Editor Heike Munder (18 results)

Hardcover. Condition: Very Good. Sorry, No international shipping on this item.Hardcover. Very Good. Clean, tight.

Hardcover. Condition: Brand New. 114 pages. 11.00x8.25x0.25 inches. In Stock.

Softcover. Condition: New. NEW EU 3 EURO CHARGE FOR IMPORTS IS INCLUDED IN OUR SHIPPING PRICE. ALL ITEMS ARE DISPATCHED FROM THE UK. ALL OVERSEAS ORDERS SENT BY TRACKABLE AIR MAIL. IF YOU ARE LOCATED OUTSIDE THE UK PLEASE ASK US FOR A POSTAGE QUOTE FOR MULTI VOLUME SETS BEFORE ORDERING NEW EU 3 EURO CHARGE FOR IMPORTS IS INCLUDED IN OUR SHIPPING PRICE. ALL ITEMS ARE DISPATCHED FROM THE UK, ALL OVERSEAS ORDERS SENT BY TRACKABLE AIR MAIL. IF YOU ARE LOCATED OUTSIDE THE UK PLEASE ASK US FOR A POSTAGE QUOTE FOR MULTI VOLUME SETS BEFORE ORDERING.…

Paperback. Condition: Brand New. bilingual edition. 272 pages. 9.00x6.00x0.50 inches. In Stock.

Paperback. Condition: Brand New. reprint edition. 128 pages. 11.00x8.00x0.25 inches. In Stock.

Hardcover. Condition: Brand New. bilingual edition. 147 pages. 9.25x7.00x0.75 inches. In Stock.

Hardcover. Condition: Brand New. 148 pages. 9.25x6.00x0.75 inches. In Stock.

Hardcover. Condition: Brand New. 143 pages. 9.25x7.00x0.75 inches. In Stock.

Hardcover. Condition: Brand New. 114 pages. 11.00x8.25x0.25 inches. In Stock.

Hardcover. Condition: Brand New. 158 pages. 9.00x7.00x0.75 inches. In Stock.

Hardcover. Condition: Brand New. 220 pages. French language. 10.75x8.00x1.00 inches. In Stock.

Hardcover. Condition: Brand New. 143 pages. 9.25x7.00x0.75 inches. In Stock.

paperback. Condition: Very Good. 2004; Migros Museum for Gegenwartskunst Zurich; JRP/Ringier and Koenig Books; first edition; 160pp. Museum Catalogue. No dust jacket, potentially as issued. Very good hardcover, from a personal collection (NOT ex-library). Binding is tight, sturdy, and square; red cloth boards also very good; gilt titling remains bright and bold. Tail of spine lightly bumped; shelfwear very minor overall; a crisp and clean copy. Interior is free of markings. Ships same or next day from Dinkytown, Minneapolis, Minnesota.…

FIRST EDITION 8vo. hardback. 314pp. profusely illustrated in colour and b/w, with fold out plates. Text in German and English. A clean copy with no previous owners' markings or inscriptions. A VERY GOOD COPY. (Shelf 8) ISBN: 9783905770537 PLEASE NOTE: Buyer is responsible for any additional duties, taxes, or fees required by recipient's country.** Pictures available upon request.** Visit our homepage for our shop opening hours. Over 20,000 books in stock - come and browse. PayPal, credit and most debit cards welcome. Books posted worldwide. For any queries please contact us direct. …

hardcover. Condition: New. In shrink wrap. Looks like an interesting title.

Paperback. Condition: New. The now legendary cover designs for the Joy Division album Unknown Pleasures (1979) and the New Order single "Blue Monday" (1983) brought the Manchester graphic designer Peter Saville immediate international renown, with their somber yet lush Modernist edge. Saville was the cofounder of Factory Records, and was single-handedly responsible for its unique house style, so widely imitated, and so entirely Saville's own. Outside of the Factory stable he has produced covers for, among others, Patti Smith, Roxy Music, Wham!, Suede and Pulp, and has also collaborated on many architectural, fashion and interior design ventures, including the famous Manchester nightclub the Hacienda, and collaborations with Nick Knight, David Chippenfield and Stella McCartney. His sensibility combines unerring elegance with a remarkable ability to facture imagery that epitomizes and defines a cultural moment. Based on his solo exhibition at the Migros Museum in Zurich, which also traveled to the ICA London, this book surveys Saville's extensive archives for the first time. It was conceived and designed in close collaboration with Saville; as such, it is the first publication to be designed by the artist. Born in Manchester (U.K.) in 1955, Peter Saville studied graphic design at Manchester Polytechnic. He found early inspiration in the elegantly ordered aesthetic of Jan Tschichold, the German-born book and type designer who was to become the chief propagandist for the New Typography. In 1979 he co-founded Factory Records (with Tony Wilson), and in the following year he co-designed the famous Hacienda nightclub.…

Hardcover. Condition: New. This text-heavy exhibition catalogue focuses on self-confident, nonconformist Feminist positions, pointing out that new role models and strategies are being requested. Essayist Amelia Jones contests the notion of a current Postfeminism and, using the example of Pipilotti Rist's works, develops a model of Parafeminism. Refering to Mary Beth Edelson and Annie Sprinkle, Maria Elena Buszek compares two generations and their respective strategies. Katy Deepwell questions the role of female artists within art history. Mercedes Bunz looks at feminism in relation to flexibilized capitalism and diagnoses a new form of oppression. And exhibition curator Heike Munder presents a survey of the exhibition's different positions, making an appeal for new role models.…

Hardcover. Condition: Good. Hardcover, 206pp, pictorial endpapers, NOT ex-library. Extensive small offset marks on first and last couple of plates, otherwise interior is very good: clean and bright with unmarked text, free of inscriptions and stamps. Firm secure binding, clean outer page edges. Decorative boards show a touch of scuffing, faint handling and shelfworn marks, a couple of scratches. Published without a dust jacket. --- Contents: glossy colour plates (pp 1-16); An Immense Museum of Strangeness: Department of Spatial Fantasies / Heike Munder & Adam Budak (pp 21-29); Psychoanalysis and Space / Anthony Vidler (pp 31-42); Insecurity by Design / Mark Wigley (pp 45-54); Worrying Conditioning of Space / Philippe Rahm (pp 57-62); City of Concrete / Stephen Willats (pp 65-70); glossy colour plates (pp 73-120); Polish translations of texts (pp 121-174); List of works (pp 180-181); Biographies (pp 182-188); glossy colour plates (pp 193-206) -- English-Polish edition (fully bilingual) // This anthology aims to exploit the psychological associations of space and the psychological reactions to it, such as agoraphobia, vertigo, and claustrophobia. The publication analyzes spatial emotion in contemporary art and architecture and maps its extremes and multiple overtones. It contains essays by Anthony Vidler on the relation between psychoanalysis and the perception of space, Mark Wigley on insecurity and design, Philippe Rahm on the emotional conditioning of space construction, and Stephen Willats on living conditions in social housing. Featuring works by such artists as Monica Bonvicini, Christoph Buchel, Jan Dibbets, Urs Fischer, H R Giger, Katarzyna Jozefowicz, Anish Kapoor, Daniel Liebeskind, Jane and Louise Wilson, Paul Noble, Gordon Matta-Clark, Paul Thek, Monika Sosnowska, and Decosterd & Rahm, the anthology also provides a visual survey of these topics in contemporary art. Designed by Norm, the book was distinguished in "The Most Beautiful Swiss Books" competition in 2003. It was published on the occasion of the exhibition by the Migros Museum fur Gegenwartskunst, Zurich, and Laznia Center for Contemporary Art, Gdansk. …