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Published by Open Book Publishers 10/25/2022, 2022
ISBN 10: 1800643926ISBN 13: 9781800643925
Seller: BargainBookStores, Grand Rapids, MI, U.S.A.
Book
Paperback or Softback. Condition: New. Engaging with Everyday Sounds 0.52. Book.
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Published by Rotterdam : De Uitgeverij, 1995
Seller: Paul van Kuik Antiquarian Music, Kranenburg, Germany
Book
Gr.-8°. Proefdrukexemplaar. 108 S. Sprache: Deutsch Gewicht in Gramm: 300.
Condition: very good. [S.l.] : [s.n.], 2002. Paperback. ca. 250 pp. A4. Without CD-Rom. Thesis Erasmus Universiteit Rotterdam. Condition : very good copy. Keywords : ,
Published by ASHGATE, ALDERSHOT, 2008
ISBN 10: 0754664821ISBN 13: 9780754664826
Seller: booksonlinebrighton, Brighton, United Kingdom
Book First Edition
Soft cover. Condition: Very Good. First Edition UK. Purple Printed Card covers (Paperback) 235 x 155 mm approx. x + 172 pp. 8 Music Score Examples and 1 table as called for. First UK Printing 2008. Please see our images of the actual book offered for sale for further details and condition. Very Good (Book- a little fading to covers, no notable shelf wear. No previous owner name or annotations. No other notable defects).
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Published by Kok Agora 1996, 1996
ISBN 10: 9039106924ISBN 13: 9789039106921
Seller: Antiquariaat Schot, Hendrik-Ido-Ambacht, Netherlands
Book
Paperback, i.z.g.st.(geen leesvouwen, inscripties of verkleuringen), 155 pagina's.
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Published by Open Book Publishers 10/25/2022, 2022
ISBN 10: 1800643934ISBN 13: 9781800643932
Seller: BargainBookStores, Grand Rapids, MI, U.S.A.
Book
Hardback or Cased Book. Condition: New. Engaging with Everyday Sounds 0.9. Book.
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Published by Routledge, 2017
ISBN 10: 1138279013ISBN 13: 9781138279018
Seller: GreatBookPrices, Columbia, MD, U.S.A.
Book
Condition: As New. Unread book in perfect condition.
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Published by Bloomsbury Publishing Plc, New York, 2022
ISBN 10: 1501393502ISBN 13: 9781501393501
Seller: Grand Eagle Retail, Wilmington, DE, U.S.A.
Book
Paperback. Condition: new. Paperback. The field of Sound Studies has changed and developed dramatically over the last two decades involving a vast and dizzying array of work produced by those working in the arts, social sciences and sciences. The study of sound is inherently interdisciplinary and is undertaken both by those who specialize in sound and by others who wish to include sound as an intrinsic and indispensable element in their research. This is the first resource to provide a wide ranging, cross-cultural and interdisciplinary investigation and analysis of the ways in which researchers use a broad range of methodologies in order to pursue their sonic investigations. It brings together 49 specially commissioned chapters that ask a wide range of questions including; how can sound be used in current academic disciplines? Is sound as a methodological tool indispensable for Sound Studies and what can sound artists contribute to the discourse on methodology in Sound Studies? The editors also present 3 original chapters that work as provocative sonic methodological interventions prefacing the 3 sections of the book. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
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Published by Taylor & Francis 2020-06-30, London, 2020
ISBN 10: 0367581515ISBN 13: 9780367581510
Seller: Blackwell's, London, United Kingdom
Book
paperback. Condition: New. Language: ENG.
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Published by Ashgate Publishing, Aldershot, 2008
ISBN 10: 0754664821ISBN 13: 9780754664826
Seller: The Petersfield Bookshop, ABA, ILAB, Petersfield, Hampshire, United Kingdom
Book First Edition
Paperback. Condition: Near Fine. Dust Jacket Condition: No Dust Jacket. First Edition. Standard paperback binding, with small sections of music score in text. A few pencil annotations to some margins. In Thresholds Marcel Cobussen rethinks the relationship between music and spirituality. The point of departure is the current movement within contemporary classical music known as New Spiritual Music, with as its main representatives Arvo Pärt, John Tavener, and Giya Kancheli. In almost all respects, the musical principles of the new spiritual music seem to be diametrically opposed to those of modernism: repetition and rest versus development and progress, tradition and familiarity versus innovation and experiment, communication versus individualism and conceptualism, tonality versus atonality, and so on. As such, this movement is often considered as part of the much larger complex called postmodernism. Joining in with ideas on spirituality as presented by Michel de Certeau and Mark C. Taylor, Cobussen deconstructs the classification of the 'spiritual dimensions' of music as described above. Thresholds presents an idea of spirituality in and through music that counters strategies of exclusion and mastering of alterity and connects it to wandering, erring, and roving. Using the philosophy of Martin Heidegger, Georges Bataille, Jean-François Lyotard, Jacques Derrida and others, and analysing the music of John Coltrane, the mythical Sirens, Arvo Pärt, and The Eagles (to mention a few), Cobussen regards spirituality as a (non)concept that escapes categorization, classification, and linguistic descriptions. Spirituality is a-topological, non-discursive and a manifestation of 'otherness'. And it is precisely music (or better: listening to music) that induces these thoughts: by carefully encountering, analysing, and evaluating certain examples from classical, jazz, pop and world music it is possible to detach spirituality from concepts of otherworldliness and transcendentalism. Thresholds opens a space in which spirituality can be connected to music that is not commonly considered in this light, thereby enriching the ways of approaching and discussing music. In order to achieve this, it is necessary to show that spirituality is not an attribute of music, not a simple adjective providing extra information or used to categorize certain types of music. Instead, the spiritual can happen through listening to music, in a more or less personalized relationship with it. This relationship might be characterized as susceptible instead of controlling, open instead of excluding, groping instead of rigid. Size: Octavo. 182 pages. Category: Music; Music; General; Music theory; ISBN: 0754664821. ISBN/EAN: 9780754664826. Dewey Code: 781.12.
Published by Routledge, 2012
ISBN 10: 1409434966ISBN 13: 9781409434962
Seller: Textbooks_Source, Columbia, MO, U.S.A.
Book First Edition
hardcover. Condition: New. 1st Edition. Ships in a BOX from Central Missouri! UPS shipping for most packages, (Priority Mail for AK/HI/APO/PO Boxes).
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Published by Routledge 2008-10-28, 2008
ISBN 10: 0754664791ISBN 13: 9780754664796
Seller: Chiron Media, Wallingford, United Kingdom
Book
Hardcover. Condition: New.
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Published by Bloomsbury Academic (edition ), 2020
ISBN 10: 1501338757ISBN 13: 9781501338755
Seller: BooksRun, Philadelphia, PA, U.S.A.
Book
Hardcover. Condition: Good. Ship within 24hrs. Satisfaction 100% guaranteed. APO/FPO addresses supported.
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Published by Routledge, 2016
ISBN 10: 1138780618ISBN 13: 9781138780613
Seller: Books Puddle, New York, NY, U.S.A.
Book
Condition: New. pp. 464.
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