Doudelet Charles (39 results)

Condition: New.

Condition: New.

Condition: As New. Unread book in perfect condition.

Condition: New. In.

Condition: New.

Condition: As New. Unread book in perfect condition.

Hardcover. Condition: Very Good. No Jacket. Limited Edition. Very Good in white cloth spine over tan boards. One inch of sunning across the top of the front board. 1 of 400 copies. Some pages uncut. Thin 8vo. No spine titles. Poetry.

paperback. Illustration de Charles Doudelet en frontispice (illustrator). Fasquelle Editeur Bibliothèque Charpentier 1927. in-12. 224 pages. Fasquelle Editeur Bibliothèque Charpentier 1927. in-12. 224 pages. Nb de volume : 1. Demie-reliure de toile verte de l'éditeur à dos lisse, titres noirs sur le dos, bon exemplaire en bon état . Illustration de Charles Doudelet en frontispice . Maurice Polydore Marie Bernard Maeterlinck, né le 29 août 1862 à Gand et décédé le 5 mai 1949 à Nice, est un écrivain francophone belge. Il reçut le Prix Nobel de littérature en 1911.

Hard Cover. Condition: Good. No Jacket. Charles Doudelet (illustrator). First Edition in English. Twelve poems on mystical & spiritual themes by the Belgian writer, winner of the Nobel Prize in 1911. The original French, first published in 1896, is included after the English translations. Hardcover, as pictured; one of 400 unnumbered copies in the edition. Book shows general wear, some scuffing, small stains, spine smudges, some tanning & foxing within, semi-circular damp-stains to top page edges. [36] pages + colophon; woodcut-like drawings, one for each poem. Size: Octavo.

Translated from the French by Martin Schuetze. [37] pp. With Illustrations by Charles Doudelet. 8vo, publisher's quarter cloth and printed boards. One of 400 copies. Bookplate; boards rubbed and soiled; contents fine. Errata slip tipped in.

Condition: Hervorragend. Doudelet, Charles (illustrator). Zustand: Hervorragend | Seiten: 32 | Sprache: Englisch | Produktart: Bücher | Keine Beschreibung verfügbar.

Softcover. Condition: Good. Illustrated by Doudelet, Charles (illustrator). Limited Edition. Covers have edge creasing and a few small edge tears. Spine ends have tears with some paper loss. Rear cover has marginal browning, darker along the inner edge. Some pages unopened. ; Approx. 9 1/2" wide by 12 1/2". Copy #659 of 1000. Italian text. ; 165 pages.

Hardcover. thick tan boards w/ black illustration & white cloth spine. approx 40 unpaginated pgs w/ 12 bw illustrations. Pages will have tanning/ink ghosting of plates to opposing pages. Lovely, nicely detailed illustrations by Charles Doudelet. Many unopened pages. Of 400 Copies. Good+ (tanning to boards w/ black scuffs/scratches. spine darkened. pgs have light tanning to edges, occasional speck of foxing, light mark; otherwise, bright).

Hardcover. Condition: Near Fine. No Jacket. Charles Doudelet (illustrator). 1st Edition. Limited edition of 400.Translated from the French by Schutze, and generously illustrated with monochrome prints by Doudelet. A shadow of each illustration appears on each facing page. Both English and French language, one following the other. Introductory text is English. Printed on heavy stock, rough cut on edges of text block. Includes an errata insert. This is not an electronically reproduced copy. Hardcover textured beige boards are mildly darkened, light spine have been protected with mylar. No page numbers. 6 1/2" x 9 3/4".

Hardcover. Condition: Good. E.O. - un des 600 rxemplaires sur Ingres (après 10 sur japon impérial avec suites en 3 tons et 25 ex sur japon avec suite) - 24,5 x 32 cm (oblong) - 54 pgs non numérotées - couverture originale sauf le dos - bien complet des 12 bois pleine page et 12 culs-de-lampe - bel exemplaire, dos renforcé et un coin supérieur de l' avant dernière page manquant (photo) - Grisay pg 60 - The turn of a century 65.

Condition: New. Doudelet, Charles (illustrator). Print on Demand This item is printed on demand.

