Fransen Bart (23 results)

Condition: Good. Original black cloth, gilt lettered spine, dust jacket, numerous illustrations (mostly photographs) in colour and b/w, 4to.

Hardcover. Condition: Near Fine. Dust Jacket Condition: Very Good. Small chip base rear panel of jacket, else fine. I also have Research and Conservation of the Interior: the Lower Register. This large book may require a freight adjustment.

Condition: New.

hardcover. Condition: New. 1st.

Condition: As New. Unread book in perfect condition.

hardcover. Condition: Very Good. No marks or highlighting in the book. Our copy is hardback showing shelf-wear. Corners and edges bumped, upper edge of cover shows a 2" scrape.

Hardcover. Condition: Brand New. 300 pages. 11.00x8.75x1.00 inches. In Stock.

Condition: New.

Condition: As New. Unread book in perfect condition.

Hardcover. Condition: new. Hardcover. The activities of Rogier van der Weyden (1399/1400-1464) were much wider in scope than the well-known painted oeuvre that has been the subject of so many publications. This book, with its focus on stone sculpture in Brussels at the time that Rogier was established there, an area of art history that to date has been little explored, offers a fresh and fascinating look at the context in which Brussels's famous city painter operated. Bart Fransen leads you through a network of stoneworkers and craftsmen, from the stone quarry to the sculptor's workshop, to discover a number of remarkable but unknown or misjudged sculptures now in churches, an abbey, a beguinage, a museum's reserve collection and a castle chapel. With the various case studies in mind he goes on to examine Rogier van der Weyden's direct involvement in sculptural projects, turning to the evidence revealed by archival documents, drawings and sculpture itself. The result is a highly readable and plentifully illustrated book that re-establishes the close relationship between the various art forms that existed in the fifteenth century. En Brabant cetait le bois, a Tournai cetait la pierre in Brabant it was wood, in Tournai it was stone. With this sweeping generalization Paul Rolland concluded his 1931 article on the fifteenth-century Tournai school of sculpture and painting. His thesis has burdened subsequent art historical research with preconceptions that continu Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Hardback. Condition: New.

HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Condition: New.

Condition: New.

Condition: As New. Unread book in perfect condition.

Softcover. Green wraps with color illustration on front cover, black and white lettering, 458 pp, illustrated in bw and color. Volume IV only. "Catalogue of Early Netherlandish Painting in the Royal Museums of Fine Arts of Belgium"- title page. Contents include: Master of the Joseph Sequence -- Master of the Magdalen Legend -- Master of the Orsoy Altarpiece -- Master of the Saint Barbara Legend -- Master of the Saint Catherine Legend -- Master of the Saint Lucy Legend -- Master of the Saint Ursula Legend -- Master of the View of Saint Gudula -- Master of 1473. Also includes bibliographical references (pages 414-436) and index. VG (light shelf wear to wraps and corners bumped, pages are very clean).

Hardback. Condition: New.

Hardcover. Condition: new. Hardcover. The activities of Rogier van der Weyden (1399/1400-1464) were much wider in scope than the well-known painted oeuvre that has been the subject of so many publications. This book, with its focus on stone sculpture in Brussels at the time that Rogier was established there, an area of art history that to date has been little explored, offers a fresh and fascinating look at the context in which Brussels's famous city painter operated. Bart Fransen leads you through a network of stoneworkers and craftsmen, from the stone quarry to the sculptor's workshop, to discover a number of remarkable but unknown or misjudged sculptures now in churches, an abbey, a beguinage, a museum's reserve collection and a castle chapel. With the various case studies in mind he goes on to examine Rogier van der Weyden's direct involvement in sculptural projects, turning to the evidence revealed by archival documents, drawings and sculpture itself. The result is a highly readable and plentifully illustrated book that re-establishes the close relationship between the various art forms that existed in the fifteenth century. En Brabant cetait le bois, a Tournai cetait la pierre in Brabant it was wood, in Tournai it was stone. With this sweeping generalization Paul Rolland concluded his 1931 article on the fifteenth-century Tournai school of sculpture and painting. His thesis has burdened subsequent art historical research with preconceptions that continu Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Hardcover 260 pages, Illustrated. ISBN 9789464666816. A contemporary view of the masterly works of Dieric Bouts This book, published in association with the exhibition, DIERIC BOUTS. Creator of Images, at M Leuven, attempts to get closer to this enigmatic figure. Dieric Bouts had both feet in his world: it is perhaps that we seem unable to understand his work. This book includes comprehensive essays and shorter texts that focus on specific works by the Flemish master, outlining the social, intellectual, and artistic context in which Bouts worked. They highlight his oeuvre from new angles and offer new perspectives on works that are now more than five centuries old ? through a radical confrontation with the visual culture of today. The result is a more nuanced image of the great artist from Leuven. Dieric Bouts regains his place in the history of art as the eye-expanding maker of images that he was. This book is published on the occasion of the impressive retrospective at M Leuven from 20 October 2023 to 14 January 2024. Dieric Bouts (ca. 1410/20-75) is one of the most elusive figures in the history of Western art. Flemish primitive of the second generation, painter of silence such are the labels that are usually attributed to him. But was the Master of Brabant not more than that? This book, published in association with the exhibition, DIERIC BOUTS. Creator of Images, at M Leuven, attempts to get closer to this enigmatic figure. Dieric Bouts had both feet in his world: it is perhaps that we seem unable to understand his work. This book includes comprehensive essays and shorter texts that focus on specific works by the Flemish master, outlining the social, intellectual, and artistic context in which Bouts worked. They highlight his oeuvre from new angles and offer new perspectives on works that are now more than five centuries old ? through a radical confrontation with the visual culture of today. The result is a more nuanced image of the great artist from Leuven. Dieric Bouts regains his place in the history of art as the eye-expanding maker of images that he was. This book is published on the occasion of the impressive retrospective at M Leuven from 20 October 2023 to 14 January 2024. Edited by Peter Carpreau. With contributions by Inigo Bocken, Jordan Marie Booker, Till-Holger Borchert, Peter Carpreau, Marjan Debaene, Mark Derez, Bart Fransen, Valentine Henderiks, Stephan Kemperdick, Didier Martens, Gust Van den Berghe, and Michiel Verweij. 0 g.

Rústica. Condition: New. Dust Jacket Condition: Nuevo. 01. LIBRO.

Soft cover. Condition: Fine. Language: English. The Flemish Primitives IV: Masters with Provisional Names: 4 (Catalogue of Early Netherlandish Painting: Royal Museums of) soft cover: 295 x 215 mm, 458 p, very good condition [This description may have been translated by AI.] 0.

Soft cover. Condition: Fine. Language: English. The Flemish Primitives IV: Masters with Provisional Names: 4 (Catalogue of Early Netherlandish Painting: Royal Museums of) soft cover: 295 x 215 mm, 458 p, very good condition 0.

Condition: Good. 458 pp., PAPERBACK EDITION, head of spine torn and bumped, slight slant to spine, else text and binding clean and tight. - If you are reading this, this item is actually (physically) in our stock and ready for shipment once ordered. We are not bookjackers. Buyer is responsible for any additional duties, taxes, or fees required by recipient's country. Photos available upon request.