (Seria: Nuty Miniaturowe - Grabczewski i Rzepecki; 266); @ Circulation / Naklad: -; @ Comments/ Uwagi: Na okladce Marszalek Foch. Na s. [4] pelny tekst w jezyku francuskim. // Muzyka fortepianowa - na fortepian solo; @ Weight / Waga: 10; @ Language / Jezyk: polski francuski; @ Pages / Strony: [4]s.; @ Thematic categories / Kategorie tematyczne: nuty nuty - 1901-1944, sztuka europejska Francja muzyka XVIII wieku, obcojezyczne francuski, okres wydania 1901-1944 / 45 / music notes 1901-1944, art music art of the 18th century, foreign languages French, period of edition 1901-1944 / 45 / Noten 1901-1944, Kunst Musik Kunst des 18. Jh.s, fremdsprachig französisch, Erscheinungsperioden 1901?1944 / 45; Egzemplarz nieznacznie uszkodzony i poplamiony. Pozycja w dosc ladnym stanie.

Softcover. 4°. Livret original avec reliure filetée et couverture illustrée, la couverture est endommagée sur les bords et poussiéreuse. 4 feuilles reliées, illustrées en une seule couleur. Globalement propre et toujours en bon état. --- Originalheft mit Fadenbindung und illustriertem Vorderdeckel, der Einband ist randlädiert und angestaubt. Eingebunden sind 4 Blatt, einfarbig illustriert. Im Ganzen sauber und noch gut erhalten. Vicaire II, 246 / Sander 162. - Après la révolution de 1848, cette livraison, déjà publiée dans l'édition en trois volumes des « Chants » publiée en 1843, fut placée au début de la nouvelle édition. --- Feuillet 1 avec une introduction de A. de Lamartine (extrait de l'Histoire des Girondins), feuillets 2 et 3 avec texte illustré, feuillet 4 avec la musique // Nach der Revolution von 1848 wurde diese bereits in der 1843 erschienenen dreibändigen Ausgabe der 'Chants' veröffentlichte Lieferung an den Beginn der neuen Ausgabe gestellt. --- Blatt 1 mit einer Einführung von A. de Lamartine ( Auszug aus Histoire des Girondins ), Blatt 2 und 3 mit illustriertem Text, Blatt 4 mit den Noten.- -- Bitte Portokosten außerhalb EU erfragen! / Please ask for postage costs outside EU! / S ' il vous plait demander des frais de port en dehors de l ' UE! // Bitte beachten Sie auch unsere Fotos! / Please also note our photos! / Veuillez noter nos photos -- Nehmen Sie sich ein gutes Buch mit auf die Sommerwiese. Bei uns werden Sie fündig! -- Wir kaufen Ihre werthaltigen Bücher! K09714-508381.

Bildgröße 32x21 cm.

MONTBRISON, Au siège de La Diana - 2013 - Br.24x16 - Couverture ivoire, médaillon au dauphin photo couleurs et titrage en noir; 96 pages [81 à 176] et 4 feuillets publicitaires sur papier beige in-fine; iconographie couleurs. (Collection Bulletin de La Diana - Tome LXXII - N°2 - 2e trimestre 2013 - Publication trimestrielle). Bon exemplaire. Hommage à Madame Marie Grange (C. Beaudinat, C. Lattat - 8 pages). Souvenir de Monsieur Marius Perret (E. Crozier - 3 pages). Nouveaux éléments pour la reconstitution de la bibliothèque de la Famille d'Urfé (F. Rouget - 25 pages). Claude Verd, archiprêtre de Montbrison de 1663 à 1707 - Curé de Verrières puis de lézigneux (J. Besson-Le Huede - 46 pages). Autour de Roche-la-Molière: les familels Tézenas, la Veuhe aux Neyron (P. Pouzols-Napoléon - 8 pages). Vie de la Société. Français Revues.

Condition: new. Expédition le jour même. Libraire depuis 23 ans. Envoi soigné avec suivi.