Hard Cover. Condition: Very Good Minus. Charles Doudelet (illustrator). Limited Edition 400 copies. Hard cover, 8vo, in quarter cream cloth over brown paper covered boards, decorated with illustration and titles in brown to top board, the text printed on art paper, edges untrimmed, [36pp.] unpaginated, with limitation page at rear, 400 unnumbered copies. Contains historiated initial capitals and twelve half-page sized, or larger, illustrations by the French-born Symbolist Artist Charles Doudelet (1861-1938). In English and French. Publisher Ralph Fletcher Seymor was also the proprietor of the Alderbrink Press, the imprint not upon appearing in this book. He operated in Chicago from 1898. CONDITION: Very Good Minus, showing some wear to covers and corners, a cracked front hinge, soiling to spine, and light age-toning to text. Now in mylar.** Belgian-born Maeterlinck,(1862-1949) was acknowledged as an early adherent of the Symbolist movement in late nineteenth century art and letters, and the author won the Nobel Prize for Literature in 1911. He was also a noted playwright. In the Forward to this edition, the translator describes Maeterlinck's modern mysticism: ".he sought to penetrate to the innermost core of life by an unresisting surrender to the stream of sensation. Every mood of which an extremely subtle soul is capable, the emotional significance of color, of sound, of wind, and rain, of lightning and thunder; the passing play of light and shade, of our contacts with our fellows through touches of hands, exchanges of looks and words." Poetry, he asserts, is the best expression of the spiritual consciousness. ** Frenchman Charles Doudelet's engraved illustrations are bold of line, divided into scenes reminiscent of a Renaissance emblem book. OCLC 1179213525. Will Ransom (1929) Aderbrink Press/ Ralph Seymor Fletcher checklist, No. 8 p., 196. Book.

PAP. Condition: New. New Book. Delivered from our UK warehouse in 4 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

Condition: New. Doudelet, Charles (illustrator). Print on Demand.

Condition: New. Doudelet, Charles (illustrator). PRINT ON DEMAND.

Couverture souple. Condition: Bon. Lithographie originale en couleurs signée dans la planche, timbre sec de l'éditeur dessiné par Alexandre Charpentier (1856-1909). Planche : 400 x 310 mm. Publiée mensuellement entre mai 1897 et avril 1899, L'estampe moderne fut fondée par l'éditeur Henri Piazza et par Charles Masson, futur directeur du musée de Luxembourg. Accompagnés de l'imprimeur Champenois, ces messieurs se donnèrent pour but de rendre accessible à tous l'art de l'estampe. Chaque livraison (il y en aura 24 au total) comportait 4 chromolithographies originales de format 31 x 41 cm, ornées en marge du timbre sec de la revue (Lugt L.2790), soit un total de 100 estampes, incluant celles offertes en prime aux abonnés, pour un tirage limité à 2000 exemplaires en édition courante sur vélin et 150 épreuves sur papier Japon. Ce fut là l'une des publications illustrées les plus emblématiques dans laquelle tous les plus grands illustrateurs de la fin du XIXème siècle furent représentés (y compris les femmes) avec des estampes inédites, réservées uniquement pour l'ouvrage et couvrant les courants artistiques majeurs de l'époque : Symbolisme, Art Nouveau, Préraphaélites, Orientalistes et Belle Epoque. L'illustration de la couverture fut confiée à l'artiste tchécoslovaque Alfons Mucha. Traces de manipulation aux angles. Deux micro déchirures marginales (cf.photos).

Hardcover. Condition: Good Plus. Illustrations by Charles Doudelet (illustrator). Limited Edition. One of 400 copies. SIGNED and inscribed by the publisher to Chicago artist and designer of book plates, Lawrence Kennedy. Size: 8vo. Signed by Publisher.

In-4° pp. 216 con moltissime ill. anche a piena pag. Bross. edit. ill. con angolo della parte post. mancante (parte bassa); nel complesso in buone condizioni e intonso.

Hardcover. 4° (28,0:22,0 cm). Original-Pappband mit rotgedrucktem Deckeltitel und Einbandverzierungen. Das helle Bezugspapier leider stärker angeschmutzt und fleckig. Der Buchrücken oben ca. 12cm eingerissen, unten ca. 3cm. Auf dem vorderen Vorsatz handschriftliche Zueignung eines Vorbesitzers. 33 (+1) Blatt. Mit den schönen Illustrationen von C. Doudelet und der Text-Lithographierung v. J. Zimpel. Im Innenbereich sauber, die Bindung teils etwas geöffnet (siehe Foto). -- Bitte Portokosten außerhalb EU erfragen! / Please ask for postage costs outside EU! / S ' il vous plait demander des frais de port en dehors de l ' UE! // Bitte beachten Sie auch unsere Fotos! / Please also note our photos! / Veuillez noter nos photos -- Lesen Sie etwas Schönes auf einer Bank in der Frühlingssonne! Wir haben die passende Lektüre. -- Wir kaufen Ihre werthaltigen Bücher! FL6302.

Franz. Ausgabe. Limitierte Auflage von 125 Exemplaren, hier Nr. 23. Signiert von Charles Doudelet und Maeterlinck. 33 Blatt Quart. Illustr. Orig.-Pappband. Mit einigen Randflecken, ansonsten sehr schöner, gut erhaltener Lyrikband mit ansprechend gestalteten Textbordüren. Limitiert, nummeriert, signiert.

