Ebert Schifferer S (46 results)

Couverture souple. Condition: Comme neuf. Darmstadt, 1993. Paperback, ca. 215 Abbildungen, ca. 100 Farbabbildungen, 275 Seiten.

Condition: Good. 2nd Edition. Later binding: professionally bound in cloth with original cover and spine.

Condition: As New. Fondation Paribas (Fonds Mercator Paribas on behalf of Musees et Monuments de France); city not noted, 1996. Softcover. Text in English. A Near Fine, tight binding, interior and extremities tidy, book appears unread, some handling/scuff marks to covers, a nice, clean and unmarked copy in Oversize French Wraps. 4to[quarto or approx. 9.5 x 12 inches], 128pp., color and b&w illustrations. We pack securely and ship daily with delivery confirmation on every book. The picture on the listing page is of the actual book for sale. Additional Scan(s) are available for any item, please inquire.Please note: Oversized books/sets MAY require additional postage then what is quoted for 2.2lb book.

Gemälde, Zeichnungen und Graphik aus sowjetischen und westlichen Museen. Katalog zur Ausstellung in der Schirn Kunsthalle Frankfurt vom 18. Juni bis 20. August 1989. Frankfurt: Schirn, 1989. farb. illustr. OBrosch. 271 Seiten mit zahlr. Textabb. u. Fotos sowie 155 meist ganzs u. farb. Abb. - 28,5 x 24,5. * Einband minimal berieben; innen sehr gut erhalten !

Hardcover. A black hardcover book with the title gilted on the front cover and along the spine. There is a dust jacket with color-illustrated covers. The spine is black with printed white lettering. There is a mylar cover. The front and back free and pasted end pages are illustrated. "Trompe l'oeil, French for 'fool or deceive the eye,' is a genre dating back to antiquity that has fascinated both painters and viewers from the Renaissance to the present day. Both witty and serious, it describes paintings that imitate natural appearances so convincingly that viewers momentarily mistake the objects depicted for the real thing. The moment of deception, however, is brief. Uncertainty over what is real and what is illusion is soon replaced by amusement at having been tricked and admiration for the artist's ingenuity and skill. Deceptions and Illusions explores the art of trompe l'oeil in more than 100 European and American paintings ranging in date from the fifteenth through the twentieth centuries by such practitioners as Samuel van Hoogstraten, William M. Harnett, John Haberle, Jasper Johns and Roy Lichtenstein. Organised thematically, the volume begins with works of art inspired by ancient prototypes and with paintings by early Renaissance artists whose close observation of nature was a prerequisite for eye-deceiving illusionism. It then presents the principal subjects of trompe l'oeil artists, beginning with images of letters, prints, dollar bills, and other essentially flat objects that appear to rest on the picture surface, and then moves to three-dimensional illusions in which objects appear to project or recede from the picture plane, blurring the boundary between real and fictitious space. Finally, the volume illustrates the legacy of the art of trompe l'oeil for twentieth-century artists." VG: An exlibrary book. There are stamps on the half title page and the penultimate page of the book. There is a stamp on the top text block. There is a sticker on the back pasted end page. The book is in excellent condition, with clean pages and tight binding. Looks like it has rarely, if ever, been taken from the shelf.

Hardcover. Condition: VG+: As new in shrinkwrap. A black hardcover book with the title gilted on the front cover and along the spine. There is a dust jacket with color-illustrated covers. The spine is black with printed white lettering. There is a mylar cover. The front and back free and pasted end pages are illustrated. "Trompe l'oeil, French for 'fool or deceive the eye,' is a genre dating back to antiquity that has fascinated both painters and viewers from the Renaissance to the present day. Both witty and serious, it describes paintings that imitate natural appearances so convincingly that viewers momentarily mistake the objects depicted for the real thing. The moment of deception, however, is brief. Uncertainty over what is real and what is illusion is soon replaced by amusement at having been tricked and admiration for the artist's ingenuity and skill. Deceptions and Illusions explores the art of trompe l'oeil in more than 100 European and American paintings ranging in date from the fifteenth through the twentieth centuries by such practitioners as Samuel van Hoogstraten, William M. Harnett, John Haberle, Jasper Johns and Roy Lichtenstein. Organised thematically, the volume begins with works of art inspired by ancient prototypes and with paintings by early Renaissance artists whose close observation of nature was a prerequisite for eye-deceiving illusionism. It then presents the principal subjects of trompe l'oeil artists, beginning with images of letters, prints, dollar bills, and other essentially flat objects that appear to rest on the picture surface, and then moves to three-dimensional illusions in which objects appear to project or recede from the picture plane, blurring the boundary between real and fictitious space. Finally, the volume illustrates the legacy of the art of trompe l'oeil for twentieth-century artists.".