Paperback. Condition: New. Print on Demand. This book is a multifarious compendium of late 18th-century French language texts touching on diverse subjects from politics to religion, including revolutionary songs, military chants, and secular verses. Situated amidst the tumult of the French Revolution, these writings encompass the fervor and aspirations of a nation undergoing radical transformation. The collection delves into themes of liberty, equality, and fraternity, reflecting the spirit of the era and offering insights into the ideological currents shaping the course of events. Moreover, the inclusion of religious texts such as prayers and hymns provides a glimpse into the complex interplay between faith and politics during this period of profound social upheaval. Together, these works showcase the multifaceted nature of the French Revolution, offering a valuable glimpse into the ideas and emotions that fueled its course. This book is a reproduction of an important historical work, digitally reconstructed using state-of-the-art technology to preserve the original format. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in the book. print-on-demand item.

Condition: New. KlappentextrnrnThis scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have.

LeatherBound. Condition: NEW. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. A perfect gift for your loved ones. Reprinted from 1855 edition. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set and contains approximately 6 pages. IF YOU WISH TO ORDER PARTICULAR VOLUME OR ALL THE VOLUMES YOU CAN CONTACT US. Resized as per current standards. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Language: English.

LeatherBound. Condition: NEW. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. A perfect gift for your loved ones. Reprinted from 1830 edition. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set and contains approximately 4 pages. IF YOU WISH TO ORDER PARTICULAR VOLUME OR ALL THE VOLUMES YOU CAN CONTACT US. Resized as per current standards. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Language: English.

LeatherBound. Condition: NEW. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. A perfect gift for your loved ones. Reprinted from 1871 edition. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set and contains approximately 6 pages. IF YOU WISH TO ORDER PARTICULAR VOLUME OR ALL THE VOLUMES YOU CAN CONTACT US. Resized as per current standards. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Language: English.

LeatherBound. Condition: NEW. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. A perfect gift for your loved ones. Reprinted from 1797 edition. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set and contains approximately 4 pages. IF YOU WISH TO ORDER PARTICULAR VOLUME OR ALL THE VOLUMES YOU CAN CONTACT US. Resized as per current standards. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Language: English.

Couverture souple. Condition: bon. R260155295: 2001. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 73 pages. Premier plat illustré en couleurs. Quelques facs-similé, une partition. Ecriture au stylo sur la page de garde. . . . Classification Dewey : 780-Musique.

Taschenbuch. Condition: Neu. Neuware - This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

LeatherBound. Condition: NEW. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. A perfect gift for your loved ones. Reprinted from 1919 edition. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set and contains approximately 2 pages. IF YOU WISH TO ORDER PARTICULAR VOLUME OR ALL THE VOLUMES YOU CAN CONTACT US. Resized as per current standards. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Language: French.

