Etherington Don (29 results)

Soft Cover/Pamphlet. Condition: Very Good. Copyright © 1986. 15 pp. Solidly bound copy with minimal external wear, crisp pages and clean text. Relevant material included from previous owner.

Soft Cover. Condition: Near Fine Plus. First Edition /First Printing. soft cover original, as issued., no flaws or wear. clean, no markings of any sort. no bumps, tears, fading. tight binding. appears unused.; parallel text, english/french.; 96pp., illustrated throughout in color. text by all of the above. beautiful contemporary bindings by a master. Size: 4to - over 9¾" - 12" tall. Exhibition Catalogue.

Soft cover. Condition: Near Fine. Clean, unmarked, crease-free copy. BP/Bookbinding.

Paperback. Bookbinding (illustrator). 8.5 x 11 inches. Paperback. 96 pages. "Design Bindings: a Retrospective, is a testament to Don Etherington's legacy as a fine binder. The books it illustrates depict an unbroken chain of work spanning a lifetime and reflecting the stylistic influences of their period-each an elegant feat of craftsmanship. The underlying principles embodied in Etherington's conceptualization and execution of these works are monumental, his influence on professional standards-timeless." - Randy Silverman, PBSA "For those generally interested in fine bindings, this is the next best thing to having the bindings in hand. Highly Recommended." - Frank Lehmann, Guild of Book Workers Newsletter, April 2017 A catalogue and appreciation of Etheringtons achievements over a long and distinguished career, printed for the occasion of a retrospective exhibition at HEC Montreal, May-September 2016. Don Etherington is married to Monique Lallier, a very prominent artist binder. The book includes introductory words by Don Etherington, Jonathan Tremblay (President of ARA Canada), and Maureen Clapperton (Director, Miriam & J. Robert Ouimet Library, HEC Montreal), and an essay by John MacKrell. In addition to color illustrations and descriptions of the bindings in the exhibition, the catalogue also shows bindings not in the exhibition, as well as custom bindings by friends, students, and colleagues for his earlier book Book Binding and Conservation: A Sixty Year Odyssey of Art and Craft. Don Etherington began bookbinding at the age of thirteen and went on to study at the London School of Printing. He has held positions at the Biblioteca Nazionale in Florence, The Library of Congress, the Harry Ransom Humanities Research Center at the University of Texas at Austin, and Information Conservation, Inc. He has received awards from the American Institute for Conservation and the Guild of Book Workers, and his work can be found in collections worldwide.

cloth, dust jacket. Bookbinding (illustrator). 8.5 x 11 inches. cloth, dust jacket. 180 pages. Foreword by Bernard Middleton. First edition. Fine in fine dust jacket. This new autobiography by renowned bookbinder Don Etherington takes the reader through his lifelong journey of bookbinding and conservation. Etherington documents his experiences teaching these trades and traveling throughout Europe and to the United States. He tells of his generous contribution to the conservation effort in Florence, Italy, following the great flood that caused incredible damage to thousands of books. Bookbinding and Conservation is a unique account of the personal and professional life of this important figure in the world of binding and conservation. Etherington's memoirs contain numerous personal photographs that richly illustrate his story. The autobiography is followed by a pictorial catalogue of many of Etherington's fine bindings. This book is an excellent pick for anyone interested in bookbinding and the lives of major bookbinders. Don Etherington began bookbinding at the age of thirteen and later went on to study bookbinding and design at the London School of Printing. He became Training Officer and Assistant Restoration Officer at the Library of Congress in 1970. More recently, he received honorary membership awards from the American Institute for Conservation and the Guild of Book Workers. His work can be found in collections worldwide. Last signature has corner bent.

Hardcover. Condition: As new. Dust Jacket Condition: as new. First Edition, First Printing. Oak Knoll Press, 2010. first edition. 156pp., color photographs and illustrations throughout. 4to. As new hardcover, as new d/j.

Bookbinding (illustrator). 8.5 x 11 inches. unbound signatures ready for binding. 156 pages. Foreword by Bernard Middleton. This new autobiography by renowned bookbinder Don Etherington takes the reader through his lifelong journey of bookbinding and conservation. Etherington documents his experiences teaching these trades and traveling throughout Europe and to the United States. He tells of his generous contribution to the conservation effort in Florence, Italy, following the great flood that caused incredible damage to thousands of books. Bookbinding and Conservation is a unique account of the personal and professional life of this important figure in the world of binding and conservation. Etherington's memoirs contain numerous personal photographs that richly illustrate his story. The autobiography is followed by a pictorial catalogue of many of Etherington's fine bindings. This book is an excellent pick for anyone interested in bookbinding and the lives of major bookbinders. Don Etherington began bookbinding at the age of thirteen and later went on to study bookbinding and design at the London School of Printing. He became Training Officer and Assistant Restoration Officer at the Library of Congress in 1970. More recently, he received honorary membership awards from the American Institute for Conservation and the Guild of Book Workers. His work can be found in collections worldwide. Also available in hardcover. unbound signatures ready for binding.

