Elizabeth E Barker (52 results)

paperback. Condition: Good.

Paperback. Condition: Very Good. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

Soft cover. Condition: Fair. No Jacket. None Stated. An early 1960s PB collection of 7 stories from the Omnibus of Crime. Macfadden Books MB 50-143. Soiling and creases to the covers. Browning to the pages with a few stains. Spine lean. A reader.

Mass Market Paperback. Condition: Very Good. First Thus. [New York]: HarperPrism [1998]. Very Good. 1998. First Thus. Mass Market Paperback. 006105643X . First printing thus. This copy has been signed by Douglas E. Winter on the title page. Pictorial [Thomas Canty artwork] wrappers. 650 pages. VG copy spine cocked with a reading crease. See photos sr 2/3.…

paperback. Condition: Very Good. No marks or highlighting in the book. Our copy is paperback showing shelf-wear. Owner's name inside.

Hardcover. Condition: Fine. Dust Jacket Condition: Fine. 1st Edition. Tan cloth, lettered in black. As issued, with note to minor binding lean original to issue. Color pictorial dust jacket shows slight surface wear, virtually as issued, now in mylar. 1st ed. Catalogue to accompany 1997-98 exhibition. xii,406 pp. Size: 4to - over 9¾" - 12" tall. Book.…

Paperback. Condition: Very Good. Color and B&W reproductions; 4to 11" - 13" tall; 256 pages; 2006 British Museum Press. Oversize paperback in glossy color pictorial covers. Soundly bound and clean with no marks observed. Superficial stress wrinkle/creases to front cover and mild shelf evidence to cover edges. Illustrated throughout with color and b&w reproductions of works from the exhibition. VG to VG+ . Oversize book likely to require additional charges for expedited or international shipping.…

Soft cover. Condition: Very Good. No Jacket. 1st Edition. Accompanies exhibits at British Museum of Art, and The Metropolitan Museum of Art during Oct 2005 - May 2006. Generously illustrated with figures and color images integrated in the text. Glossy illustrated wraps have shallow front corner crease, a few very faint, shallow creases; interior pages are fresh and clean without marks or blemishes. 256 pages, 8 1/2" x 10 3/4".…

Hardcover. Condition: VG/VG. Blue cloth over boards, gilt letters on spine; blue and color illus. dj.; maps on flyleaves, 224 pp.; Profusely illustrated. Issued in conjunction with 2007-2008 exhibition of work by English landscape painter Joseph Wright of Derby (1734-1797). Discusses his impact on the artistic climate, artists, and cultural institutions of LIverpool, through five thematic and illustrated essays. The annotated and illustrated catalogue presents 82 specific pieces. Includes bibliography.…

Condition: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Hardcover. Condition: Fine. Fine hardcover copy with perfect d/j ex. cat October 17 , 2000 - January 21, 2001, xiii + 248 pp, 115 works listed, illus. in B/W 4/C and sepia.

paperback. Condition: near fine. First. Illustrated with black-and-white and color images throughout. 256 pages. 4to, glossy pictorial wrappers, spine sunned. (London): British Museum Press, (2005). A near fine copy. Samuel Palmer, (illustrator).

Softcover. Condition: Very Good. Third impression. A good, clean copy.

Softcover. Condition: Very Good. Dust Jacket Condition: N/A. Reprint, with revisions and corrections. 254pp, profusely illustrated in full colour. Laminated stiff card covers. 4to. There's a little gentle edge wear to card covers, and the spine is faded else volume is neat, clean, bright and tight. Catalogue produced to accompany the exhibition of Samuel Palmer's paintings at the British Museum, October 2005 to January 2006. The exhibition later transferred to the Metropolitan Museum of Art in New York. Samuel Palmer was a landscape painter, heavily influenced by William Blake, also known for his etchings and printmaking, and a key figure in the Romanticism movement in England in the late 19th century. …