LeatherBound. Condition: New. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. LeatherBound edition. Condition: New. Reprinted from 1903 edition. Leather Binding on Spine and Corners with Golden leaf printing on spine. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. Pages: 64 As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Pages: 64 Language: French.

Fasc. decuplo in-4° (cm. 32,3x24,3), pp. 216, (3) con front. in nero e 131 DISEGNI originali e INEDITI monocromi (quasi tutti in un'affascinante tonalità albicocca; tra cui 30 TAVOLE a piena pag.) del grande Charles DOUDELET. Br. edit. coi 2 piatti ill. da Doudelet. Macchia di colla in cop., fessura al dorso, ma ottimo l'interno. Testi di Elena Bacaloglu, gen. Cadorna, Carla Cadorna, P. Semeria, E.Cozzani, Benedetto Croce, D'Annunzio, Teresa Venuti, Angelo Piccioli, Maria del Vasto Celano (su storia, eventi, religione in Transilvania, Carmen Sylva, re Carlo, la Regina Maria, i Romeni d'Albania, Romania in guerra; di C. Doudelet (sull'arte popolare romena) e alc. doc. sui rapporti italo-romeni. DOUDELET (Lille 1861-Ghent 1938) pittore ed incisore SIMBOLISTA della grande stagione belga, amico di Maeterlinck, affascinato dalla xilografia rinascimentale e dai pre-raffaelliti, che rivisitò con raffinato gusto liberty. Ricercata veste tipogr. de L'Eroica, in carta pregiata nelle sue barbe. Ottimo all'interno, ma con mancanze e bruniture al pur ben cucito dorso e alle cerniere.

Fasc. decuplo in-4° (cm. 32,3x24,3), pp. 216, (3) con front. in nero e 131 DISEGNI originali e INEDITI monocromi (quasi tutti in un'affascinante tonalità albicocca; tra cui 30 TAVOLE a piena pag.) del grande Charles DOUDELET. Br. edit. coi 2 piatti ill. da Doudelet. Testi di Elena Bacaloglu, gen. Cadorna, Carla Cadorna, P. Semeria, E.Cozzani, Benedetto Croce, D'Annunzio, Teresa Venuti, Angelo Piccioli, Maria del Vasto Celano (su storia, eventi, religione in Transilvania, Carmen Sylva, re Carlo, la Regina Maria, i Romeni d'Albania, Romania in guerra; di C. Doudelet (sull'arte popolare romena) e alc. doc. sui rapporti italo-romeni. DOUDELET (Lille 1861-Ghent 1938) pittore ed incisore SIMBOLISTA della grande stagione belga, amico di Maeterlinck, affascinato dalla xilografia rinascimentale e dai pre-raffaelliti, che rivisitò con raffinato gusto liberty. Ottimo es. nella ricercata veste tipogr. de L'Eroica, in carta pregiata nelle sue barbe.

Cadre et passe-partout. Condition: Très bon. Belle épreuve parue dans l'Estampe Moderne. Notre épreuve porte le timbre sec de l'Estampe Moderne en bas à droite. L'Estampe Moderne a paru de mai 1897 à avril 1899. 26 x 35 cm.

S. l., s. a., ma ca. 1914-15. Album in-4° oblungo (25 x 35), composta da frontespizio e da 18 tavv. litografiche impresse in sanguigna, ciascuna preceduta da un foglio col testo al verso e al recto una vignetta xilografica. Copertina originale illustrata con l'allegoria della pace e della guerra. Al frontespizio invio autografo di Doudelet ad una gentildonna piemontese. Buon esemplare. (5149) Non comune album litografico del grande artista belga Charles Doudelet (Lille, 1861 - Gand, 1938), noto illustratore e pittore simbolista; esso è dedicato a Maurice Mæterlinck, con cui l'artista aveva stretto un duraturo sodalizio fin da quando aveva eseguito per lui le illustrazioni per le Douze Chansons (1896). Doudelet lavorò per molti periodici importanti del primo '900, dalla "Revue Blanche" a "Pan", e fu anche raffinato grafico e scenografo. Qui rivela il suo impegno pacifista, allo scoppiare della Grande Guerra e alle sue devastazioni. La copertina si richiama alquanto nella sua allegoria alla grafica di Walter Crane e le tavole in sanguigna sembrano una rivisitazione di Doré in chiave simbolista. "The Belgian symbolist Mæterlinck and Doudelet were both widely published in other countries of western Europe, particularly France, and Doudelet's illustrations for the German magazine Pan helped to inluence the new style in Berlin" (P.A. Wick, The Turn of a Century, n. 66).