Ernst Astrid (57 results)

Condition: New.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

AK. Saarland Museum Saarbrücken / Kunsthalle Nürnberg, Juni 1994 - November 1994. Ostfildern: Cantz Verlag. 1994. Blaue, illustr. OBrosch. 63 Seiten mit zahlr. teils ganzs. u. farb. Abb. u. Fotos sowie Bio- u. Bibliographie. - 27 x 21,5. * Sehr gut erhalten .

Paperback. Condition: Gut. 210 S.; 21 cm. Guter Zustand. Bibliotheksexemplar mit den üblichen Eintragungen. Stempel auf Seitenschnitt. Sprache: Deutsch Gewicht in Gramm: 390.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Softcover Sehr gut. 23 Seiten / 65g Sprache: Deutsch Gewicht in Gramm: 250.

Paperback. Condition: Brand New. 136 pages. German language. 9.29x6.61x0.24 inches. In Stock.

8° Broschiert. Condition: Sehr gut. 259 Seiten. Das Buch ist in sehr gutem, sauberen Zustand. Besitzvermerk auf Vorsatz. Sonst sauberes und wohlerhaltenes Exemplar. ISBN: 9783929091564 Due to new EU packaging regulations, we are currently unable to ship to many EU countries. Shipping to Germany, the Netherlands, Ireland, Finland, and the Baltic states is possible. Deliveries to border-based parcel lockers or cross-border parcel forwarding services remain possible. Shipping to all countries outside the EU also remains possible. Sprache: Deutsch Gewicht in Gramm: 500.…

Condition: New.

Condition: New.

Broschiert. Condition: Gut. 345 Seiten; Das hier angebotene Buch stammt aus einer teilaufgelösten wissenschaftlichen Bibliothek und trägt die entsprechenden Kennzeichnungen (Rückenschild, Instituts-Stempel.); Schnitt und Einband sind etwas staubschmutzig; Einbandkanten sind leicht bestoßen; einige Anstreichungen im Text; der Buchzustand ist ansonsten ordentlich und dem Alter entsprechend gut. Sprache: Deutsch Gewicht in Gramm: 600.…

Hardcover. Condition: Brand New. 134 pages. German language. 9.61x6.77x0.47 inches. In Stock.

167 S., geb., Gr.-Okt., nahezu neuwertig.

Broschiert. Condition: Gut. XIV, 161 Seiten; Das hier angebotene Buch stammt aus einer teilaufgelösten wissenschaftlichen Bibliothek und trägt die entsprechenden Kennzeichnungen (Rückenschild, Instituts-Stempel.); leichte altersbedingte Anbräunung des Papiers; der Buchzustand ist ansonsten ordentlich und dem Alter entsprechend gut. Die Einbandkanten sind bestoßen. Sprache: Deutsch Gewicht in Gramm: 250.…

Hardback. Condition: New.

Hardcover. Condition: New.

Condition: New.

Condition: New. In English.

Taschenbuch. Condition: Neu. Neuware -Diploma Thesis from the year 2011 in the subject English Language and Literature Studies - Literature, grade: 1, University of Vienna (Anglistik und Amerikanistik), course: Anglistik- Literatur- Gender Studies , language: English, abstract: The paper investigates Meyer¿s popular saga from a feminist point of view focusing on the development of Belläs character and her quest for identity in a rigidly patriarchal world, which forces her to choose between mutually exclusive options. It will be argued that Belläs life is entirely determined by the two central male characters who form a polarized axis that slowly tears her apart. Belläs low self-esteem and her strong attachment to the over-idealized Edward Cullen will be read as a symptom of her placelessness in a world that does not leave room for her to develop as an autonomous subject. Belläs wish to become a vampire can be equalled with woman¿s desire to gain access to a higher social realm via her husband and thus escape her marginalisation in patriarchal culture. As Beauvoir writes: ¿ There is no other way out for her than to lose herself, body and soul, in him who is represented to her as the essential, as the absolute¿(Beauvior, The Second Sex, 653). In order to become a supposedly superior being and to live eternally in the idealized capitalist, patriarchal and puritanically Christian world Edward represents, Bella has to make a series of sacrifices. Leaving her mother behind she moves into a male dominated world which is divided into morally idealized Christian vampires and racially devalued werewolves. She is forced to give up her friendship with Jacob Black, who can be read as her free childlike self, in order to enter a world that again pushes her into the patriarchally pre-defined role of mother and wife. Similar patterns of stereotypical representations of femininity can be observed in various characters of the saga. A more controversial note is brought in by Belläs half-vampire child who can be seen as a destabilizing factor of the sagäs rigid dichotomy. Taking all this into consideration we as feminists have to ask, whether it is desirable to have millions of young women worldwide admiring Bella and the mysogynist world in which she lives.…

Kartoniert / Broschiert. Condition: New. Ist Theater nun eine Kunst? Ein Medium? Eine Institution? Ein wenig von allem, liesse sich sagen. Es verfuegt, gegenwaertig wie historisch, ueber einen Facettenreichtum, den wohl keine andere Kunst, kein anderes Medium, keine andere Institution fuer sich behaupt.…

Paperback. Condition: New.

