Erich Anonymous (11 results)

Condition: New.

Condition: Good. Text is in German. VG condition book with dust jacket. DJ is clean, has fresh colours and has little wear to edges. Book has clean and bright contents.

Buch. Condition: Neu. Neuware - This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.…

Gebunden. Condition: New.

Condition: New. Print on Demand pp. 46.

Hardback. Condition: Very Good. Black and White illustrations. Very Good, without dust jacket. Bound in quarter vellum with gilt type and design on spine. Marbled endpapers. Gilt top page edges.

Condition: New. Print on Demand pp. 46.

Condition: New. PRINT ON DEMAND pp. 46.

Paperback. Condition: Brand New. 46 pages. 9.61x7.32x0.32 inches. This item is printed on demand.

HAENZI, Erich. Farbenlehre. 23 Original watercolour plates, some with multiple images. Folio, 340 x 240 mm., original cloth. N.p.: n.d., ca. 1930. A wonderfully executed manuscript on colour theory by a Swiss commercial artist whose objective was to enhance the work of decorators, fashion designers, graphic artists and set designers. Divided into ten sections comprising colour and achromatic antagonism, colour values, light-dark antagonism, cold-warm antagonism, quality contrast, intensity contrast, quantity contrast, complementary contrast, simultaneous contrast and successive contrast. According to the seller, the work is by a Swiss commercial artist named Erich Haenzi. …

Gouache on paper, mounted on artist's board; a little rubbed & marked, evidence of removal from frame on verso. 37.5 x 27.5cm. Signed 'Nina Robbins, 1/6/48' in pencil on verso. An extraordinary and striking design for a later English-language edition of Remarque's landmark First World War novel, which first appeared in 1929. This artwork was produced shortly after the Second World War and is imbued with the utter horror of both conflicts. A skull stares out from black surroundings, broken up only by crosses; the crosses are incomplete and indistinct, very much part of the background, and only the emblem of death is whole and in focus. It is unclear why or by whom the design was created - no publisher is listed, so it may have been produced speculatively. The spine is priced at 3/6, indicating possible plans for a cheap edition (the 1929 first edition retailed at 7/6). It is unlikely that the design ever saw the light of day: OCLC lists a 1948 Putnam edition, but no location is given and it may not exist. The British appetite for the novel seems to have been slender in the aftermath of World War Two, and it would not appear in the U.K. again until 1954. The story, regrettably, remains relevant today and the 2022 German film adaptation has been extremely well received. PLEASE NOTE: For customers within the UK this item is subject to VAT at 20%. …