Softcover. Condition: Fine. First Edition; First Printing. Stiff unmarked book, about new. Beautiful. ; 10.9 X 8.5 X 0.2 inches; 96 pages.

Hardcover. First Edition. Quarto, x, 296 pages. In Very Good minus condition. Bound in publisher's burgundy cloth boards with gilt lettering to spine. General shelf wear with some scuffing to cloth. Boards slightly bowed. Light soiling to fore edge of textblock. Interior pages clean. Shelved in Books on Books. 1411888. Shelved Dupont Bookstore.

hardcover, dust jacket. Bookbinding (illustrator). 8.5 x 11 inches. hardcover, dust jacket. 180 pages. Foreword by Bernard Middleton. This new autobiography by renowned bookbinder Don Etherington takes the reader through his lifelong journey of bookbinding and conservation. Etherington documents his experiences teaching these trades and traveling throughout Europe and to the United States. He tells of his generous contribution to the conservation effort in Florence, Italy, following the great flood that caused incredible damage to thousands of books. Bookbinding and Conservation is a unique account of the personal and professional life of this important figure in the world of binding and conservation. Etherington's memoirs contain numerous personal photographs that richly illustrate his story. The autobiography is followed by a pictorial catalogue of many of Etherington's fine bindings. This book is an excellent pick for anyone interested in bookbinding and the lives of major bookbinders. Don Etherington began bookbinding at the age of thirteen as a student at the Central School of Arts and Crafts and later went on to study bookbinding and design at the London School of Printing. Since then, he has held positions at the Biblioteca Nazionale in Florence, The Library of Congress, the Harry Ransom Humanities Research Center at the University of Texas at Austin, and Information Conservation, Inc. In 1982, he co-authored with Matt Roberts Bookbinding and the Conservation of Books: A Dictionary of Descriptive Terminology, the first comprehensive attempt to compile terminology from all the bookmaking and conservation fields. More recently, he received honorary membership awards from the American Institute for Conservation and the Guild of Book Workers. His work can be found in collections worldwide.

Hardcover. Condition: Good. 1st. not issued with a dust jacket; spine lightly faded (as usual) with puckering, light soiling to top edge of text block, stain on fore edge. Illustrated with 13 color plates and several line drawings. 296pp 3.54lb 11.7x9.5x1.2in.

Hardcover. Condition: Fine. No Jacket. 1st Edition. Oversize.

quarto, boards in dust jacket. Condition: New. . First Edition. First Edition. quarto, boards in dust jacket. 180 pp. Oak Knoll Press, This new autobiography by renowned bookbinder Don Etherington takes the reader through his lifelong journey of bookbinding and conservation. Etherington documents his experiences teaching these trades and traveling throughout Europe and to the United States. He tells of his generous contribution to the conservation effort in Florence, Italy, following the great flood that caused incredible damage to thousands of books. Bookbinding and Conservation is a unique account of the personal and professional life of this important figure in the world of binding and conservation. Etherington's memoirs contain numerous personal photographs that richly illustrate his story. The autobiography is followed by a pictorial catalogue of many of Etherington's fine bindings. This book is an excellent pick for anyone interested in bookbinding and the lives of major bookbinders. Foreword by Bernard Middleton.

hardcover. Condition: Good. No dust jacket. Good hardcover with some shelfwear; may have previous owner's name inside. Oversized.

Hardcover. Condition: Very Good. No Jacket. 1st Edition. Tight, solid copy with firm hinges, sharp corners. Maroon boards remain clean while gilt titles to front and spine remain a touch faded but remain pronounced. Internally clean. Solid copy.TM/Books on Books.

Hardcover. Condition: Near Fine. No Jacket. Brown, Margaret R. (illustrator). Presumed First. Appears little used, still crisp. Slightest of shelfwear. B/w illus. 296 pp. Large, heavy book, will require extra postage for overseas or expedited delivery.

Hardcover. Condition: Used. Dust Jacket Condition: Very Good. Used Very Good Condition. Minor bumps/wear at edges/corners. Pages are clean and bright. Spine is straight and tight.

Hardcover. Condition: Very Good. BROWN Margaret R. (illustrator). 1st Edition. VG+, 1st ed, 1982. In red cloth, edge tooling, gilt titles, corners rubbed. Spine, gilt titles. Internally, half title, [4], (v-x), [2], 3-296 pp, 13 illustrations (in colour), numerous illustrations, B&W, within text, A must have item in the books world. (288*232 mm). Although this dictionary is intended first and foremost for those actively involved in one or more aspects of the overall field of bookbinding and book conservation, including bookbinders, conservators of library and archival materials, and the like, it is perhaps no less intended for those working in related fields, such as bibliography and librarianship, where the many terms and expressions relating to the overall field may be less familiar and even more confusing.