Taschenbuch. Condition: Neu. Druck auf Anfrage Neuware - Printed after ordering - Diploma Thesis from the year 2011 in the subject English Language and Literature Studies - Literature, grade: 1, University of Vienna (Anglistik und Amerikanistik), course: Anglistik- Literatur- Gender Studies , language: English, abstract: The paper investigates Meyer s popular saga from a feminist point of view focusing on the development of Bella s character and her quest for identity in a rigidly patriarchal world, which forces her to choose between mutually exclusive options. It will be argued that Bella s life is entirely determined by the two central male characters who form a polarized axis that slowly tears her apart. Bella s low self-esteem and her strong attachment to the over-idealized Edward Cullen will be read as a symptom of her placelessness in a world that does not leave room for her to develop as an autonomous subject. Bella s wish to become a vampire can be equalled with woman s desire to gain access to a higher social realm via her husband and thus escape her marginalisation in patriarchal culture. As Beauvoir writes: There is no other way out for her than to lose herself, body and soul, in him who is represented to her as the essential, as the absolute (Beauvior, The Second Sex, 653). In order to become a supposedly superior being and to live eternally in the idealized capitalist, patriarchal and puritanically Christian world Edward represents, Bella has to make a series of sacrifices. Leaving her mother behind she moves into a male dominated world which is divided into morally idealized Christian vampires and racially devalued werewolves. She is forced to give up her friendship with Jacob Black, who can be read as her free childlike self, in order to enter a world that again pushes her into the patriarchally pre-defined role of mother and wife. Similar patterns of stereotypical representations of femininity can be observed in various characters of the saga. A more controversial note is brought in by Bella s half-vampire child who can be seen as a destabilizing factor of the saga s rigid dichotomy. Taking all this into consideration we as feminists have to ask, whether it is desirable to have millions of young women worldwide admiring Bella and the mysogynist world in which she lives. …

Taschenbuch. Condition: Neu. In the Twilight of Patriarchal Culture: The Struggle for Female Identity in Stephenie Meyer's Twilight Saga | Astrid Ernst | Taschenbuch | 88 S. | Englisch | 2012 | GRIN Verlag | EAN 9783656220893 | Verantwortliche Person für die EU: GRIN Publishing GmbH, Waltherstr. 23, 80337 München, info[at]grin[dot]com | Anbieter: preigu. …

Condition: Sehr gut. Zustand: Sehr gut | Sprache: Englisch | Produktart: Bücher | Diploma Thesis from the year 2011 in the subject English Language and Literature Studies - Literature, grade: 1, University of Vienna (Anglistik und Amerikanistik), course: Anglistik- Literatur- Gender Studies , language: English, abstract: The paper investigates Meyer¿s popular saga from a feminist point of view focusing on the development of Belläs character and her quest for identity in a rigidly patriarchal world, which forces her to choose between mutually exclusive options. It will be argued that Belläs life is entirely determined by the two central male characters who form a polarized axis that slowly tears her apart. Belläs low self-esteem and her strong attachment to the over-idealized Edward Cullen will be read as a symptom of her placelessness in a world that does not leave room for her to develop as an autonomous subject. Belläs wish to become a vampire can be equalled with woman¿s desire to gain access to a higher social realm via her husband and thus escape her marginalisation in patriarchal culture. As Beauvoir writes: ¿ There is no other way out for her than to lose herself, body and soul, in him who is represented to her as the essential, as the absolute¿(Beauvior, The Second Sex, 653). In order to become a supposedly superior being and to live eternally in the idealized capitalist, patriarchal and puritanically Christian world Edward represents, Bella has to make a series of sacrifices. Leaving her mother behind she moves into a male dominated world which is divided into morally idealized Christian vampires and racially devalued werewolves. She is forced to give up her friendship with Jacob Black, who can be read as her free childlike self, in order to enter a world that again pushes her into the patriarchally pre-defined role of mother and wife. Similar patterns of stereotypical representations of femininity can be observed in various characters of the saga. A more controversial note is brought in by Belläs half-vampire child who can be seen as a destabilizing factor of the sagäs rigid dichotomy. Taking all this into consideration we as feminists have to ask, whether it is desirable to have millions of young women worldwide admiring Bella and the mysogynist world in which she lives. …

Condition: Hervorragend. Zustand: Hervorragend | Sprache: Englisch | Produktart: Bücher | The book investigates Meyer¿s popular Twilight saga from a feminist point of view, focusing on the development of Belläs character and her quest for identity in a rigidly patriarchal world. Belläs life is entirely determined by the two central male characters who form a polarized axis which slowly tears her apart. Belläs low self-esteem and her strong attachment to the over-idealized Edward Cullen are read as symptoms of her placelessness in a world that does not grant her space to develop as an autonomous subject. Belläs wish to become a vampire can be equalled with a woman¿s desire to gain access to a higher social realm via her husband and thereby escape her marginalisation in patriarchal culture. In order to live eternally in the idealized, capitalist, patriarchal and overly religious world that Edward represents, Bella has to make a series of sacrifices. Leaving her mother behind, she moves into a male dominated world which is divided into morally idealized vampires and racially devalued werewolves. She is forced to give up her friendship with Jacob Black, who represents her autonomous self, in order to find her patriarchal pre-defined destiny as mother and wife. Similar patterns of stereotypical representations of femininity can be found in various characters of the saga. A more controversial note is brought in by Belläs half-vampire child who can be seen as a destabilizing factor of the sagäs rigid dichotomy. Taking all this into consideration, we have to ask whether it is desirable that millions of young women worldwide admire Bella and set her up as their role model.…

Softcover. Condition: Bon. Ancien livre de bibliothèque avec équipements. Couverture différente. Edition 1993. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Good. Former library book. Different cover. Edition 1993. Ammareal gives back up to 15% of this item's net price to charity organizations. …

Condition: As New. Unread book in perfect condition.

paperback. Condition: Like New. LIKE NEW. SHIPS FROM MULTIPLE LOCATIONS. book.

Condition: As New. Unread book in perfect condition.

paperback. Condition: Like New. LIKE NEW. SHIPS FROM MULTIPLE LOCATIONS. book.