Eldem Halil Edhem (10 results)

Soft cover. Condition: Very Good. [ELDEM], HALIL EDHEM Elvahi Naksiye Koleksiyonu. Istanbul: Milliyet Yayinlari, 1970. Large 8vo., 87, [1] p., 16 color plates. Paperback. Dust wrapper. Very good ISBN: CATALOG: Painting & Sculpture KEYWORDS: Turkish painting History of art.

Soft cover. Condition: New. [ELDEM], HALIL EDHEM Asar-i Atika Muzesi'nde meskukat koleksiyonlari. Tarihcesi, tasnifati ve mikdari. Transcription: Gulseren Ceceli. Istanbul: Arkeoloji ve Sanat Yayinlari, 2009. Large 8vo., 102 p. In Turkish, with the reprint in Ottoman script. Paperback. New ISBN: 9786053960546 CATALOG: Numismatics & Philately KEYWORDS: Numismatics Money Collection Archaeology Istanbul Arkeoloji Muzesi'nin 1923 yilinda yayinlamis oldugu sikke koleksiyonunun tarihcesi, tasnifati ve mikdari hakkinda TBMM Maarif Vekaleti'ne (Milli Egitim Bakanligi) sunular rapor. 1. Bolum: Raporun Turkcesi 2. Bolum: Tipki Basim.

Hardcover. Condition: Fine. Limited Edition. Modern aesthetic cloth bdg. Cr. 8vo. (20 x 14 cm). In Turkish. [6], 66 p., b/w plts. 1000 copies were printed. Misirin son Memlūk sultani Melik Tumanbay II adina Ēorluda bulunan bir kitabe. First Edition. Rare.

Hardcover. Condition: Very Good. ELDEM, HALIL EDHEM [FESTSCHRIFT] Halil Edhem hatira kitabi = In memoriam Halil Edhem. 2 volumes. Ankara: TTK, 1947 - 1948. Large 8vo., 2 volumes set (x, 309 p., 1 portrait, 55 plates; [4], 120, [1] p., 17 plates). 23 articles in Turkish, French, English and German in volume 1; 18 articles in Turkish in volume 2. Contemporary Cloth bdg. Very good. Ex-library copy. Very good ISBN: CATALOG: Archaeology KEYWORDS: Archaeology History of art Hittites.

Condition: New. First published in 1932. Editors: ; Yildiz, Sadullah Translator: 160 pages.

Hardcover. Condition: Very Good. [ELDEM], HALIL EDHEM Muze-i Humayun kursun muhur katalogu. Arab ve Arab-Bizantin ve Osmanli kursun muhurlerine mahsustur. Istanbul: Mahmud Bey Matbaasi, 1321 [1903]. Large 8vo., 71 p., b/w ills. In Ottoman script. Ozege 15040. Original cloth binding. Very good ISBN: CATALOG: Books in Ottoman Turkish KEYWORDS: Ottoman culture Collection Seal Byzantium Arabs "Muze-i Humayun'da bir hayli vakitdenberi cem' ve telfik olunan ve adedi hemen 2000'i tecavuz eden kursun muhurlerin kism-i kullisi Bizantin devrine ve pek az miktari da Arap veyahud Osmanli devirlerine mensub olup Bizantinler zamanindan olanlarin kism-i azami Istanbul ve civarinda gerek bazi temellerin hafri esnasinda ve gerek bir lodostan sonra sahil-i bahre atilan kumlarin icinde zuhur etmektedir.".

Hardcover. Condition: Very Good. [ELDEM], HALIL EDHEM Kayseri sehri. Mebani-i Islamiye ve kitabeleri. Istanbul: Matbaa-i Orhaniye, 1334 / 1918. Large 8vo., [16], 148, [2] p., 16 b/w plates. In Ottoman script. Ozege 10480. Tarih-i Osmani Encumeni Kulliyati Aded: 5. Contemporary cloth bdg. Very good ISBN: CATALOG: Books in Ottoman Turkish KEYWORDS: Kayseri Seljuks Turkish history Architecture Islamic art.

