Language: English
Published by Global Book Publishing, Australia, 2010
Seller: Vero Beach Books, Vero Beach, FL, U.S.A.
Soft cover. Condition: Fine. Carroll, David; Child, Peter; Clarke, Deborah; Cook, Geoff; Cremonese, Marcus; Croce, Beth; De Hass, Hans; de Paauw, Wendy; Efe, Levant; Golding, Mike; Gorman, Mike; Lang, Jeff; Lavroff, Alex; Lehmann, Ulrich; Lindsay, Ruth; McKenna, Richard; Milne . (illustrator). Fine unread condition color illustrated glossy softcover wraps. Includes How This Book Works; Foreword; Reference; Glossary and Index. Profusely illustrated with over 500 full-color highly detailed drawings. "The Human Body Identification Manual reveals the beauty and intricacy of the human body. This comprehensive visual guide explores the structure and function of all the parts that make up a human being: the bones, muscles, and skin, as well as the circulatory, respiratory, digestive, and nervous systems, and the fascinating workings of the internal organs and brain. At the heart of the book are more than 500 clear, detailed, full-color anatomical illustrations accompanied by labels and concise captions that clarify the complex workings of our bodies. By focusing on the visual, [the book] allows you to access and comprehend complex anatomical information swiftly and easily. A valuable study resource for anatomy students and a useful reference for families, it is a must for every home library. Contains more than 500 detailed, full-color anatomical illustrations. Covers every major body system. Clear and concise text explains the workings of the human body." - from the rear outer cover. "Discover the amazing workings of the human form in this complete, fully illustrated guide. Containing hundreds of detailed illustrations, [the book] is highly visual and immediately accessible. Each body part and function is clearly labeled, making it easy to discover the names and locations of bones, muscles, nerves, blood vessels, organs, and more, while concise captions explain especially complex structures and mechanisms, such as temperature regulation, breathing, and digestion. The book begins with an introduction to the body systems and regions, followed by an overview of the microscopic elements, such as blood cells and DNA, that make up the body. The major body systems - from the skeletal and muscular to the urinary and reproductive - are then examined in detail. Body parts and regions are shown from different angles, and cross-sectional illustrations reveal the internal structure of joints, limbs, and organs. Informative and interesting, [the book's] accessible visual style ensures that people of all ages will enjoy exploring the wonders of the human body." - from the French style inner front cover flap.
Published by National Gallery of Canada, Ottawa, 1951
Seller: McCanse Art, Toronto, ON, Canada
Softcover. Condition: Very Good. Dust Jacket Condition: No Dust Jacket. 8vo. 10 x 7.5 in. Illustrated paper wraps, staple-bound. Illustrated in black-and-white and colour, including two-page spread of "Georgian Bay, 1947" by ARTHUR LISMER. Featuring articles by DAVID B. MILNE ("Painting a Picture on Christmas Morning"), ANDRE BIELER ("Mural of the Saguenay"), FREDERICK B. TAYLOR ("Impressions of Art in the Soviet Union"). Very good example. Light toning, handling, occasional marks, interior else largely clean and crisp.
Published by Nickle Art Museum,University Of Calgary, Calgary, 1997
Condition: very good. Dust Jacket Condition: no dustjacket. 8vo oblong pp.55.coil binding. book.
Language: English
Published by St Helena Press,, Richmond - Upon -thames, England, UK, 1982
ISBN 10: 0906964091 ISBN 13: 9780906964095
Seller: Sue Lloyd-Davies Books, CARMARTHEN, United Kingdom
US$ 661.67
Quantity: 1 available
Add to basketHardcover. Condition: As New. Dust Jacket Condition: Near Fine. Illustrated by Vintage B/w Photos/prints (illustrator). Signed/Limited Edition; First Printing. SIGNED LIMITED EDITION. Number 19 of 75 copies ONLY. Signed under the limitation in ink by BOTH authors. Finely bound in full dark green morocco leather by philip bradburn. Manor Bindery, Fawley, Hampshire, England, UK. Leather is smooth, plain, and unmarked to the front and rear covers, but the spine has five, bright gilt-bordered raised bands, with 4 of the 6 compartments comprising gilt floral decorations. The title is in the 2nd compartment in bright gilt on a deep burgundy-red leather label & the authors are also titled in gilt in the 4th compartment on a tan leather label. The top and bottom of the spine have plain gilt borders. Inside the inner dentelles are brightly decorated in gilt, and with marbled endpapers. All edges very bright gilt. The book is housed in a marbled paper covered slipcase, with a title label in cream, lettered in gilt, to the rear end, so you could display the book either way on the shelf and not expose the leather to light and fading. This is rarely done with slipcases now. There is the very slightest of rubbing to the corners of the slipcase, and one small patch of wear to the top of one side (c.1 cm x 1cm) where the pattern has rubbed off. But NO damage. All hinges tight, overall wear is negligible. Internally, apart from the author's signatures. There are NO inscriptions or marks. Subscribers list. Narrative by James Lees-Milne. 9 colour plates and numerous b/w photos and prints, double page Map, etc. 398pp on good quality shiny paper. A beautiful Near New copy . Marvellous as a gift or just to add to an existing collection or just to keep and admire. This book is large and overweight at nearly 3 kilos unpackaged, and may require extra postage for international customers only. See Images. ; Images of.; Tall 4to 11" - 13" tall; Signed by All Authors.
