Formaggio D (25 results)

Condition: Poor. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. With owner's inscription inside cover. In poor condition, suitable as a reading copy. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,1000grams, ISBN:

1st in this edition hardback with dustwrapper very good/very good large format, 13 text pages, in English, and 64 plates, some in colour.

Condition: Fair. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In fair condition, suitable as a study copy. Re-bound by library. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,850grams, ISBN:

Cloth, gilt cover-title, large 4to, 34 cm, 143, [1] pp, 132 mounted colour ills. From the blurb: "Few of the arts have offered as rewarding and faithful a picture of the culture of their times as has manuscript illumination. And few have contained as concise a history of the painting of a particular era. Here, in a handsome volume containing over 130 beautiful colour plates, we find a history and an interpretation of the exacting art of illumination. What is illumination? How did it begin and develop? How did it grow from mere illustrations accompanying a text to a pictorial record which shows us, down to the last detail, the life of the Middle Ages - from views of gaily clad courtiers setting out on a hunting expedition to scenes of humble people ploughing, planting and gathering the harvest. Why did this particularly vital art form eventually disappear? These questions are answered fully by the authors in a fascinating text. They also give detailed information on the various processes by which colours were made and placed on the page. We are given, too, some idea of the difficult task that the illuminator had before him, and of his devotion to his art. It was, in fact, the dedication of these men - the hard work that made their backs ache and their eyes grow, dim - that made the art of the miniature a great one." Translation of La miniatura. Foxingto endpapers and first and last few leaves, otherwise Good in a used dustwrapper which is torn with small loss at the head of the front panel.

Cloth, gilt cover-title, large 4to, 34 cm, 143, [1] pp, 132 mounted colour ills. From the blurb: "Few of the arts have offered as rewarding and faithful a picture of the culture of their times as has manuscript illumination. And few have contained as concise a history of the painting of a particular era. Here, in a handsome volume containing over 130 beautiful colour plates, we find a history and an interpretation of the exacting art of illumination. What is illumination? How did it begin and develop? How did it grow from mere illustrations accompanying a text to a pictorial record which shows us, down to the last detail, the life of the Middle Ages - from views of gaily clad courtiers setting out on a hunting expedition to scenes of humble people ploughing, planting and gathering the harvest. Why did this particularly vital art form eventually disappear? These questions are answered fully by the authors in a fascinating text. They also give detailed information on the various processes by which colours were made and placed on the page. We are given, too, some idea of the difficult task that the illuminator had before him, and of his devotion to his art. It was, in fact, the dedication of these men - the hard work that made their backs ache and their eyes grow, dim - that made the art of the miniature a great one." Translation of La miniatura. Front free endpaper creased, browning to page edges, otherwise Near Very Good. In a slightly torn dustwrapper.

Original publisher's red cloth hardback, gilt lettering spine and frontcover, pictorial dustjacket, large 4to: 144pp. 132 tipped-in coloured plates, index illustrations. Text in German.

Condition: Fair. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In fair condition, suitable as a study copy. Dust jacket in fair condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,1900grams, ISBN:

brossura. Condition: Very Good. cl5Brossura editoriale volume in buone condizioni133 pagine circaCopertina come da foto. Book.

Condition: Buono (Good). SC51Brossura editorialevolumetto in buone condizioni, lievi segni di usura, estratto da "Atti del Convegno di Studi Banfiani, 1967"12 pagine circaCopertina come da foto. Book.

paperback. Condition: Good. Rivista "Materiali filosofici", n. 11, maggio-agosto 1984. Brossura editoriale di 154 pagine. Esemplare in ottime condizioni. SPEDIZIONE IN 24 ORE DALLA CONFERMA DELL'ORDINE. Book.

in-8°, pp. 365 con 285 ill. a colori ed altre in nero n.t. Leg. in tela edit. con sovrac. Stato di nuovo.

flexi bound. Condition: Good. 2. Copertina cartonata sporca lievemente. Tagli impolverati e ingialliti. Pagine ingiallite. Collana: "Enciclopedia filosofica" n. 1. Buono (Good) . Book.

Condition: Good. Buono stato. Legatura editoriale in tutta tela, con titoli dorati al piatto e al dorso. Sovraccoperta con margini lievemente usurati e con strappo al piede del piatto superiore. Pagine ingiallite. Foto parziale per dimensioni esemplare cm. 34 X 27. ARTE (cod. mag: MA - 2102) Buono (Good) . Book.

paperback. Condition: Perfetto (Mint). BTT161FBrossura editoriale,volume come nuovo, copertina e interno in condizioni eccellenti, legatura salda108 pagine circaCopertina come da foto. Book.

in 4°; pp. 26 + tavv. (ill. in bn.); br. con sovracop. Traduzione in inglese di Maria Germene. Con 64 tavv. In bn.

In-4 di pagg. 164 con molte ill. in nero e a colori. Leg. edit. e soprac. fig.

Paperback. Condition: Used: Good. Libro proveniente da collezione privata. copertina danneggiata e scolorita. Pagine ingiallite. La copertina riporta usuali segni del tempo. Consegna 24/48 ore 62 o 6.

Condition: Good. Paperback, stains on cover, blackish stain on edge of pages.

Solo secondo volume ( teoria ), collana Oscar Studio, brossura, formato 13x20, pagine 366, ottime condizioni - 34064 9788804185772 2.

paperback. Condition: Molto buono (Very Good). Catalogo della mostra di Milano, Palazzo della Permanente, 12 gennaio-27 marzo 1983 Brossura 447 p. 24x17 cm 8820205165 Molto buono (Very Good) .

4to. 164 S. m. zahlr. Abb. u. Farbtaf. (Galerien und Kunstdenkmäler Europas). OLwd m. OUmschl. Sprache: Deutsch.

Condition: UsatoBuono. Bross.con cop. e custodia ill.e a col., cm 25x17,5, pp 447, 156 tavv. a col. e b/n.

1960. Oldbourne Press. Hardback. Book - Good, but title page is loose. DJ - Good. Ex-lib.

Condition: 2. Relie sous jaquette papier.

brossura. Condition: in ottime condizioni. Dust Jacket Condition: in ottime condizioni. Milano, Mazzotta, 1983. Cm. 17x24, pag. 443, tav. in nero e a col, br. Catalogo della mostra a Milano- Palazzo della Permanente- Gennaio, Marzo 1983.