Couverture rigide. « Je fis les paroles et l'air de ce chant [La Marseillaise] à Strasbourg [.] fin d'avril, 1792 » | Chez l'Auteur, Passage Saunier n°21 et aux adresses ordinaires | Paris s. d. [1825] | 25.6 x 34.4 cm | Relié | Édition de 1825, dont il manque ici la page de titre, dans laquelle le célèbre parolier se posa pour la première fois, explicitement et par écrit, en compositeur à part entière de La Marseillaise, autrement dit en auteur tant de l'air que des paroles. Il se prêtera à cet exercice à une seule autre reprise, dans une lettre du 5 janvier 1829 à M. Beuchot. L'hymne national de la France connut dans ses premières années d'existence une véritable polémique autour de sa paternité, en particulier sur la composition musicale, qui se poursuivra bien après 1825, malgré les déclarations de cette édition. Hector Berlioz futde ceux qui tinrent Claude-Joseph Rouget de Lisle pour l'auteur. Reliure d'époque en demi-basane brune, dos lisse orné de fleurons et filets dorés, papier marbré sur les plats, couvertures conservées. Coiffe inférieure accidentée, mors supérieur fendu sur 5 cm, manques de papier aux coupes, coins émoussés. Rousseurs éparses comme souvent pour les livres du XIXe siècle, petite déchirure dans la marge droite de la première couverture. On trouve en plus deLa Marseillaise, présentée ici en version très aboutie, enrichie de plusieurs améliorations, pas toutes de la main de Rouget de Lisle lui-même, les partitions des chants suivants : N° 1 Roland à Roncevaux N° 2 Olivier N° 3 Eginard et Emma N° 4 Chant Chevaleresque N° 5 Raoul de Coucy, ou la Croisade N° 6 Chanson Attribuée a Thibaut IV. Comte de Champagne N° 7 Chant de la nourrice. Iselle et Gaston N° 8 La Blanche Marguerite, Romance N° 9 Du Guesclin N° 10 Agnès Sorel N° 11 Charles VII N° 12 Mécompte d'amour, Epigramme N° 13 Chanson spirituelle N° 14 Bayard, Chant Héroïque, Aux Manes des Braves N° 15 Vers de François Ier N° 16 L'amour et l'honneur N° 17 Adieux de Marie Stuart N° 18 Henri IV. Chant Heroïque N° 19 Viens, Aurore! N° 20 Chanson de Roland N° 21 Paul et Virginie, Romance N° 22. Hymne au Soleil couchant N° 23. Hymne des Marseillais N° 24 Le Vengeur, Scène héroïque N° 25 La Jeune Captive N° 26 Mont Jourdain, Romance N° 27 Chant du neuf thermidor N° 28 Hymne à l'Espérance N° 29 Hymne à la Liberté N° 30 Vengeance N° 31 Le chant du combat N° 32 Kléber N° 33 L'hymne à la paix N° 34 Enguerrand de Crécy N° 35 L'émigré montagnard N° 36 Montaigu N° 37 Chant du Jura N° 38 Plus de politique N° 39 Dieu conserve le Roi! N° 40 Ma République N° 41 Isolier N° 42 Si j'étais petit oiseau! N° 43 L'Aveugle de Bagnolet N° 44 La petite Fée N° 45 Les Vétérans N° 46 La Sainte Alliance des Peuples N° 47 Les enfants de la France N° 48 Mon dernier Voeu N° 49 Chant des Industriels N° 50 Le Voyageur * En 1825, alors qu'il approche les soixante-cinq ans, Claude-Joseph Rouget de Lisle réunit en un seul et même volume un ensemble de chants, les siens et d'autres chants fameux.Parmi les partitions figure à la p. 84 sous le n°23 son chef-d'uvre :La Marseillaise, appelée ici L'Hymne des Marseillais. Onze lignes d'introduction la précèdent, où l'auteur revient sur la genèse de son hymne, composé en 1792.Pourtant, à l'origine, le plus célèbre des symboles de la République française vit le jour anonymement, sans qu'aucun nom de parolier ni de compositeur soit communiqué : Mai 1792, édition originale sans nom, publiée avec paroles & l'air : Chantde guerre pour l'armée du Rhin, De l'imprimerie de Th. J. Dannbach 26 juin, publication des paroles mais non de l'air, qui est attribué ici à Sargines et non à Rouget de Lisle : Chant de guerre aux armées des frontières, « Journal des départements méridionaux et des Débats des amis de la Constitution ». Un imprimé à part fut ensuite tiré pour les nouvelles recrues du bataillon marseillais. 7 juillet, publication des paroles, sans nom et sans l'air :Chantde guerre pour l'armée du Rhin, Affiches de Strasbourg Fin juillet : les journaux [4], 83, [1p. bl. et 1p. impr.], 84-209 pp.

Couverture rigide. Condition: Très bon. Edition originale. Paris Fischebacher Strabourg Noiriel 1881 1 volume grand in 8 26,5 x 18 cm de XIV, 515 pages plus tables. Demi chagrin de l'époque à coins Dos à nerfs orné. Quelques notes érudites sur feuilles volantes et quelques annotations dans l'ouvrage. Intérieur frais. Ouvrage d'une grande érudition, très peu présent sur le marché en édition originale d'époque, vous ne trouverez généralement que des reprints, celui ci est bien de l'époque.

