Eden Xandra (27 results)

Condition: Good. Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.

Hardcover without dustjacket as issued, 136 pages, as new condition, clean and crisp; no internal marks. Foreign shipping may be extra.

Paperback. Condition: Very Good. Very Good with moderate wear to covers and no marks to text. Clean, unmarked plates & text, perfectbound; with only former gallery's stamp at front & rear. AB/7.2; Quarto; 48 pages.

Soft cover. Condition: As New. Softcover, 48 pgs. Color illus., text in English. As new.

Hardcover without dustjacket as issued, 138 pages; as new condition; clean and crisp; no internal marks. Foreign shipping may be extra.

Soft cover. Condition: As New. 1st Edition. 6" x 8", 71pp. As new. Uneasy Nature brings together six internationally recognized artists who incorporate mythology, folklore and narrative to reflect on the evolving perception of nature in contemporary culture. The exhibition includes sculpture, digital animation, collage, and photography by Lee Bul (Korea), Bryan Crockett (US), Roxy Paine (US), Patricia Piccinini (Australia), Alyson Shotz (US) and Jennifer Steinkamp (US). …

Softcover, 96 pages; new condition; still sealed in shrinkwrap; clean and crisp. Foreign shipping may be extra.

Condition: As New. Unread copy in mint condition.

Condition: New. Brand New.

Softcover, 72 pages; as new condition; clean and crisp; no internal marks. Foreign shipping may be extra.

Cloth. Condition: Fine Condition. Dust Jacket Condition: No Jacket, As Issued. 128 pages color illustrations throughout. Illustrated boards. Curated by Tracy L. Adler. Published on the occasion of the exhibition from the Ruth and Elmer Welin Museum of Art, Hamilton College, Clinton NY May 11-July 28, 2013. Checklist of the Exhibition. Biography. Selected Bibliography. Book.…

Hardcover. Condition: Fine. Dust Jacket Condition: No Dust Jacket As Issued. First Edition. Greemsboro: Witherspoon Art Museum University of North Carolina and Delmonico Books, Prestel, (2014). First Edition. 12.25 x 9.75 in. 168pp. Illustrated boards, fine condition, no dj as issued. Profusely illustrated in color. From Foreword: "Nancy Rubins is one of the foremost sculptors working today." ISBN ; 12.25 x 9.75 inches; 168 pages.…

Soft cover. Condition: Very Good. 48 pp. with B/W and full-colour illustrations. Catalogue of an exhibition from September 19 to October 21, 2001. Cover slightly edgeworn and rubbed. "When I first saw it, Marla Hlady's work gave me a good hearty laugh. I found the utilitarian quacking, barking and braying machines that she had made by simply skinning mechanical toys spontaneously funny. After a while, though, it began to dawn on me that there was a lot more going on in this work than humour. I began to notice all the clear art-historical references to dadaism's useless machines, to the absurdist noise autamata of surrealism and neo-dadaism, to pop art?s ambivalent critique of consumerism, as well as the witty nod to the elegant simplicity of minimalist reduction. Later, I felt a distinct chill when, for a split second, I was drawn out of myself and given a fleeting objective glimpse at the touching spectacle of human longing." - Marc Mayer in the foreword.…

Paperback. Condition: Very Good. Covers, due to being white, show some light smudging and discoloration as well as some faint edge wear. The staples used in binding are extra long as shown in the photo and have been bent a little out of shape due to storage though could probably be bent back.

Hardcover. Condition: Very Good. 1st Edition. VG pictorial hardcover. No jacket. 2013. Artwork throughout. Pages all clean and crisp. Covers bright and clean. Binding solid. 79 pp.

Hardcover without dustjacket as issued, 80 pages; as new condition; clean and crisp; no internal marks. Foreign shipping may be extra.

Wrappers. Condition: Near Fine. 64 unnumbered pages. Small square format paperback exhibition catalogue. Texts in English. Slight wear to the edges and corners, with a bit of rubbing, especially to the rear cover. Else, the binding is tight, and interior is clean and free of markings. Bound in stiff printed paper covers, produced with numerous tipped in color plates, and published on the occasion of the exhibition held in Greensboro from September 24-December 17, 2006; Ridgefield, CT from March 11-June 24, 2007; and Chattanooga, TN from August 25-November 4, 2007. Book.…

hardcover. Condition: Very Good. Museum stamp table of contents page, card pocket inside rear cover, all else fine condition. All orders packed with care, most dust jackets protected by Brodart sleeve, independent bookseller since 2011.