Hardcover. Condition: New. In shrink wrap. Looks like an interesting title!

Hardcover. Condition: Fine. Margaret R. Brown(Illustrator) (illustrator). First Edition. Bookbinding and the Conservation of Books by Matt T. Roberts & Don Etherington A tight bright copy with a small patch of sticker residue to front endpaper. Red cloth, spine and cover lettered gold. 11.75 x 9.5 inches. Oversize. Additional postage required for International destinations. Please contact us for a shipping quote. BOOK.

Hardcover. Condition: Good. Good. Dust Jacket NOT present. CD WILL BE MISSING. . SHIPS FROM MULTIPLE LOCATIONS. book.

Hardcover. Condition: Good. Good. Dust Jacket NOT present. CD WILL BE MISSING. . SHIPS FROM MULTIPLE LOCATIONS. book.

Quarto. Cloth. Minor soiling. Very good. First edition.

Etherington, Don (illustrator). small 4to. full leather binding housed in a cloth clamshell box with leather spine label. xvi, 280 pages with xvi pages of plates. A catalogue of the Mcilhenny natural history collection which describes 1388 items. A fine copy in fine clamshell box. Signed in ink by the compiler, author of the preface, and author of the introduction on the half-title page. This particular copy has been bound in a full leather artists' binding by Don Etherington (which is unsigned). The binding is full olive green calf with green, navy blue, white, brown, dark blue, tan, olive, red, and purple leather onlays, with the title stamped in black. Handmade metallic pastepaper pastedowns and endpapers. The collection which consists of art and books about nature was formed as a result of a gift from the descendants of Mcilhenny of Avery Island in Louisiana, owned by the family since 1813. It is illustrated with 16 pages of beautiful color plates and several black-and-white plates and drawing throughout. Indexed. A fine copy. From the private reference library of Dorothy Sloan with a commemorative bookplate loosely inserted. full leather binding housed in a cloth clamshell box with leather spine label.

full leather. Etherington, Don (illustrator). 4to. full leather. 1049, 261, (1) pages, followed by 11 plates of illustrations and blank pages for births, marriages, baptisms, etc. Translated Out of the Original Tongues and with the Former Translations Diligently Compared and Revised by His Majesty's Special Command. Appointed to be Read in Churches. Cum Privilegio. London, New York, Toronto. The New Clarendon Lectern Bible. Printed by Vivian Ridler. This particular copy is bound as one tome by Don Etherington in a full leather binding with five raised bands. Onlay leather on the front cover in the form of a front cover and two leather onlay strips stamped in blind on both the front and rear covers. Title in gilt in second compartment on spine over a red leather spine label. Decorated pastepaper pastedowns and free endpapers. Top edge stained brown with gilt specks. A beautifully bound book.

full leather, clamshell box. Etherington, Don (illustrator). folio. full leather, clamshell box. (30) pages. Exhibition catalogue for the 50th anniversary of the Academy's Graphic Arts industry. Black & white and color illustrations of various bindings. This particular copy has been bound in full leather by Don Etherington. The front and rear panel have leather onlays stamped in gilt with the covers themselves stamped in blind. Housed in a custom clamshell box with leather spine label. Marbled pastedowns and endpapers.

Stunning mixed media etching by the Canadian painter and printmaker known for his works on human nature and form, specifically etchings and engravings. This piece was included in the 1991 Susan Conway Carroll Galleries exhibition of Etchings and Design Bindings by Bougie and renowned binders Monique Lallier and Don Etherington. It appears Bougie printed these for Lallier and Etherington's use as greetings, here being sent with a warm sentiment to Southern California binder, Mel Kavin of Kater-Crafts. A lovely, bibliophilic item. 24x16cm bifolium of handmade cream stock, gravure by Louis-Pierre Bougie impressed on front, numbered 39/50 and signed in 1991. Inside is an holograph note from Lallier and Etherington to Mel Kavin, signed by both and with their address label adhered, dated in 2003. Few faint marginal smudges and light bumps else near fine.

First Edition. First edition, 4to, pp. x, 296, [1]; drawings by Margaret R. Brown, very good in original maroon cloth, stamped in gilt. Foreword by Frederick R. Goff. Bookplate of Jake Chernofsky affixed to front pastedown.

LeatherBound. Condition: New. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. LeatherBound edition. Condition: New. Reprinted from edition. Leather Binding on Spine and Corners with Golden leaf printing on spine. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. Pages: 290 As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Pages: 290 Volume April 1990 Language: English.