Soft cover. Condition: Very Good. 1st Edition. Paperback. Pbo. Roy. 8vo. 60, [1] p. In Ottoman script. r. 1340.= m. (AD.). 1924. Özege: 4806. Extremely rare. First Edition. Elvah-i Naksiye Kolleksiyonu. Memleketimizde nakslan-i ibtidallerine ve Sanayi-i Nefise Mektebinin tesisine dāir malūmat-i mecmuā ve Istanbul Āsar-i Atika Müzesi'nde bulunan Elvah-i Naksiye'nin katalogunu samildir.

Hardcover. Condition: Very Good. 1st Edition. Modern cloth bdg. Printed on duplicator paper (Sapograph). Some pencil notes on some pages. Large roy. 8vo. (25 x 17 cm). In Ottoman script. 64 p. (Özege shows 51 p.). Garbī Anadolu'da Selēuklularin vārisleri. Tavāif-i mülūk. Eldem was a Turkish museum director and historian. He was the youngest son of the grand vizier Ibrahim Edhem Pasha (1818-93), one of the first archaeologists and museologists. This book includes Turkish and Islamic peoples who'd lived in West Anatolia after Seljuks and with their cultural features, architecture, art, history etc. Özege 6044.; TBTK 9605.

Soft cover. Condition: Good. 1st Edition. Original stapled brownish wrappers. Roy. 8vo. (24 x 16,5 cm). In Ottoman script (Old Turkish with Arabic letters). 60, [1] p. Wear to spine, slight foxing on some pages. Overall, a good copy. The scarce first edition of this catalogue, the earliest devoted to paintings in Turkish museums of the period, was prepared by Halil Edhem, brother of Osman Hamdi (1842-1910), in his capacity as director of the Old Antiquities Museum. In the first chapter, under the heading The Beginnings of Painting in Our Country, Edhem Bey attempts a periodization and begins with observations on Turkish miniature painting. In particular, he draws on the manuscript Menākib-i Hünerverān (ca. 1540), attributed to the historian Ali Efendi, to provide insight into the developments of the period. The book, still one of the principal sources on the subject, was originally conceived to compile several key materials. These included a list of copies made after Western works held in the museum known in the late Ottoman period as the Mecmā-i Āsār-i Ātika (which formed the basis of today's Istanbul Archaeological Museums), as well as a register of works by major Turkish painters that existed but had not yet been brought together within a museum or gallery context. It also aimed to include a general account of the art of painting and was expanded and enriched with the author's collected notes on the emergence of painting in Islam, particularly in the Ottoman Empire and Turkey, along with material on the establishment of the Academy of Fine Arts and early painting exhibitions. (Berk). Halil Edhem's primary aim was to advance the initiatives of Osman Hamdi Bey and to establish an art museum, a need increasingly voiced in contemporary periodicals such as the Osmanli Ressamlar Cemiyeti Gazetesi, where writers called for institutions that would both display artistic treasures and elevate public taste. Having already secured parliamentary support in 1910 through the efforts of Zehrab Efendi, who proposed an annual budget for building a collection, Halil Edhem envisioned not a modest national museum limited to Ottoman art, but, following the Louvre model, a modern, civilizational presentation of art history in which Ottoman and European works would be exhibited side by side according to national schools. When funds proved insufficient to acquire original European works, he did not hesitate to commission copies, prioritizing the visual articulation of a coherent art-historical narrative; such practices were not unusual at the time, before the emergence of a strong emphasis on originality. Nevertheless, his reliance on copies provoked sharp criticism, particularly from more nationalist circles, who argued that even a few original works would be preferable and denounced reproductions as lifeless imitations that risked dulling public sensibilities. Despite criticism, by 1914 Halil Edhem had assembled the collection later known as the Elvāh-i Naksiye. Although a separate museum was not established, the collection was exhibited at Dolmabahēe Palace and in the galleries of the Sanayi-i Nefise School. The accompanying catalogue outlined both the formation of the collection and its classification according to a modern museological framework. The works were organized into four sections: Ottoman painters regarded as "contemporary", contemporary European artists, original works by the Old Masters, and copies of Old Master paintings. This classification was later applied in the Painting and Sculpture Museum established in 1937 in the Crown Prince's Apartments of Dolmabahēe Palace. (Sources: Eskop online; Istanbul Resim ve Heykel Müzesi, by Nurullah Berk; Wikipedia). As of March 2026, OCLC shows twelve copies in North American libraries (755969917 - 21429905).