Deuchar David (69 results)

Condition: New. pp. 155.

Condition: New. pp. 155.

Condition: New. pp. 155.

Hardback. Condition: New.

Condition: New. In.

Condition: New. In.

Gebunden. Condition: New.

Hardback. Condition: New.

Hardcover. Condition: Very Good. David Deuchar (etched by) (illustrator). Quarter bound in light tan leather with marbled paper boards and end papers. The leather is a little worn and fraying on the spine edges. Binding is tight and the contents mostly clean, some tanning on preliminary and last pages and a little tanning throughout the book. Frontispiece, illustrated title page, title page, small oval portrait presumably Holbein, Preface, 46 engraved plates with tissue guards and the text in English and French, and one further engraving depicting a dance of death. The title page has some tanning and a small stamp in the lower corner of the St. Charles College Catonsville Library MD and there are two other similar small stamps. A contemporary previous owner's inscription in the top right corner of the title page.

8°, 1 Titelbl., Kupferstich-Portrait W. Hollar, 70 S. (Life of Holbein; The dance of death; Descriptions of the cuts.; Dance of macaber 1 Kupferstich-Portrait of Hans Hollbein, 31 Kupfertaf. (alle Kupfern handkoloriert)., Privat-Lwd. m. Rückentitel, Exlibris a Vors., Blätter durchgängig etwas stock- u fingerfleckig, Die Bildunterschriften in den Kupfern in Latein, die erläuternden Texte engl./frz. - David Deuchar (1743 - 1808) kopierte recht unbeschwert die 30 Totentanzstiche von Wenzel Hollar (1607-1677), den jener nach Holbein neu gestochen hatte. - Massmann 57. 1200 gr. Schlagworte: Totentanz, Illustr. Bücher - Originalgrafik.

8°, 1 Bl., 2 Kupfern (Portrait D. Deuchar; frz. Titelkupfer (von Mechels Kupferstich von 1780, aber mit Duchars Namen u. der Jahreszahl 1786) als Fronti. bzw. Taf. I, Titelbl. (Portrait H. Holbein), 2 S. (Preface), 1 Kupfer (ĞCreatio Mundiğ), 46 S. Text wechselnd mit 46 Kupfern. Zusätzlich: 1 Kupfer (Mortalium Nobilitas, 2-streifiger Kupferstich: Dolchscheiden-Totentanz., Ldr. d. Zeit gold.geprägt. m. Rückenschild., Blätter durchgängig fingerfleckig, Monogramm a. erstem Kupferstich a. Vs., Meist Abklatsch der Kupfern auf Textseite, ein Blatt am Steg minimal verstärkt. Die Kupfern manchmal etwas flach abgezogen. Ohne das Wappen des Todes. Die Bildunterschriften in den Kupfern in Latein, die erläuternden Texte engl./frz. - David Deuchar (1743 - 1808) kopierte recht unbeschwert die 30 Totentanzstiche von Wenzel Hollar (1607-1677), den jener nach Holbein neu gestochen hatte. Die dekorative Rahmen um die Kupferstiche nach Abraham van Diepenbeck (1596-1675, - Massmann 57. - 1200 gr. Schlagworte: Totentanz, Illustr. Bücher - Originalgrafik.

Leatherbound. Condition: NEW. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. Leatherbound edition. Condition: New. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. Pages: 58. A perfect gift for your loved ones. Reprinted from 1888 edition. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. IF YOU WISH TO ORDER PARTICULAR VOLUME OR ALL THE VOLUMES YOU CAN CONTACT US. Resized as per current standards. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Language: English Pages: 58.

13 x 11 cm. (m. breitem Rand, dieser leicht stockfl.).