Language: English
Published by The Colophon, New York, 1931
First Edition Signed
Cloth. Condition: Very Good. David B. Milne (illustrator). First Edition. Volume I, Part Five. Printed paper covered boards (hardcover), 10.75 x 8.75 inches. Limited 1/3000. The Book Collector's Quarterly contains a wealth of information on all aspects of book collecting. The articles discuss first editions, fine printing, Americana and other varied fields and interests to the book collector. Articles were seperately printed by the finest presses in America and Europe, typically on hand-made paper; the illustrations and inserts are distinguished; it is stoutly bound in boards with an original cover design for each number by an artist of reputation. The SCARCE and highly collectable Part Five is illustrated by Hilltop: A Drypoint in two colors, printed by David B. Milne at Palgrave, Ontario and SIGNED in pencil on the plate. Prospectus and broadsides laid-in. Volume showing some minor light wear and toning to exterior, internally clean, bright and tight. Signed by Author(s).
Language: English
Published by The Colophon Ltd / Pynson Printers, New York, 1931
First Edition
Cloth. Condition: Very Good. David B. Milne (illustrator). First Edition. Complete second year, Volume II, Parts V through VIII. Cloth (hardcover). Approx. 11" x 9." Limited 1/3000. The Book Collector's Quarterly contains a wealth of information on all aspects of book collecting. The articles discuss first editions, fine printing, Americana and other varied fields and interests to the book collector. Articles in each issue are seperately printed by the finest presses in America and Europe, typically on hand-made paper; the illustrations and inserts are distinguished; it is stoutly bound in boards with an original cover design for each number by an artist of reputation. Part V is illustrated by Hilltop: A Drypoint in two colors, printed by David B. Milne at Palgrave, Ontario and signed in pencil on the plate. Prospectus and broadsides laid-in. Volumes showing some expected light wear and toning, former owner's bookplates. Four volumes housed in the exceedingly SCARCE quarter leather over cloth, publisher's CUSTOM SLIPCASE. Size: Quarto.
Published by The Structurist, Saskatchewan, Canada, 2003
First Edition
Paperback. Condition: Fine. First Edition. 152 pages. Features: A Manifesto for Earth; Return of the Plains Bison to the prairies and the return of honor; An ecological ethos in presocratic thinking - can we really learn anything new from the past?; The reflecting pool - place of the ten thousand things; Can universities promote an ecological ethos?; Archtiecture and the global ecological crisis - from Heidegger to Christopher Alexander; Art and the Big Picture; The Road past the selfish landscape; Philosophical urbanism and deconstruction in city-form - an environmental ethos for the twenty-first century; Biocentrism and the Bauhaus; An imaginary trialogue on abstract art - Kandinsky, Kupka, and Mondrian in conversation; For a dialogue on the future of abstract art; book reviews. Clean, bright and unmarked with very light wear. An excellent copy.
Published by The Colophon Ltd, New York, 1931
First Edition Signed
Hardcover. Condition: Near Very Good. No Jacket. Presumed first edition w/NAP, hardcover, includes original drypoint tipped in and signed by David B. Milne, which has caused some offset toning to the following page. The book also has a slight skew to the binding, light bumps to the spine ends and cover corners, sun toning to the spine, rubbing and some smudging to the covers with a small black mark to the back and a tiny scuff to the front near the fore edge, slight shelf wear with a few minor dings to the cover edges, and very subtle toning to the first and last few pages. Overall, this is a solid, tight, Near Very Good copy. Additional pictures available upon request.
Published by Pynson Printers, New York, 1931
Seller: Rarities etc., Warwick, NY, U.S.A.