Paperback. Condition: Near Fine. Color Reproductions; 4to 11" - 13" tall; 168 pages; 1996 Crédit Communal. Oversize paperback in glossy color pictorial covers. Bright, tight and fresh; feels and appears unread. Lavishly illustrated with color reproductions of work from the exhibition. NF . Oversize book may require additional charges for expedited or international shipping.

Kleiner privater Stempel auf Vorsatz, sonst guter Zustand. Softcover. Original kartoniert. Kein Versand aufgrund von EPR Regelungen in EU-Länder außerhalb Deutschlands. No shipping to EU countries outside of Germany due to EPR regulations.

Condition: good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

Condition: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Condition: as new. Wie neu/Like new.

Soft cover. Condition: Near Fine. Qto., 272 pages, illustrated, includes colour plates. A Near Fine copy.

Broschiert. Condition: Gut. 27,5 x 22 cm 275 S. : Ill., graph. Darst. ; Broschiert. Zustand: Gut, eher ungelesen (Innen); Einband (Außen) hat geringe Gebrauchsspuren; * Die Photos sind original von uns erstellt worden, u.a. erkennbar an einem kleinen weißen Stück Papier im oberen Schnitt. Ab und an verwenden Suchmaschinen Verlagsphotos, bei den Portalen selbst, werden aber nur unsere Originalphotos gezeigt.

perfect. Condition: Good. Connecting readers with great books since 1972! Used textbooks may not include companion materials such as access codes, etc. May have some wear or writing/highlighting. We ship orders daily and Customer Service is our top priority!

paperback. Condition: Good. Minor wear and creasing.

Paperback. Condition: New. In shrink wrap.

Softcover. Quarto. Softcover. Illustrated wraps. 600 pages : illustrations ; 28 cm. German text. VG. Light touches of shelfwear, otherwise clean and unmarked.

Halbleder. Condition: gut. - Neuwertiger Zustand, Namenseintrag auf dem Vorsatzblatt - In deutscher Sprache. 822 S. pages. 28,5 x 22,5 cm.

rilegato. Condition: Nuovo (New). 163 p. : ill. ; 31 cm. Atti della giornata internazionale  di studi  $-% Aprile 2005 9788836608096 Nuovo (New) .

Softcover. Condition: Gut. Softcover Buch guter Zustand - - Erscheinungsjahr: 1989 - Buch mit Abbildungen und 271 Seiten - Katalog zur Ausstellung - - Index: 153.

1999, hardcover with dust jacket, fine copy, mooi exemplaar , with dust jacket, fine copy, mooi exemplaar , with dust jacket, fine copy, mooi exemplaar.

2. Auflage, gedruckt in der Schweiz. Insgesamt 271 Seiten mit zahlreichen meist farbigen Abbildungen . Zustand: Einband etwas berieben und angestaubt, Ecken und Kanten wenig bestoßen. Innen: Buchschnitt und Seiten leicht gebräunt, sonst sehr sauber, wohl gepflegt und tadellos erhalten, Sammlerexemplar. Sprache: Deutsch Gewicht in Gramm: 1050 4°(Quart-Format bis 35cm), Illustrierter Original-Karton-Einband, flexibel mir Rücken- und Vorderdeckel- Beschriftung.

2. Auflage, Schirn Kunsthalle Frankfurt, Frankfurt, (1989). 271 S. mit einem Frontispiz und zahlreichen Abbildungen, kartoniert, quart---- gutes Exemplar - 1655 Gramm.

Liebighaus - Museum alter Plastik, Frankfurt am Main, 1985. 600 S. mit vielen Abbildungen, kartoniert, quart, (Name auf Vorsatz/teils gering randgebräunt)---- sonst gutes Exemplar / Ausstellungskatalog - 1940 Gramm.

Softcover. 599 S. Leichte Gebrauchsspuren am Cover, innen ist das Buch in einem sehr guten Zustand. Mit zahlreichen Abbildungen Sprache: Deutsch Gewicht in Gramm: 550.

Hardcover. Condition: New.

Broschiert. Condition: Gut. 225 Seiten 4°, Kleinere Gebrauchsspuren, Einband + Ecken und Kanten leicht berieben, innen sauber und ordentlich W11 Sprache: Deutsch Gewicht in Gramm: 1140.

Condition: NEW.

Halbleder. Dust Jacket Condition: mit Schutzumschlag. Quart. 822 S. HLdr. mit Schutzumschlag. Mit zahlr. farb. und s/w Abb. Umschlag geringf. berieben, gutes Exemplar.

4°. 272 S. mit zahlreichen meist farbigen Abbildungen, Orig.-Broschur. 24,4 x 28,4 cm. 2. Auflage. - Katalog zur gleichnamigen Ausstellung in ser Schirn Kunsthalle Frankfurt. Vorwort von Ch. Vitali, J. K. Korolev, H. R. Ruhnau. Beiträge von D. V. Sarab janov, N. B. Avtonomova u. a. - Umschlag mit leichten Gebrauchsspuren. Gutes Exemplar.