Doudelet (53 results)

Condition: New.

Condition: New.

Condition: As New. Unread book in perfect condition.

Condition: New. In.

Condition: New.

Condition: As New. Unread book in perfect condition.

Hardcover. Condition: Very Good. No Jacket. Limited Edition. Very Good in white cloth spine over tan boards. One inch of sunning across the top of the front board. 1 of 400 copies. Some pages uncut. Thin 8vo. No spine titles. Poetry.

paperback. Illustration de Charles Doudelet en frontispice (illustrator). Fasquelle Editeur Bibliothèque Charpentier 1927. in-12. 224 pages. Fasquelle Editeur Bibliothèque Charpentier 1927. in-12. 224 pages. Nb de volume : 1. Demie-reliure de toile verte de l'éditeur à dos lisse, titres noirs sur le dos, bon exemplaire en bon état . Illustration de Charles Doudelet en frontispice . Maurice Polydore Marie Bernard Maeterlinck, né le 29 août 1862 à Gand et décédé le 5 mai 1949 à Nice, est un écrivain francophone belge. Il reçut le Prix Nobel de littérature en 1911.

Condition: Neuf.

Hard Cover. Condition: Good. No Jacket. Charles Doudelet (illustrator). First Edition in English. Twelve poems on mystical & spiritual themes by the Belgian writer, winner of the Nobel Prize in 1911. The original French, first published in 1896, is included after the English translations. Hardcover, as pictured; one of 400 unnumbered copies in the edition. Book shows general wear, some scuffing, small stains, spine smudges, some tanning & foxing within, semi-circular damp-stains to top page edges. [36] pages + colophon; woodcut-like drawings, one for each poem. Size: Octavo.

Condition: New. Doudelet, Charles (illustrator). KlappentextrnrnThis scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have.

Translated from the French by Martin Schuetze. [37] pp. With Illustrations by Charles Doudelet. 8vo, publisher's quarter cloth and printed boards. One of 400 copies. Bookplate; boards rubbed and soiled; contents fine. Errata slip tipped in.

205pp. + 24 illustrations en couleurs, signé avec dédicace par l'auteur, reliure cart. d'éditeur, 20cm., cachet sur la p.d.t., avec signet, bon état, R114434.

Couverture rigide. Condition: bon. R300300631: 1996. In-12. Relié. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 187 pages - quelques cartes en noir et blanc et photos en couleurs hors texte. Nombreux passages soulignés à l'encre ou au crayon de papier dans le texte. . . . Classification Dewey : 280-Confessions et sectes chrétiennes.

Condition: Hervorragend. Doudelet, Charles (illustrator). Zustand: Hervorragend | Seiten: 32 | Sprache: Englisch | Produktart: Bücher | Keine Beschreibung verfügbar.

Softcover. Condition: Good. Illustrated by Doudelet, Charles (illustrator). Limited Edition. Covers have edge creasing and a few small edge tears. Spine ends have tears with some paper loss. Rear cover has marginal browning, darker along the inner edge. Some pages unopened. ; Approx. 9 1/2" wide by 12 1/2". Copy #659 of 1000. Italian text. ; 165 pages.

Hardcover. thick tan boards w/ black illustration & white cloth spine. approx 40 unpaginated pgs w/ 12 bw illustrations. Pages will have tanning/ink ghosting of plates to opposing pages. Lovely, nicely detailed illustrations by Charles Doudelet. Many unopened pages. Of 400 Copies. Good+ (tanning to boards w/ black scuffs/scratches. spine darkened. pgs have light tanning to edges, occasional speck of foxing, light mark; otherwise, bright).

Hardcover. Condition: Near Fine. No Jacket. Charles Doudelet (illustrator). 1st Edition. Limited edition of 400.Translated from the French by Schutze, and generously illustrated with monochrome prints by Doudelet. A shadow of each illustration appears on each facing page. Both English and French language, one following the other. Introductory text is English. Printed on heavy stock, rough cut on edges of text block. Includes an errata insert. This is not an electronically reproduced copy. Hardcover textured beige boards are mildly darkened, light spine have been protected with mylar. No page numbers. 6 1/2" x 9 3/4".