Softcover. Condition: Very Good. Dust Jacket Condition: N/A. 1st Edition. First edition, first impression. 256pp, profusely illustrated in full colour. Laminated stiff card covers. 4to. There's a little gentle edge wear to card covers, and a mild crease along the front fold else volume is neat, clean, bright and tight. Catalogue produced to accompany the exhibition of Samuel Palmer's paintings at the British Museum from October 2005 to January 2006. The exhibition subsequently transferred to the Metropolitan Museum of Art in New York. Samuel Palmer was a landscape painter, also known for his etchings and printmaking, and a key figure in the Romanticism movement in England in the late 19th century. …

Softbound. Color illustrated wraps. 256 pp., profusely illustrated in color, appx. 230 of them. A great reference and wonderful collection of color reproductions of this artist's work. Catalog published to accompany an exhibition held at the British Museum, London, Oct. 21, 2005-Jan. 22, 2006 and at the Metropolitan Museum of Art, New York, Mar. 7-May 28, 2006. VG (light edge-wear, rubbing to corners).…

Cloth. Condition: Fine Condition. Fine Condition. 248 pp., 200 illustrations 124 in color. Edited by John P. O'Neill and Kathleen Howard. Director's Foreword by Philippe de Montebello. Preface by Colta Ives. Published on the occasion of the exhibition from The Metropolitan Museum of Art, New York NY October 17, 2000-January 21, 2001. Index of artists. Book.…

Soft cover. Condition: Very Good. 27.5x22cm. Soft cover. First edition. Published on occasion of exhibition at the British Museum London and Metropolitan Museum of Art New York. 256pp with essays, numerous illustrations, commentaries on exhibits, chronology, bibliography, and indexes. Colour-illustrated card wrappers, backstrip lettered in black and in colour faded to only-just-legible pale yellow. Clear & colourless laminate peeled at tip of lower outer corner of front wrapper. Contents fine. VERY GOOD copy. …

Hardcover. Condition: Near Fine. Near Fine. First Edition. 4to. 216 pp. Near Fine in Near Fine dust jacket. Subtle shelfwear to boards. Slight wear to jacket.

Paperback. Condition: Fine. 1st. xi, 425 pages, illustrations (some colour); 31 cm. Catalogue of an exhibition held at the Metropolitan Museum of Art, June 10 to September 12, 2004. Firm binding, clean inside copy. OVERSIZE! Additional shipping charges may be requested for international & priority orders. A massive coffee-table book. Richly illustrated with colour plates. *** "'I believe the man who will go down to posterity is the man who paints his own time and the scenes of every-day life around him,' declared Childe Hassam in 1892. It was as a pioneer of American Impressionism and perhaps its most prolific and successful practitioner that Hassam (1859-1935) realized this credo. In so doing, he provided an account of our national life during a dynamic period. At the same time he helped to create a wave of enthusiasm for American Impressionism that he rode to fame and fortune. Today he is best known for his portrayals of Celia Thaxter's old-fashioned garden on Appledore Island, Maine, and his depictions of the flags, banners, and bunting displayed on New York's tall buildings in patriotic response to World War I. This illustrated publication accompanies a major exhibition at the Metropolitan Museum, the first retrospective presentation of Hassam's work in a museum since 1972. Unique to this volume are an account of Hassam's lifelong campaign to market his art, a study of the frames he selected and designed for his paintings, and an unprecedented lifetime exhibition record. Included in addition are a checklist of works in the exhibition and a chronology of Hassam's life. All works in the exhibition as well as comparative materials are reproduced." - Publisher. *** CONTENTS: Childe Hassam, American impressionist; Introduction, by H. Barbara Weinberg; 1. Hassam in Boston, 1859-1886, by Stephanie L. Herdrich; 2. Hassam in Paris, 1886-1889, by H. Barbara Weinberg; 3. Hassam in New York, 1889-1896, by H. Barbara Weinberg; 4. Hassam in New England, 1889-1918, by Susan G. Larkin; 5. Hassam's travels, 1892-1914, by H. Barbara Weinberg; 6. Hassam in New York, 1897-1919, by H. Barbara Weinberg; 7. Hassam in East Hampton, 1898-1935, by H. Barbara Weinberg; Media, subjects, presentation, marketing, and critical response Hassam's watercolors, by Carol Troyen; "A truly learned weaving of light and dark": Hassam's prints, by Elizabeth E. Barker; Hassam's pride in his ancestry, by Elizabeth Broun; Hassam and American architecture, by Erica E. Hirshler; Hassam's gardens, by Lisa Miller; "The subject that I am known for": Hassam's pursuit of a legacy, by Kimberly Orcutt; How Hassam framed Hassams, by Susan G. Larkin; "On the crest of the wave": Hassam and the marketing of his art, by Dana Pilson; "Man sass 'em": Hassam and his contemporary critics, by Kathleen M. Burnside; Chronology, by Stephanie L. Herdrich and Megan Holloway; Exhibitions in Hassam's lifetime, by Elizabeth Block, Stephanie L. Herdrich, Megan Holloway, and Dana Pilson. Size: 4to. Collectible.…

