Cordez Philippe (48 results)

Hardcover. Condition: Near Fine. Dust Jacket Condition: No Dust Jacket As Issued. A nice, bright copy. ; B&w and Color Illustrations; 9.5 X 6.8 X 0.7 inches; 242 pages.

Softcover. Condition: Très bon. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Very good. Ammareal gives back up to 15% of this item's net price to charity organizations.

Buch. Condition: Neu. Neuware - In the modern lexicon, 'object' refers to an entity that is materially constituted, spatially defined, and functionally determined. In contrast, the Latin word 'fantasia' has, since antiquity, referred to an apparition or the ability to imagine something that could be equally an object, an image, or a concept. This tension prompts further inquiry into the interrelations and differences between the experience of tangible objects (their perception and handling) and the creation of new objects (their conception and formation). What correlations exist between object fantasies, the self-consciousness of subjects, and the concrete and imagined conditions of human beings' social lives By addressing this question, this interdisciplinary book opens new perspectives in the field of object studies. ; Nach modernem Verständnis bezeichnet 'Objekt' einen real existenten, räumlich begrenzten und funktional bestimmten Gegenstand. Im Gegensatz dazu verweist 'Fantasia' seit der Antike auf eine Erscheinung oder auf das Vermögen, sich etwas vorzustellen, was Objekt, Bild und Konzept sein kann. Diese Spannung fordert dazu heraus, die Bezüge und Divergenzen zwischen der Erfahrung realer Objekte, ihrer Wahrnehmung und Handhabung, und der Kreation neuer Objekte, ihrer Konzeption und Gestaltung, zu untersuchen. Welche Zusammenhänge existieren zwischen Objektfantasien, dem Selbstbewusstsein von Subjekten und den konkreten sowie imaginierten Bedingungen gesellschaftlichen Lebens Auf der Suche nach Antworten zeigt der interdisziplinäre Band neue Perspektiven für das Gebiet der Objektwissenschaft auf.…

kart. Condition: Sehr gut. 128 S. : zahlr. Ill. ; 22 cm Neuwertig. ISBN 9783954981168 Sprache: Deutsch Gewicht in Gramm: 338.

Condition: Wie neu. 1. 242 S. Alle Bücher & Medienartikel von Book Broker sind stets in gutem & sehr gutem gebrauchsfähigen Zustand. Unser Produktfoto entspricht dem hier angebotenen Artikel, dieser weist folgende Merkmale auf: Helle/saubere Seiten in fester Bindung. Sprache: Englisch Gewicht in Gramm: 816 Gebundene Ausgabe, Maße: 17.53 cm x 2.03 cm x 24.38 cm.…

kart. 22 cm 128 Seiten. Mit Abbildungen. OKart. Sehr guter, neuwertiger Zustand. Sprache: Deutsch Gewicht in Gramm: 337.

hardcover. Condition: New. 1st.

Buch. Condition: Neu. Object Fantasies | Experience & Creation | Philippe Cordez (u. a.) | Buch | 242 S. | Deutsch | 2018 | De Gruyter | EAN 9783110476132 | Verantwortliche Person für die EU: Walter de Gruyter GmbH, De Gruyter GmbH, Genthiner Str. 13, 10785 Berlin, productsafety[at]degruyterbrill[dot]com | Anbieter: preigu. …

Hardcover. Condition: Brand New. 276 pages. 11.00x8.50x1.00 inches. In Stock.

Condition: New.

Condition: New.

Condition: New.

Condition: As New. Unread book in perfect condition.

Condition: New.

Hardback. Condition: New.

Condition: As New. Unread book in perfect condition.

Condition: As New. Unread book in perfect condition.

Hardcover. Condition: new. Hardcover. Precious metalwork, relics, chess pieces, ostrich eggs, unicorn horns, and bones of giants were among the treasury objects accumulated in churches during the Middle Ages. The material manifestations of a Christian worldview, they would only later become naturalia and objets d'art, from the sixteenth and the nineteenth century onwards, respectively. This book traces the origination, development, and later history of church treasures, and explores the form and function of these objects of memory. They were a source of wonder for their contemporaries and remain so today, albeit for quite different reasons. Indeed, our fascination relates primarily to their aesthetic qualities and the meaning that we assign to them. Dealing also with this paradigm shift, this study opens up new paths toward a real archeology of current historiographical and museum practices. This book traces the origins, economic development, and later history of church treasures, and explores the forms and function of these objects of memory and wonder. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Condition: As New. Unread book in perfect condition.

hardcover. Condition: New. Special order direct from the distributor.