Hardcover. Condition: Good. E.O. - un des 600 rxemplaires sur Ingres (après 10 sur japon impérial avec suites en 3 tons et 25 ex sur japon avec suite) - 24,5 x 32 cm (oblong) - 54 pgs non numérotées - couverture originale sauf le dos - bien complet des 12 bois pleine page et 12 culs-de-lampe - bel exemplaire, dos renforcé et un coin supérieur de l' avant dernière page manquant (photo) - Grisay pg 60 - The turn of a century 65.

bross. ed. ill. pp. 218-(2) 4° Disegni inediti, monocolore, di C. Doudelet n.t. anche a piena pag. Scritti di: B. Croce, G. D'Annunzio, E. Cozzani, e altri.

Condition: New. Doudelet, Charles (illustrator). Print on Demand This item is printed on demand.

Hard Cover. Condition: Very Good Minus. Charles Doudelet (illustrator). Limited Edition 400 copies. Hard cover, 8vo, in quarter cream cloth over brown paper covered boards, decorated with illustration and titles in brown to top board, the text printed on art paper, edges untrimmed, [36pp.] unpaginated, with limitation page at rear, 400 unnumbered copies. Contains historiated initial capitals and twelve half-page sized, or larger, illustrations by the French-born Symbolist Artist Charles Doudelet (1861-1938). In English and French. Publisher Ralph Fletcher Seymor was also the proprietor of the Alderbrink Press, the imprint not upon appearing in this book. He operated in Chicago from 1898. CONDITION: Very Good Minus, showing some wear to covers and corners, a cracked front hinge, soiling to spine, and light age-toning to text. Now in mylar.** Belgian-born Maeterlinck,(1862-1949) was acknowledged as an early adherent of the Symbolist movement in late nineteenth century art and letters, and the author won the Nobel Prize for Literature in 1911. He was also a noted playwright. In the Forward to this edition, the translator describes Maeterlinck's modern mysticism: ".he sought to penetrate to the innermost core of life by an unresisting surrender to the stream of sensation. Every mood of which an extremely subtle soul is capable, the emotional significance of color, of sound, of wind, and rain, of lightning and thunder; the passing play of light and shade, of our contacts with our fellows through touches of hands, exchanges of looks and words." Poetry, he asserts, is the best expression of the spiritual consciousness. ** Frenchman Charles Doudelet's engraved illustrations are bold of line, divided into scenes reminiscent of a Renaissance emblem book. OCLC 1179213525. Will Ransom (1929) Aderbrink Press/ Ralph Seymor Fletcher checklist, No. 8 p., 196. Book.

Condition: New. Doudelet, Charles (illustrator). Print on Demand.

Condition: New. Doudelet, Charles (illustrator). PRINT ON DEMAND.

Couverture souple. Condition: Bon. Lithographie originale en couleurs signée dans la planche, timbre sec de l'éditeur dessiné par Alexandre Charpentier (1856-1909). Planche : 400 x 310 mm. Publiée mensuellement entre mai 1897 et avril 1899, L'estampe moderne fut fondée par l'éditeur Henri Piazza et par Charles Masson, futur directeur du musée de Luxembourg. Accompagnés de l'imprimeur Champenois, ces messieurs se donnèrent pour but de rendre accessible à tous l'art de l'estampe. Chaque livraison (il y en aura 24 au total) comportait 4 chromolithographies originales de format 31 x 41 cm, ornées en marge du timbre sec de la revue (Lugt L.2790), soit un total de 100 estampes, incluant celles offertes en prime aux abonnés, pour un tirage limité à 2000 exemplaires en édition courante sur vélin et 150 épreuves sur papier Japon. Ce fut là l'une des publications illustrées les plus emblématiques dans laquelle tous les plus grands illustrateurs de la fin du XIXème siècle furent représentés (y compris les femmes) avec des estampes inédites, réservées uniquement pour l'ouvrage et couvrant les courants artistiques majeurs de l'époque : Symbolisme, Art Nouveau, Préraphaélites, Orientalistes et Belle Epoque. L'illustration de la couverture fut confiée à l'artiste tchécoslovaque Alfons Mucha. Traces de manipulation aux angles. Deux micro déchirures marginales (cf.photos).