Hardcover. Condition: VG. The First American Printing of the Marseillaise. In a Volume of Early American Sheet Music from the 1790s and early 1800s: The Beginnings of American Popular Music. This wonderful and extensive bound colle. Large quarto. Early 19th-century half sheep and marbled boards. Morocco label on front board, with gilt-stamped ownership name of E. G. Clarke. Boards worn, binding edges frayed. Spine leather rubbed and chipped. Occasional soiling to the leaves, some offsetting and minor foxing. A few tears, often in the gutter margin of some of the sheets. Old stains to lower margins of last few leaves. Overall mostly clean and nice internally, especially considering the heavy use generally heavy use suffered by sheet music. 164 pages (numbered in an early manuscript hand) plus nine additional loose music sheets laid in (details below). The First American Printing of the Marseillaise. In a Volume of Early American Sheet Music from the 1790s and early 1800s: The Beginnings of American Popular Music. This wonderful and extensive bound collection of mostly American sheet music (see below for a complete inventory), includes the first American edition of the Marseillaise, with the words in English and French, published in 1793 by Benjamin Carr & Co. of Philadelphia. La Marseillaise, the French national anthem, was written in April 1792 by Claude Joseph Rouget de Lisle, and was officially adopted as the national anthem in 1795 by the French National Convention. Originally titled Chant de Guerre Pour l'Armee du Rhin (War Song of the Rhine Army) the song got its moniker after volunteers in a battalion from Marseille sung it while marching to Paris. By September of 1792 it had acquired the name Hymne des Marseillaise. Soon thereafter London publishers issued it as The Marseilles March. The very rare first American publication of the music and words of the Marseillaise contained in the present volume was published by Benjamin Carr (1768-1831), who left England in 1793 to establish his music shop at 136 High Street in Philadelphia. His father Joseph Carr soon joined him in America, as did a brother named Thomas, opening a music establishment in Baltimore. Late in the same year (1793) of his establishment in Philadelphia, Benjamin Carr must have copied one of the London versions to produce his own Marseilles Hymn or Marche des Marseillois. Both Carr's and the London versions share the same keyboard arrangements. Carr also retained the original French verses, which appear on the third sheet following the main English adaptation. Interestingly, Carr's also published the first printing of the words and music of the Star Spangled Banner (Baltimore, 1814), a copy of which sold at Christie's in 2010 for $506,500. Despite Jeremy Bentham calling it "the war whoop of anarchy," the Marseillaise has had a wide-ranging cultural impact far beyond the borders of France. Composers from Shostakovich and Tchaikovsky to Debussy and Lennon and McCartney have quoted it in their own work. And the special relationship between France and the United States, specifically the political and social background underpinning both the American Revolution and the French Revolution, contribute greatly to the interest of the first American appearance of the Marseillaise. Myron Gray's recent work, French Revolutionary Song for Federal Philadelphia discusses how the pioneering music publisher Benjamin Carr reconciled French Revolutionary music for the Philadelphia market at a controversial moment in Franco-American relations: For Carr, whose elite, music-reading clients were often conservative, the publication of radical French songs was, on the face of it, a risky venture. Book.

