Daniel Schabler (11 results)

8° Kunststoff. Condition: Sehr gut. 241 S. ; 25 cm Fast wie neu B07-02-05F Sprache: Englisch Gewicht in Gramm: 540.

4°, Kunststoff. Condition: Wie neu. 241 S. ; 25 cm Fast wie neu B02-01-04D Sprache: Englisch Gewicht in Gramm: 540.

hardcover. Condition: New. 1st.

Condition: Neu. Cognitive and material frames surround us and serve as a central strategy of making sense of the world. Throughout centuries, literary texts reflect on the power of the frame. The thesis explores the way framed narratives have changed in form and function, and retraces the nexus between cultural context and narrative structure. It traces formal experiments with narrative framings back to early Romanticism. Starting with a bestseller from the 18th century, Horace Walpole's intricately framed "The Castle of Otranto" (1764), and moving on to a later proponent of Romantic fiction, Mary Shelley's "Frankenstein" (1818), via Joseph Conrad's proto-Modernist "Heart of Darkness" (1899/1902), to an example of postmodern historiographic metafiction, Adam Thorpe's "Hodd" (2009), the study travels through literary history, and, using these influential texts as examples, aims to show how frame-narratives have evolved both in form and function. 241 Seiten, gebunden (Anglistische Forschungen; Vol. 440/Universitätsverlag Winter 2014). Früher EUR 38,00. Gewicht: 536 g - Gebunden/Gebundene Ausgabe.

Hardcover. Condition: new. Hardcover. Cognitive and material frames surround us and serve as a central strategy of making sense of the world. Throughout centuries, literary texts reflect on the power of the frame. The thesis explores the way framed narratives have changed in form and function, and retraces the nexus between cultural context and narrative structure. It traces formal experiments with narrative framings back to early Romanticism. Starting with a bestseller from the 18th century, Horace Walpole's intricately framed The Castle of Otranto (1764), and moving on to a later proponent of Romantic fiction, Mary Shelley's Frankenstein (1818), via Joseph Conrad's proto-Modernist Heart of Darkness (1899/1902), to an example of postmodern historiographic metafiction, Adam Thorpe's Hodd (2009), the study travels through literary history, and, using these influential texts as examples, aims to show how frame-narratives have evolved both in form and function. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Condition: Good. Most items will be dispatched the same or the next working day. A copy that has been read but remains in clean condition. All of the pages are intact and the cover is intact and the spine may show signs of wear. The book may have minor markings which are not specifically mentioned.

Hardcover. Condition: new. Hardcover. Cognitive and material frames surround us and serve as a central strategy of making sense of the world. Throughout centuries, literary texts reflect on the power of the frame. The thesis explores the way framed narratives have changed in form and function, and retraces the nexus between cultural context and narrative structure. It traces formal experiments with narrative framings back to early Romanticism. Starting with a bestseller from the 18th century, Horace Walpole's intricately framed The Castle of Otranto (1764), and moving on to a later proponent of Romantic fiction, Mary Shelley's Frankenstein (1818), via Joseph Conrad's proto-Modernist Heart of Darkness (1899/1902), to an example of postmodern historiographic metafiction, Adam Thorpe's Hodd (2009), the study travels through literary history, and, using these influential texts as examples, aims to show how frame-narratives have evolved both in form and function. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Condition: New. Literature is a central agent of the maritime cultural imaginary through the negotiation of competing versions of coast and sea. Discussed are historically specific functions of maritime spaces as historicized places, where cultural exchange and the techni.

Taschenbuch. Condition: Neu. Neuware - Literature is a central agent of the maritime cultural imaginary through the negotiation of competing versions of coast and sea. Discussed are historically specific functions of maritime spaces as historicized places, where cultural exchange and 'the technical sublime' are dramatized.

Condition: new. Questo è un articolo print on demand.

Paperback. Condition: Brand New. 340 pages. 9.25x6.25x1.00 inches. In Stock. This item is printed on demand.