Condition: New. 2020. 1st Edition. hardcover. . . . . .

Buch. Condition: Neu. Neuware - Precious metalwork, relics, chess pieces, ostrich eggs, unicorn horns, and bones of giants were among the treasury objects accumulated in churches during the Middle Ages. The material manifestations of a Christian worldview, they would only later become naturalia and objets d'art, from the sixteenth and the nineteenth century onwards, respectively. This book traces the origination, development, and later history of church treasures, and explores the form and function of these objects of memory. They were a source of wonder for their contemporaries and remain so today, albeit for quite different reasons. Indeed, our fascination relates primarily to their aesthetic qualities and the meaning that we assign to them. Dealing also with this paradigm shift, this study opens up new paths toward a real archeology of current historiographical and museum practices.…

Condition: New. 2020. 1st Edition. hardcover. . . . . . Books ship from the US and Ireland.

Hardback. Condition: New.

Hardcover. Condition: Brand New. 276 pages. 11.00x8.50x1.00 inches. In Stock.

Hardcover. Condition: new. Hardcover. Precious metalwork, relics, chess pieces, ostrich eggs, unicorn horns, and bones of giants were among the treasury objects accumulated in churches during the Middle Ages. The material manifestations of a Christian worldview, they would only later become naturalia and objets d'art, from the sixteenth and the nineteenth century onwards, respectively. This book traces the origination, development, and later history of church treasures, and explores the form and function of these objects of memory. They were a source of wonder for their contemporaries and remain so today, albeit for quite different reasons. Indeed, our fascination relates primarily to their aesthetic qualities and the meaning that we assign to them. Dealing also with this paradigm shift, this study opens up new paths toward a real archeology of current historiographical and museum practices. This book traces the origins, economic development, and later history of church treasures, and explores the forms and function of these objects of memory and wonder. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.…

Condition: gut. Typical Venice? The Art of Commodities 13th-16th Centuries. In englischer Sprache. pages.

Softcover. Condition: Sehr gut. 128 Seiten Zustand: GUTER Zustand. HC1-090-7/8-00516754 Sprache: Deutsch Gewicht in Gramm: 336.

Taschenbuch. Condition: Neu. Druck auf Anfrage Neuware - Printed after ordering - Les recherches réunies dans ce livre partent du constat que le Moyen Âge ne connaissait pas notre notion d'« objet ». Le mot n'a en effet pris son sens courant de chose de dimension limitée, destinée à un certain usage, que vers la fin du XVIIIe siècle. Comment peut-on, dès lors, rendre compte sans anachronisme de ce que les « objets » ont été pour ceux qui vécurent durant les siècles précédents La figure de Charlemagne a permis aux auteurs d'aborder cette question à partir de deux phénomènes historiques. La vaste entreprise de la réforme carolingienne, d'abord, impliqua le développement de pratiques de « thésaurisation », soit des accumulations de matières et de formes consistant aussi bien en de nouveaux modes de gestion qu'en la création d'artefacts unissant, de façon inédite, les pouvoirs profane et sacré. La célébration largement partagée de la mémoire de l'empereur, ensuite, donna lieu à de nombreuses « constructions mémorielles », qui associaient des récits et des choses, et faisaient ainsi d'elles l'évidence présente d'un passé revisité.; Les recherches réunies dans ce livre partent du constat que le Moyen Âge ne connaissait pas notre notion d'' objet '. Le mot n'a en effet pris son sens courant de chose de dimension limitée, destinée à un certain usage, que vers la fin du XVIII e siècle. Comment peut-on, dès lors, rendre compte sans anachronisme de ce que les ' objets ' ont été pour ceux qui vécurent durant les siècles précédents La figure de Charlemagne a permis aux auteurs d'aborder cette question à partir de deux phénomènes historiques. La vaste entreprise de la réforme carolingienne, d'abord, impliqua le développement de pratiques de ' thésaurisation ', soit des accumulations de matières et de formes consistant aussi bien en de nouveaux modes de gestion qu'en la création d'artefacts unissant, de façon inédite, les pouvoirs profane et sacré. La célébration largement partagée de la mémoire de l'empereur, ensuite, donna lieu à de nombreuses ' constructions mémorielles ', qui associaient des récits et des choses, et faisaient ainsi d'elles l'évidence présente d'un passé revisité.…