Magazine / Periodical First Edition
Hardcover (Printed Boards). Condition: Fine. Dust Jacket Condition: No Dust Jacket. David B. Milne (illustrator). First Edition. The Colophon, A Book Collector's Quarterly, Part 5, New York: Pynson Printers, 1931. Quarto, unpaginated, printed boards. Includes the David B. Milne aquatint Hilltop, signed by Milne in pencil. The artist, a Canadian painter, print maker and writer, achieved early recognition at the Armory Show of 1913, where he had 5 paintings exhibited. The idea of using color in a drypoint, as in the print available here, was an original idea of Milne's, as the tradition practice was black and white only. Wikipedia: "He developed a method of making colour drypoints, printing one colour over another with different plates for each. Milne had first tried etching and drypoint while he was a student at the Art Students' League and his idea of colour drypoint was unprecedented, as the tradition was to only use black and the white of the paper. He had thought of creating colour drypoints years before, but lacked the equipment to carry through his experiments, as the printmaking technique requires metal plates which are scratched or etched into, then inked, wiped and finally run through a printing press. It took many months for Milne to achieve the sparsely layered look that he envisioned with his prints, but the results were very compelling."Condition of this book:Fine, tears in the parchment wrapper. Size: Quarto. Text body is clean, and free from previous owner annotation, underlining and highlighting. Binding is tight, covers and spine fully intact. All edges clean, neat and free of foxing. Illustrator: David B. Milne. Quantity Available: 1. Shipped Weight: Under 1 kilo. Category: Books on Books; United States; 1930s; Art & Design. Pictures of this item not already displayed here available upon request. Inventory No: 55452.
Published by Pynson Printers, New York, 1931
Seller: Jeff Hirsch Books, ABAA, Wadsworth, IL, U.S.A.
First Edition Signed
First Edition. First edition. Hardcover. The highlight of this issue is an original limited edition print by David Milne titled "Hilltop." It is a drypoint print done in two colors. The print measures 6.75" x 5" and is in fine condition. It is pencil signed by Milne in the lower margin. Also includes these articles: "Post Bellum - Pre Harlem" by Charles W. Chesnutt and several beautiful designs by Charles E. Bracker, "The Way to Wealth for Indigent Bookmen" by Pierce Butler, "The Early Adventures of 'Sister Carrie'" by Theodore Dreiser, "A Note on Collecting Prospectuses" by Paul Johnston, and a great article done by the Lakeside Press in Chicago titled "The Work in Book Illustration of Rudolph Ruzicka" written by William Kittredge and includes several illustrations of Ruzicka's work. A near fine copy with some very slight soiling to the boards and with some laid in ephemera. A great copy of this uncommon issue.
Seller: liu xing, Nanjing, JS, China
Hardcover. Condition: New. HardCover Pub Date: 2010 Pages: 632 Language: Traditional Chinese Publisher: Linking Publishing Co. Ltd. Classic Winnie the Pooh Collector's Edition swept the world 80 years. grand the sequel Chinese version of the fairy tale of the world's most popular new Winnie the Pooh stage beautiful book box packing. collection of the most timeless Pooh classic and new work once with Winnie-the-Pooh Winnie the Pooh Winnie the Pooh and the home of the old gray donkey The House At Pooh Corner to return t.
Milne, David B. (Canadian, 1882-1953). HILLTOP or PAINTING PLACE. Drypoint in two colors, 1931. Published in, and extracted from, the Colophon, Part V, March, 1931. Edition of about 3000, printed by the artist on wove paper and signed in pencil. Two plates were used for the colors. Because of the size of the edition, Milne had to rework the plates, so that there are ten states, each approximating 300 prints. 4 3/4 x 6 3/4 inches (plate), 10 1/2 x 8 1/2 inches (). The left margin is narrower (1/2 inch) than right (1 inch), and a bit rough, as a result of the removal from the periodical, else in excellent condition. Despite the large size of the edition, the print is not at all common in the market. Milne was born in Canada. In 1903 he moved to New York and studied at the Art Student's League for three years. Five of his paintings were exhibited at the famed Armory Show, and his work was included in the Panama Pacific Exposition held in San Francisco in 1915. Although his work was represented in NY by the Montross Gallery, where the work of the Ashcan School was also shown, he left New York and moved back to Canada. Although he had difficulty establishing himself as an artist in Canada, he ultimately found success with a sale of six paintings to National Gallery of Canada. In later years his work was purchased by Vincent Massey, the Governor General of Canada, and his wife Alice, who were collectors.