Hardcover. Condition: As New. No Jacket. 1st Edition. CONDITION DETAILS: this is essentially new other than some very subtle scuffs on two corner covers. The pages are unmarked, clean and crisp. Spine is tight and straight. Cover corners are sharp. This book has been kept in a smoke and pet-free home and still smells new. PHOTOS: are of the actual item you will receive. PACKAGING: We pack for protection. Your book will be shrink-wrapped to protect it from the weather, then bubble wrapped to protect the corners and edges. It will then be packed in a crush-proof cardboard box with styrofoam reinforcement. SHIPPING: Free 2-14 day shipping in the US, through USPS or UPS. Tracking is provided, and to further protect you we ship with signature required for delivery. QUESTIONS: Any questions please message us at the link below.…

Hardcover. Condition: Very Good. Very Good. Dust Jacket may NOT BE INCLUDED.CDs may be missing. SHIPS FROM MULTIPLE LOCATIONS. book.

Hardcover. Condition: Fine. Book is in great shape, very clean and sharp, looking as new. Photographs on request.

Hardcover. Color-illustrated boards with black vertical lettering. 111 pp. Mainly illustrations in color and BW. Possibly signed by the artist on title page; signature appears much more stylized, concise and rapid than those publicly avalable. Photo is of a previous copy. "American artist Leonardo Drew (born 1961) creates large-scale sculptural installations incorporating both manipulated and found materials such as paper, wood, tree branches and roots, rust and mud. These materials are often stacked on top of one another, arranged in gradations of length or shape, endowing the sculpture itself with contrasting qualities of rigorous organization and organic chaos or proliferation. Drew has been making variations on this repetoire of humble materials since the 1970s, having had his first solo exhibition at the age of 13. With nearly 100 color reproductions of these works, this volume provides an overview of Drew's four-decade career, from the dramatic sculptures and installations of the 1980s and the enormous wall tableaux of the 1990s to the more fragile paper casts of the past decade"--Publisher. VG (bump to spine top; softer bump to tail. light wear to boards & edges. corners have light rubbing & creaseing. very tightly bound; likely unread or selectively read).…

Hardcover. Condition: New.

Hardcover. Condition: New.

Hardcover. Condition: New.

Paperback. Condition: New. "Uneasy Nature" brings together six internationally recognized artists who incorporate mythology, folklore and narrative to reflect on the evolving perception of nature in contemporary culture. The exhibition includes sculpture, digital animation, collage, and photography by Lee Bul (Korea) , Bryan Crockett (US) , Roxy Paine (US) , Patricia Piccinini (Australia) , Alyson Shotz (US) and Jennifer Steinkamp (US). The impact of technology and industry on nature is immense. We hear and see signs of it everyday, usually in terms of high heat indexes, pollution, natural disasters and animal extinction. But our influence on nature is miniscule compared to the intrusiveness envisioned by biotechnology. Mesmerizing and, at times, unsettling, the works in "Uneasy Nature" manifest this uncomfortable view of a nature altered. Steinkamp's "Hurdy Gurdy Man" (2005) , a projected digital animation, presents uncanny replications of gyrating flowering plants, while Paine's seemingly indestructible steel tree "Misnomer" (2005) conveys both a protected and imprisoned version of nature. Shotz's "Cocoon" (2005) , which alludes to metamorphosis, visualizes space as a liquiform mirage of refracted color and light; Crockett's "ghost" sculptures, fusions of tree and human forms, reflect upon our quest for immortality; and Piccinini's representations of "new" stem cell-derived creatures embody our anxiety over genetic experimentation. Bul's "Ein Hungerkunstler" (2004) , a chimaera composed of plant, insect and machine forms, symbolizes the pursuit of physical and psychological transformation in relationship to society. The exhibition is accompanied by a catalogue with full color images of the work in the exhibition, artists' biographies, and essays by Eden and British cultural historian, critic and novelist Marina Warner.…

Hardcover. Condition: New.