Hardcover. Condition: Good Plus. Illustrations by Charles Doudelet (illustrator). Limited Edition. One of 400 copies. SIGNED and inscribed by the publisher to Chicago artist and designer of book plates, Lawrence Kennedy. Size: 8vo. Signed by Publisher.

LeatherBound. Condition: New. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. Leatherbound edition. Condition: New. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. Pages: 58. A perfect gift for your loved ones. Reprinted from 1903 edition. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. IF YOU WISH TO ORDER PARTICULAR VOLUME OR ALL THE VOLUMES YOU CAN CONTACT US. Resized as per current standards. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Language: French Pages: 58.

In-4° pp. 216 con moltissime ill. anche a piena pag. Bross. edit. ill. con angolo della parte post. mancante (parte bassa); nel complesso in buone condizioni e intonso.

Hardcover. 4° (28,0:22,0 cm). Original-Pappband mit rotgedrucktem Deckeltitel und Einbandverzierungen. Das helle Bezugspapier leider stärker angeschmutzt und fleckig. Der Buchrücken oben ca. 12cm eingerissen, unten ca. 3cm. Auf dem vorderen Vorsatz handschriftliche Zueignung eines Vorbesitzers. 33 (+1) Blatt. Mit den schönen Illustrationen von C. Doudelet und der Text-Lithographierung v. J. Zimpel. Im Innenbereich sauber, die Bindung teils etwas geöffnet (siehe Foto). -- Bitte Portokosten außerhalb EU erfragen! / Please ask for postage costs outside EU! / S ' il vous plait demander des frais de port en dehors de l ' UE! // Bitte beachten Sie auch unsere Fotos! / Please also note our photos! / Veuillez noter nos photos -- Nehmen Sie sich ein gutes Buch mit auf die Sommerwiese. Bei uns werden Sie fündig! -- Wir kaufen Ihre werthaltigen Bücher! FL6302.

Milano, Libreria Editrice Lombarda (Guerriero Guerra tipografo in Perugia), «Biblioteca del Leonardo»n.4, 1906 (ma finito di stampare nell'ottobre 1905), Prima edizione. Ottimo esemplare, fresco e pulito in barbe, a fogli chiusi. Integro alla copertina. Bella etichetta della Libreria Ferrante Gonnelli di Firenze a coprire la menzione editoriale al piatto anteriore. «Negli scritti per 'Leonardo', firmati con lo pseudonimo Giuliano il Sofista, [Prezzolini] polemizzò contro la cultura accademica e il positivismo, esaltando "la vita intima" come soggettivismo assoluto ed esperienza per la divinizzazione dell'individuo, Uomo-Dio, in una sorta di misticismo luciferino, convinto della sostanziale incomunicabilità fra esseri umani e del significato relativo d'ogni conoscenza (Vita intima, Firenze 1903; Centivio, Firenze 1904), teorizzando la natura fantastica del linguaggio come strumento per affermare la propria personalità (Il linguaggio come causa d'errore, Firenze 1904; L'arte di persuadere, Firenze 1907)» (DBI). Pregevole l'aspetto grafico, improntato ai canoni liberty / neoclassici con cui era confezionata anche la rivista, e curato dagli incisori Charles Doudelet (belga) e Camillo Monnet. in 8° quadrotto, brossura stampata in nero e arancione ai piatti (dorso muto); fregi e ornamenti incisi da Doudelet e Monnet pp. 31 [1]; incisioni ornamentali nel testo di Doudelet e Monnet; carta di ottima grammatura, con barbe. Prima edizione. Ottimo esemplare, fresco e pulito in barbe, a fogli chiusi. Integro alla copertina. Bella etichetta della Libreria Ferrante Gonnelli di Firenze a coprire la menzione editoriale al piatto anteriore. brossura stampata in nero e arancione ai piatti (dorso muto); fregi e ornamenti incisi da Doudelet e Monnet.