Soft cover. Condition: VG+. Dust Jacket Condition: N/A. 1st Edition. Stiff color illus. wraps, perfect-bound. Light shelf/handling wear, with diagonal crease to bottom front cover corner, a few light surface marks to covers. Firm, uncreased binding, clean interior. xiii,425 pp., illus. w/ 364 color, b&w figures. Size: Folio - over 12" - 15" tall. Book. …

hardcover. Condition: Like New. Most items will be dispatched the same or the next working day. An apparently unread copy in perfect condition. Dust cover is intact with no nicks or tears. Spine has no signs of creasing. Pages are clean and not marred by notes or folds of any kind.

Paperback. Condition: Fine. Not issued. First Paperback Edition. Softcover. First Edition. 1st printing (no later printings indicated). Clean and tight. No markings. Lavishly illustrated with color and black and white photographs. Ships in a box. Fast shipping from NYC.

Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. 1st Edition. THIS IS A HEAVY BOOK AND POSTAGE MAY WELL BE MORE THAN THAT QUOTED BY ABE BOOKS WHICH IS FOR A SMALL LIGHT BOOK, ESPECIALLY IF ORDERING FROM OUTSIDE THE UK. PLEASE ASK FOR A POSTAGE QUOTATION BEFORE ORDERING TO AVOID DISAPPOINTMENT AT EXTRA CHARGES BEING REQUESTED. First Edition, xii + 216pp, very well-illustrated in colour, hardcover, 4to, bound in blue cloth, gilt lettered, dust jacket unclipped and very good condition, book in very good condition with no markings or annotations, Yale University Press, USA, 2007. ILLUSTRATED (illustrator).…

Cloth. Condition: Fine Condition. Dust Jacket Condition: Fine Condition. 406 pp., 288 illustrations 217 in color. Published on the occasion of the exhibition from October 28, 1997-January 11, 1998. Dustjacket is protected with a mylar cover.

Paperback. Condition: new. New Copy. Customer Service Guaranteed.

Paperback. Condition: Near Fine. Dust Jacket Condition: n No Jacket. n Reprint With Corrections. London: British Museum Press, 2005. Book. Near Fine. Soft cover. Reprint With Corrections. 4to - over 9¾ - 12" tall. Catalogue published to accompany an exhibition at The British Museum in 2005 and at The Metropolitan Museum of Art, New York, in 2006. 256pp with index, illustrated throughout with colour reproductions. Slight creasing to corners, otherwise near fine copy with no inscriptions. Book.…

Legatura editoriale tutta tela con titoli in oro al dorso e sovracoperta illustrata, 248 pg., ottimo.

A FINE SOFTBACK COPY.

Condition: Very Good.