Couverture rigide. De l'Imprimerie de P. Didot l'aîné | Paris An V de la République, 1796 | 11 x 18.50 cm | broché | Édition originale de ce recueil. Exemplaire unique dans lequel les feuillets 57-59 contenant la Marseillaise ont été remplacés par le livret original de l'hymne révolutionnaire. Ces deux feuillets gravés - intitulés Chanson des Marseillois, chantée sur l'emplacement de la Bastille à l'adresse de Frere, passage du saumon (s. d. mais avant octobre 1792) - constituent la toute première impression de l'hymne qui avait été diffusée en feuillets libres pour pouvoir être appris de tous. Précieux envoi autographe signé de Rouget de l'Isle à Madame de Gordon en tête de la page de titre. Notre exemplaire est en outre truffé, monté sur un feuillet blanc et en regard de la page de titre, d'un portrait original dessiné au crayon de l'auteur de profil et, en fin de volume, du Chant des industriels (1821). Une figure avant la lettre et 5 pages de musique gravée. Reliure postérieure en plein veau Lavallière, dos à cinq nerfs orné, date dorée en queue, triple filet doré en encadrement des plats, gardes et contreplats de papier peigné, dentelle dorée en encadrement des contreplats. Reliure signée Koehler en pied du dos. Exemplaire non rogné. On trouve les six quatrains tels qu'ils furent écrits le capitaine Rouget de l'Isle pour l'armée du Rhin en avril 1792, à la suite de la déclaration de guerre contre l'empire d'Autriche. Un an avant cette première publication en volume, le régime de la Convention l'adopta comme hymne national de la République française et en fit l'emblème de la résistance révolutionnaire. Officiellement réinstaurée sous la IIIe République, elle figure aujourd'hui dans la Constitution française au même titre que le drapeau tricolore. | [ENGLISH DESCRIPTION FOLLOWS] One of the very rare copies enriched with an autograph - there are fewer than a dozen - of this first edition, featuring the Marseillaise. First edition illustrated with an engraving inset engraved by Charles-Etienne Gaucher after Jean-Jacques Le Barbier and 4 pages of score engraved at the end of the volume. The Marseillaise appears in its real first edition, having been the subject of a pre-publication in the Almanac of the Muses in 1793 and in the form of loose leaflets. Binding semi-sheepskin contemporary, smooth back adorned with boxes, jewels and gilded lace, title label red morocco, black cardboard boards. Several ex-libris handwritten or glued on the contreplat and the guards. Back restored, some foxinges. The last two letters of the dedicatee's name have been trimmed to binding. The book is enriched on the fake page of an exceptional autograph from Rouget de L'Isle to another artist of the Revolution: "M de La Chabeaussie [re] / from the author". Rouget de Lisle and Poisson de la Chabeaussière, the recipient of the consignment, both embodied the revolutionary fervor and marked Republican history by their pen. The Marseillaise appears in the book on page [PAGE?] Among other poems and songs. This first edition delivers the famous song in its original state. It comprises six quatrains, as written by Captain Rouget de l'Isle for the Army of the Rhine in April 1792, then instituted national anthem in 1795 by the decree of 26 Messidor year III. Paroliers and men of letters, Rouget de l'Isle and Chabeaussière were the zealous servants of the Revolution but also the victims of its excesses. At the writing of this dedication, in year V of the Republic, the two men are at the summit of their glory. One is the author of the national anthem that thrills revolutionary France, and the other the most popular republican catechism during the Revolution. Indeed, the Chabeaussière also composes a major work of the revolutionary inheritance: a republican, philosophical and moral Catechism , reissued 82 times until the Third Republic, and which promoted it to the Executive Commission of the public instruction . Like Rouget de L'Isle, he has enjoyed success as a lyricist and libr.