David Deuchar (illustrator). Genre portrait of a jovial man holding up a jug, wearing a cap and open shirt; humorous expression, etched with broad hatching.Made by David Deuchar after own design.Medium: Etching on thin oriental paper, laid down on support sheet paper.Sheet size: 5.2 x 5.5 cm (2.05 x 2.17 inch). Image size: 4.4 x 4.5 cm. (1.73 x 1.77 inch).DEUCHAR, DRINKING MAN, GENRE ETCHING, SCOTTISH PRINTMAKER, HUMOROUS ART, JUG, 18TH-CENTURY ETCHING, EDINBURGH PRINT | PCO-E30-02BACKGROUND INFORMATIONLater edition (ca. 1870) of A Collection of Etchings after the Most Eminent Masters, originally published 1803.Reference: British Museum: 1902,1011.6598.Biography engraver: David Deuchar (1743-1808) was a Scottish engraver and antiquarian. Known for his etchings after old masters and genre scenes, he was active in Edinburgh and published his own collection of prints in 1803. Condition: good, given age. Light overall toning; mounted to support paper; small margins; faint smudges and handling wear typical for age and reissue. General age-related toning and/or occasional minor defects from handling. Please study scan carefully.

Condition: New. Print on Demand.

Condition: New. Print on Demand.

Etching on cream wove paper, 3 1/4 x 2 1/2 inches (82 x 62 mm), narrow margins. In very good condition with light uniform toning. Adhered at three corners to archival laid paper. A reverse image copy after van Ostade etched by David Deuchar, from A Collection of Etchings After the Most Eminent Masters of the Dutch and Flemish Schools particularly Rembrandt, Ostade, Cornelius Bega and Van Vliet, Edinburgh: 22 December, 1803. [Godefroy 24; Hollstein XV.29.24 copy].

Hardcover. Condition: Good. [The Dances of Death: Memento Mori] Small 4to. Rebacked in later cloth, over early blue boards. Solid binding. Some shelf wear. Engraved frontispiece title in French of the 1786 ed: "Le triomphe de la mort, grave d'apres les desins originaux de Jean Holbein, par Deuchar" Some toning, spotting. 41 (of 46) copper engraved plates. Inscription of "Hugh Frazier Parker, St. John's College, (Oxford) 1932" on front end page. Han's Holbein's series of woodcuts was first published in 1536 and became the most famous illustrations published on this theme. Minns Collection 269.

Leather. Condition: Very Good Indeed. [Hans Holbien]; David Deuchar (illustrator). The first London edition of David Deuchar's etched reproduction of 'The Dances of Death' - Hans Holbein's Renaissance satire - shown here through forty-six striking copper plates. The first London David Deuchar edition of Hans Holbein the Younger's The Dance of Death.First published in Edinburgh in 1788, publisher unknown.A striking series of Renaissance woodblock prints depicting the presence of Death on the everyday lives across various levels of society - from pope to physician to ploughman - and a refashioning of the late-medieval allegory of the Danse Macabre.In a modern half crushed morocco binding, with marbled boards and renewed endpapers. Exhibited in forty-six copper plates and an engraved title, etched by David Deuchar, done from the original designs.Collated, complete.To which are prefixed descriptions of each plate in French and English, with the scripture text from which the designs were taken. In a modern half crushed morocco binding, with marbled boards and renewed endpapers. Externally, very smart indeed, with really only a few spots to the rear joint leather. Pages with occasional handling marks and scattered spots. Tide mark to the corners of the first and last few leaves. Neat archival repair to the etched title page to the margin. Archival repair to final plate, less inconspicuous than the first but for the most part not affecting the illustration itself. Very Good Indeed. book.

Condition: Good. Small folio. 27 x 36cm. Original gilt morocco. worn; one bookblock loose. This was the working copy of the print dealer Pasquale Iannetti with post-its on many pages.Volume 1 has 151 etchings on india paper pasted on pages and 6 loose. Volume 2 has 208 etchings on india paper pasted on pages. Total of 365 etchings plus or minus.OCLC Number / Unique Identifier:1154034. A few plates carry a date alongside Deuchar's signature - in Volume I, of 1784, 1785, 1786, 1788 or 1802; in Volume II, of 1784, 1786, 1787 or 1788; in Volume III, of 1783, 1784 or 1786.The plates reproduce paintings and drawings showing genre scenes or portraits, most by 17th-century Dutch artists. Most plates are etchings. A few are aquatints (I:[77]; II:[86]; III: [19, 20, 31, 38, 41, 87, 123-32]). Deuchar was an amateur etcher, but his work influenced the younger Raeburn.

