Forrestall Tom (15 results)

Trade Paperback. Condition: Good. No Jacket. First Edition. Light wear to covers, which also have a few minor spots and discolouring; one mor prominent spot 1cm in diameter (coffee?), a previous price is ink-stamped inside front, else clean unmarked and undamaged. They are 117 watercolour sketches, reproduced mono (unclear if they are mono reproductions of colour originals) in the artist's distinctive and almost photographic style; rural and nature scenes in Nova Scotia. Size: 8vo - over 7¾" - 9¾" tall. Tom Forrestall (illustrator). Book. …

First Edition. Very good paperback copy; edges slightly dust-dulled and nicked. Remains particularly well-preserved overall; tight, bright, and clean. Physical description; 132 pages : chiefly illustrations ; 21 cm. Subjects; Forrestall, Tom 1936-; history. Nova Scotia in art. Artworks; history. Nova Scotia; description and travel. 1 Kg. …

First Edition. Very good paperback copy; edges slightly dust-dulled and nicked. Remains particularly well-preserved overall; tight, bright, and clean. Physical description; 132 pages : chiefly illustrations ; 21 cm. Subjects; Forrestall, Tom 1936-; history. Nova Scotia in art. Artworks; history. Nova Scotia; description and travel. 1 Kg. …

Unbound. Condition: Fine. 4"x 6" postcard - SIGNED by Canadian artist Tom Forrestall (signature only). SIGNED CARD.

Wraps. Condition: Very Good. 1st Edition. Reproductions of 40 paintings from the travelling exhibition organized by the Owens Art Gallery, w/forewords by T. Keilor Bentley (gallery director) and Donald Cameron Mackay, and an opening statement from the artist. Unpaginated, w/biographical notes and an itinerary of the exhibition. Moderate edge and corner wear, 4" semi-circular impression to top portion of front cover, light sunning, moderate handling wear. Size: Folio - over 12 - 15" tall. Book.…

Condition: Good to Very Good. Good to Very Good. Soft cover with plain white card covers and grey dustjacket.

Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. First Edition. red cloth, gilt spine, 103 pages : illustrations (some colour), portraits, Includes bibliographical references, signed presentation by photographer on title page, CONTENTS: Foreword / Richard Currie -- Recollections of the lost mural / William Forrestall -- Fred Ross in context / Charles Hill -- Deep roots and a deep conscience / John Leroux -- Fred Ross: lost and found drawings for murals / Tom Smart -- The original cartoons, from the collection of the National Gallery of Canada -- The mural suite / James Wilson -- The circle completed / Virgil Hammock -- Looking back, looking forward: in conversation with Fred Ross / William Forrestall.Featured in this book are five essays exploring different aspects of one of the most unique art restoration projects in Canadian art history. Size: 4 to.. photography by James Wilson. (illustrator). Signed by Photographer. Book.…

Illustrated card covers. Condition: Covers foxed, interior good. (4)-132 Pp. 117 black & white illustrations.

Soft cover. Condition: Very Good. 8" x 8". 127 pp. ".60 full-page colour images from.Tom Forrestall, Joy Laking, Alex Livingston, Heather MacLeod, Dawn MacNutt, and Robert Pope." Bright clean copy.

Condition: Good. 4to. 44 pp. Stiff, stapled black and white photographic wraps. Very good with marginal creasing along spine of interior pages. Black and white plates. Includes text by Paul A. Hachey. Catalogue created on occasion of exhibition "Colville, Pratt, Forrestall" organixed by the Beaverbrook Art Gallery in New Brunswick, Canada in 1974. In English et en Francais. From the Collection of the Art Historian Peter Selz.…

Hardcover. Condition: Good+. Dust Jacket Condition: Good. First Edition; First Printing. Tight square book in sage-colored cloth with two stains to rear board; pages are crisp clean and unmarked; in rubbed dust jacket with edgewear and chipping. . 76 paintings by Forrestall and 55 poems by Nowlan. Flatsigned "Tom Forrestall" to the title page.; 9.75 x 12.5"; 135 pages; Signed by Author. …

First Edition. 104pp. Small Quarto in pictorial wrappers. B/W and colour illustrations, drawings and photos throughout. Near fine condition. This volume includes his paintings, excerpts from his private notebooks and personal photos. Introduction by Dr. Nick Webb.

Hardcover. Condition: Near Fine. Dust Jacket Condition: Near Fine. Oblong 4to. Navy coloured boards and light blue lettering to the spine. Near fine copy. Inscribed by Tom Forrestall on the half-title to Canadian writer Greg Gatenby. Signed by Author(s).

Soft cover. Condition: Very Good. No Jacket. 44 pp. with B/W illustrations. Saddle-stitched binding, light wear and soiling, with slightly rumpled lower right corner and a shallow 3" diagonal crease near spine running from cover to page 11. Rare catalogue for an exhibition that toured New Brunswick schools, libraries and galleries from May 7 to December, 1974. Text in English and French. Alex Colville paintings included "Nudes on Shore" (1950), "Nude and dummy" (1950), "Visitors Are Invited to Register" (1954), "Boy, dog and St. John River" (1958), "After Swimming" (1955), "Dog with Bone" (1961), "Boat and Marker" (1964), "Snow Plough" (1967), "Snow" (1969) and "Sunrise" (1970). Christopher Pratt paintings include "Self Portrait" (1961), "Young Girl with Sea Shells" (1965), "Woman at a Stove" (1965), "The Bed" (1971), "Boat in Sand" (1961), "Sheds in Winter" (1964) and "Plough in a Storm". Tom Forrestall paintings includ "Rhubarb Patch" (1964), "New Brunswick Barn" (1964), "The Stone Foundation" (1968), "Near Seven Mile Stump" (1969), "The Daisies" (1971), "Where Willie Works" (1971), "In Back" (1973), "The Scrapyard" (1973), "Tin, Rope, and Stone" (1973) and "The Royalists" (1973). Other pieces not illustrated are listed in the catalogue, along with artist biographies. Colville, Alex; Pratt, Christopher; Forrestall, Tom (illustrator).…

Hardcover. Condition: New. This beautifully illustrated volume explores the range, depth, and visual poetry of Tom Forrestallâs work as a painter of magical realism. It explores the development of his characteristic style and the genesis of his shaped paintings, the origins, limitations, and use of his egg tempera technique, and Forrestall's choice of subject matter and its relationship to defining a poetry of place. Curator and critic Tom Smart also examines the artistâs spirituality as expressed directly and symbolically in his imagery, the relationship between his sketchbooks, personal written reflections, and paintings, and how Forrestall's art relates to analogous contemporary movements in Canada, the United States, and Europe. Historical facts, critical opinions, anecdotes, artist writings and statements, and Tom Smartâs own analysis of the works are combined in a book that illuminates the artistâs work for readers while also providing the contexts needed to appreciate it.…