Couverture rigide. Un des très rares exemplaires enrichi d'un envoi autographe - on en recense moins d'une dizaine - de cette édition originale, comportant la Marseillaise. | De l'Imprimerie de P. Didot l'aîné | Paris An V de la République, 1796 | 11 x 18.50 cm | relié | Un des très rares exemplaires enrichi d'un envoi autographe - on en recense moins d'une dizaine - de cette édition originale, comportant la Marseillaise. Edition originale illustrée d'une gravure hors-texte gravée par Charles-Etienne Gaucher d'après Jean-Jacques Le Barbier et de 4 pages de partition gravée en fin de volume. La Marseillaise y figure dans sa véritable édition originale, ayant fait l'objet d'une pré-publication dans L'Almanach des Musesen 1793 et sous forme de feuillets libres. Reliure en demi-basane d'époque, dos lisse orné de caissons, de fleurons et de dentelles dorés, pièce de titre maroquin rouge, plats de cartonnage noir. Plusieurs ex-libris manuscrits ou encollés sur le contreplat et les gardes.Dos restauré, quelques rousseurs. Les deux dernières lettres du nom du dédicataire ont été rognées à la reliure. L'ouvrage est enrichi sur la page de faux-titre d'un exceptionnel envoi autographe de Rouget de L'Isle à un autre artiste de la Révolution:« M de La Chabeaussiè[re] / de la part de l'auteur ». Rouget de Lisle et Poisson de la Chabeaussière, le destinataire de l'envoi, ont tous deux incarné la ferveur révolutionnaire et marqué l'Histoire républicaine par leur plume. La Marseillaisefigure dans l'ouvrage parmi d'autres poèmes et chants. Cette première édition livre le célèbre chant dans son état originel : il comporte six quatrains, tel qu'il a été écrit par le capitaine Rouget de l'Isle pour l'armée du Rhin en avril 1792, puis institué hymne national en 1795 par le décret du 26 messidor an III. Paroliers et hommes de lettres, Rouget de l'Isle et la Chabeaussière furent les serviteurs zélés de la Révolution mais aussi les victimes de ses excès. A l'écriture de cette dédicace, en l'an V de la République, les deux hommes sont au faîte de leur gloire. L'un est l'auteur de l'hymne national qui fait vibrer la France révolutionnaire, et l'autre du catéchisme républicain le plus diffusé sous la Révolution. En effet, la Chabeaussière compose lui aussi une uvre majeure de l'héritage révolutionnaire : un Catéchisme républicain, philosophique et moral, réédité 82 fois jusqu'à la IIIe République, et qui l'a promu à la Commission exécutive de l'instruction publique. Comme Rouget de L'Isle, il a connu le succès en tant que parolier et librettiste, notamment pour les opéras comiques de Nicolas Delayrac. L'histoire de La Marseillaise rencontre dès sa création celle de La Chabeaussière et du compositeur Delayrac, dont l'air offre une certaine ressemblance avec le drame héroïque de Delayrac intitulé Sargines ou l'Élève de l'amour. Ni la Chabeaussière, ni Rouget de l'Isle malgré la célébrité de sa Marseillaise n'échappèrent cependant aux affres de la Terreur. Déclarés «suspects» , ils furent incarcérés en 1793 respectivement à la prison des Madelonettes et de Saint-Germain-en-Laye. Au sortir de ces heures sombres, les deux hommes mènent une existence paisible et continuent de collaborer activement à l'Almanach des Muses, qui publia La Marseillaise pour la première fois en volume. A la mort de la Chabeaussière en 1820, l'exemplaire connaît une histoire des plus romanesques. Il porte toujours l'inscription de son second propriétaire, Edouard Gendron: « Ce livre a été acheté en 1821 - à un carrefour près la place de l'école de médecine, parmi un tas de ferraille». Première publication par son compositeur du plus célèbre des symboles de la République française :La Marseillaise. Saprécieuse dédicace réunit des poètes révolutionnaires aux destins croisés, dont les écrits laissèrent leur immortelle empreinte dans l'histoire de France. | [ENGLISH DESCRIPTION FOLLOWS] One of the very few copies bearing an autograph inscriptionfewer than ten are recordedof this firs (4) 157 pp. ; 5 pp.

Pas de couverture. Condition: Très bon. ROUGET de LISLE Claude-Joseph Marche des Marseillois Chantée sur diferans Theatres. Arrangée pour le Clavecin par Mr. Dreux. [Paris], [Frère], [1792]. In-folio 32,5x24,5cm. 3 pp. PN 39. Musique gravée. Retirage, vers 1815, d'une des premières versions imprimées de la Marseillaise. Rare.

LeatherBound. Condition: New. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. LeatherBound edition. Condition: New. Reprinted from 1794 edition. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. A perfect gift for your loved ones. Pages: 6 NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Pages: 6 Rouget de Lisle, Claude Joseph, 1760-1836.,Rouget de Lisle, Claude Joseph, 1760-1836,Perrin, lyricist.

LeatherBound. Condition: New. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. LeatherBound edition. Condition: New. Reprinted from 1818 edition. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. A perfect gift for your loved ones. Pages: 16 NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Pages: 16 Rouget de Lisle, Claude Joseph, 1760-1836,Moran, P. K. (Peter K.), d. 1831.

LeatherBound. Condition: New. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. LeatherBound edition. Condition: New. Reprinted from 1793 edition. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. A perfect gift for your loved ones. Pages: 30 NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Pages: 30.

LeatherBound. Condition: New. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. LeatherBound edition. Condition: New. Reprinted from 1793 edition. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. A perfect gift for your loved ones. Pages: 10 NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Pages: 10.

LeatherBound. Condition: New. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. LeatherBound edition. Condition: New. Reprinted from 1848 edition. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. A perfect gift for your loved ones. Pages: 25 NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Pages: 25.

LeatherBound. Condition: New. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. A perfect gift for your loved ones. Reprinted from 1799 edition. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set and contains approximately 18 pages. IF YOU WISH TO ORDER PARTICULAR VOLUME OR ALL THE VOLUMES YOU CAN CONTACT US. Resized as per current standards. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Language: French.

Condition: Used: Good. Occasion - Bon Etat - Historique et souvenirs de Quiberon (1995) - Grand Format.