4 volumes quarto 10 1/2 x 9 inches- very handsomely leather bound in full period red morocco, spines gilt in compartments, boards with numerous gilt and blind stamped fillets, all edges gilt. Gilt stamped at the base of the spines 'India Proofs'. 370 engraved plates on India paper- including 4 engraved titles within rococo borders- all but the titles mounted on thicker period paper as issued. Nine pages with two engravings to the page and 5 pages with three images to the page, three folding engravings. This work is usually found in two or three volumes with numerous images per page- this 4 volume India Proof edition is scarce. Contains the scatological plate - often missing. Plate numbers in this work often vary slightly. The vast majority of the engravings are of peasant life. Some plates in volume four with some added mezzotint. Some slight rubbing to the gilt and marginal stains to the first four pages of volume four. A LOVELY COPY. David Deuchar 1743-1808 was a goldsmith, seal engraver and an amateur etcher. One of the engravings represents Deuchar's trade card.

Half-Leather. Condition: Good+. Dust Jacket Condition: None. DAVID DEUCHAR (illustrator). HERALDIC CREST MANUSCRIPT. Large, thick Folio, late 18th century marbled boards and 1/2 sheep, crack to spine and partial unhinging of front board, age worn but otherwise well-preserved. A handsome and imposing manuscript of 1000s of engraved crests, including numerous crests drawn by hand, arranged by the famed engraver David Deuchar (1743-1808) interestingly organized according to device type (i.e. hands, lions etc.) Carefully compiled and researched manuscript, seemingly intended for publication, with numerous markings accorded to known and unknown heraldic crests and their corresponding family names. Pasted to first blank is a letter dated 1884 from the Edinburgh bookseller William F. Clay explaining how he "secured a unique collection of several thousand heraldic crests and devices, engraved and drawn in ink by the celebrated engraver David Deuchar and his son." He offers the manuscript for 30 shillings (1884). Clearly a working manuscript of the well regarded "Dance of Death" engraver and of great use for research.

Condition: New. PRINT ON DEMAND.

11 x 8 cm. (äußerer Blattrd. etw. stockfl.).

Condition: New. Print on Demand.

Condition: New. Print on Demand.

Etching on cream wove paper, 3 1/4 x 2 3/8 inches (81 x 68 mm), trimmed at the platemark. Minor condition issues consisting of toning and light handling creases, all consistent with age. A copy of the work etched by David Deuchar after van Ostade, from A Collection of Etchings After the Most Eminent Masters of the Dutch and Flemish Schools particularly Rembrandt, Ostade, Cornelius Bega and Van Vliet, Edinburgh: 22 December, 1803. [Delteil 22 copy].

No legatura. Condition: Ottimo. Edimburgo, 1803. Tratta dal "A Collection of Etchings after the most Eminent Master of the Dutch and Flemish Schools". Particulary Rembrandt, Ostade, Cornelius Bega and Van Vliet Accompanied with Sundry Miscellaneous Pieces anda Few Original Designs by Dav.d Deuchar" (Seal Engraver Edinburgh, Dec.22, 1803). Incisione in rame all'acquaforte e bulino, b/n, cm 3,7 x 5 (il foglio). Ottima impressione, ottima conservazione.

Etching on cream laid paper, 3 3/4 x 2 3/4 inches (95 x 70 mm), thread margins. Minor condition issues consisting of toning and light handling creases, all consistent with age. A reverse image copy etched by David Deuchar after van Ostade, from A Collection of Etchings After the Most Eminent Masters of the Dutch and Flemish Schools particularly Rembrandt, Ostade, Cornelius Bega and Van Vliet, Edinburgh: 22 December, 1803. [Hollstein 14 copy].

Etching on cream laid paper, 4 1/2 x 4 inches (119 x 100 mm), thread margins. Left top corner expertly repaired, right top corner with some adhesive residue. Notations in pencil on the verso. Condition consistent with age. A reverse image copy etched by David Deuchar afer Ostade, from A Collection of Etchings After the Most Eminent Masters of the Dutch and Flemish Schools particularly Rembrandt, Ostade, Cornelius Bega and Van Vliet, Edinburgh: 22 December, 1803. [Godefroy 10; Hollstein 11 copy].